Blood On The Trail o A World of Adventure For Fate Core (9888226)
Blood On The Trail o A World of Adventure For Fate Core (9888226)
Blood On The Trail o A World of Adventure For Fate Core (9888226)
ON
THE
A WORLD OF
ADVENTURE FOR
SHOSHANA KESSOCK
This adventure was made awesome thanks to our Patreon patrons at patreon.com/evilhatthanks guys!
INSIDERS
Alan Bartholet
Andrew Dunne
Andrew Pomfret
Anne-Sylvie Betsch
Antero Garcia
Arjun Comar
Arlo B Evans
Bartolome Mayol
Ben Mullen
Brett Abbott
brian allred
Bryan Milstid
C. J. Hunter
C.K. Lee
Christopher
Gunning
Christopher Vollick
Clyde Clark
D.C. Upton
Daniel Gallant
Daniel Stack
David Dorward
David L Kinney
Demian Buckle
Dusan Frolkovic
Dustin Evermore
Edward MacGregor
Frank
Frdri POCHARD
Garrett Rooney
Gavran
Glenn Mochon
Graham Owens
Graham Wills
Haakon
Thunestvedt
Isabelle Parsley
J Quincy Sperber
J.M.
Jason Cotton
Jeff Chaffee
Jeff Craig
Jefwfunk
Jeremy DeVore
Jeremy Tidwell
Jim Hart
Jim Nicholson
Joakim Andersson
Joe Trzos
John Rudd
Jon-Pierre Gentil
Joshua Lutz
Justin Evans
Katie Ramsey
Keith Stanley
Ken Ditto
Kieren Martin
Laura
LilFluff
Lore Graham
Lowell Francis
MAINGUET Francois
Marc Mundet
Mark
A Person
Aaron W Scott
Ada
Adam Buehler
Adam C.
Adam Gutschenritter
Adrian Arias-Palomo
Aharon sharim
Aidan Grey
Al Billings
Alan Phillips
Alan Timothy Rogers
Alan Twigg
Alexander Grfe
Alexander Newcombe
Alexander Permann
Alexander R. Corbett
Alexis Lee
Alistair
Allan Bray
Allan Samuelson
Alloyed
Amanda Valentine
Andrew
Andrew Betts
Andrew Dacey
Andrew Grant
Andrew Horn
Andrew Loch
Andrew Turbott
Andy Arminio
Angus
Anthony Damiani
Antoine Pempie
Ariel Pereira
Arlene Medder
Arthur Lace
ArthurDent
Aviv
B. Bredthauer
Barac Wiley
Bastien Daugas
Bean Lucas
Becca
Ben
Ben Scerri
Ben White
Benjamin Cush
Benjamin Wandio
Benjamin Welke
Bill
Bill Eastman
Bjrn Steffen
Bloomingnerd
Bo Madsen
Bob Hiestand
Brad Davies
Brad Osborne
Bradley Eng-Kohn
Brandon Metcalf
Brandon Wiley
Brandt Bjornsen
Brendan Conway
Brent Ritch
Brian
Brian Creswick
Brian S. Holt
Brian Shourd
Brittany Lenda
Bruce
Bruce Laing
Bryan
Bryan Gillispie
Bryan Wiltgen
Bryce Perry
Bud the Chud
C
Candida Norwood
Carl McLaughlin
Carlos Flores
Cerity
Charles Albrecht
Charles Evans
Chip Dunning
Chirag
Chris Caporaso
Chris Mitchell
Chris Nolen
Chris Rigaux
Christian
Christoph Thill
Christopher Allen
Christopher Hatty
Christopher Smith
Adair
Christopher Stilson
Christopher
Stone-Bush
Christopher W. Dolunt
Chuck Dee
Colin
Colin Matter
Corey Johnston
Craig Maloney
Creative Play and
Podcast Network
Curt Meyer
Curtis Hay
Cyrano Jones
Dain
Damon Richard
Daniel Byrne
Daniel Chapman
Daniel Ellingsen Lund
Daniel Kraemer
Daniel Ley
Daniel Markwig
Daniel Taylor
Daniele Galli
Darren Lute
Dave Joria
David
David Bellinger
David Bowers
David Fergman
David Goodwin
David Griffith
David Hayes
David Hicks
David Maple
David Millians
David Morrison
David Olson
David S
David Silberstein
David Starner
David Stern
Davide Orlandi
Declan Feeney
Derek Hiemforth
Devon Apple
dharp
Dianne
Didier Bretin
Dillard
Dirk Methner
Don Arnold
Don Bisdorf
Don Schlaich
donald murray
Drew Shiel
Drew Smith
Duane Cathey
DudeInTheNight
Duncan
Dylan Green
Ebenezer Arvigenius
Edward Sturges
Ehedei
Eirch Mascariatu
Elliott M. Freeman
Elsa S. Henry
Elsidar Amhransidhe
EmissaryOfZork
Emmanuel
Emmanuel Genot
Enrique Esturillo Cano
eric
Eric Bontz
Eric I
Eric Proton
Eric Willisson
Erich Lichnock
Erik
Erik Ingersen
Erika Finbraaten
Ernie Sawyer
Esteban Jauregui Lorda
Evan Ringo
Ezekiel Norton
Fabrice Breau
FelTK
Fide
Florian Gre
Francisco Castillo
Frank
Frank Beaver
Frank Jarome
Frankie Mundens
Gabriel Sorrel
Gareth Marshall
Garrett
Garrett Jones
Garth Rose
Gary Anastasio
Genevieve
George Harnish
Gian Domenico
Facchini
Glynn Stewart
Graham Meinert
Greg Matyola
Gregg Workman
Gregory Fisher
Gregory Hirsch
Gustavo Campanelli
Hakushaku
Harry
Heather
Henry Gaudet
Herman Duyker
HFB
Howard M Thompson
Ian Charlton
Ian Toltz
Indi Latrani
Irene Strauss
Istrian Gray
J. Keith Wykowski
Jack Gulick
Jackson Hsieh
Jake Linford
James Beal
James Boldock
James Endicott
James Hoag
James Husum
James Marston
James Odom
James Pacheco
James Winfield
Jamie Wheeler
Janet
Jared Hunt
Jason
Jason Bean
Jason Best
Jason Heredia
Jason Pasch
Jason Penney
Jason Tocci
Jayna Pavlin
Jeff Mahood
Jeff Pitrman
Jeff Vincent
Jeffrey Boman
Jeffrey Collyer
Jeffrywith1e
Jens
Jens Alfke
Jeremiah McCoy
Jeremy
Jeremy
Jeremy Glick
Jeremy Hamaker
Jeremy Kear
JF Paradis
Joanna
Joe
Joe Littrell
Joe Patterson
Joel Beally
Joel Beebe
Johannes K.
Rasmussen
Johannes Oppermann
John
John
John Arcadian
John Beynon
John Bogart
John Clayton
John Fiala
John Griogair Bell
John Halsey
John Helmuth
John Lambert
John Portley
John Rogers
John S. Fetzik
John Taber
John Tobin
John William McDonald
Johnathan Wright
Marty Chodorek
Matt and Nykki
Boersma
Matt Anderson
Matthew
Whiteacre
Michael Bowman
Michael Cambata
Michael Dean
Hannah
Michael Meriwn
Michael Monahan
Michael Pedersen
Mitchell Evans
Morgan Ellis
Nicholas Hopkins
ADVENTURERS
Jon C.
Jon Smejkal
Jonas Matser
Jonathan
Jonathan
Jonathan Finke
Jonathan Hobbs
Jonathan Korman
Jonathan Young
Jordan Deal
Jordan Dennis
Jordi Aldeguer
Jose A.
Joseph Formoso
Joseph Gamblin
Josh McIllwain
Josh Rose
Josh Salyers
Joshua
Joshua Ramsey
Joshua Reubens
Juan Francisco
Gutierrez
Julianna Backer
Justin
Justin Thomason
Kaarchin
Karl Thiebolt
Katherine Malloy
Keith Fannin
Kenneth Benjamin
Holbert
Kent Snyen
Kevin Lindgren
Kevin McDermott
KevIn oreilly
Kris Vanhoyland
Krista
Krzysztof Chyla
Kurt Zdanio
Kyle
Larry Hollis
Leif Erik Furmyr
Lester Ward
Lisa Hartjes
Lobo
Loren Norman
Luca Agosto
Lukar
m.h.
Manfred
Marc
Marc Kevin Hall
Marcel Lotz
Marcel Wittram
Marcus
Mario Dongu
Mark
Mark
Mark A. Schmidt
Mark Diaz Truman
Mark Harris
Mark Widner
Markus Haberstock
Markus Wagner
Martin
Martin Deppe
Martin Felczerek
Martin Terrier
Marty Gentillon
Mathias Exner
Nick Daly
Nick Reale
Nicola Urbinati
Nicolas Marjanovic
Osye Pritchett
Patrick
Mueller-Best
Peter Gates
Peter Woodworth
Philip Nicholls
Rachael Hixon
Randy Oest
Rhel
Richard
Bellingham
Rick
Rick Jakins
Robert Hanz
Robert Kemp
Roger Edge
Ryan Singer
Sarah Vakos
Sean M. Dunstan
Sean ODell
Selene ORourke
Stephen Rider
Svalander
Thom Terrific
Tim L Nutting
Timothy Carroll
Timothy
Masamitsu
Troy Ray
Tyler Allen
Tyler Hunt
vargr1
Will Goring
William J. White
William Lee
William McDuff
Zach
Matt Houck
Matt Landis
Matt Timm
Matthew Broome
Matthew Caron
Matthew J. Hanson
Matthew Price
Matthew Whalley
Max
Max Kaehn
Melanie Patstone
Micah Davis
Michael
Michael
Michael Barrett
Michael Bradford
Michael Brewer
Michael D. Blanchard
Michael D. Ranalli Jr.
Michael Hill
Michael Hopcroft
Michael Sawi
Michael Shumate
Michael Thompson
Mick Bradley
Mike Vermont
Mirko Froehlich
Miscellaneous Musings
Mitchell Smallman
Mook
Nat
Nat
Nate Parrish
Nathan Barnes
Nathan Hare
Nathan Reed
Nessalantha
Nichlas Dyhr
Hummelsberger
Nicholas Pilon
Nick
Nick Bate
Nick pater
Nicolas Decomble
Noel Warford
Obsessive Comics
Disorder
Olav Mller
Oliver Scholes
Olivier Nisole
paolo castelli
Patrice Hd
Patrice Mermoud
Patrick Chapman
Patrick Ewing
Patrick Fittkau
Paul
Paul Arezina
Paul Olson
Paul Rivers
Pavel Zhukov
Pete Curry
Peter Griffith
Peter James Burczyk
Peter Kahle
Petri Leinonen
Phil Groff
Philippe Marichal
Philippe Saner
Phillip Webb
PK
Porter
R R Clark
R Roy
Ralf Wagner
Ralph Miller
Randall Orndorff
Randy Eckenrode
Randy M. Roberts
Raun Sedlock
Rebecca Harbison
Red Dice Diaries
Remy Sanchez
Renzo Crispieri
Ricardo Boccato Alves
Rich Hewett
Rich Hilborn
Richard
Richard Greene
Richard Lock
Riggah
Rishi
Rob Meyers
Rob Voss
Robb Neumann
Robert
Robert Biskin
Robert Huss
Robert Rees
Robert Rydlo
Robert Slaughter
Rodrigo
Roe Portal
Roger Carbol
Ron Mller
Roy
Ruben Smith-Zempel
Ryan C. Christiansen
Ryan Gigliotti
Ryan Junk
Samuel Edwards
Samuel Hart
Samwise Crider
Sarah Williams
Schubacca
Scot Ryder
Scott Acker
Scott Dexter
Scott Greenleaf
Scott Hamilton
Scott Martin
Scott Millward
Scott Puckett
Scott Thede
Sean Sherman
Sean Smith
Sean Walsh
Sean West Money
Sebastian S
Seth Clayton
Seth Halbeisen
Seth Hartley
Shadowmyre Kalyn
Shai Laric
Sharif Abed
Shoshana Kessock
Simon Brunning
Simon White
Simon Withers
Sion Rodriguez y
Gibson
Sawomir Wrzesie
Sophie Lagace
Spencer Williams
Stefan Feltmann
Stephan
Stephanie Bryant
(Mortaine)
Stephen Figgins
Stephen Hood
Stephen Waugh
Steve Discont
Steve Kunec
Steve Radabaugh
Steven Code
Steven D Warble
Steven desJardins
Steven K. Watkins
Steven Markley
Stuart Dollar
Svend Andersen
Tara Zuber
Tatu Sara-aho
Teppo Pennanen
Teresa O
Terry Willitts
Tevel Drinkwater
The Roach
Thomas
Thomas Balls-Thies
Thomas Elmeblom
Thomas Maund
Thomas Off
Tim Davis
Tim Popelier
Timothy Seiger
Todd Estabrook
Todd W Crone
Todd Willey
Tom Luongo
Tony Ewing
Tony Kelly
Torolf de Merriba
Travis Stodter
Trevor Crosse
Tristan Smith
Tsht
Tyler Duckworth
Tyson Monagle
Urs Blumentritt
Victor Allen
Ville Lavonius
Vladimir Filipovi
Volker Mantel
Vrakul
waelcyrge
Wayne Coburn
Wayne Peacock
Wes Fournier
Will Foy
William Johnson
William Pitts
Wolfgang Reich
Wulf
Yonatan Munk
Z Esgate
Zeb Walker
BLOOD ON
THE TRAIL
A WORLD OF
ADVENTURE FOR
SHOSHANA KESSOCK
DEVELOPMENT
LEONARD BALSERA
& ROB DONOGHUE
EDITING
JOSHUA YEARSLEY
PROJECT MANAGEMENT
SEAN NITTNER
ART DIRECTION
BRIAN PATTERSON
LAYOUT
FRED HICKS
INTERIOR & COVER
ARTWORK
GUILLAUME
TAVERNIER
MARKETING
CARRIE HARRIS
BUSINESS DEVELOPMENT
CHRIS HANRAHAN
CONTENTS
Blood on the Trail.............................................................................. 2
Inspirations for Blood on the Trail..........................................................2
A Word on the History of the West.......................................................3
Give Me Your Tired, Your Poor, Your Vampires............................. 4
Migration and the Homestead Act.........................................................5
What People Know in the New, Vampire-Filled World.................. 6
The Vampire Incursion West............................................................ 7
Motivations of a Monster.........................................................................10
The Vampire Psyche...................................................................................10
The Wagon Roundup: Starting Your Game.................................. 11
Creating Your Map............................................................................13
Step One: Your Destination..................................................................... 13
Step Two: Legs of the Journey.............................................................. 13
Step Three: Stopover Details.................................................................. 13
Step Four: Measure the Distance..........................................................14
Creating Your Pioneers....................................................................15
Aspects........................................................................................................... 15
Skills................................................................................................................. 16
Stunts.............................................................................................................. 17
Stress............................................................................................................... 17
Consequences.............................................................................................. 17
Refresh and Fate Points........................................................................... 17
Building Your Wagon Train.............................................................18
Leadership....................................................................................................20
Obstacles and Advantages....................................................................20
Setting Out on the Trail.................................................................. 22
Rolling for the Wagon Train................................................................... 22
Stress on the Wagon Train..................................................................... 23
Scenes on the Trail.................................................................................... 23
In the Wilderness:
Ordeals, Obstacles, and Opportunities............................................. 24
Vampire Attacks.........................................................................................29
Stopovers on the Trail..............................................................................30
Vampire Showdown.................................................................................. 32
Vampires........................................................................................... 33
Nameless Vampires................................................................................... 33
Supporting Vampires...............................................................................34
Main Vampires............................................................................................. 35
Example Vampire Stunts.........................................................................36
Vampire Mind-Control.............................................................................. 37
Turning Mortals Into Vampires..............................................................38
Playing Vampires.......................................................................................39
Seven Brides for Seven Vampires................................................ 40
Concept and Premise.............................................................................. 40
The Vampire Threat: Selina and the Pack..........................................41
Part One: Independence, Defined.......................................................43
Part Two: April Showers Bring May Nightmares............................44
Part Three: Rivers, Like Railroads, Must Flow................................. 47
Part Four: Showdown at the Farragut Homestead.......................50
Part Five: The Aftermath........................................................................ 52
If youre looking for some inspiration for your game, weve got a handy list of
resources.
Theres plenty of classic western books out there thatll give you a hand in
learning the history of the West. But this is a fantasy West, so to get that
feeling, tap into some graphic novel goodness like American Vampire or
the modern-day vampire series 30 Days of Night. While the first gives you
a nice taste of vampire stories that begin in this games time period, the
latter gives you the perfect sense of isolation and struggle that this game
is all about.
Television gives us plenty of examples of Western life to check out, some
better than others. For a good look at the struggles of settling the West,
look at the mini-series Into the West or the series Hell on Wheels.
No list could be complete without mentioning the classic video game
Oregon Trail. Die on the trail from dysentery or shoot all the buffalo: your
future is in your handsjust like in Blood on the Trail.
We might have once thought of the Old West the way wed seen on television, with cowboys and Indians. But these days we know that the West is just a
creation, a fiction full of racist representations of Native Americans and misrepresentations of the truly horrifying things that happened in the settling of America.
For every story of triumphant settlers marching to their manifest destiny, there
are thousands of largely untold stories of the destruction of native cultures.
While this game is all about the settling of the West, we hope that the games
played within it will honor the understood truth about what happened then. We
wrote this game in the spirit of that more-honest history, looking squarely at the
tales of the pioneers and their daring efforts without ignoring the terrible price
paid during the settlement years.
To this end, we have tried to give due diligence in representing native cultures
in a fair and less stereotypical way. You wont find any friendly Indian trackers or
Tiger Lilys, violent Apache raids or smoking of peace pipes. Instead, we try to
represent the tensions of settlers and natives in the West to the best of our ability,
respecting the truth of what happened during the rush to claim a land that was
never really empty.
By the middle of the 1800s, the United States was restless to expand, fueled by
its burgeoning industry, rising population, and that ambitious idea that America
needed to reach from sea to shining sea. From the Louisiana Purchase in 1803 to
the annexation of Texas in 1845, the Oregon Treaty in 1846, and the Mexican
Cession in 1848, the US made certain that it controlled all land from the Atlantic
to the Pacific. New ports of commerce began to spring up in what was dubbed the
Wild West, and settlers from the East Coast and across the world looked toward
the new territories as a place to set down roots and establish new, prosperous lives.
Then came the Homestead Act of 1862. President Lincoln signed an act into
law that allowed anyone who was at least twenty-one years of age or the head of
a household, and had never taken up arms against the US government, to file
for a land grant of their own in the territories. They would need to travel there
and set their claim, but then they would be the owner of their own piece of US
soil. This groundbreaking law even allowed freed slaves and women to claim their
own land.
Soon, folks were lining up to gain passage to what they hoped would be their
new home. The railroad companies were racing to create the very first transcontinental railroad to ferry passengers from the East Coast to what would become
California, but the safest way to travel was still in groups over land. And so, the
wagon trains were born.
Families gathered at Independence, Missouri, to start out on one of the wellmarked and well-traveled trails that led to the West Coast. They piled their
families, belongings, and all the supplies they could afford and carry into covered
wagons. The trip could take anywhere from ten to twenty weeks, depending on
the length of the journey and the speed of the animals pulling the wagons.
The wagons traveled these well-outlined routes, staying as close together as they
could while avoiding any road dust kicked up by the wagons in front of them.
Each wagon was controlled by a family, with individuals signing on to help out
in exchange for travel. Unaccompanied women had to be taken in by families for
the sake of propriety, and trains were known to have families that spoke many
languages and didnt always understand one another. Wagons traveled together
for companionship, to share the journey, and for mutual protection and aid. If
they encountered danger along the way between settled areas, the other pioneers
would be the only help they could get.
Families traveled together along the wagon trails until they reached the trains
terminal stop, or until they needed to turn off the known path to head for their
own destination. It wasnt uncommon for trains to begin with dozens of wagons,
only to show up at their last stop with just a few. People found their way to their
new homes, or else met with trouble along the way and had to be left behind. The
trails were treacherous and harsh, with few places to stop for supplies or assistance.
Thrown into the unknown, the settlers were all alone in the wide-open territories.
Which is why the vampires followed them into the West.
This is where your story begins.
The existence of vampires lurks under the veneer of the everyday world, and most
settlers know nothing about the vampire threat. There are too many real dangers
out west to worry about folks with superstition. Still, some rumors circulate
among savvy trail hands and people with their ear to the wind. For those who
know about the monster threat, history can be thrown into a completely different light when considering how the blood-drinkers have affected world events.
GMs, you might want to keep things very undercover, or it might be fun to
play in a United States where the truth about vampires is the worst kept secret, a
powder keg truth ready to explode. It might also be fun to include some rumors,
or even confirmed facts, that characters in your game might know. Feel free to
use any of these examples or to make up your own.
President George Washington crossed the Delaware River in such a small
boat because he was pursuing an escaping Hidden One and didnt have
time to wait for something grander.
Abraham Lincoln knew about vampires. He carried a small ax on his
person at all times and often disappeared at night with a personal dispatch of well-trained soldiers. Make of that what you want.
The beautiful young women of Washington DC began disappearing after
a large boat arrived in harbor with its cargo originating from Hungary.
The boxes were all registered under the initials E.B.
The Donner Party was innocent.
During numerous battles of the Civil War, soldiers put aside their differences to combat a supernatural threat that preyed on the wounded.
The natives are not responsible for nearly as many attacks as people think.
Its just easier to create a scapegoat than accept the truth.
Atlanta was burnt down because of an infestation of Hidden Ones who
aimed to prop up the southern aristocracy.
The murderous Harpe brothers did not wantonly murder forty people
across the South because they were crazed killers, but because they were
controlled by vampires. Theyre also not dead, having been rewarded for
their years of loyal service to their master.
The settlers of Roanoke colony arent gone. They travel the West, a massive herd that roams together, their hungry eyes searching for their next
meal.
Compared to the real world, this frontier is a little more paranoid, a little
more cautious. Though not everyone believes in the rumors about blood-drinkers, they do believe the stories of missing wagon trains and murdered families.
Few are willing to take chances out on the trail, where the risks are so high.
Hidden Ones
the heart
Feral Vampires
Some vampires are more rugged and used to traveling on foot, hunting down their prey at blinding
speed like packs of wolves. Extremely susceptible to daylight, Ferals dig themselves under the
ground before dawn to escape being burnt. Once
the sun goes down, they can call upon animals to
help them hunt and kill. Most packs are small, and
the stronger the vampires, the more likely they are
to travel alone.
Vulnerabilities: Decapitation, damage to the
brain, sunlight
Hungry Ones
tation, sunlight
Hermits
These vampires are the most ancient of the breeds, so old that their power frightens even other vampires. As such, these vampires have retired into seclusion,
holing themselves away from civilization, feeding when prey wanders close to
their hideaways. While time has slowed them down to mortal speed, they remain
strong enough to lift whole wagons. Their homes are usually littered with the trophies of their kills, treasure troves of the belongings of all those theyve captured
over the years. Hermits will try to lure in travelers with the promise of shelter
before going in for the kill. They rarely have human servants, and any other species of vampire that come in contact with a Hermit will usually try to kill the
powerful elder out of fear.
Vulnerabilities: Decapitation, utter physical destruction
Child-Eaters
This breed of vampire needs the blood of the young and innocent to retain their
human appearance. They often appear as beautiful youths, full of life at night,
but their beauty begins to wither if they stay out in the daylight. If Child-Eaters
go too long without innocent blood, they begin to age and rot until theyre
nothing but walking corpses that descend into madness. Their mind-control is
coercion and suggestion that can be resisted.
Vulnerabilities: Losing blood, fire, feeding on old blood
Soulbound
The Hive
These vampires are notably hated, even by other vampires. The Old World
vampires arriving in the New World found this local population of vampires
operating as a hive-mind collective. Termed Mosquito Men by some native tribes,
they appear as pale, gaunt figures and only at night, descending on their prey
in larger groups. They cannot speak and instead let out high-pitched shrieks as
their jaws open far too wide so they can extend a fleshy appendage tipped with a
stinger, called a proboscis. While very fast, these vampires are extremely sensitive
to light and go to ground before dawn. Theyre not as hardy as other vampire
kinds, but make up for it in numbers.
Vulnerabilities: Sunlight, fire, decapitation
Motivations of a Monster
These tactics arent the only things that drive these vampires. Each group
has motivations for acting beyond their unique type of bloodlust, and those
motivations will influence the kind of story you tell. Some vampires are less
individualistic, like Hives or packs of Ferals, and their motivations are much
more basic: hunt, survive, maintain or expand their collective.
Other vampire types are much more individualistic, and bring with them
the stories and histories of their lives before they were blood-drinkers. This is
especially true of Hidden Ones, who lurk inside wagon trains disguised as other
passengers. These vampires are perhaps the most human of all, and hide their
thirst for human blood. They craft entire identities to fool their prey. They may
even carry hints of the person they once were and the humanity they lost. This is
especially true for Hungry Ones, whose memories of their previous lives and the
loved ones they left behind drive them to hunt their own families. Soulbound
might harbor memories of the protection they offered their old communities
and their ties to previous spiritual beliefs.
Yet beneath the veneer of humanity and the vestiges of memories left behind,
a vampire will always fall back on its blood-thirsty nature. When a person transforms into a vampire, a major part of what they lose is their ability to see people
as anything beyond a means to an end. People are either food, or a servant, or
something that can provide shelter or more food down the line. This thinking
strips away any empathy, twisting and warping what used to be a human being
into a plague in people-clothing that is always, at the core, a monster.
Its hard to consider what a mind as alien as a vampires might be like. When
considering how a vampire would interact with humans, think about where
they came from, what kind of vampire they are now, and how they hunt for prey.
Each of these will give clues on how to portray the vampire in your game.
A vampires history and background will influence their personality, their
manner of speech, their dress, their language, and their skills. A vampire fresh
off the boat from Ireland will sound and dress differently than one who took
a long voyage across the world from China. These create the very top layer of
what makes the vampire tick, the human shell spread over the primal instinct
trapped inside.
Underneath that human veneer, a vampires behavior is influenced heavily by
their breed. A Hive vampire will move and act differently than a Hungry One,
driven to speak perhaps in more stilted tones and using plural pronouns like
we. Their tactics will also influence how they move, how they act: trappers and
hiders might be more stealthy and less straightforward than a hunter, who might
blitz a camp rather than stick to the shadows.
10
Theme
Possible Vampires
Followers
Terror, Family,
Unfinished Business
Trappers
Adventure, Isolation,
Stalking
Hermits, Soulbound,
Hidden Ones
Hunters
Hiders
Intrigue, Sacrifice,
Corruption
11
12
Your wagon train will start at Independence, Missouri, but where is it headed?
Most trains were headed to big cities, so the final destination is probably Oregon
City, Sacramento, Santa Fe, San Francisco, or Los Angeles.
Your journey will be composed of a number of legs from one place to another.
Each stop along the way adds one more leg. Its on the legs of the journey where
theres adventure on the trail.
When choosing how many legs your game will have, think about how long
you want your game to last. Two or three legs might be good for a one-shot,
while a longer campaign might have ten or more.
Out on the trail, travelers looked forward to stopovers along the way. They were
a chance to see new faces, resupply, and shelter in a small point of civilization
on their long journey. These ports in the storm included towns, military forts,
friendly homesteads, trading posts, mining or railroad camps, and friendly native
territories. These are the places where the pioneers can rest for a bit, the wagons
can be repaired, and the players can catch their breath.
Each stopover has a rating that says how well supplied it is and how well protected it is from mundane and vampiric threats alike.
Superb (+5): A well-stocked, well-fortified location. Unbreachable by
vampires.
Great (+4): Supplied but less well fortified. Vampires lurk at the outskirts, waiting.
Good (+3): Not well supplied, not well fortified. Vampires can pick off
stragglers.
Fair (+2): Unfortified and not well connected to the outside world.
Vampires can operate within the bounds of the town in secret.
Average (+1): Small, out-of-the-way stop. No one will notice if it disappears. Vampires operate with impunity out in the open.
13
Figure out the kind of stopovers you want on your trip, then decide the rating
for each location and name it. If youre consulting a historical map, feel free to
use real locations for a middle stopover and an ending, but youll want other
stopovers to be fictional or obscure places. For every five stopovers, pick one
more historical or large spot, either Good or Great.
At stopovers, the characters might encounter personal complications and
divert for adventures out in the stopovers borders. Theyre also great places to
gather rumors about the vampire menace.
Finally, write down how long it takes to travel the length of each leg, measured in
weeks, splitting up the distances so that the whole journey takes approximately
twenty to twenty-five weeks. This will help you pace the dangers of the trail
and vampire assaults between stops. Once youve got the stops laid out and the
distance measured, draw the whole thing out on a line map to keep track during
your adventure. Be as accurate or abstract as youd line.
When building the legs and stopovers, be sure to mix up their difficulties and
ratings. If your players have had three difficult legs in a row, and they keep stopping at Average or Fair stopovers, they might become too hurt or dispirited to
continue. Staggering helpful ports in the storm will help the characters survive
longer. If things seem too dire and the next stopover isnt rated high enough to
provide the players with the aid they need, feel free to change that rating.
14
Aspects
All pioneers begin with a high concept, trouble, and two other aspects. Your
characters high concept relates to the job they do along the trail or their profession, such as Aging Schoolteacher or Preacher on a Mission.
Make your characters trouble affect their life going out on the trail; dont
confine it to their past life. A trouble like My Father in New York Hates Me
wouldnt really matter out west, while My Father Hired Men to Kill Me gives
you more to work with.
The third aspect brings home what your character is taking with them into
their new life out west, and its related to why they want to be a pioneer in the
first place. Your character might be Searching for My Lost Sister or have Gold
on the Braintheyre what will drive your character onward when times get
tough.
For the fourth aspect, you can create a personal bond with another PC or
an NPC on the wagon train, or you can create an aspect related to what your
character did before they came to Independence. This could be something that
haunts them, might create a complication later, or else hints at something they
can do.
The fifth aspect slot is left open. Youll write it when your character comes in
contact with the vampire threat and becomes aware of just what theyre really
facing. It might end up being something like A Shot to the Head Makes em
Dead or I Sleep Lighter These Days. It is also left open in case your character becomes enslaved to a vampire (page37), in which case something like
Anything for My Mistress might be appropriate.
SOME PROFESSIONS OUT WEST
Wagon Master
Trail Hand
Crafter
(specify kind)
Cattle Owner
Preacher/Minister
Farmer
Homemaker
Teacher
Soldier
Land Baron
Prospector
Wanderer
Blacksmith
Doctor
Tracker
Veterinarian
Midwife
Tailor/Seamstress
Scholar
Entrepreneur
Gambler
Gunslinger
Lawyer
Politician
Journalist
Lawman/Pinkerton
Prostitute
Banker
Vampire Hunter
(see rules below)
15
Skills
Your character gets one Great (+4), two Good (+3), three Fair (+2), and four
Average (+1) skills.
Once you choose your skills, select and underline one skill as your specialty
skill. Its typically something associated with your characters profession. This
skill can be used during scenes on the trail at the cost of a fate point to remove
stress done to the wagon train (page23). At a stopover (page30), using the
specialty skill provides a +2 bonus to various actions.
Here are the skills in Blood on the Trail, with new ones in bold:
Athletics
Empathy
Physique
Burglary
Fight
Provoke
Track
Contacts
Forage
Rapport
Trailblazing
Will
Crafts
Investigate
Resources
Deceive
Lore
Ride
Drive
Notice
Shoot
Stealth
Forage helps you identify and find supplies foraged from the prairie.
When supplies run short, this skill helps you find anything from edible
plants to wood for the fire and clean water.
Lore is the rare skill that lets you know about some of the things that go
bump in the night. Though there is little concrete evidence of vampires,
stories get passed around. The better this skill, the more youre certain
that vampires are real, and the better you know how to deal with the
threat.
Ride accounts for just how well you can sit a saddle on a horse or a mule.
It also shows that you know the basics of caring for such an animal.
Track allows you to follow signs in the wilderness to find your prey.
Whether you are following animals or hunting or tracking a vampire back
to its lair, this skill will keep you hot on the heels of anything you pursue.
Trailblazing allows you to orient yourself by map, compass, or your
senses. Its easy to get lost in the open wilderness, and a wagon train that
cant find its way will soon lose time or fall into danger.
In Blood on the Trail, Drive pertains to driving the teams of oxen, mules, or
horses that pulled the wagons.
PLAYING CHILDREN
Children were a major part of life on the trail, with families toting their
little ones along for the trip all the time. If you want to play a child, much
of the setup described for a profession in your high concept and a specialty skill might not exactly apply. Instead, put in your characters high
concept that theyre a child. Then, choose a skill for which the child has
a talent that theyll use to contribute to the train in place of a profession.
Out on the trail, everyone contributeseven the young.
16
Stunts
Stress
Consequences
17
18
Possible Customizations
Big Investor: Heres a lady or fella from back east willing to invest in your
wagon train in exchange for opportunities in the west. While the investor isnt
on the trail, their representative is along for the ride, and while theyre not in
charge, their word carries weight. They represent the money (Reserve +2), so
they are the Reserve leader. The representative has their own wagon and men (+1
Quality, +1 Size, +1 Arms).
Hardwick Nash, a war profiteer, is interested in mining rights out west.
His man, Kiplinger, rides in a large horse-pulled wagon in the middle
of the train with three hired guns and a footlocker of cash.
The Largest Family: Some families are so large that they can be classified as
clans, and youve got one in your train. Theyve got a lot of bodies and their
own wagons to carry them (+2 Size), plus theyre hard-working and bring their
dedication and devotion on the trail (+1 Morale, +1 Quality). Sadly, they have
no skill at arms.
The Yoder family is a large Mennonite clan looking to head west. They
bring with them three wagons stocked full of their extended relations,
some of which are able craftsmen who can tend to the wagons. Their
faith helps them keep up spirits in the hardest of times.
The Mail Wagon: Even the post needs an escort, and a federal mail wagon
has hitched a lift with your train. The mail has to get through, and the wagons
security is monitored by a postmaster, who rides with a few of his own boys to
get him there safely (+1 Size, +1 Arms, +1 Quality).
Glen Yarback is a veteran postmaster who won his scars delivering
letters during the MexicanAmerican War. Now hes an all-business
wagon driver with three armed guards and an apprentice at his side.
Horses and Mules: Horses cost a pretty penny, but your wagon train has an
abundance. They can speed your travel along the trail and bulk up your numbers, but might make you an attractive target for horse thieves (+2 Speed, +1
Arms, +1 Size).
Dan McCarty, a Kentucky gentleman, is bringing his stock out to
begin a horse ranch in California. McCartys family has been racing
horses for generations, and while he puts on airs like hes too good for
the wagon train, he needs the protection to get his inheritance, these
fine horses, out west safely.
19
Leadership
Each of the wagon trains attributes has a leader. Whenever someone needs a
question answered or a problem fixed, theyll talk to a leader. The wagon master
would be the leader for Size, while the quartermaster would be in charge of
Supplies.
GMs, youll select PCs to be leaders as appropriate. Each PC can only be the
leader for one attribute. Should a spot be unclaimed, then youll name an NPC
as its leader. Leaders grant bonuses to rolls when involved in the wagon trains
struggles (page22).
Size:
Speed:
Supplies:
Rating
Stress
Leader
Great (+4)
Abigail (PC)
Fair (+2)
Great (+4)
Craig (PC)
Quality:
Fair (+2)
Justin (PC)
Arms:
Fair (+2)
Josh (PC)
Pa Yoder (NPC)
Kiplinger (NPC)
Fair (+2)
NOTABLE NPCS
20
21
When facing a challenge to the entire wagon train, such as an ordeal (page25),
each leader of an appropriate attribute rolls in turn for the wagon, using the
wagons attribute in place of a skill. If a leader is actively involved in the challenge,
then the roll gets a +1 bonus. The GM rolls for NPC leaders, and any attribute
without a leader can be rolled by a PC at a -1 penalty.
A representative from a local settlement, Davidstown, arrives at the
camp. While at first friendly, the representative is interested in recruiting members away from the caravan to come settle in Davidstown.
But something smells fishy about this new town. Josh, a player,
decides that persuasion isnt going to get these guys to leave, so
he rolls Arms for the caravan to drive the men away. Because he is
the leader in Arms, he gains a +1 on this roll. The train has Fair (+2)
Arms, and he rolls +000, giving a Great (+4) result with Joshs
+1 bonus. The wagon train succeeds against the Fair (+2) difficulty,
so Josh describes riling up the local trail hands to politely tell the
guys from Davidstown to take a hike. All while holding very impressive rifles, of course.
22
Each of the wagon trains attributes has an attribute stress track. Each track
starts with one box and adds boxes equal to its attributes rating. Negative attribute ratings cannot reduce a track below one stress box.
At any time, you may spend a fate point to remove one stress from an attribute
that relates to your characters specialty skill (page16). If you want to clear
a stress box worth more than one stress, you may spend multiple fate points at
once to do so.
Should a completely filled attribute stress need to absorb stress, that attribute
becomes stressed out. Clear its stress track, and reduce the ratings of the wagon
trains other attributes by one; the wagon train begins to break down under the
strain of so many of its resources being stressed. Should this reduction cause
another attribute to become stressed out, clear its stress track and reduce all
other ratings by one, and so on.
A stressed-out attribute can only be recovered at opportunities along the trail
(page28) and at stopover scenes (page31). If a stressed-out attribute is
returned to its original rating, it is no longer stressed out.
Should five out of the seven attribute tracks ever become stressed out at once,
the wagon train as a whole becomes stressed out and cannot continue onward.
From there, the pioneers gather up any supplies left to try and survive onward
to the next stopover, where they will be stranded. Look at each attribute, and
write down a situation aspect with a free invoke for each box left in that attribute.
Blood on the Trail has two general types of scenes: those during legs of the journey
and those at stopover points.
GMs, youll want to limit the number of scenes on each leg of the journey
based on how many stops you have on your map. If your game is shorter (two
to four stopovers) then you might have up to five scenes on each leg, to create
more action. However, should your game have a longer map (five or more), then
consider limiting the scenes to three.
If you are running a longer campaign and expect to only reach one stopover
by the end of the night, then more scenes can be useful and perfect for the style
of play your table wants. If your players want a faster-paced game, however, limit
the scenes. Either way, there will be plenty for them to do, so pace accordingly.
23
In the Wilderness:
Ordeals, Obstacles, and Opportunities
The wagons are on their way and the GM knows just what kind of creatures
of the night will be stalking the train. The question then comes: just what will
the pioneers face along the journey other than the vampire threat? In the settlers adventures, they will encounter three types of scenes: ordeals, obstacles,
and opportunities, which provide chances for encounters with natural hazards
of the open frontier. After all, life on the trail is hazardous enough without the
predation of bloodthirsty monsters.
Here are some of the hazards.
Sickness and Injury: With no ready assistance beyond the resources of the
like wolves and mountain lions, settlers had to be vigilant against all life around
them that might cause them harm. Spooked cattle could cause as much mayhem
as a pack of wolves, and the more-aggressive predators would prey on herds as
well as those lost humans who strayed too far from the train.
searing heat could turn deadly with very little warning. Settlers often had little
shelter except the coverings their wagons provided, leaving them exposed to the
raw elements. The weather could divert wagons from its intended trail, close
passes, or cause flash floods that washed wagons and supplies away.
Lawlessness and Infighting: People bring their problems with them onto the
trail, and disagreements can turn dangerous with no law to set things straight.
This could be caused by anything from disputes along the way to old grudges or
cultural misunderstandings and bigotries. Whatever the cause, this kind of dissension in a train can cause the group to splinter and break apart, making them
easier prey to be picked off or destroyed.
External Human Threats: Without much organized protection on the trails,
being attacked was a constant threat. Thieves, cattle rustlers, and tense interactions between settlers and Native Americans made clashes a real possibility along
the way. Wagon trains would set up guard and carry weapons in the hope of
avoiding such conflicts, but as they traveled through multiple territories and
across thousands of miles, the dangers others posed was very real.
24
A WORD ON THEMES
Some unexpected combinations of themes
can mesh together well. For example, if
youre telling the poignant story of a
Hungry One chasing down her three sons
to turn them into vampires, then balancing
that personal horror with constant attacks
by cattle rustlers would be a great counterbalance, showing the violence human
beings can do to one another. It all comes
down to the tone you want to strike between natural and unnatural tragedy.
Ordeals
25
EXAMPLE ORDEALS
Animal Attack (Good): A pack of wolves is coming after the train. If the
train has Good (+3) Size or greater, it can ignore the problem by taking 1 Speed
stress as the train travels more carefully. Smaller trains must deal with the pack
or else leave the horses threatened. If the train ignores the wolves, they make a
Great (+4) attack against the wagons Arms, inflicting Speed stress. If the wolves
succeed with style, they maul one of the pioneers, dealing 1 Size stress. A team
of hunters may also ride out to track these creatures down. There are two dozen
Good wolves, but if the pioneers deal with the pack alpha, a Great Grandfather
wolf with a silver muzzle, the wolves will break off their attacks. This may also
produce meat and pelts to keep warm in the winter.
High Water (Great): The map says this creek is perfectly safe, but what once
was a pleasant trickle is now a deep torrent of rushing water. The wagons will
need to be broken down and ferried across. The unexpected delay will do 3
Speed stress and 2 Morale stress. The train may try to speed up the process,
but doing so risks them cutting corners: The train must roll to overcome with
Quality against Great (+4) opposition. If they succeed, they reduce the Speed
stress to 2 and the Morale stress to 1. If they succeed with style, then the train
only takes 1 Speed stress.
Rather than breaking down the wagons, the pioneers can attempt to ford the
rushing water with the intact wagons. If they do, the train must roll to overcome
with Quality against Superb (+5) opposition, and there is a danger of people
being swept away or wagons being overturned and lost. Should they succeed,
the wagon train takes 2 Quality stress as the wagons are battered and damaged;
if they succeed with style, the wagon train only takes 1 Quality stress.
26
Obstacles
While ordeals are fast-paced moments of crisis that affect the whole caravan, obstacles are moments of interpersonal drama that affect individual PCs.
Obstacles are problems caused by ordeals or which occur within the wagon
trains population during larger ordeals. These scenes allow the players to tackle
issues that emerge among people trapped together in a small space that can
erode group cohesion and morale.
Obstacles hamper individuals in a way that slows down the trains progress.
Thats where the players can come in and solve the problems, resolving the obstacles before they hinder the entire wagon. However, resolving these issues means
risking personal resources.
The Chance Caravan is tackling the ordeal of High Water. They decide
to camp on the side of the river the first night, with half of the wagons
on the far side of the river and the other left behind. In the firelight,
those on the western bank begin to hear shouts and screams from
the wagons left behind. Its the Yoder family, and their wagon seems
to be on fire.
Just how an obstacle plays out depends on the current issues among your
wagon train, events set up by ordeals, and even the tactics utilized by your vampire threat. Obstacles can range from fistfights between trail hands to a wagon
fire, or even a vampire attack on your resources while youre not looking. Players,
youll need to come up with solutions for these obstacles, as their complications
can deal more stress to the wagon or the characters.
These scenes are perfect for seeding hints about the vampire threat, as the vampires may use the chaos of an ordeal as cover to slip into the camp and cause an
obstacle. While the players may not be able to stop the wagon train from being
damaged, they can then band together during obstacle scenes to find solutions
to the crisis.
Scared for the Yoder family, the PCs choose to ford their way back
across the river to check on them. They discover that the Yoder
wagon has been badly burned in the fire. The family is busy trying
to salvage what they can, but they could use a hand. The PCs could
stay awake all night to help recover the wagons supplies so it can be
ready to move in the morning, but theyll risk being exhausted. If they
choose not to help, the Yoder wagon might be too damaged to make
the crossing the next day.
27
Opportunities
Deciding on how many ordeals and opportunities to present to the players will
determine how hard the game is on them. You can decide using one of two ways:
For every leg of the journey, the wagon train encounters two ordeals and
one opportunity.
Roll three dice for each leg of the journey. Each - is an ordeal that will
occur, each + an opportunity.
Remember that, on top of these dangers, the characters will have to hazard
their way through bloodsucking enemies. Pace these encounters carefully so you
dont overwhelm the characters with challenges and horror, or else you risk them
getting taken out too early or too quickly. Should things become dire, with too
many ordeals between the players and a stopover, offer them another opportunity scene at the cost of a fate point from every player. This sacrifice might mean
the difference between life and death.
28
Vampire Attacks
Your unsuspecting wagon train has been out fording streams and dealing with
the occasional storm or horse thief. But all along, the vampire threat is lurking
in the shadows, ready to strike.
Vampire attacks are not ordeals; they can occur in any scene, at any time. Its
often best to escalate the vampire attacks over the course of the journey. For
example, if your game has four legs, then you might only put one attack in the
first leg, two in the second, and three in the third, and then in the fourth itll all
culminate with lots of attacks or even one giant pitched battle.
Vampires can attack characters or the wagon train itself. Attacks against the
wagon train might involve kidnapping family members (attacking Morale and
Size), damaging a wagon (attacking Quality), or slaughtering horses in the night
(attacking Speed). Crafty vampires might also burn or overturn wagons (attacking Supplies, Quality, and Size).
Be sure the vampire attacks are appropriate to the vampires type, their tactics, and your games themes. Its easy for a game with vampires to become a
bloodbath, but that might go against your players expectations if they wanted a
heart-wrenching story of a vampire mother hunting her only child.
29
After all the ordeals and obstacles and vampires, safety is on the horizonthe
pioneers have reached a stopover. Upon arriving at a stopover, youll check to see
how hard the trip has been on the wagon train.
First, roll the trains Speed against opposition equal to its Size. If it succeeds,
the next roll gets a +1 bonus. If it succeeds with style, it gets a +2. If it fails, it
gets a -1 penalty, and if it fails by three shifts or more, it gets -2. This stress
can be spread across any of the wagon trains attributes that are appropriate to
the trouble theyre facing, except for Supplies. This stress represents the basic
wear and tear youve faced along the trail that will need repairing before you get
underway once again. Each + can be used to create an advantage that can be
saved up for the next leg of the journey, or else traded at the stopover for Reserve.
Next, roll an attack with the trains Size rating, defended against with the
trains Supplies rating. On a success, the train may clear one Supplies stress box,
representing the discovery of extra supplies. Succeeding with style means that
the train managed to stretch their supplies so much that you create an advantage
with a free invoke going forward into the next leg of the journey, or else traded
at the stopover for Reserve.
Should you fail, however, the stress is absorbed by the trains Supplies or Size
stress tracks, as supplies have been used up by the rigors of the trip, or various
members of the train have run out of supplies and must stay behind at this stopover. Some may even have died out from hunger or thirst.
Remember, on these rolls you can use any aspects remaining from the legs of
the journey, including unused boosts and advantages they created, to mitigate
the damage.
Surprises at the Stopover
The characters may have expected a stopover to be one way, but things in the
West are always changing. GMs, before the train arrives at the stopover, youll
roll four dice to check the status of the stopover:
+4: Boomtown! The stopover has recently exploded with growth.
Increase its rating by two. Things are fantasticso good that pioneers might be tempted away from the train to stay in town. When
it comes time for the wagon train to leave, the town makes a Great
(+4) attack against the wagon train, which it defends against with
Morale. The train absorbs any of this stress with its Size stress track.
+2 to +3: Bustling! The stopover is full. Increase its rating by one.
1 to +1: Just as expected. No change to rating.
2 to 3: Hard times. This town isnt doing very well. Drop its rating by one.
4:
Tumbleweeds. This town is empty or nearly abandoned. Drop its
rating by two.
If this roll drops the stopovers rating below Average, the train wont be able to
repair, restore, or resupply in the area, but other opportunities will be available.
Also, vampires may then operate with impunity within the borders of the town.
30
Stopover Scenes
There are several kinds of scenes that can be done within the borders of a stopover. Not only can players connect with one another, catch their breath, and
carouse with NPCs, but there are specific scenes involving wagon train maintenance that can happen. Each player may prompt one of these scenes, as they
attempt to help with the overall well-being of the caravan. These scenes include:
Repair: The train may recover stress boxes equal in number to the rating
of the town divided among the trains Arms, Speed, and Quality.
Resupply: The train may roll the wagon trains Reserve against passive
opposition equal to the towns rating. If they succeed, they clear a number
of Supplies stress boxes equal to the towns rating. If they succeed with
style, they also create an advantage for the train.
Renew: The players may take the time to shore up Morale if its low. Just
being in the town clears one Morale stress box. If the players interact with
NPCs, helping them out or doing things that they want, this can clear up
to one more stress box per NPC.
Restore: If any attributes rating has been reduced, it can be restored
with a costly expenditure from Reserve. To do this, choose an attribute besides Reserve and increase its rating by one, up to its starting
rating. Then roll fate dice equal in number to the restored attributes new
ratingfor example, if its rating increased to Fair (+2), then you would
roll two dice. For every +, reduce the Reserve rating by one. For every
-, reduce the Reserve rating by one, and the GM adds a negative situation aspect to the restored attribute.
Reassign: The last leg of the journey may have left leadership spots
vacant. Open leadership positions may be filled, and leaders may switch
positions.
To accomplish any of these, the PC must seek out the appropriate NPCs or
resources within the stopover. Whether thats leading all the caravan members
in a rousing sing-along at the stopover towns tavern to renew their morale, or
convincing the shy schoolmarm on the caravan to take over a leadership position on the train, these scenes allow the PC to improve their caravans chances
for success going forward. Should a PC use their specialty skill in making these
efforts, they gain a +2 bonus to the roll.
31
Vampire Showdown
The vampires will escalate their plans throughout the journey, aiming to achieve
their aims before the wagon train reaches their destination. In each leg of the
journey increase the number of vampire attacks. In the end, there will be a final
showdown with the vampires on the trail. This can be triggered when the wagon
train gets taken out by five of its seven attributes dropping to zero somewhere
along the journey, or when it reaches the final leg of its journey.
The vampire showdown brings out the main thrust of the vampires attack on
the wagon train. This will look different based on what kind of vampire youve
chosen. A Hidden One might try to overtake the wagon trains leadership, while
a pack of Ferals might encircle a stranded train and go in for the kill. These
attacks will always have the main vampire present for the players to engage.
Off into the Sunset: The Final Destination
When the dust settles after the final vampire showdown, the players must take
stock and straggle on to their final destination. For those whose wagon train got
taken out, that would mean heading for the next stopoverwhere there are no
rolls for surprises. If they have reached the final leg, then they bring their caravan
into their destination, having brought their wagon train to their new home.
The last roll of the game sets up the endings to everyones story. GMs, youll
roll Reserve, and if the result is positive, then you and every player will pick up
fate dice in equal number to the result.
Once everyone rolls, set aside everything thats not a +. Every + represents
a happy ending. Any player who rolled a + can tell the story of what they
want to do once theyve reached their destination. Any player without a + can
take from the GMs pool if there are any. Remaining + dice can be assigned
to named NPCs. Each player then gets to narrate a little story of what it looks
like when their character walks off into the sunset, having survived the rigors
of the trail.
32
VAMPIRES
Vampires are the monsters that lurk in the night, the nightmare haunting the
dreams of the pioneers of the west. Yet not all vampires are created equal. Some
vampire adventures require tons of pesky vampires to harrow a wagon trains
way, while others might just need a single terrifying villain to hide in its midst.
While Fate Core gives a great breakdown of how to build various kinds of
NPCs in Creating the Opposition (page 213), Blood on the Trail makes some small
changes, as follows.
Nameless Vampires
These vampires are much like nameless NPCs and often operate as mobs in
conflicts. Unlike regular groups of nameless NPCs, vampire mobs can become
as strong as a Superb (+5) threat. Mobs are perfect for large groups of Ferals or
the Hive.
Nameless vampires start with one extra physical stress box and one extra
mental stress box.
33
Supporting Vampires
Sometimes a vampire stands out as leader of the pack. These vampires operate
just like supporting NPCs, fleshed out with a high concept, a trouble, and one
other aspect. Their high concept relates to the kind of vampire they are, while
their trouble notes a vampiric weakness they have, such as Keep That Fire Away!
Their other aspect can be unique and might even link them in some way to the
wagon train or its passengers.
Distribute skill ranks for supporting vampires along the skill column as usual.
A supporting vampire may start with a skill ranked as high as Fantastic (+6), and
during play they can improve their skills as high as the highest of the PCs skill
ratings plus two. Scale the vampires skills to reflect how dangerous its going to
be and how many vampires there will be in your game.
Supporting vampires may either get two extra physical and mental stress boxes,
or one extra mild consequence slot.
Supporting vampires have one or two stunts related to their vampiric powers,
in addition to Mesmerism (page37).
Derringer
ASPECTS
Physical5
+1 mild consequence
Mental3
STUNTS
34
Main Vampires
There are vampire names that everyone remembers, the monsters behind the face
and identity, and you might get the change to interact these legendary vampires.
Main vampires have their own character sheet with skills that go as high as
Fantastic (+6) as well as three vampiric stunts and Mesmerism.
GMs, dont just use all of the main vampires aspects to reflect the kind of
vampire they are in their high concept. For example, youll want to use their
third aspect to reflect the tactic they use when hunting mortals. Keep their
trouble about their particular weakness, and write least one other aspect so it
indicates a connection to or their interest in the PCs wagon train. It can be as
simple as Seeking Escape from the Abandoned Fort or more specific like I Will
Slaughter the Waylands for Their Betrayal.
Main vampires get two extra physical and mental stress boxes, and one extra
mild consequence slot.
Agatha Christianson
ASPECTS
Physical 5
+1 mild consequence
Mental 4
STUNTS
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the mind of anyone who sees them. +2 to Provoke when trying to frighten off
mortals.
Hiding in the Herd: A vampire needs to be able to hide in plain sight or risk
the wrath of the human herd. +2 to Deceive when lying about feeding and their
human background.
Flight: The vampire can fly above the ground or else glide by extending strange
membranous wings. It can create advantages based on attacking from above.
Wolf Form: The vampire may transform into a large wolf, gaining +1 to
almost a blur of motion. Using one action, the vampire can close on prey from
as far as two zones away and then attack.
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Vampire Mind-Control
Theres things out on the trail a lot worse than a vampire tearing into your cattle,
or even your neck. All vampires have the ability to control a persons mind using
Mesmerism. They can lure a pioneer away from the caravan or even make them
a sleeper agent within the train, just aching to help their master capture and kill
more prey.
Itd be no fun if a vampire could just look into your eyes and, bam, suddenly
youre a thrall to their power. Instead, everyone can try to resist the control of
the vampire. The GM will try to ensnare a pioneer using their Mesmerism stunt,
which gives them a +1 to their Will but a -1 to any physical defense they could
take against attack.
The pioneer and the vampire enter into mental combat, pitting the vampires
Will against the mortals. Should the vampire enthrall the mortal, the pioneer
takes one mental stress. Suddenly, the vampires suggestions start seeming to
make sense.
If a pioneer takes a mental consequence from Mesmerism, they also receive the
aspect Mesmerized by the Vampire. Should they receive another mental consequence while Mesmerized by the Vampire, this aspect changes to Unwilling
Vampire Thrall. Should they receive a final, third consequence against the vampire, this aspect changes to The Vampire Is My Master, replacing The Vampire
with the name or description of the vampire in question. They have become a
devoted servant, willing to do whatever is necessary to support the vampires in
all they do.
The psychic damage done by vampires is cumulative. One vampire may steal
a thrall from another until the victim receives the final, third consequence. At
this point, the pioneers mind breaks, making them into the vampires bonded
servant.
So what would a servant do for a vampire? Pretty much anything asked. A
vampire cannot, however, ask a servant to harm themself; the instinct for human
survival is too strong. GMs, youd do well to talk with anyone playing a vampires
servant to make sure theyre on board. Its not always fun to have your choices
taken away, so let the player decide how to interpret the vampires commands.
Should anyone become uncomfortable with playing an enthralled vampires servant, they can surrender the character to the GM to become an NPC and create
another to join the mayhem already in progress.
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Can vampires turn mortals into new vampires? The answer is of course yes.
However, its unlikely that a vampire would want to do this out in the wilderness.
With so few mortals to feed on already, the predator wouldnt want to create too
much competition.
That said, some vampires will try to turn others. The Hive is interested in
spreading its plague, while the Hungry Ones are out in the wilderness specifically to track and turn a relative or loved one.
To feed, a vampire must attack a character with Fight and declare that they are
feeding. Should the vampire take out their victim during the feeding, they may
choose to turn the person. Turning requires another attack with Fight, while the
victim struggles against the vampire infection in their blood, defending with
Will. Should they fail, the person lapses into a death-like coma, their wounds
close over, and they begin to transform into the kind of vampire that bit them.
With NPCs, this kind of transformation can swell the ranks of the vampire
threat and create tension and paranoia in the wagon train.
If your character is turned to a vampire, you may let them become an NPC
or choose to continue playing them as a vampire. In this case, you must change
your characters fifth aspect to reflect that fact. You must also switch out one
stunt with one reflecting your new vampiric powers. The ranks of the undead
just became a little more dangerous.
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Playing Vampires
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The idea of a vampire bride, mate, or partner in crime is one that goes back into
legend. Even monsters dont want to spend eternity alone, and a pack of feral
vampires has set their eyes on seven sisters, out to settle a plot of land alone out
west, to join their pack. Seven Brides for Seven Vampires takes that idea and turns
it on its head a little bit.
Louisa Farragut is heading out west by way of the Oregon Trail so she might
join her six sisters at the homestead in Wyoming. While camped on the outskirts of Independence, the young pioneer let slip around the campfire about
her sisters, and even showed off a valuable oddity: a photograph, taken back east
before the girls left for the West. Louisa cherishes the photo, and is heartbroken
when it goes missing, stolen by an eavesdropping feral vampire. She soon joins
the Chance Caravan, along with the player characters, on their way out into the
frontier. And hot on their trail is the Feral and its pack, ready to strike.
Trail: The Oregon Trail
Final Destination: Fort Laramie, Wyoming
Number of Stopovers: 3
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Selina was a French maid brought over to the United States by a wealthy family
who hired her for her skills as a seamstress. She and her employers were traveling when bad weather drove them into Fort Pillow just before the massive clash
between Union and Confederate forces that left hundreds of Union soldiers
massacred. Selinas employers died in the fighting and she was forced to flee into
the river. Half-drowned, she was rescued by a pack of Ferals. The ferocious
Pasqual, unwilling to give up his newly found friend, convinced the Ferals
that she deserved to join their pack. Selina not only took to her new life as a
vampire, but soon became the packs leader. Shes traveled the land ever since,
taking women into her pack in an attempt to offer them the power to protect
themselves in the harsh west.
Selina Pasqual
eamstress Gone Feral; Burns on Contact with Sunlight; The Pack Follows
S
My Lead; Liberation Comes in the Wild; Everyone Underestimates a
Woman; Sisterhood in the Night
SKILLS
Physical 5
+1 mild consequence
Mental 4
STUNTS
Blinding Speed: Selina moves with terrifying speed that makes her almost
a blur of motion. Using one action, she can close on prey from as far as
two zones away and then attack.
Rugged Power: Selina has been on the road so long, she is tough as old
leather. While her consequence slots are empty, any physical stress she
takes from attacks is reduced by one.
Monstrous Strength: The undead have incredible strength at their command. When challenged in combat, Selina gains +2 to Physique or
Athletics until the end of the scene.
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Selinas Brood;
Road-Tough and Tireless
SKILLS
Physical 2
Mental 2
+1 mild consequence
STUNTS
Stress
Great (+4)
Fair (+2)
Great (+4)
Quality:
Fair (+2)
Arms:
Fair (+2)
Average (+1)
Pa Yoder (NPC)
Fair (+2)
Kiplinger (NPC)
Size:
Speed:
Supplies:
Morale:
Reserve:
Leader
NOTABLE NPCS
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The Chance Caravan is gathered at the depot, prepared to depart. Along with
the horses theyre bringing out west for sale, theyve taken on orders of tools and
other important equipment for delivery to a series of stops along the way. The
last stop is Fort Laramie in Wyoming, which brings the caravan close enough
to an out-of-the-way homestead run by the Farragut women, seven sisters who
settled their own plot of land after they lost their husbands and most of their kin
in the Civil War. The youngest Farragut, Louisa, has signed aboard the wagon
train to travel as far as the new homestead so she can join her sisters.
The preparation scenes in Independence should introduce all the characters to
one another as they prepare for their long trip west. Kiplingerwho represents
the caravans main investor, Hardwick Nashbelieves that the trip will take
forty-eight weeks maximum, with the group reaching the Farragut homestead
by the forty-second week before they terminate at Fort Laramie.
Scene: Meet the Yoders
From the minute you join the wagon train, the Yoder family is there to greet you
with open arms. Their son Micah has just turned eighteen, and theyre excited
to share in the celebration. Ma Yoder isnt subtle about wanting to find a nice
young woman for her son to settle down with, either. He seems to have set his
eyes on Louisa Farragut, the young lady from back east, but shes only got an
eye for her books.
Scene: Kiplingers Hiring
Though the Chance Caravan is meant to be carrying essential tools needed for
various military forts, the investors representative, Kiplinger, sure seems to be
hiring a lot of people to keep extra eyes on the cargo. It might be smuggled
opium, or weapons disguised as machine parts, or special ammunition earmarked for test on heartier, more resilient foes. He is most certainly keeping a
secret cargo, all locked up, and hes the only one with the key.
Scene: Its Not an Adventure Until Theres a Brawl
On the way to have one last drink before the trip begins, the saloon is disrupted by a knock-down fight started by horse baron Dan McCarty. McCarty
is a mouthy, arrogant man, but underneath his temper hes terrified about the
upcoming trip. Hes heard rumors from cattle men who refuse to take their stock
up the trail after a series of brutal attacks that left trail hands dead and cattle
mutilated. McCarty has no choice but to go, but hes taking a few bottles with
him for the road.
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The first leg of the journey will take the Chance Caravan on the road between
Independence and their first stop at the Campion Farm just outside of North
Patte, Nebraska. The caravan is carrying a sizable order of tools for the Union
Pacific Railroads Bailey Yards in North Patte, and Union Pacifics representative will meet the caravan at Campion. Additionally, Dan McCarty is meant to
deliver nearly half his herd of horses to the Campion Farm. This is the longest
leg of the journey, meant to take twenty-two weeks at full speed, and Kiplinger
means to make it there in good time. But nothing is going according to plan.
Here are some suggestions for ordeals that can harry the Chance Caravan on
the first leg of their journey.
Ordeal: That Is a Very Big Bear
The wagon train is coming around a bend in the road when it finds two dead
bear cubs beside some trees. They seem to have been killed by predators. But as
anyone knows, where there are cubs, there is a mother bear. And she is not happy
that her babies are dead.
Ordeal: Its Just a Little Moist
Its been raining for ten days. The wet has seeped into the wagons, into everyones
clothing, making them soggy and miserable. But more than that, no one has
been able to keep fires lit long enough to cook or dry off. Before long, everyone
is sneezing and a few people have taken ill with fever. The caravan must find
shelter and risk stopping for a little bit to recover, or else chance the wet and
continue onward.
Ordeal: Rats in the Corn
Bad weather has led local vermin to hop onto the caravan when they stopped for
water, and now there are rats getting into the corn. Someone needs to go in and
act as rat-catcher before the whole batch is ruined.
Ordeal: Nightmares
The people on the caravan have been plagued with the most awful nightmares,
especially the children. The animals seem restless too, and at night people are
staying awake longer and longer.
Ordeal: Horse Thieves Get Hanged
The horses meant for Campion are beginning to disappear. Within the first week,
two go missing. Horse theft is not uncommon out west, but it is a crime punishable by hanging in many parts. Dan McCarty is furious and rages through the
camp, trying to discover the culprit, but no one is hiding the missing horses.
McCarty seems willing to grab anyone he can blame and string them up as a
horse thief if hes not stopped.
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The road to the Campion Farm is the perfect time for the vampire threat to rear
its head. The vampires want to take Louisa and her sisters into the fold, but they
know that theyd never be able to defeat an entire wagon train should they come
to the womens defense. They hope to pick off the caravans resources, feed along
the way, and then, when the caravan is weak, destroy them all.
Here are some example vampire actions:
Missing Trail Hands: There are a number of hired men on the wagon
train, and some of them have gone missing in the middle of the night.
Their bodies are found half-buried a few miles away, their rifles broken
and hung in the trees. Their bodies are horribly mangled and drained of
blood.
Slaughtered Horses: More horses have disappeared, only this time
they are found dead, slaughtered a few miles out. Everyone knows horses
are priceless, so people might blame animals. The wounds, however, look
strange for a wolf or a bear.
Wagon Fire: During the night, one of the supply wagons at the back of
the train catches fire. With no lanterns aboard and no way for it to have
caught on its own, how did the fire even begin?
Nighttime Stampede: Everyone awakens to the rush of angry animals.
Something has spooked the livestock and theyre stampeding at night.
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The Caravan leaves Campion Farms restocked and ready for the trail. Theyve
prepared as best they can for the next leg of the trip, which will take them into
the booming town of Scottsbluff. There they will unload their machine parts for
Union Pacific Railroad. Rumor has it that something is making Union Pacific
push their expansion plans to go even faster. More people want to get west faster,
and safer, and Union Pacific is willing to do anything to make that happen.
Ordeals on the Way to Scottsbluff
While it is completely okay to use ordeals suggested in Part One, you can step the
threats to the caravan up a notch since theyll be approaching a Superb stopover
soon. Theyll have much more opportunity to repair and restock, so it might be
time to take off the gloves. Its also a great time to expand on what the players
found out at the Campion Farm.
Ordeal: South Platte Is Coming South
The trail follows along the South Platte River all the way through Nebraska. Too
bad the river banks are swelling thanks to the horrible rains for the last month.
Flash floods, mud-soaked planes, and raging sections of whitewater threaten to
slow down or damage the train.
Ordeal: Going East of West
The caravan encounters a group of people escaping from a Union Pacific work
camp. Theyre a motley group, led by a woman named Wu Bei. The woman
explains that she came to the camp to look for her missing husband, who had
stopped writing to her in Kansas City. Her husband and the other workers were
being horribly mistreated and nearly worked to death by Union Pacific. Bei
helped them escape, but now Union Pacific is on their tail for breaking their
contracts. The escaped group begs the wagon train to help them hide just as the
hoofbeats of the Union Pacific men can be heard in the distance.
Ordeal: Kiplingers Secret
Kiplinger has been hiring extra guards to watch over his stock of machine parts
very diligently. But a broken axel on the storage wagon endangers the entire
stock. The train will need to stop to fix the wagon or find a solution, or risk
Kiplingers wrath. Closer inspection of the merchandise reveals Kiplingers secret:
hes smuggling stolen US military gunpowder and explosives to Scottsbluff.
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The feral pack realizes that their window of opportunity is narrowing to thin the
herd of humans before they get to safety in Scottsbluff. They step up their tactics
on this leg, intending to kill as many of the pioneers as they can. The vampires
are not longer afraid to be seen. The legend of their pack will grow, provided they
can make a bloody enough impression.
Some encounters ideas include:
Sport on the Range: Once the vampires have been seen, its time they
play with their food a little. One or two members of the wagon train,
preferably PCs, are taken by the feral pack while out foraging. Soon the
separated humans find themselves hunted in the wilderness, away from
the wagon train, all alone.
Servants in the Train: Servants will help the vampires capture the
Farragut land and hold it once they get to Wyoming. The vampires
will sneak closer to the camp and try to mesmerize and bend people to
their will so they can have an ace in the hole once the train reaches its
destination.
Nighttime Slaughter: The vampires are ready to leave their mark on
the wagon train by culling the herd a little. Calling upon all their physical
abilities, the vampires go after the wagon train at night, causing mayhem
and mass casualties.
Starve Them Out: To weaken the humans even further, the feral pack
will attack the wagons food stores. This is a daring frontal assault with no
concern about being seen.
This is where the vampire threat becomes apparent. Depending on what
the players have learned from the various rumors and Father Alameda back at
Campion Farm, they may have some hint as to what theyre facing. Otherwise,
this is a knock-down fight while trying to figure out just how to kill the powerful
vampires. Also, if the players havent helped Wu Bei and the Union Pacific workers get away or hide, Wu Bei will show up as a brand-new vampire in the pack.
This is also a great time for the players to meet Selina in battle for the very first
time. Should the pioneers manage to defend themselves adequately and begin to
hurt the vampires, theyll pull back and allow the wagon train to go on. After all,
without the train, their prize cant get back home to her family. You might also
hint at what their ultimate goal is, either through Selina or through the vampires
unwillingness to harm Louisa during the fighting.
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The thriving town of Scottsbluff is a perfect location to recover from the painful
previous legs. Player characters should share information while resupplying and
resolving any major plot issues. The Union Pacific plotline also terminates here,
with players encountering their local headman Wayne Santos-Lincoln. Some
scenes here include:
Union Pacifics Bloody Race West: The Union Pacific Railroad has
been buying up explosives and weapons, as well as land around their railroad tracks. Kiplinger is in business with Santos-Lincoln, the railroads
main man, but their methods of employment are deplorable. Someone
has to do something or theyll carry on with their purposes, sacrificing as
many lives as they can to get the railroad fortified against danger, including the vampire threat.
Micah Is All Grown Up: Whether or not Micah Yoder decided to get
hitched to Sally Campion in the previous leg, once at Scottsbluff he has
a secret to tell: Micah wants to join the army. He intends to stay behind
at Fort Laramie to enlist, and hell need help convincing his parents this
is a good idea.
Letters from Back Home: A mail carrier is in town with letters from
back home. This is a perfect time to work in some of the players backstories, giving them a bit of nostalgia and home-sicknessor perhaps worry
over past decisions that may be chasing them west.
Louisa Doesnt Want to Go Home: With the growing unease about
what these bloodsuckers might do should they get to her family, Louisa
Farragut will try to sneak away and travel home herself. She doesnt want
to endanger the wagon train, but her choice is almost certainly disastrous.
Make sure that the players wrap up any important things they want to do in
safety, because the major showdown with the vampires is coming up. Theyll
need all their faculties to survive the encounter at the Farragut Homestead, so
arm accordingly.
Scottsbluff, Nebraska
Double Willows Saloon, Mallory General Store, every needed repair and
restocking available
NPCs: Wayne Santos-Lincoln (Union Pacific representative), Elijah Mallory
(general store owner), Bernie Keeting (mail carrier from back east)
Rumors: Union Pacific knows more than they are telling people about
a danger killing settlers; Union Pacific is driving people off their land;
Union Pacific kidnaps people, especially recent immigrants, to work on
their rail lines
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The trip to the Farragut Homestead is a short one after the long jaunts between
the Campion Farm and Scottsbluff. Soon after the caravan will come to its final
destination in Fort Laramie. That said, the wagon train must first deposit Louisa
Farragut at the Farragut Homestead where they believe they will have a chance
to rest once more. However, the feral pack on their trail knows this is their final
destination. Theyve reached the homestead, their new base of operations. Now,
its up to them to take the Farraguts and the land leave no survivors on the
wagon train.
Ordeals on the Road to the Farragut Homestead
With the major encounter with the vampires coming up, it might be all right
to ease off the ordeals a little, making them simpler or less intense. Use some of
those listed above from the first section, or else focus on side-effects of the vampire threat. Themes like strain in moral, exhaustion, or festering wounds could
be very appropriate depending on how beleaguered the pioneers have become
by this point. The idea is not to strain them too badly, because the battle for the
Farragut Homestead will take all the strength theyve got.
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Victoria
the Farragut land is so isolated that no one else was willing to work it;
the Farragut women turned down marriage proposals because of disrespect
from local men over being Southerners
The Farragut Homestead is so open to the dangers of the West that it proves no
challenge for the vampires to attack. They have the use of the woods around the
cabin as cover and are relying on the wagon trains fatigue and limited supplies
to give them victory. The pioneers meanwhile cannot quickly escape the homestead, mired as they are between forest and hills. Getting out of this will take an
intense showdown of human versus vampire. All the vampires in the pack that
have survived until now will come out for the fight, including Selina.
Although a Feral, Selina is capable of being reasoned with, up to a point.
During the battle there may even be a chance for a negotiation, and in that case
Selina has only one aim: she wants the Farragut women to join her pack and the
Farragut Homestead as a base of operations. Should the wagon train agree, they
may leave on their way. If not, its a battle until one side is decimated.
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The players may or may not survive the events at the Farragut Homestead. Those
survivors straggle onward to Fort Laramie with whatevers left of their wagon
train either as seasoned survivors of a harrowing journey, or else as the ragged
witnesses to a horrible nightmare on the chilly trail nights. The players follow
the rules of wrapping up an adventure to narrate just what happens on their way
to the fort.
Those who survived the experience may even decide to go onward with the
wagon train past Fort Laramie and further into the West. After all, the Oregon
Trail terminates in Oregon City, which is a good distance further along the trail.
And of course, you can be sure there will be plenty more bloodsucking fiends
waiting along the way.
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