Ams Program

Published jointly by G.
Henle Verlag Mnich and Editio Musica Budapest
The Complete Edition comprises published and posthumous works by Bartok. It

also presents very divergent versions including ones that have not previously
been accessible. The accompanying texts for all of the volumes contain a description and evaluation of all available sources, as well as critical commentaries. In
addition to providing an introduction to the works genesis, each volume also contains editorial notes for the performer. Editors : Lszl Somfai, Lszl Vikrius,
Mrton Kerkfy. With critical commentaries and footnotes in English. Edition
sources : Bartk Archives of the Hungarian Academy of Sciences.
Stage works (six volumes)
Vocal works (five volumes)
Orchestral works (fifteen volumes)
Chamber works (seven volumes)
V. Piano works (nine volumes)

VI. Piano reductions (four volumes)
VII. Appendix (two volumes)
The first six volumes scheduled to be published:

Volume 37 : For Children early and revised versions
with critical commentaries: HN 6200
Volume 24 : Concerto for Orchestra with critical commentaries: HN 6201
Volume 38 : Works for Piano Solo 1914-1920
with critical commentaries : HN 6202
Volume 9 : Choral Works with critical commentaries : HN 6205
Volume 29 : String Quartets - score : HN 6206
Volume 30 : String Quartets critical commentaries : HN 6207
26362 Ruether Ave.

Santa Clarita, CA 91350
Tel: 6612507189
Fax: 6612507195
Web:www.tfront.com
Vancouver 2016
All volumes are stitch-bound in teal-colored cloth with silver embossing.

The first volume is due to be published late 2016. Subscriptions Invited!
For more information, visit: https://www.tfront.com/t-bartok.aspx
American Musicological Society

Society for Music Theory
Vancouver
3-6 November 2016
Program & Abstracts
Program & Abstracts
This scholarly edition will be comprised of 48 volumes in seven series:

I.
II.
III.
IV.
AMS/SMT
Theodore Front Musical Literature is pleased to offer

Bla Bartk Complete Critical Edition
Program
and
Abstracts of Papers Read

at the
American Musicological Society

Eighty-second Annual Meeting
and the
Society for Music Theory

Thirty-ninth Annual Meeting
36 November 16
Sheraton Wall Centre Hotel

Vancouver, British Columbia
AMS/SMT 2016 Annual Meeting

Edited by Anne Stone and Marianne Wheeldon
Local Arrangements Committee
Antares Boyle (SMT), Christina Hutten (AMS), Laurel Parsons (SMT)
Performance Committee
Steven Zohn, Chair, Christina Baade, David Dolata, Christina Hutten
Program Committees
AMS: Anne Stone, Chair, Brigid Cohen, Jonathan Glixon, Halina Goldberg,
Nicholas Mathew, Massimo Ossi, Katherine K. Preston
SMT: Marianne Wheeldon, Chair, Alan Dodson, Joseph Dubiel, Alan Gosman,
Dora A. Hanninen, ex officio, Noriko Manabe, Jonathan Wild
We would like to thank the following persons and organizations for their generous support:
St. Andrews Wesley United Church
Christ Church Cathedral
Early Music Vancouver
Music On Main, Vancouver
The University of British Columbia
The Vancouver Chopin Society
The Vancouver Recital Society
The Vancouver Symphony Orchestra
Program and Abstracts of Papers Read (ISSN -) is published annually for the Annual
Meeting of the American Musicological Society and the Society for Music Theory; one
copy is distributed to Annual Meeting attendees free of charge. Additional copies may be
purchased from the American Musicological Society for $15. per copy plus $5. U.S. shipping and handling (add $3. domestic shipping for each additional copy). For international
orders, please contact the American Musicological Society for shipping prices: AMS, 194
Mercer Street, Room 404, New York, NY 10012-1502 (e-mail ams@ams-net.org).
Copyright 16 by the American Musicological Society, Inc. and the Society for Music
Theory, Inc. All rights reserved.
Cover design: Gabriel Sim-Laramee
Abstracts
Meeting app
Meeting highlights: AMS/SMT Vancouver 2016

AMS and SMT core paper sessions are scheduled Thursday 2 to 5 and 8 to 11;
Friday 9 to noon, 2 to 5, and 8 to 11; Saturday 9 to noon and 2 to 5; and Sunday
9 to noon. Interest / Study Group meetings, committee professional development
sessions and meetings, receptions, and other events are scheduled at noontime and
in the evenings. Study the detailed schedule for further information.
Exhibits: open from 1 to 6 p.m. on Thursday, 8:30 to 6 p.m. Friday and Saturday, and 8:30 to noon Sunday.
Coffee breaks (free coffee): 10:30 and 3 daily, near the exhibits
Day-by-day guide to special events:
Thursday
5:30 Robert Gjerdingen, AMS Presidents Endowed Plenary Lecture: Suffer
the Little Children: The Institutionalization of Craft Apprenticeship in
the Conservatories of Europe
6:00 Opening reception
9:30 Student Reception
Friday
12:30
2:00
7:30
9:00
Elinor Frey, cello and Stephen Stubbs, lute, St. Andrews Wesley UC
Nicols Emilfork, guitar, St. Andrews Wesley UC
Early Music Vancouver, Christ Church Cathedral: voice and cornetto
AMS/SMT Dance, 34th Floor
Saturday
12:30 Jewel A. Smith and the Edgecliff Vocal Ensemble of Xavier University, St.
Andrews Wesley UC
2:00 Ra Beaumont, Piano, Christ Church Cathedral
2:00 SMT Business meeting and Awards presentation
3:30 SMT Keynote address: Scott Burnham, Words and Music
5:30 AMS Business meeting and awards presentation
7:30 Vancouver Symphony Orchestra, Orpheum Theatre, VSO at the Movies:
Raiders of the Lost Ark
9:00 AMS/SMT Dessert Reception, 34th Floor
Sunday
2:00 Vancouver Symphony Orchestra, Orpheum Theatre, VSO at the Movies:
Raiders of the Lost Ark
3:00 Anna Fedorova, Piano: Vancouver Playhouse, Vancouver Recital Society
7:30 Charles Richard-Hamelin, Piano: Vancouver Playhouse, Vancouver
Chopin Society
iv
Meeting highlights
Transportation to Christ Church Cathedral is available Saturday afternoon prior

to the 2 p.m. piano recital by Ra Beaumont. Bus shuttle from 1:40 to 2 p.m. (the
trip is about 0.5 mi./0.8 km)
Transportation pick-up point: the hotel main entrance
Maps are located at the back of the book (pp. 43238).
Additional information
See the meeting web sites, www.ams-net.org/vancouver/ and societymusictheory.
org/events/meeting2016/main, for full details on all the information listed
below.
The SMT Networking Committee has kindly provided the meeting app for mobile devices.
Wireless internet access is provided at no charge in public meeting spaces of the
hotel.
Some (not all) handout materials are online: see the web sites.
Accessibility: every effort will be made to meet the requirements of all attendees. Full
details regarding SMT and AMS accessibility policies are available at www.amsnet.org/vancouver/accessibility/ and societymusictheory.org/administration/
events/accessibility. Please note that reserved seating is provided in all session
rooms.
Bulletin boards are available near registration to leave notes for attendees.
Job interviews: schedule and room assignments at registration
Conference display materials: free materials and literature, near the exhibits
The Restaurant Guide is available online and as a handout at registration
Badgeholder recycling: see the boxes near exits that will be in place Sunday
morning. Extra Program & Abstracts Books and tote bags may be available
(after 9 a.m. Sunday), if not all are taken.
Lost and found: at registration
Copy shops: Link @ Sheraton (3rd floor walkway); UPS Store, 280 Nelson St.,
(604) 608-6681, theupsstore.ca; Fedex Office Print & Ship Center, 1900 W.
Broadway, (604) 734-2679, local.fedex.com; Minuteman, 1348 Burrard St.,
(604) 685-0016, vancouver11.minutemanpress.ca
Hotel Concierge: all information regarding local needs and
questions
Emergencies: communicate with hotel staff immediately;
call 911 if no staff is at hand.
Twitter hashtag: #amsmt16
AMS/SMT Vancouver
AMS/SMT Vancouver 2016

Program
WEDNESDAY 2 November
8:005:00
Haydn Society of North America Conference 2016 (Port Alberni)
8:006:30
New Beethoven Research Conference 2016 (Port McNeill)
9:0012:00
Grove Editorial Board (Blue Whale)
1:005:00
Grove Editorial Board and Advisory Panel (Blue Whale)
2:006:00
SMT Executive Board (Orca)
2:008:00
AMS Board of Directors (Finback)
6:157:30
SMT Executive Board, Networking Committee, Publications

Committee, and Awards Committee Dinner (Azure)
7:o09:00
7:3011:00
SMT Networking Committee (Orca)
7:3011:00
SMT Publication Awards Committee (Parksville)
7:3011:00
SMT Publications Committee (Blue Whale)
THURSDAY 3 November
9:007:00
Registration (North Lobby)
11:007:00
Speaker Ready Room (Chartroom)
1:006:00
Exhibits (Grand Ballroom Foyer, Junior

Ballroom Foyer, Pavilion Ballroom Foyer)
7:309:00
Meeting Worker Orientation (Gulf Islands C/D)
8:0012:00
AMS Board of Directors (Port Hardy)
8:0012:00
SMT Executive Board (Orca)
9:0012:00
Thursday
(Thursday afternoon, cont.)

9:0012:00
New Beethoven Research Conference 2016 (Port McNeill)
9:0012:00
SMT Music Theory Hack Day sponsored by the SMT

Music Informatics Interest Group(Galiano)
9:0012:00
SMT Peer Learning Program Seminar I: Empirical

Approaches to Musical Narrative (Parksville)
Elizabeth Hellmuth Margulis (University of Arkansas), instructor
9:0012:00
SMT Peer Learning Program Seminar II: The

Musical Language of Il Trovatore (Finback)
William Rothstein (City University of New York), instructor
9:001:00
Editorial Board of The Works of Giuseppe Verdi (Gulf Islands B)
10:0012:00 SIMSSA: Single Interface for Music Score Searching

and Analysis, Working Group(Granville)
11:001:30
Society for Seventeenth-Century Music Governing Board (Vancouver)
12:002:00
AMS Membership and Professional

Development Committee (Burrard)
THURSDAY AFTERNOON SESSIONS

2:005:00
Musical Literacy in the Early Middle Ages (AMS) (Grand Ballroom A)

Peter Jeffery (University of Notre Dame), Chair
Daniel DiCenso (College of the Holy Cross), Literacy and Transmission in the Earliest
Mass-Chant Books: A Perspective from Neuroscience
Henry Parkes (Yale University), Remembering or Dismembering? The Implications of Written Collections for Early Medieval Trope Performance
Emma Hornby and Rebecca Maloy (University of Bristol / University of Colorado Boulder),
Melodic Language and Musical Literacy in the Old Hispanic Chant
Between Music Theory and Music History: Carl Dahlhaus on the

History of Music Theory (SMT) (Junior Ballroom C)
Frank Heidlberger (University of North Texas), Chair
Stephen Hinton (Stanford University), Respondent
Jan Philipp Sprick (Hochschule fr Musik und Theater, Rostock), On the Implicit and
Explicit Reception of Dahlhauss Was heit Geschichte der Musiktheorie?
Frank Heidlberger (University of North Texas), What Is the History of Music Theory?
Dahlhauss Essay and its Relevance for the Current Understanding of the Discipline
Nathan John Martin (University of Michigan), Dahlhauss Was heit Geschichte der
Musiktheorie? Between Kuhn and Weber
Program
Thursday
Thomas Christensen (University of Chicago), Dahlhaus and the Origins of the Origin
Stefano Mengozzi (University of Michigan), The History of Music Theory after Dahlhauss
Studies on the Origin of Harmonic Tonality: On the Relationship between Musical Concepts
and Musical Phenomena
Gesine Schrder (Universitt fr Musik und darstellende Kunst Wien/Hochschule fr Musik
und Theater Felix Mendelssohn Bartholdy), Theorist and Teacher of Theory: Carl Dahlhaus as a Model for the Classroom Teaching of Music Theory at German Conservatories
Colonial Music in the New World (AMS) (Grand Ballroom B)

Louise K. Stein (University of Michigan), Chair
Lorenzo Candelaria (University of Texas at El Paso), Pedro de Gante and the Creation of
Euro-Mexica Catholic Song in Sixteenth-Century New Spain
Sarah Eyerly (Florida State University), Mozart and the Moravians
Faith S. Lanam (University of California, Santa Cruz), Mothers, Sisters, Nias, and Nuns:
The Professional Training of Young Female Musicians of Colonial Mexico
Alejandro Vera (Pontificia Universidad Catolica de Chile), The Globalization of Instrumental
Music in the Late Eighteenth Century: Reception and Transmission of the Galant-Classical
Repertory in Lima, Peru (c. 1770c. 1800)
Extending Topic Theory (SMT) (Pavilion Ballroom D)

Danuta Mirka (University of Southampton), Chair
Martha E. Sullivan (Rutgers University), The Siren Topos, Male Anxiety, and Female Agency
Johanna Frymoyer (Indiana University), Octatonic and Ombra: The Russian Supernatural
as a Musical Topic
Thomas Johnson (Graduate Center, CUNY), Lying About Tonality: A New World of Topic
in Early Twentieth-Century Modernist Music
Daniel J. Thompson (Florida State University), A Topical Exploration of the Jazz Messengers
1963 Recording One by One
French Music at Home and Abroad in the Long Eighteenth

Century (AMS) (Pavilion Ballroom A)
Caryl Clark (University of Toronto), Chair
Austin Glatthorn (Dalhousie University), Out with the Old, In with the New: Music and
Regime Change During the French Occupation of Mainz, 179293
Jenna Harmon (Northwestern University), Silent Songs, Royal Orgies: Listening to the
Political Pornography of the French Revolution
Erica Levenson (Cornell University), From a Tunes-Eye View: French Theater Music in
London, 171445
Diane Tisdall (Kings College London), Blood, Sweat, and Scales: The Birth of Modern
Bureaucracy at the Paris Conservatoire
Maps showing room locations are found at the end of the Program Book.
Thursday
Musical Histories of Modern Nationhood (AMS) (Junior Ballroom A/B)

Richard Miller (University of Nevada-Las Vegas), Chair
Stephen Armstrong (Eastman School of Music, University of Rochester), Japans Messiaen:
Sept Haka and the French-Japanese Cold War Connection
Danielle Fosler-Lussier (Ohio State University), Public-Private Cooperation in the Curation
of Americas Musical Diversity
Kunio Hara (University of South Carolina), Music, Sound, and Nostalgia in Animated
Films of Studio Ghibli
Brooke McCorkle (SUNY Geneseo), Was ist Japanisch?: Wagnerism and Nationhood in
Modern Japan
Nineteenth-Century Music and Social History (AMS) (Port McNeill)

Halina Goldberg (Indiana University), Chair
Sara Ballance (University of California, Santa Barbara), Nineteenth-Century Gehrbildung
as a Means of Self-Cultivation
Katherine Fry (London), The Reception of German Music and Philosophy in Victorian
Britain: George Eliot as Music Critic and Translator ca. 1855
Christine Kyprianides (IndyBaroque Music), Musical Crimes and Misdemeanors from the
Pages of the Orchestra (186381)
Wiebke Thormahlen (Royal College of Music), The Professionalization of Music and the
Edification of Amateur Music-Making in Nineteenth-Century London: A Challenge to
the Development of Pure Listening
Opera Exchanges (AMS) (Grand Ballroom C)

Naomi Andr (University of Michigan), Chair
Katharina Clausius (University of Cambridge), The Poets Prose: Dramma per musica after
Tlmacomania
Caroline Anne Ellsmore (Melbourne), Fra le quinte with Aida: Teresa Stolz Writes to
Giuseppe Verdi
Edward Jacobson (University of California, Berkeley), Reading at the Opera: The Case of
Donizettis Historicism
Laura Moeckli (University of Bern), Analyzing Time Structures in Nineteenth-Century
Opera
Modernisms Tensions (AMS) (Junior Ballroom D)

Blake Howe (Louisiana State University), Chair
Christopher Chowrimootoo (University of Notre Dame), The Burning Fiery Furnace and
the Redemption of Religious Kitsch
Ryan Dohoney (Northwestern University), Antimodernism, Ultramodernism, and After
Modernism
Erin K. Maher (Delaware Valley University), The Lens of Disability in Darius Milhauds
Postwar U.S. Reception
Program
Thursday
Charissa Noble (University of California, Santa Cruz), Extended From What?: Confronting Constructions of Voice, Gender, and the Machine in the Canonization of Extended
Vocal Techniques through Joan La Barbaras Cathing
THURSDAY AFTERNOON SHORT SESSIONS

2:003:30
Early Modern Performance (AMS) (Port Alberni)

Daniel R. Melamed (Indiana University), Chair
Gregory Johnston (University of Toronto), Heinrich Schtzs Musical Gift to the Wolfenbttel Court: What the Partbooks Tell Us
Andrew Shryock (Boston Conservatory), Reviving Messiah: Handels 1743 Oratorio Season
Logics of Late Modernism (SMT) (Pavilion Ballroom B)

Robert Hasegawa (McGill University), Chair
Laurence Willis (McGill University), Harmonic Dualism in Ben Johnstons Ninth String
Quartet
Antares Boyle (University of British Columbia), Conoscere e riconoscere: Fragmentation,
Repetition, and Formal Process in Sciarrinos Instrumental Music
Music Theory, African Rhythm, and the Politics of Data: Three Analyses of a
Corpus of Jembe Drum Music from Mali (SMT) (Pavilion Ballroom C)
John Roeder (University of British Columbia), Chair
Kofi Agawu (Princeton University), Respondent
Justin London (Carleton College), Statistical Learning and Rhythm-Meter Relationships
in Jembe Drum Ensemble Music from Mali
Rainer Polak (Cologne University for Music and Dance, Germany), Non-Isochronous Beat
Subdivision and Ensemble Synchronization in Jembe Drum Ensemble Music from Mali
Nori Jacoby (Massachusetts Institute of Technology), Musical Roles and Individual Behavior
in Ensemble Entrainment in Jembe Drum Ensemble Music from Mali
Race in Midtown (AMS) (Grand Ballroom D)

Elizabeth Craft (University of Utah), Chair
Todd Decker (Washington University in St Louis), Jim Crow in Times Square: Racial Segregation as a Structural Element of Broadway Musical Theatre History
Marian Smith (University of Oregon), A Dash of Hi-di-hi: Balanchines Met Aida, 1935
3:305:00
Enlightenment Tarantism (AMS) (Port Alberni)

Elisabeth Le Guin (University of California, Los Angeles), Chair
Virginia Georgallas (University of Toronto), The Maniacs Affliction: Music, Madness, and
Caprice in Late Eighteenth Century Spain
Thursday

Ana Snchez-Rojo (Tulane University), Enlightened or Feverish? Tarantism and the Formation of Public Opinion in Spain
Minstrelsy (AMS) (Grand Ballroom D)

Dale Cockrell (Vanderbilt University), Chair
David Blake (Stony Brook University), Minstrelsy and the Yale College Man, 184575
Sean Lorre (McGill University), 1951 Britain in Black and White: The Minstrel Mask, Migration, and the Transatlantic Flow of Black Musics
Performing Babbitt and Morris (SMT) (Pavilion Ballroom B)

Andrew Mead (Indiana University), Chair
Zachary Bernstein (Eastman School of Music, University of Rochester), Babbitts Gestural
Dialectics
Brian Alegant (Oberlin College & Conservatory), Once More with Feeling: Analyzing and
Performing Robert Morriss Scraps
Positional Listening/Positional Analysis (SMT) (Pavilion Ballroom C)

Mark Spicer (Hunter College / Graduate Center, CUNY), Chair
Elizabeth Marvin (Eastman School of Music, University of Rochester), Respondent
John Covach (University of Rochester), A View from Guitar Land: Shifting Positional
Listening in Complex Textures
Kevin Holm-Hudson (University of Kentucky), Stratified Keyboard Harmony in the Music
of Todd Rundgren
Brad Osborn (University of Kansas), Metric Levels from Behind the Kit (and Elsewhere)
Gregory R. McCandless (Appalachian State University), Attentional Cost and Positional
Analysis: A Bassists Perspective
4:155:15
AMS Development Committee (Beluga)
4:305:30
AMS Committee on Career-Related Issues

Conference Buddy Mixer (Parksville)
5:157:15
SMT Dance and Movement Interest Group

Meeting (Pavilion Ballroom C)
5:157:15
SMT Adjunct Faculty Interest Group (Pavilion Ballroom B)
5:306:00
SMT Conference Guides (Galiano)
5:306:30
AMS Presidents Endowed Plenary Lecture (Grand Ballroom A/B)
Robert Gjerdingen (Northwestern University), Suffer the Little Children:

The Institutionalization of Craft Apprenticeship in the Conservatories of Europe
6:007:30
Opening Reception (Grand Ballroom C/D)
Program
Thursday
6:307:30
RILM Abstracts of Music Literature with Full Text: Meeting and

Reception for Journal Editors (by invitation) (Tent, Lobby Level)
7:008:00
Journal of Seventeenth-Century Music Editorial Board (Vancouver)
9:3011:00
Student Reception (34th Floor)
THURSDAY EVENING SESSIONS

8:0010:00
Susanne Langer Reconsidered (AMS) (Pavilion Ballroom A)

Sponsored by the AMS Music and Philosophy Study Group
Michael Gallope (University of Minnesota), Chair
Holly Watkins (Eastman School of Music, University of Rochester), Respondent
Anne Pollok (University of South Carolina), To Feel Is Not to Say: Immediacy at the Center
of Langers Theory of Music as Living Form
Bryan Parkhurst (University of South Florida), Right and Left Formalism
Eldritch Priest (New York University), Do Animals Get Earworms?
8:0011:00
Apocalypse, Ecomusicology, and Radical Listening

(AMS) (Junior Ballroom D)
Sponsored by the AMS Ecocriticism Study Group
Kate Galloway (Wesleyan University/Memorial University of Newfoundland), Chair
Alexander Rehding (Harvard University), Respondent
Christopher DeLaurenti (College of William & Mary), Noriko Manabe (Temple University),
Jessica A. Schwartz (University of California, Los Angeles), Mitchell Morris (University
of California, Los Angeles)
Cripping the Music Theory/Music History Curriculum (Grand Ballroom A)

Sponsored jointly by the AMS Music and Disability Study Group
and SMT Disabilitiy and Music Interest Group
Samantha Bassler (Westminster Choir College of Rider University), Chair, AMS Study Group on Music and Disability
Bruce Quaglia (University of Minnesota, Twin Cities), Chair,
SMT Interest Group on Music and Disability
Roundtable of Respondents: Michael Bakan (Florida State University), Andrew DellAntonio
(University of Texas at Austin), Blake Howe (Louisiana State University), Stephanie JensenMoulton (Brooklyn College, CUNY), Laurie Stras (University of Southampton), Joseph
Straus (Graduate Center, CUNY)
William Cheng (Dartmouth College), Inspiration Porn: A Classroom Quandary
Thursday
(Thursday evening, cont.)

Robin Wallace (Baylor University) and Jeannette Jones (Boston University): The Deaf
Composer: Teaching Beethoven
James Deaville (Carleton University), Teaching Madness, Teaching Schumann: A Workshop
Stefan Sunandan Honisch (Vancouver, British Columbia), Disability Aesthetics as a Pedagogical Framework: Implications for the Study of Piano Repertoire
Experimenting with the Canon: New Approaches to the

Music History Survey (AMS) (Grand Ballroom B)
Sponsored by the AMS Pedagogy Study Group
Mark Clague (University of Michigan), Chair
Vilde Aaslid (University of Rhode Island), Ryan Raul Baagale (Colorado College), Gwynne
Kuhner Brown (University of Puget Sound), John Spilker (Nebraska Wesleyan University)
Ginastera at 100: Politics, Ideology, and

Representation (AMS) (Port Alberni)
Sponsored by the AMS Ibero-American Music Study Group
Deborah Schwartz-Kates (University of Miami), Chair
Esteban Buch (cole des hautes tudes en Sciences Sociales,
Paris), Guest Speaker
Eduardo Herrera (Rutgers University), Melanie Plesch (University of Melbourne)
The Hermeneutics of Sonata Deformation (SMT) (Junior Ballroom C)

Patrick McCreless (Yale University), Chair
James Hepokoski (Yale University), Shattering the Bonds of Nature: The Queen of the
Night Invades Enemy Territory
Charity Lofthouse (Hobart and William Smith Colleges), The Success of Russian Failure:
Tonal and Post-Tonal Resolution in Twentieth-Century Russian Sonata Movements
Stephen Gosden (University of North Florida), From Apotheosis to Breakthrough: Intertextuality and Climax in Rachmaninoffs Piano Concerto no. 4
Rebecca Perry (Yale University), Between the Signposts: Thematic Interpolation and Structural Defamiliarization in Prokofievs Sonata Process
Ligeti (SMT) (Pavilion Ballroom B)

Jennifer Iverson (University of Chicago), Chair
Benjamin R. Levy (University of California, Santa Barbara), Ligetis Uses of Literature
Sara Bakker (Utah State University), Interpreting Flexible Repetition in the Late Works of
Gyrgy Ligeti
John Cuciurean (University of Western Ontario), The Mysterious Case of Gyrgy Ligetis
Larrache coeur
Amy Bauer (University of California, Irvine), Ligetis tudes and the Heroic Codes of Late
Modernity
Program
Thursday
Ludomusicology outside Video Games (AMS) (Grand Ballroom C)

Sponsored by the AMS Ludomusicology Study Group
Michael Austin (Howard University), Chair
Steven Beverburg Reale (Youngstown State University), Glass Beads and Graphic Analysis:
A Ludist Account of Contemporary Music Theory
Carmel Raz (Columbia University), Anne Youngs Musical Games (1801): Music Theory,
Gender, and Game Design
Tekla Babyak (Cornell University), Music, Card Games, and the Play of Sensation: Kants
Ludomusical Aesthetics
Karen Cook (University of Hartford), Beyond (the) Halo: Chant in Video Games
Kirsten Carithers (Northwestern University), Not Just Fun and Games: Musical Indeterminacy as User-Generated Content
Musical Performers, Musical Works (SMT) (Pavilion Ballroom D)

Sponsored by the SMT Performance and Analysis Interest Group
Victoria Tzotzkova (Harvard University), Chair
Patrick Boyle (University of Victoria), The Jazz Process: Negotiating Error in Practice and
Performance
John Lutterman (University of Alaska, Anchorage), Werktreue vs. Praxistreue: On the Problems
of Representing Historical Performing Practices in the Modern Concert Hall
Charles Neidich (The Juilliard School/Queens College, CUNY), Knowledge and Imagination: On Performing Elliott Carters Gra for B-flat Clarinet
Eric Clarke (University of Oxford), Respondent: Knowing and Doing
Digital Scores: Navigating Online Music from Antiphons to Mozart to Zorn

(AMS) (Grand Ballroom D)
John Shepard (University of California, Berkeley), Chair
Darwin F. Scott (Princeton University), A Rapid, International Tour dhorizon of Digital
Scores in Late 2016
Christina Linklater and Sarah J. Adams (Harvard University), Accessing Pre-1800 Music via
RISM and Other Resource Portals: Discovery, Content, Synthesis
Deborah Campana (Oberlin College & Conservatory), Free in the Ether: Digital Scores
for Music Research
Bonna J. Boettcher (Cornell University), Collections of Digitized Scores from Publishers
and Third-Party Providers: From Free to Fee
Laura Stokes (Brown University), Containing the Dogfight: Digital Popular Sheet Music
in the Curriculum
Kent Underwood (New York University), Scores and Libraries in the World of Web-Based,
Self-Publishing Composers
Thursday
(Thursday evening, cont.)
Musical Artifacts (AMS) (Port McNeill)

Sponsored by the AMS Popular Music Study Group
Eric Hung (Westminster Choir College of Rider University), Chair
Jasen Emmons (Curatorial Director, Experience Music Project), Keynote Speaker
Elizabeth Ann Lindau (California State University, Long Beach), Music Re-materialized:
The Revival of the 78
Amy Coddington (University of Virginia), Raps Merchandise: How Commodified Musical
Artifacts Affect Historical Narratives
Loren Kajikawa (University of Oregon) and Amanda Lalonde (Mount Allison University),
Art of Facts: Reconstructing Early Hip Hop Performance
Deirdre Morgan (University of London), The Anatomy of Style: Playing Technique as
Musical Artifact
Tim Sterner Miller (University of Wisconsin-Milwaukee), Visiting a Pedal Steel Graveyard:
Instruments and the Valuation of Popular Music Artifacts
Songs of the Jewish Enlightenment: Vocal Music in the Circle of Sara

Levy (17611854) (AMS) (St. Andrews Wesley United Church)
Sponsored by the AMS Jewish Studies and Music Study Group
Rebecca Cypess, lecturer, fortepiano
Sonya Headlam, soprano
Sahoko Sato Timpone, mezzo soprano
Nancy Sinkoff, respondent
THURSDAY EVENING SHORT SESSIONS

8:009:30
Musical Significations (SMT) (Pavilion Ballroom C)

Judith Lochhead (Stony Brook University), Chair
Bruno Alcalde (Northwestern University), Signification in Plurality: A Typology of Chimeric
Environments in Polystylistic Music of the Post-1950s
Aaron Harcus (Graduate Center, CUNY), Between Sign and Convention: On the Phenomenology of Modernist Musical Topics
9:3011:00
Nineteenth-Century Periods (SMT) (Pavilion Ballroom C)

Poundie Burstein (Hunter College / Graduate Center, CUNY), Chair
Stephen Rodgers (University of Oregon), Schuberts Idyllic Periods
Xieyi (Abby) Zhang (Graduate Center, CUNY), Between Half and Perfect Cadences: Alternate Antecedent Tonicizations within Parallel Periods
Program
Friday
FRIDAY 4 November
8:306:00
8:306:00
8:306:00

7:008:45
AMS Chapter Officers (Granville)
7:008:45
AMS Committee on Career-Related Issues (Columbia)
7:008:45
AMS Communications Committee (Gulf Islands A)
7:008:45
AMS Committee on the History of the Society (Hudson)
7:008:45
SMT Committee on the Status of Women Breakfast (Blue Whale)
7:008:45 SMT MTO Editorial Board(Burrard)

7:008:45 SMT Music Theory Spectrum Editorial Board (Port Hardy)
7:308:45
Alvin H. Johnson AMS 50 Dissertation

Fellowship Committee (Beluga)
7:008:45
Mozart Society of America Board (Parksville)
7:009:00
AMS Committee on Technology(Azure)
7:308:45
AMS Graduate Education Committee (Gulf Islands D)
7:308:45
AMS Program Committees for the 2016 and 2017

Annual Meetings (Gulf Islands B)
7:308:45
AMS Student Representatives to Council (Galiano)
7:308:45
SMT Breakfast Reception for Students hosted by the

Professional Development Committee (34th Floor)
7:309:00
American Brahms Society Board of Directors (Cracked Ice)
7:309:00
SMT Scholars for Social Responsibility Interest Group (Vancouver)
9:0012:00
SMT Graduate Student Workshop I: Meter and

Form in 19th-Century Music (Orca)
Richard Cohn (Yale University), instructor
9:0012:00
SMT Graduate Student Workshop II: Topics, Phrase Structure,

and Sonata Form in Haydns Chamber Music (Finback)
Danuta Mirka (University of Southampton), instructor
Friday
FRIDAY MORNING SESSIONS

9:0012:00
Behind and Beyond the Iron Curtain (AMS) (Junior Ballroom A/B)
Martha Sprigge (University of California, Santa Barbara), Chair
Kevin Bartig (Michigan State University), Olin Downes and the Soviets
Elaine Kelly (University of Edinburgh), Cultivating the Middle East: The German Democratic Republic on Tour
Anicia Timberlake (Williams College), East German Listening Lessons: Pedagogy and the
Idea of Musical Content in the German Democratic Republic
Joan Titus (University of North Carolina at Greensboro), The Arnshtam/Shostakovich
Collaboration: Scoring Women in the Soviet War Film
Constructing the Past in the Long Nineteenth

Century (AMS) (Port McNeill)
Sanna Pederson (University of Oklahoma), Chair
Ellen Exner (New England Conservatory of Music), Dr. Burneys Complaint and the Case
of Mendelssohns Great Passion
Karen Leistra-Jones (Franklin & Marshall College), Hans von Blows Gospel of Beethoven
Fabio Morabito (Kings College London), Replacing Haydn: Luigi Cherubinis affair
Esterhzy, 181011
Reuben Phillips (Princeton University), Burying Brahms: Viennas Ehrengrber for Composers and the Fashioning of a Citys Self-Image
Music and Everyday Life in Eighteenth-Century

England (AMS) (Pavilion Ballroom A)
Jeanice Brooks (University of Southampton), Chair
Bethany Cencer (SUNY Potsdam), Dealing with Capitalism: Card Decks and the Circulation of Portable Music in Georgian England
Katelyn Clark (University of Toronto), The Myrtle of Venus and Bacchuss Vine at Londons
Anacreontic Society
Alison DeSimone (University of Missouri-Kansas City), For the Benefit Of . . .: Italian
Opera and the Establishment of the Singers Benefit in Early Eighteenth-Century Britain
Sarah F. Williams (University of South Carolina), Traveling Music and Theatrics: Jemmy
LaRoche and John Eccles Raree Show
Finding Voice in Popular Music (AMS) (Grand Ballroom A)

Nina Eidsheim (University of California, Los Angeles), Chair
Andrew Flory (Carleton College), She Needs Me: Marvin Gaye, Crooning, and Vocal
Agency at Motown
Mark Burford (Reed College), Mahalia Jacksons Class Politics of Voice
Program
Friday
Allison McCracken (DePaul University), The Vocal Politics of NBCs The Voice: Exposing
Cultural Essentialism, Affirming Social Hierarchy
Maureen Mahon (New York University), Not Like a Girl: Tina Turners Vocal Sound and
Rock and Roll Success
Frames, Fantasia, and Formal Functions (SMT) (Pavilion Ballroom D)

William Caplin (McGill University), Chair
Catrina S. Kim (Eastman School of Music, University of Rochester), Mendelssohns Formal
Frames: Multi-Stage and Recurring Introductions
Christopher Brody (Eastman School of Music, University of Rochester), Thematic Design
and Tonal Structure in the Viennese String Quartet Minuet, circa 1770: Haydn and the
Kleinmeister
Ren Rusch (University of Michigan), The Four-Key Exposition? Schuberts Sonata Forms,
the Fantasia, and Questions of Formal Coherence
Graham G. Hunt (University of Texas at Arlington), Diverging Subordinate Themes and
Internal Transitions: Assessing Internal Modulations in Three-Key Expositions
Genre and Geography in the Thirteenth-Century

Motet (AMS) (Grand Ballroom B)
Emma Dillon (Kings College London), Chair
Catherine Bradley (Stony Brook University), Mini Clausulae and the Magnus liber organi
Alxandros Maria Hatzikiriakos (University of Rome-Sapienza), The Chansonnier du Roi,
Naples, and the Geography of Thirteenth-Century Music
Thomas B. Payne (College of William & Mary), A Conductus, an Organum, and a Very
Poor Loser: Philip the Chancellor, Protin, and the Paris Bishops Election of 122728
Gal Saint-Cricq (Universit de Rouen), Motets in Songbooks and the Borderland Culture
of the Thirteenth-Century Motet
New Perspectives in the History of Music Theory

(SMT) (Junior Ballroom C)
Susannah Clark (Harvard University), Chair
Maryam A. Moshaver (University of Alberta), Rameau, the Subjective Body, and the Forms
of Theoretical Representation
August Sheehy (Stony Brook University), A. B. Marx and the Politics of Sonata Form
Rodney Garrison (SUNY Fredonia), Schenkers Elucidations on Unfolding Compound
Voices from Der Tonwille 6 (1923) to Der freie Satz (1935)
ine Heneghan (University of Michigan), Rethinking Repetition: Schoenberg and the
endless reshaping of a basic shape
Friday
(Friday morning, cont.)
Classical Music on the Big Screen (AMS) (Grand Ballroom C)

Mary Simonson (Colgate University), Chair
Erin Brooks (SUNY Potsdam), Movies at the Met? Space and Meaning in Early Film
Screenings
Olga Haldey (University of Maryland), Bach Is a Great Responsibility: the B-minor Mass
in the Maksimova-Vasiliev film Fouett (1986)
Christy Thomas (Bates College), A Combination Made for Experiment: Casa Ricordi,
Aida, and Opera on Screen in 1911
Danielle Ward-Griffin (Christopher Newport University), As Seen on TV: Putting the NBC
Opera Theatre on Stage
The Reach of Humanistic Learning (AMS) (Port Alberni)

John McKay (University of South Carolina), Chair
Nicholas Johnson (Butler University), Johannes Keplers Astro-Musical Soul and Early
Modern Speculative Music Theory
Sarah Koval (University of Toronto), Pills to Purge Melancholy: The Restorative Power of
Songs in Restoration England
Loren Ludwig (University of Virginia), Marketh it well: William Bathes Table (1596) and
Experimental Practice
Joseph Ortiz (University of Texas at El Paso), Between Humanism and Praxis: Concepts of
Musical Literacy in Early Modern Europe
SMT Goes to High School: The AP Music Theory Outreach

Project (SMT) (Pavilion Ballroom C)
Co-sponsored by the SMT Committee on Diversity and the Pedagogy Interest Group
J. Daniel Jenkins (University of South Carolina), Chair
Timothy Chenette (Utah State University), Philip Duker (University of Delaware), Gabriel
Fankhauser (University of North Georgia), Cynthia Gonzales (Texas State University),
Rebecca Jemian (University of Louisville), Jocelyn Neal (University of North Carolina at
Chapel Hill), Daniel B. Stevens (University of Delaware), Ji Hyun Woo (SUNY Fredonia)
Sounding Stereotypes (AMS) (Grand Ballroom D)

Tina Frhauf (Graduate Center, CUNY), Chair
Siel Agugliaro (University of Pennsylvania), They are not Alfredo and Violetta: Cultural
Hierarchy, Race, and Politics in the Cold War Italian Performances of Porgy and Bess
Dan Blim (Denison University), MacDowells Vanishing Indians
Daniel Goldmark (Case Western Reserve University), Musical Stereotyping American Jewry
in Early Twentieth-Century Mass Media
Daniel Grimley (University of Oxford), I will meet you when the sun goes down: From
Place to Race in Deliuss Appalachia
Program
Friday
FRIDAY MORNING SHORT SESSIONS

9:0010:30
Bernstein (AMS) (Junior Ballroom D)

Ryan Raul Baagale (Colorado College), Chair
Katherine Baber (University of Redlands), Radical Chic and Leonard Bernsteins Politics
of Style
Daniel Callahan (Boston College), Bernsteins Body
Boulez: From Sketch to Score (SMT) (Pavilion Ballroom B)

Ciro Scotto (Ohio University), Chair
Joseph Salem (University of Victoria), The Melodies of LOrestie and Pierre Boulezs New
Compositional Method
C. Catherine Losada (College-Conservatory of Music, University of Cincinnati), Middleground Structure in the Cadenza to Boulezs clat
10:3012:00
Canonic American Composers (AMS) (Junior Ballroom D)

David Paul (University of California, Santa Barbara), Chair
Ryan Raul Baagale (Colorado College), Reconstructing the Rhapsody in Blue Piano Solo
Jacob A. Cohen (Graduate Center, CUNY), Dancing in the Barn with Charles Ives
Dallapiccola and the Dynamics of Influence (SMT) (Pavilion Ballroom B)

Jamuna Samuel (University of Pennsylvania), Chair
Angela Ida De Benedictis (Paul Sacher Foundation, Basel) and Christoph Neidhfer (McGill
University), The Composer and his Advocate: Taking Clues from the Dallapiccola-Mila
Correspondence for an Analysis of Tre Poemi (1949)
Angela Carone (Fondazione Giorgio Cini, Venezia), Teaching Beyond the Craft of Composition: The Relationship between Luigi Dallapiccola and Luciano Berio
12:001:30
A-R Online Music Anthology Board Meeting (by invitation) (Beluga)
12:001:30
AMS Committee on Cultural Diversity: Reception

for Southern Travel Grant Recipients, Associates, and
Alliance Representatives (Gulf Islands C/D)
12:001:45
SMT Queer Resource Interest Group (Junior Ballroom C)
12:002:00
Luncheon and Presentation: New Networks of Music Literature:

RILM and Musicology in the Twenty-First Century (34th Floor)
Barbara Dobbs Mackenzie (Editor-in-Chief ) and Tina Frhauf (Content Acquisitions Director), Rpertoire International de Littrature Musicale, Barry S. Brook
Center for Music Research and Documentation, Graduate Center, CUNY
Friday
(Friday noontime, cont.)

12:151:45
CCRI Session I: Master-Teacher Roundtable:

Interdisciplinary Strategies (Port Alberni)
Sponsored by AMS Committee on Career-Related Issues
Alexandra Monchick (California State University, Northridge), Chair
David Huron (Ohio State University), Music Theory and Cognition
Laura Pruett (Merrimack College), Music and Interdisciplinarity at the Liberal Arts Institution
Peter Garcia (Cal State Northridge), Music and Chicano Studies
Mark Katz (University of North Carolina at Chapel Hill),
Teaching Music and Entrepreneurship to Non-majors
12:151:15
Alvin H. Johnson AMS 50 Fellowship Forum (Azure)
12:151:45
AMS Music and Dance Study Group Salsa Dance (Tent, Lobby Level)
12:151:45
AMS Pedagogy Study Group Business

Meeting (Junior Ballroom A/B)
12:151:45
Lecture: Stravinsky Comes to Vancouver (AMS) (Grand Ballroom C)

Anne Shreffler (Harvard University), Chair
H. Colin Slim (University of California, Irvine)
12:151:45
JAMS Editorial Board (Galiano)
12:151:45
SIMSSA: Single Interface for Music Score

Searching and Analysis(Granville)
12:151:45
SMT Jazz Theory and Analysis Interest Group (Pavilion Ballroom B)
12:151:45
SMT Performance and Analysis Interest

Group (Pavilion Ballroom D)
12:151:45
SMT Post-1945 Music Analysis Interest Group (Pavilion Ballroom C)
12:151:45
SMT World Music Interest Group (Junior Ballroom D)
12:151:45
Society for SeventeenthCentury Music Business

Meeting (Grand Ballroom B)
1:003:00
SMT CV Review (Finback)
3:305:00
AMS/MLA Joint RISM Committee (Burrard)
Program
Friday
FRIDAY AFTERNOON CONCERTS

12:301:30
Lecture-Recital: Redefining the Concept of Latin-American

Music for Guitar through the Works of Guastavino and
Santrsola (at St. Andrews Wesley United Church)
Nicols Emilfork (University of Texas at Austin), classical guitar
2:003:00
Lecture-Recital: Integrating the Violoncello Music of

Angelo Maria Fior with Early Baroque Performance
Practice (at St. Andrews Wesley United Church)
Elinor Frey, Baroque cello
Stephen Stubbs, lute
FRIDAY AFTERNOON SESSIONS

2:005:00
After Machaut and before Monteverdi: Current Trends in Music

of the Renaissance (AMS) (Junior Ballroom A/B)
Anna Zayaruznaya (Yale University), Chair
Kate vanOrden (Harvard University), Respondent
Jane A. Bernstein (Tufts University), A Tale of Two Cities and Two Technologies: Shaping
Music Books and Notes in Cinquecento Italy
Jesse Rodin (Stanford University), The Chansonnier as Sensory Artifact
Margaret Bent (All Souls College, Oxford), Musical Networks: Initiative, Patronage, and
Humanism in the Early-Fifteenth-Century Veneto
Anne Walters Robertson (University of Chicago), Music, Words, and Meaning in the
Fifteenth-Century Sacred Repertory
Richard Freedman (Haverford College), Early Music in the Digital Domain: Texts and Roles
Agency in Instrumental Music of the Long Eighteenth

Century (SMT) (Pavilion Ballroom D)
Seth Monahan (Eastman School of Music, University of Rochester), Chair
Edward Klorman (McGill University), Koch and Momigny: Theorists of Agency in Mozarts
Quartets?
W. Dean Sutcliffe (University of Auckland), Versatility and Floating Agency in Later
Eighteenth-Century Instrumental Music
Mary Hunter (Bowdoin College), The Agency of the Performer in Mozarts C-minor
Fantasia K. 475
Friday
(Friday afternoon, cont.)

Robert S. Hatten (University of Texas at Austin), Agentially and Expressively Motivated
Counterpoint
Case Studies in Late Medieval Devotion (AMS) (Port Alberni)

Alejandro Planchart (University of California, Santa Barbara), Chair
Alison Altstatt (University of Northern Iowa), The Dramatic Sequence of the Wilton
Visitatio sepulchri
Margot Fassler (University of Notre Dame), The Artful Sequence: Texts, Music, and Decoration among Fourteenth-Century German-Speaking Dominican Nuns
James Maiello (University of Manitoba), Making Sense of the Sequence at Pistoia
Michelle Urberg (University of Chicago/Pacific Lutheran University), Nordic Cult Building
through Music and Ritual: Marys Suffering Heart and the Office Stabat Virgo Dolorosa
Constructing the Artist (AMS) (Pavilion Ballroom A)

David Brackett (McGill University), Chair
Mary Jones (Yale University), Fighting for the Dignity of a Creator: Schoenberg, Lieberson,
and the First Recording of Pierrot lunaire
Nate Sloan (Stanford University), Constructing Cab Calloway
Oren Vinogradov (University of North Carolina at Chapel Hill), Defining Impressions:
Franz Liszts Press Kits and the New German Authorship
Paula Harper (Columbia University), Beyonc: How Viral Techniques Circulated a Visual
Album
Early Modern Women (AMS) (Port McNeill)

Nina Treadwell (University of California, Santa Cruz), Chair
Eleonora Beck (Lewis & Clark College), More Than a Pretty violeta: Santa Caterina de
Vigris Contributions to Renaissance Musical Culture
Seth Coluzzi (Boston, Mass.), The First Songstress: The Fragmented History of Lucia
Quincianis Monody of 1611
Ascensin Mazuela-Anguita (Spanish National Research Council), Women, Urban Experiences of Music, and the Inquisition in the Early Modern Iberian World
Sara Pecknold (Catholic University of America), Pretiosissimo sangue: Giulio Strozzi and the
Sacri musicali affetti (1655)
Effect and Affect (AMS) (Grand Ballroom A)

Nicholas Mathew (University of California, Berkeley), Chair
Estelle Joubert (Dalhousie University), Glucks Timbral Effects and an Alternate Aesthetic
of a Classic
Tomas McAuley (University of Cambridge), Hearing the Enlightenment: Musical Affects
and Mechanist Philosophy in Early Eighteenth-Century England and Scotland
Catherine Motuz (McGill University), Such as the Mind Sees When It Hears: The Rise of
Word-Painting as a Tool for Expression
Program
Friday
Annette Richards (Cornell University), Glass Music and the Virgin Warrior
Encounters with the Music of Milton Babbitt: A Centennial

Celebration (SMT) (Pavilion Ballroom C)
Zachary Bernstein (Eastman School of Music, University of Rochester) and Andrew Mead (Indiana University), Co-chairs
Zachary Bernstein (Eastman School of Music, University of Rochester), And we go . . . even
we [, even so]: Memory and Closure at the End of Babbitts A Solo Requiem
Daphne Leong (University of Colorado, Boulder), Simple Ways of Hearing, Playing, and
Teaching Babbitts Semi-Simple Variations
Joshua Mailman (University of Alabama), Babbitts Beguiling Surfaces, Improvised Inside
Andrew Mead (Indiana University), Between Innocence and Experience: How Analysis
Might or Might Not Have Affected My Hearing of Milton Babbitts Music
Robert Morris (Eastman School of Music, University of Rochester), Listening to Babbitts
Occasional Variations
Joseph N. Straus (Graduate Center, CUNY), Octave Doubling in Babbitts Swan Song no. 1
Anton Vishio (William Paterson University), Babbitt via Feldman: Surfaces of Echoes and
Reflection
Meters in Global Perspective (SMT) (Junior Ballroom C)

Noriko Manabe (Temple University), Chair
Chris Stover (The New School), Timeline Spaces: A Theory of Temporal Process in African
Drum/Dance Music
Fernando Benadon (American University), Polymetric Phrasing in Rumbas Quinto
Daniel Goldberg (Yale University), Whats the Meter of Elenino Horo? Rhythm and Timing
in Drumming for a Bulgarian Folk Dance
Peter Selinsky (Yale University), Conceptualizing Meter in Early Indojazz
Poster Presentations (AMS) (Gulf Islands B/C/D)

Denise Odello (University of Minnesota), Tradition, Audience, and Performance Style in
Collegiate Marching Musical Performance
Dana Gorzelany-Mostak, Mark Misinco, Cannon McClain, and Sarah Kitts (Georgia College), Trail Trax: A Campaign Music Database
Mia Tootill (Cornell University), Mapping Paris Theaters: A Digital Dissertation Appendix
Sounding (Out) the Archive: Western Music, Empire, and

Aural History (AMS) (Grand Ballroom B)
Roe-Min Kok (McGill University), Chair
Gavin Williams (University of Cambridge), Respondent
Erin Johnson-Williams (Trinity Laban Conservatoire of Music and Dance), Singing of
Lovedale in London: Mobilizing the Archival Imaginary
Friday
(Friday afternoon, cont.)

Philip Burnett (University of Bristol), A Strange Monotonous Air: Travel Writing, Sound,
and the Cape Colony, ca. 17901854
Yvonne Liao (Kings College London), Colonial Documents, Communist Archives: Evidence
of Western Musical Sound in Shanghai
Joanna Bullivant (University of Oxford), Imperial Constructions of 1950s Guyana: Alan
Bushs The Sugar Reapers
Technologies of the Avant-Garde (AMS) (Grand Ballroom C)

Sumanth Gopinath (University of Minnesota), Chair
Jonathan Goldman (University of Montreal), Of Doubles, Groups and Rhymes: Spatialized
Works and the Artistic Response to Sound Technology
Madison Heying (University of California, Santa Cruz), The Coding of Community: Carla
Scaletti, Kyma, and Community Formation in Computer Music
Nicholas Jurkowski (University of California, Santa Barbara), The Avant-Garde Goes Corporate: Soundtracks and Sound Experiments at the Siemens Studio for Electronic Music
Rachel S. Vandagriff (Oakland, Calif.), The Pre-history of the Columbia-Princeton Electronic Music Center
Transatlantic Opera (AMS) (Grand Ballroom D)

Katherine K. Preston (College of William & Mary), Chair
Charlotte Bentley (University of Cambridge), Transatlantic grand opra: Rethinking the
Thtre dOrlans
Rachel Cowgill (University of Huddersfield), Adaptation in English Opera: New Light from
the Norwich Theatre Royal Music Collection, Norfolk Heritage Centre
April Greenan (University of Richmond), Performing National Identity: Francis Hopkinson
and the First Productions of Serious Opera in Colonial America
Jennifer C. H. J. Wilson (Brooklyn College), Vive la France! Vive la Rvolution! . . . New York
Theory and Practice (SMT) (Pavilion Ballroom B)

Roger Mathew Grant (Wesleyan University), Chair
Ryan Taycher (Indiana University), De fundamento discanti
Peter Schubert and Julie Cumming (McGill University), Maintaining a Point: Repeated
Motives over an Equal-Note Cantus Firmus from Josquin to Monteverdi
Megan Kaes Long (Oberlin College & Conservatory), Tonalitys Missing Link: Text Setting
and Metrical Regularity in Italianate Partsong at the Turn of the Seventeenth Century
Layne Vanderbeek (University at Buffalo, SUNY), Tactical Approaches to Tactus in Praetorius
and Burmeister: Differences in their Rhetorical Understanding and Purpose
Program
Friday
FRIDAY AFTERNOON SHORT SESSIONS

2:003:30
Radio Canada (AMS) (Junior Ballroom D)

Mary Ingraham (University of Alberta), Chair
Robert Bailey (University of Calgary), Radio Orchestras and the Cultivation of a National
Music Culture: The CBC Vancouver Chamber Orchestra, 19382008
Kimberly Francis (University of Guelph), The Stravinsky Venture: Igor Stravinsky and the
Canadian Broadcasting Corporation, 196162
3:305:00
Jazz and the Demimonde (AMS) (Junior Ballroom D)

Charles Hiroshi Garrett (University of Michigan), Chair
Vanessa Blais-Tremblay (McGill University), Gorgeous Girlies in Glittering Gyrations:
Exotic Dance and Interwar Jazz
Dale Cockrell (Vanderbilt University), Everybodys (Over) Doin It: Sex, Alleged Music,
and Rotten Dance in New York, 191017
5:006:30
Journal of Musicology Board(Galiano)
5:006:30
AMS Graduate Education Committee Reception for

Prospective Graduate Students (34th Floor)
5:006:30
Rice University Alumni Reception (Beluga)
5:007:00
AMS Ecocriticism Study Group Business Meeting (Port McNeill)
5:007:00
AMS/SMT Joint Film and Multimedia Music

Interest Group (Grand Ballroom B)
5:007:00
AMS/SMT Joint Philosophy Interest Group

Business Meeting (Junior Ballroom A/B)
5:007:00
Eastman School of Music Alumni Reception (Azure)
5:007:00
Friends of Stony Brook Reception (Cracked Ice)
5:007:00
SMT History of Music Theory Interest Group

Meeting (Grand Ballroom D)
5:007:00
SMT Music Improvisation Interest Group (Grand Ballroom C)
5:007:00
SMT Mathematics of Music Analysis Interest

Group (Junior Ballroom C)
5:007:00
SMT Work and Family Interest Group (Pavilion Ballroom B)

Friday
(Friday evening, cont.)

5:007:00
University of Oregon Reception (Gulf Islands A)
5:156:45
CCRI Session II: Vaulting Over the Ivy Wall:

Alternatives for Musicologists to a Traditional TenureTrack Academic Career (Pavilion Ballroom A)

Paul Christiansen (Seton Hall University), Chair
Paul Christiansen (Seton Hall University), on job opportunities abroad
Naomi Perley (Graduate Center, CUNY), on doctoral training and alternate careers
Susan Key (Pacific Symphony and Chapman University), on public musicology
Ayden Adler (DePauw University), on moving in and out of academe
5:156:15
Die Musik in Geschichte und Gegenwart (MGG)

goes digital in 2016 (Junior Ballroom D)
Presenters: Laurenz Ltteken (University of Zurich), Clemens Scheuch and Ilka Shrig
(Brenreiter Verlag), Barbara Dobbs Mackenzie and Jonathan Greenberg (Rpertoire
International de Littrature Musicale, Barry S. Brook Center for Music Research and
Documentation, The Graduate Center, City University of New York), with a welcome
from Ellen T. Harris (AMS)
5:306:30
Amherst Early Music Festival Presents: Singing from

Renaissance Notation with Valerie Horst(Orca)
5:307:30
University of North Carolina at Chapel Hill

Alumni Reception (Granville)
6:007:30
Society for Eighteenth-Century Music General Meeting

(Port Alberni)
6:007:30

AMS Special Session: Race, Ethnicity and the Profession

(Grand Ballroom A)
George E. Lewis (Columbia University) and

Judy Tsou (University of Washington), Co-chairs
Ellie M. Hisama (Columbia University), Mark Burford (Reed College),
Bonnie Gordon (University of Virginia)
6:007:30
W. W. Norton Reception with live music (Pavilion Ballroom D)
6:008:00
CUNY Graduate Center Reception (Tent, Lobby Level)
6:008:00
Boston University Reception (Port Hardy)
6:157:15
Reception celebrating the Launch of MGG Online

Hosted by RILM, Brenreiter, and J.B. Metzler(Finback)
6:308:00
Oxford University Press Reception (Pavilion Ballroom C)
Program
6:457:45
Friday
CCRI Session III: Workshop on Career

Alternatives (Pavilion Ballroom A)

Susan Key (Pacific Symphony and Chapman University), Chair
Paul Christiansen (Seton Hall University), Naomi Perley (Graduate Center, CUNY) Susan
Key (Pacific Symphony and Chapman University), Ayden Adler (DePauw University)
7:009:00
A-R Editions Online Music Anthology Reception (Parksville)
7:308:00
AMS Music and Dance Study Group Business

Meeting (Grand Ballroom C)
7:30
Early Music Vancouver, Breathtaking A Voice and a Cornetto

Entwined, Christ Church Cathedral, 690 Burrard Street
8-min. walk; shuttle available from 7 p.m., Lobby Level
8:0010:00
Mozart Society of America Business Meeting

and Study Session (Orca)
9:0012:00
Brandeis University Alumni Reception (Port McNeill)
9:0012:00
University of Chicago Alumni Reception (Azure)
9:0012:00
University of Michigan Alumni Reception (Pavilion Ballroom D)
9:0012:00
University of Pittsburgh Reception (Granville)
10:0011:00 Mozart Society of America Twentieth

Anniversary Reception (Finback)
9:001:00
AMS/SMT Dance (34th Floor)
10:0012:00 AMS LGBTQ Study Group Party (Pavilion Ballroom C)

10:0012:00 Case Western Reserve University Reception and
Celebration of Susan McClary on the Occasion of
Her Seventieth Birthday (Tent, Lobby Level)
10:0012:00 Columbia University Department of Music Reception (Parksville)
10:0012:00 Florida State University College of Music
Alumni Reception (Galiano)
10:0012:00 Harvard Music Reception (Junior Ballroom D)
10:0012:00 MLA Notes Reception (Port Hardy)
10:0012:00 Society for Christian Scholarship in Music
Reception (Gulf Islands C/D)
Friday
FRIDAY EVENING SESSIONS

8:0010:00
Race-ing Queer Music Scholarship: Critiquing Racial

Blindness (AMS) (Grand Ballroom A)
Sponsored by the AMS LGBTQ Study Group
Lisa Barg (McGill University), Chair
Kira Dralle (University of California, Santa Cruz), On Beyoncs Formation and Black
Anger: How to Be an Ally in Musicological Discourse
Eric Hung (Westminster Choir College of Rider University), Race-ing and Queering the
Historical Mission of American Musicology through Public Musicology
Kai Finlayson (New York University), Defense Mechanisms: Queering Musicological Aversions to Critical Race Theory
Ali Na (University of California at Santa Cruz), The Color of Queer Critique: Sonic Performances of Blackness and Queer Temporality
8:0011:00
Art and Advocacy in Environmentalist Music: Tensions, Dimensions,

and Perceptions (AMS) (Pavilion Ballroom A)
Mark Pedelty (University of Minnesota), Chair
Sabine Feisst (Arizona State University), Tyler Kinnear (University of British Columbia),
Stephen Meyer (University of Cincinnati)
Concepts, Spaces, Sounds (SMT) (Junior Ballroom A/B)

Julian Hook (Indiana University), Chair
Max Silva (University of Chicago), Un-Quin(n)ing Qualia
Dmitri Tymoczko (Princeton University), Shostakovich and Playing Out: Centric Set
Theory and Polyoctatonicism in the Seventh String Quartet
Clifton Callender (Florida State University), The Tonal Extravagance of Large Pitch Sets
Richard Plotkin (University at Buffalo, SUNY), Harmonious Opposition: Maximal Displacement and Voice-Leading Parsimony
Copyright Permissions and Fair Use in Music

Scholarship (AMS) (Grand Ballroom D)
Andy Flory (Carleton College), Chair
Nicole Biamonte (McGill University) and Robert Judd (AMS), Respondents
Keith Salley (Shenandoah Conservatory), Navigating Copyright Permissions/Evaluating
Fair Use
Lars Helgert (Catholic University of America), Music Scholarship and Music Publishers:
Common Problems and Potential Solutions
Walter Everett (University of Michigan), Fair Use Considerations in Rock Scholarship
Program
Friday
Figuring the Rhythm: Black Social Dance and its

Musics (AMS) (Grand Ballroom C)
Sponsored by the AMS Music and Dance Study Group
Christopher J. Wells (Arizona State University), Chair
Thomas F. DeFrantz (Duke University), Keynote speaker
Frauenarbeit: Four Triptychs by Women in Music

Theory (SMT) (Pavilion Ballroom B)
Sponsored by the SMT Committee on the Status of Women
Jennifer Bain (Dalhousie University), Session Moderator
Gretchen Horlacher (Indiana University), Movement in Music and Dance: A Neoclassical
Collaboration for Orpheus
Julie Hedges Brown (Northern Arizona University), Re-Hearing Schumann: A Ballet, a
Quartet Adagio, and Multivalent Identity
Robin Attas (Elon University), Dancing an Analysis: Approaching Popular Music Theory
through Dance
Ellen Bakulina (University of North Texas), Non-Monotonality and Proto-Harmony in
Rachmaninoff
Charity Lofthouse (Hobart and William Smith Colleges) and Sarah Marlowe (New York
University), Pushing the Boundaries: Mismatch and Overlap in Shostakovichs Classical Structures
Deborah Rifkin (Ithaca College), Prokofievs Chromaticism in Fairy Tales: Cinderella and
Peter and the Wolf
Nancy Yunhwa Rao (Rutgers University), Analysis, and the Dilemma of Music Genealogy:
The Cases of Ruth Crawford and Johanna Beyer
Antonella Di Giulio (Buffalo State College), Blind and Imaged: Musical Intuitions in an
Open Work
Patricia Hall (University of Michigan), Border Crossing in Dario Marianellis Score for
Atonement
Laura Emmery (Emory University), Repetition and Formal Destruction in Popular Music
Victoria Malawey (Macalester College), Analyzing the Popular Voice
Jacqueline Warwick (Dalhousie University), Listening with a Gendered Ear
The Operatic Canon (AMS) (Port Alberni)

Cormac Newark (Guildhall School of Music & Drama), Organizer
James Parakilas (Bates College), Chair and Respondent
Katherine Hambridge (Durham University), Raymond Knapp (University of California,
Los Angeles), William Weber (California State University, Long Beach), Flora Willson
(Kings College London)
Friday-Saturday
(Friday evening, cont.)
Producing the Groove (SMT) (Grand Ballroom B)

Mark Butler (Northwestern University), Chair
Nathan Hesselink (University of British Columbia), The Backbeat as Expressive Device in
Popular Music
Michael DErrico (Pitzer College), Off the Grid: Self-Effacing Production in Electronic
Dance Music
Asaf Peres (Ann Arbor, Michigan), (Dys)Functional Harmony: How Sound Production in
Twenty-First Century Pop Music Liberates Harmony from its Functional Role
Chris McDonald (Cape Breton University), Groove, Timbre and the Metaphor of Weight
FRIDAY EVENING SHORT SESSIONS

8:009:30
Analyzing Beethoven (AMS/SMT) (Junior Ballroom C)

Alexander Rehding (Harvard University), Chair
John Z. McKay (University of South Carolina), Formalizing the Eroica: The E Minor Theme
and the Structure of Analytical Revolutions
Mark Evan Bonds (University of North Carolina at Chapel Hill), Positively Ironic:
Beethovens Serioso String Quartet in F minor, op. 95
9:3011:00
Performance and Analysis (SMT) (Junior Ballroom C)

Alan Dodson (University of British Columbia), Chair
Andrew M. Friedman (Harvard University), Reimagining (Motivic) Analysis in Light of
Performance
Su Yin Mak (The Chinese University of Hong Kong), Communications about Musical
Structure in Professional String Quartet Rehearsal
SATURDAY 5 November
8:305:00
8:306:00
8:306:00

7:008:45
AMS Committee on Womenand Gender (Gulf Islands B)
7:008:45
AMS Publications Committee (Beluga)
7:008:45
SMT Committee on Diversity Breakfast Meeting (Gulf Islands A)
Program
Saturday
7:008:45
SMT Professional Development Committee

Breakfast Meeting (Hudson)
7:008:45
SMT Regional and Affiliate Societies Breakfast Meeting (Finback)
7:008:45
SMT-V Editorial Board (Galiano)
7:009:00
A-R Recent Researches Series Editors Breakfast Meeting (Granville)
7:009:00
Journal of Music History Pedagogy Editorial Board (Parksville)
7:308:45
AMS Committee on Cultural Diversity (Blue Whale)
7:308:45
Haydn Society of North America Board Meeting(Vancouver)
7:309:00
Journal of Musicological Research Editorial

Board Meeting (Port Hardy)
7:309:00
Society for Eighteenth-Century Music Board

of Directors Meeting(Columbia)
7:309:00
Web Library of Seventeenth-Century Music Editorial Board(Burrard)
7:458:45
American Bach Society Editorial Board Meeting (Gulf Islands D)
8:008:45
Study Group Chairs(Orca)
9:0012:00
AMS Committee on Career-Related Issues, CV and

Cover Letter Workshop (Cracked Ice)
SATURDAY MORNING SESSIONS

9:0012:00
Cipriano de Rores Quincentenary: Looking Back at His Madrigals

with Modern Eyes (SMT) (Junior Ballroom C)
Sponsored by the SMT Early Music Analysis Interest Group
Devin Chaloux (Southern New Hampshire University), Chair
Jason Rosenholtz-Witt (Northwestern University), Cipriano de Rore Reappraised: Lovesickness and Eroticism in Calami sonum ferentes
Benjamin Dobbs (Greenwood, S.C.), Comparing Cipriano de Rores Four- and Five-Voice
Madrigals: Indicators of Style in Cadential Practice
Richard Hermann (University of New Mexico), Is there Evidence for Meter via Cumulative
Rhythm and Attack-Point Density in Cipriano de Rores Madrigals?
Timothy R. McKinney (Baylor University), Scheme and Schism in Rores Mia benigna
fortuna
Saturday
(Saturday morning, cont.)

Jared C. Hartt (Oberlin College & Conservatory), A Deliberate Hoax? Using Rores Calami
sonum ferentes as a Pedagogical Tool
Heather Holmquest (Umpqua Community College), Building a Narrative: Music and Text
Relationships in the Undergraduate Analysis Classroom
Lost Repertories of the Cold War Era (AMS) (Pavilion Ballroom A)

Alison Furlong (Ohio State University), Chair
Hyun Kyong Hannah Chang (Ewha Womans University), Brian Locke (Western Illinois University), Lisa Cooper Vest (University of Southern California), Joy H. Calico (Vanderbilt
University), Danielle Fosler-Lussier (Ohio State University)
Melodic Motivations (SMT) (Pavilion Ballroom C)

Ben Givan (Skidmore College), Chair
Christopher Gupta (Princeton University), A Theoretical Account of Cueing Systems in
Collective Improvisation
Jeremy Smith (University of Minnesota), I Know Its Over: Melodically-Established Keys
and Tonal (Non-)Closure in Contemporary Popular Music
Joon Park (University of Arkansas), Long Dissonance and the Metaphors of Musical Work
Rich Pellegrin (University of Missouri), Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldaus Improvisation on All the Things You Are
Music and Encounter in the Seventeenth and Eighteenth

Centuries (AMS) (Grand Ballroom D)
Thomas Irvine (University of Southampton), Chair
Claudia Jensen (University of Washington), Cavalli, Communiques, and the Kremlin:
Muscovite Witnesses to Seventeenth-century Italian Music and Theater
Kevin C. Karnes (Emory University), Inventing Eastern Europe in the Ear of the Enlightenment
Danielle M. Kuntz (Baldwin Wallace University), Old Lisbon, New Rome: Marginalized
Voices in Early Eighteenth-Century Portuguese Villancico and Oratorio
Craig Russell (Cal Poly), Smudged Blotches, Glued Paste-overs, and Crosshatched Rewrites:
Uncovering Sumayas Muri por el pecado and His Compositional Process
Music and Historical Materialism (SMT) (Pavilion Ballroom D)

Sponsored by the SMT Music and Philosophy Interest Group
Brian Kane (Yale University), Chair
Sumanth Gopinath (University of Minnesota), Marxism and Minimalism: A Troubled
Intersection
Stephan Hammel (University of California, Irvine) and Bryan Parkhurst (University of South
Florida), The Conceptual Foundations of Historical Musical Materialism
Jarek Ervin (University of Virginia), Popular Music Studies, Marxism, and the Cultural
Concept
Program
Saturday
Naomi Waltham-Smith (University of Pennsylvania), Are You Deaf? Historical Materialism

and the Art of the (Im)possible
Eric Drott (University of Texas at Austin), Music, Technology, Music-As-Technology
Sacred/Secular Exegetical Practices (AMS) (Grand Ballroom B)

Jessie Ann Owens (University of California, Davis), Chair
Megan Eagen (University of North Carolina at Chapel Hill), A Literary . . . or Musical Gift:
Erasmus Rotenbuchers Bergkreyen as a Primer for Protestant Lay Exegesis
Barbara Eichner (Oxford Brookes University), The Woman at the Well: Divine and Earth(l)y
Love in Orlando di Lassos Parody Masses
Mary Ellen Ryan (Indiana University), Our Enemies Are Gathered Together: The Politics
of Motets in the Newberry Partbooks
Sienna Wood (University of Colorado at Boulder), Anti-Inquisition Propaganda at the
Outbreak of the Dutch Revolt: No Faignients Chansons, madrigales et motetz
SATURDAY MORNING SHORT SESSIONS

9:0010:30
Beyond Propaganda: Music and Politics in Napoleonic

Theater (AMS) (Port Alberni)
Gundula Kreuzer (Yale University), Chair
Annelies Andries (Yale University), Dreaming Opra de Luxe: Spectacle in Le Sueurs
Ossian ou les Bardes
Katherine Hambridge (Durham University), Genre Consciousness in the Napoleonic
Theater
Circuits of Empire (AMS) (Grand Ballroom A)

Brigid Cohen (New York University), Chair
Bradley Shope (Texas A & M Corpus Christi), Trilateral Exchanges: Ragtime in Bombay
in the 1910s and Its Musical Connections with London
Gavin Williams (University of Cambridge), Sound, Colony, and the Multinational: The
Gramophone Company between London and Singapore, 190010
The Eloquent Body (AMS) (Port McNeill)

Janette Tilley (Lehman College / Graduate Center, CUNY), Chair
Christina Hutten (University of British Columbia), The Clavecinistes Eloquent Body:
Gestural Rhetoric in French Baroque Harpsichord Playing
Bettina Varwig (Kings College London), Mein Herze schwimmt im Blut: Early Modern
Physiologies and Metaphors of the Heart
Saturday
(Saturday morning, cont.)
Holograms and Hauntings (AMS) (Grand Ballroom C)

Joseph Auner (Tufts University), Chair
Lucie Vagnerova (Columbia University), Blackness, Telepresence, and the Carceral State:
Listening to the Hologram in American Music
Griffin Woodworth (Inver Hills Community College), Symphonic Funk and the Discourse
of Hot Rhythm in the Music of Prince
Performing Meter (SMT) (Pavilion Ballroom B)

Mitchell Ohriner (Shenandoah University), Chair
Richard Beaudoin (Brandeis University and The Royal Academy of Music, London), Creaking
Chairs and Metric Clarity: Microtiming Glenn Gould Recording Schoenberg op. 19/1
Galen DeGraf (Columbia University), Types of Temporal Knowledge beyond the Mode
of Attending
Reforming the Nation (AMS) (Junior Ballroom D)

Carol A. Hess (University of California, Davis), Chair
Marco Cosci (Fondazione Giorgio Cini), Listening to Another Italy: New Music for Ancestral
Legacies in 1960s Italian Documentaries
Christina Taylor Gibson (Catholic University of America), Whirling Around Mexico:
Mabel Dodge Luhan and Carlos Chvez
Shedding New Light on Questions about Bruckner

Versions (AMS) (Junior Ballroom A/B)
John Deathridge (Kings College London), Chair
Paul Hawkshaw (Yale University), A Bequest and a Legacy: Editing Anton Bruckners Music
in Later Times
Benjamin Korstvedt (Clark University), It Will Now Achieve its Effect: Toward a Longer
View of the Processes of Symphonic Composition
10:3012:00
Alla Bastarda (AMS) (Port McNeill)

Emily Wilbourne (Queens College / Graduate Center, CUNY), Chair
Paul Schleuse (Binghamton University), Transgendered Voices in Early-Modern Italy: Cantare
alla bastarda, Everyday Virtuosity, and Performing Otherness
Nina Treadwell (University of California, Santa Cruz), Anamorphic Display: The basso alla
bastarda as Progenitor
Body and Spirit (SMT) (Pavilion Ballroom B)

Arnie Cox (Oberlin College & Conservatory), Chair
Rosa Abrahams (Northwestern University), Synchronization in the Synagogue
Program
Saturday
Evan Campbell (McGill University), The Spiritual Experience of Jonathan Harveys Body
Mandala
Brazil and the Difference Within (AMS) (Junior Ballroom D)

Leonora Saavedra (University of California, Riverside), Chair
Rogerio Budasz (University of California, Riverside), Outsiders and Insiders: Musical Practices of African and Brazil-Born Slaves as recorded in Brazilian Newspapers
Silvio dos Santos (University of Florida), Mata cacique (Kill the Indian Chief ): The
Crossroad Between Musical Activism and Indigenous Imagination in Brazilian Music
Dystopic Soundtracks (AMS) (Port Alberni)

Julie Hubbert (University of South Carolina), Chair
Rebecca Fulop (Oberlin College & Conservatory), A most authentic American folk music:
Nostalgia and Colonialism in the Soundtrack of The Man in the High Castle
Katherine Reed (Utah Valley University), Hooked to the Silver Screen: David Bowies
Hunger City
Out of Time: The (A)historicity of Nineteenth-Century

Instrumental Technologies (AMS) (Grand Ballroom A)
Jonathan De Souza (Western University), Chair
Emily Dolan (Harvard University), Mendacious Technology
Roger Moseley (Cornell University), Grids and Filters: Chopinian Methods of (Dis)closure
The Parisian Stage in the Nineteenth Century

(AMS) (Junior Ballroom A/B)
Francesca Brittan (Case Western Reserve University), Chair
Anna McCready (Royal College of Music), The Girouette Effect: Les Pages du duc de
Vendme and Political Iconography in 1820
Tommaso Sabbatini (University of Chicago), Beyond Opera and Musical Theater: Rethinking
Nineteenth-Century Parisian Theater with Music through the Lens of Ferie
Sharing the Gospel (AMS) (Grand Ballroom C)

Mark Burford (Reed College), Chair
C. Megan MacDonald (Florida State University), Embodying Faith and Fandom: Songs of
Identity in Depression-Era Gospel Singing Communities
Braxton Shelley (University of Chicago), Tuning Up in Contemporary Gospel Performance
12:002:00
American Bach Society Advisory Board Luncheon (Beluga)
12:002:00
American Handel Society Board (Vancouver)
Saturday
(Saturday noontime, cont.)

12:002:00
Whats New Chez Nous: RIPM Jazz and a New

Library of Journals (34th Floor)
Luncheon: contact conferences@ripm.org for further information
12:005:00
AMS Committee on the Publication of American

Music Luncheon (Gulf Islands B)
12:151:15
North American British Music Studies

Association (Pavilion Ballroom C)
12:151:45
CCRI Session IV: The Mid-Career Crisis, or,

What to Do after Tenure (Port Alberni)
Sponsored by the AMS Committee on Career-Related Issues

Bryan Proksch (Lamar University), Chair
Olga Haldey (University of Maryland), Family and Personal Life After Tenure
Stephen Meyer (University of Cincinnati), Moving in Mid-Career
Elizabeth Hudson (Northeastern University), The Pleasures and Perils of Moving into the
Deans Office
Bryan Proksch (Lamar University), And Now for Something Completely Different: Research
Agendas after Tenure
12:1512:30
AMS By-laws Changes Meeting (Junior Ballroom A/B)

see www.ams-net.org/By-laws-ballot-2017.php
12:301:45
AMS Council (Junior Ballroom A/B)
12:151:45
AMS LGBTQ Open Board Meeting (Granville)
12:151:45
AMS Music and Dance Study Group Syllabus

Development Workshop (Orca)
12:1512:50
AMS Popular Music Study Group (Junior Ballroom D)
12:501:50
AMS Popular Music Study Group

Panel presentation Pedagogy through
Artifacts (Junior Ballroom D)
Elizabeth Clendinning (Wake Forest University), Dont read my diary when Im gone:
Teaching Scene and Sketch Studies through Kurt Cobain Journals
Mandy Smith (Rock and Roll Hall of Fame/Case Western Reserve University). Popular
Music Performance as Pedagogical Artifact
Emily Gale (University of California, Merced), eBay Musicology
12:151:45
Eighteenth-Century Music Editorial Board Meeting (Gulf Islands C)
12:151:45
Haydn Society of North America General

Meeting (Pavilion Ballroom B)
Program
Saturday
12:151:45
Joint Disability and Music SMT Interest/AMS

Study Group Meeting (Port McNeill)
12:151:45
SMT Committee on the Status of Women

Brown Bag Open Lunch (Parksville)
12:151:45
SMT Early Music Interest Group (Burrard)
12:151:45
SMT Music Cognition Interest Group (Junior Ballroom C)
12:151:45
SMT Music Theory Pedagogy Interest Group (Pavilion Ballroom D)
12:151:45
SMT Russian Theory Interest Group Meeting (Pavilion Ballroom A)
2:003:00
SMT Business Meeting (Grand Ballroom)
3:005:00
Pendragon Press Meet-the-Authors: Lisa Scoggin, The Music of

Animaniacs, and Reba Wissner, We Will Control All That You Hear
Exhibit Table I, Pavilion Ballroom Foyer
3:304:30
AMS Performance Committee (Beluga)
SATURDAY AFTERNOON CONCERTS

12:301:30
Lecture-Recital: Beyond an Accomplishment: Vocal

Music Studied and Performed at Troy Female Seminary,
183872 (St. Andrews Wesley United Church)
Jewel A. Smith (Xavier University)
The Edgecliff Vocal Ensemble, Xavier University (Cincinnati, Oh.)
Richard Schnipke, Conductor, Matthew Umphreys, Accompanist
2:003:00
Recital: Virtuoso Piano Works by Twentieth- and Twenty-FirstCentury Canadian Composers (Christ Church Cathedral)
Ra Beaumont (Royal Conservatory of Music, Toronto), piano
8-min. walk; shuttle available from 1:40 p.m., Lobby Level
SATURDAY AFTERNOON SPECIAL SMT SESSIONS

2:003:00
SMT Business Meeting (Grand Ballroom)
3:003:15
SMT Awards Presentation (Grand Ballroom)
3:305:00
SMT Keynote Address (Grand Ballroom)
Scott Burnham (Graduate Center, CUNY), Words and Music

Saturday
SATURDAY AFTERNOON SESSIONS

2:005:00
Comparing Notes: Just Intonation, Japan, and the Origins of

Musical Disciplines (AMS) (Pavilion Ballroom D)
Jonathan Service (University of Oxford), Chair
Richard Miller (University of Nevada-Las Vegas), Respondent
Julia Kursell (University of Amsterdam), A Well-Tuned History of the Music of the World:
Helmholtzs Investigation into the Material Conditions of Hearing
Daniel Walden (Harvard University), Emancipating Microtones: Nineteenth-Century
Experiments with 53-Tone Equal Temperament
Jonathan Service (University of Oxford), Tanaka Shheis Quixotic Quest for Just Intonation and Pure Ears
Benjamin Steege (Columbia University), The Ambivalent Ethics of Comparative Musicology: A Japanese Case Study
Jazz and the In Between (AMS) (Junior Ballroom D)

Graeme Boone (Ohio State University), Chair
Ritwik Banerji (University of California, Berkeley), Outlining a Phenomenology of Ethics:
Moral Failures in the Listening Practices of an Artificially-Intelligent Free Improviser
Darren LaCour (Lindenwood University), Composing within the Lines, Working behind
the Scenes: Duke Ellington, Billy Strayhorn, and Dick Vances Arrangements for At the
Bal Masque (1958)
Lucille Mok (Chicago, Ill.), Earwitnessing Jazz and the Leonard Feather Blindfold Tests
J. Cole Ritchie (University of North Texas), Recent Jazz Arrangements of Western Art Music
as Foreignized Translations
National Entanglements (AMS) (Pavilion Ballroom C)

Klra Mricz (Amherst College), Chair
Thomas Irvine (University of Southampton), Hubert Parrys Dream of German Music
Ditlev Rindom (University of Cambridge), Italians Abroad: The Milan Exposition of 1906
Kelly St. Pierre (Wichita State University), Measuring a Czech Ethnicity: Musicology, Race,
and the (German) State
Aidan Thomson (Queens University, Belfast), Baxs In Memoriam: Memory, Martyrdom
and Modalities of Irishness
Re-Making Radio (AMS) (Junior Ballroom C)

Christina Baade (McMaster University), Chair and Respondent
Brian Kane (Yale University), Your Hit Parade and the Soundscape of Standards
Jennifer Iverson (University of Chicago), Beyond Darmstadt: Radio and the West German
New-Music Ecology
Program
Saturday
Joshua Tucker (Brown University), Broadcast Sound as Cultural and Natural Resource:
Indigenous Music, Community Radio, and Ecological Activism in the Peruvian Andes
Eric Drott (University of Texas at Austin), Music as a Technology of Surveillance
Sexual Violence on Stage: How Musicologists Promote Resistance

in the Twenty-First Century (AMS) (Junior Ballroom A/B)
Suzanne Cusick (New York University), Chair
Richard Will (University of Virginia), Micaela Baranello (Smith College), Monica Hershberger (Harvard University), Bonnie Gordon (University of Virginia), Ellie M. Hisama
(Columbia University)
SATURDAY AFTERNOON SHORT SESSIONS

2:003:30
News from the Ars Nova (AMS) (Pavilion Ballroom A)

Anne Stone (Graduate Center, CUNY), Chair
Michael Scott Cuthbert (MIT), Hidden in Our Publications: New Concordances, Quotations, and Citations in Fourteenth-Century Music
Gillian Gower (Southern Methodist University), Reassessing the Manuscript New York,
Pierpont Morgan Library M. 978
Performance and Conceptual Art in New York City (AMS) (Port McNeill)
Alexa Woloshyn (Carnegie Mellon University), Chair
Caitlin Schmid (Harvard University), Musicians Using Bizarre Sounds: Charlotte Moormans New York Avant Garde Festival and Performance Art as Music
Maria Edurne Zuazu (Graduate Center, CUNY), Audiotopias and Remembrance in the
Reception of Janet Cardiffs The Forty Part Motet in New York City, 200114
Regulating Pitch (AMS) (Port Alberni)

Gregory Barnett (Rice University), Chair
Michael Dodds (University of North Carolina School of the Arts), Internal and External
Factors of Seicento Modal Conventions
Fanny Gribenski (University of California, Los Angeles), Tuning the World: A History
of Global Negotiations at the Crossroads of Aesthetics, Politics, Science, and Industry
(18341939)
Transatlantic Utopias (AMS) (Pavilion Ballroom B)

Stephanie Jensen-Moulton (Brooklyn College), Chair
Michael Accinno (University of California, Davis), A Music Conservatory for the Blind?
Francis Joseph Campbells American Dream
Samuel Dwinell (University of Akron), Afro-Wagnerism in Imperial London: Samuel
Coleridge-Taylors Thelma and the Endless Melody of Interracial Dreams
Saturday
(Saturday afternoon, cont.)
3:305:00
Musical Institutions in the Seventeenth Century (AMS) (Port Alberni)

Margaret Murata (University of California, Irvine), Chair
Mollie Ables (Indiana University), The Chiesa di Santa Maria della Consolazione and
Giovanni Legrenzis Early Venetian Career: 167177
Arne Spohr (Bowling Green State University), Privileged Dependency: The Legal and Social
Position of Black Court Trumpeters in Seventeenth-Century Germany
Paris Streets in the Nineteenth Century (AMS) (Pavilion Ballroom B)

Steven Huebner (McGill University), Chair
Jacek Blaszkiewicz (Eastman School of Music, University of Rochester), Listening to the
Old City: Street Cries and Urbanization in Second-Empire Paris
Nicole Vilkner (Rutgers University), Musiciens ambulants: The Politics of Sound and Street
Space in Nineteenth-Century Paris
Rethinking Tridentine Reform: Orlando di Lassos Cipriano

de Rore (AMS) (Pavilion Ballroom A)
Robert Kendrick (University of Chicago), Chair
M. Jennifer Bloxam (Williams College), Respondent
David Crook (University of Wisconsin-Madison), Da le belle contrade and the stella matutina
Jessie Ann Owens (University of California, Davis), Scarco di doglia and il bel pensier
Video Games (AMS) (Port McNeill)

William Cheng (Dartmouth College), Chair
William Gibbons (Texas Christian University), The Sounds in the Machine: Hirokazu
Tanakas Cybernetic Soundscape for Metroid
Joseph E. Jones (Texas A&M University-Kingsville), Encultured Musical Codes in Bear
McCrearys Video Game and TV Soundtracks
SATURDAY AFTERNOON AMS SPECIAL SESSION

5:307:00
AMS Business Meeting and Awards Presentation (Grand Ballroom)
5:007:00
SMT Sketches and Autographs Interest Group

Informational Meeting (Pavilion Ballroom D)
5:307:30
SMT Music Informatics Interest Group (Pavilion Ballroom B)
5:307:30
SMT Music and Psychoanalysis Interest Group(Granville)
5:307:30
SMT Popular Music Interest Group (Pavilion Ballroom C)
Program
Saturday
7:30
Vancouver Symphony Orchestra, The VSO Goes to the Movies:

Raiders of the Lost Ark Orpheum Theatre, 601 Smithe St.
8:0010:00
University of Texas at Austin Reception (Cracked Ice)
8:0010:00
Viola da Gamba Society of America presents: Come play consort

music! (Finback)
Viols, music and stands provided
9:0010:30
Duke University Reception (Port Hardy)
9:0011:00
AMS/SMT Dessert Reception (34th Floor)
9:0011:00
University at Buffalo Reception (Gulf Islands A)
9:0011:00
Indiana University Reception (Tent, Lobby Level)
9:0011:00
New York University Reception (Azure)
9:0011:00
University of Toronto Reception (Gulf Islands C/D)
9:0012:00
Stanford Reception (Beluga)
9:3012:00
McGill University Reception (Grand Ballroom D)
10:00-11:00
Yale Alumni Reception (Grand Ballroom C)
10:0012:00 University of Cincinnati, College-Conservatory

of Music Reception(Granville)
10:0012:00 University of Western Ontario Reception(Galiano)
10:001:00
Cornell Reception (Junior Ballroom A/B)
10:001:00
University of California at Los Angeles Musicology

Alumni Reception (Junior Ballroom D)
10:001:00
University of California, Berkeley Alumni

Reception (Grand Ballroom A)
10:001:00
University of North Texas Alumni Reception(Parksville)
10:001:00
University of Pennsylvania Party (Grand Ballroom B)
10:001:00
Princeton University Department of Music

Reception (Junior Ballroom C)
11:0012:00 Yale Party (Grand Ballroom C)
Saturday-Sunday
SATURDAY EVENING SESSIONS

8:0011:00
Music and Medievalism: New Critical Approaches (AMS) (Port Alberni)

Stephen Meyer (University of Cincinnati), Chair
Jennifer Bain (Dalhousie University), Michael Richardson (Stony Brook University), Jacob
Sagrans (McGill University), Kirsten Yri (Wilfrid Laurier University)
New Directions in Post-Soviet Musicology (AMS) (Port McNeill)

Vladimir Orlov (Smolny-Bard College / St. Petersburg State University), Chair
Richard Taruskin (University of California, Berkeley), Respondent
Marina Frolova-Walker (University of Cambridge), Olga Manulkina (St. Petersburg University / St. Petersburg Conservatory), Svetlana Savenko (Moscow Conservatory), Miriam
Tripaldi (University of Chicago)
Toward a Critical World History of Music: Developing Theory

for an Emergent Field (AMS) (Pavilion Ballroom B)
Olivia Bloechl (University of California, Los Angeles) and Gabriel
Solis (University of Illinois at Urbana-Champaign), Co-Chairs
David Irving (University of Melbourne), Ingrid Monson (Harvard University), Katherine
Butler Schofield (Kings College London), Rachel Beckles Willson (Royal Holloway)
SATURDAY EVENING SHORT SESSION

8:009:30
Music and the Middlebrow (AMS) (Pavilion Ballroom A)

Stephen Hinton (Stanford University), Chair
Benjamin Piekut (Cornell University), Respondent
Christopher Chowrimootoo (University of Notre Dame), Peter Franklin (University of Oxford), Kate Guthrie (University of Southampton), Heather Wiebe (Kings College London)
SUNDAY 6 November
8:3012:00
8:3012:00
8:3012:00

7:008:45
AMS Board of Directors (Finback)
Program
Sunday
7:009:00 SMT 2016/2017 Program Committees Breakfast (Orca)

8:009:00
SMT Interest Group and Standing Committee Breakfast (Parksville)
SUNDAY MORNING SESSIONS

9:0012:00
Case Studies in Radiophonic Art (AMS) (Grand Ballroom A)

Michael Gallope (University of Minnesota), Chair
Kate Galloway (Wesleyan University/Memorial University of Newfoundland), Soundscaping the Radio: Sonic Witnessing and the Resonances of Experimental Radio Soundwork
through Electroacoustic Soundscape Composition
John Klaess (Yale University), 105.9 WHBI-FM and the Cassette Economy of Early Hip Hop
Danielle Simon (University of California, Berkeley), In Search of a Futurist Radio Aesthetic
Alexander Stalarow (University of California, Davis), Pierre Schaeffers La coquille plantes
and Experiments in French Wartime Radio Production
Music, Class, and the Great War (AMS) (Port McNeill)

Alain Frogley (University of Connecticut), Chair
Emily C. Hoyler (School of the Art Institute of Chicago), Highbrow Bullies and Lowbrow
Menaces: Judgments of Music and Taste in Interwar BBC Periodicals
Michelle Meinhart (Durham University / Martin Methodist College), Its a Long Way to
Tipperary . . . and Tennessee: Unlikely Musical Exchanges in the English Country House
during World War I
Rachel Moore (University of Oxford), Articulating Allied Identity: Cross-Channel Musical
Exchange between Paris and London during World War I
Vanessa Williams (University of Pennsylvania), Near to Reality, but Not Quite: Lena
Ashwells Concerts at the Front during the First World War
Navigating the First Years on the Job (SMT) (Junior Ballroom C)

Sponsored by the SMT Professional Development Committee
Samuel Ng (University of Cincinnati), Moderator
William Marvin (Eastman School of Music, University of Rochester), Joti Rockwell (Pomona College), Lynne Rogers (Mannes School of Music at The New School), Lawrence
Zbikowski (University of Chicago)
Opera in Russia (AMS) (Grand Ballroom B)

Inessa Bazayev (Louisiana State University), Chair
Elise Bonner (Columbia University), Reassessing Russian Comic Opera: Singers, Aesthetics,
and Success in Eighteenth-Century St. Petersburg
Marina Frolova-Walker (University of Cambridge), Newspaper to Opera: Orango, Topicality,
and the Documentary Aesthetic
Sunday
(Sunday morning, cont.)

Esti Sheinberg (University of Nebraska-Lincoln), Shostakovichs Lady Macbeth from the
Mtzensk District: the finale of Scene Four as opera buffa parody
Daniil Zavlunov (Stetson University), Opera as Policy during the Reign of Nicholas I: The
First Decade (182535)
Rethinking Romantic Form: Mendelssohns Sonata-Form

Practice (SMT) (Pavilion Ballroom D)
Janet Schmalfeldt (Tufts University), Chair
Benedict Taylor (University of Edinburgh), Mendelssohn and Sonata Form: The Case of
op. 44 no. 2
Julian Horton (Durham University), Mendelssohns Piano Trio op. 66 and the Analysis of
Romantic Form
Steven Vande Moortele (University of Toronto), Expansion and Recomposition in Mendelssohns Symphonic Sonata Forms
Thomas Grey (Stanford University), Deformed Beauty? Form and Narrative in the Overture
to the Tale of the Fair Melusine, op. 32
Theatrical Voices (AMS) (Grand Ballroom C)

Jonathan Glixon (University of Kentucky), Chair
Berta Joncus (Goldsmiths, University of London), Scoring for Celebrity: The Authority of
the Vocalist in Love in a Village (1762)
Jessica Peritz (University of Chicago), Orpheus, Timotheus, and the Politics of Voice in
Enlightenment Italy
Hendrik Schulze (University of North Texas), Monteverdi, Cavalli, Natural Depiction of
Affection, and the Principle of Dialogue
Emily Wilbourne (Queens College / Graduate Center, CUNY), Ahi ghidy, Ahi Chavo:
Racialized Difference and Theatrical Sound on the Early Modern Italian Stage
Timbre, Transformation, and Harmonic Dualism

(SMT) (Pavilion Ballroom B)
Jack Boss (University of Oregon), Chair
Jennifer Beavers (University of Texas at San Antonio), Timbrally-Marked Structures in
Ravels Piano Concertos
Andrew Pau (Oberlin College & Conservatory), Plagal Systems in the Songs of Faur and
Duparc
Timothy Jackson (University of North Texas), Puccinis Pellas and Butterflys Transformations of Partimenti
Catherine Nolan (University of Western Ontario), Synergies of Musical and Poetic Transformation in Anton Weberns Second Cantata, op. 31
Program
Sunday
SUNDAY MORNING SHORT SESSIONS

9:0010:30
Gastromusicology (AMS) (Junior Ballroom D)

Massimo Ossi (Indiana University), Chair
Susan Lewis (University of Victoria), A Feast for the Senses: The Use of Culinary Rhetoric
in Music Books of the Seventeenth Century
Pierpaolo Polzonetti (University of Notre Dame), Banquets, Bacchanals, and the Birth of
Opera: The Drinking Song in Politians Orfeo
Modernist Intermedia (AMS) (Grand Ballroom D)

Stephen Hinton (Stanford University), Chair
Michael Christoforidis (University of Melbourne), Forging Cubist Music: Igor Stravinskys
Encounter with Pablo Picasso and the Etude pour Pianola (1917)
Stephanie Probst (Harvard University), Making Points, Extending Lines: Visualizing Music
at the Bauhaus
Performing Difference in the City (AMS) (Junior Ballroom A/B)

Loren Kajikawa (University of Oregon), Chair
Lauron Kehrer (Eastman School of Music, University of Rochester), Wut it is? Wut is up?
Wut is wut?: New York Citys Black Queer Rap as Genre
Natalie Oshukany (Graduate Center, CUNY), Brighton Beach Has Long Been Odessan:
Willi Tokarev and the Third Wave Soviet Jewish Immigrant Community in 1980s New
York City
Printing and Music in Post-Revolutionary America

(AMS) (Pavilion Ballroom A)
Joice Waterhouse Gibson (Metropolitan State University of Denver), Chair
Christa Evans (Princeton University), The Schaffner Manuscripts: Musical Commonplacing
in an Age of Print
Glenda Goodman (University of Pennsylvania), Printing National Music: Form and Content
in Post-Revolutionary America
Realism and Surrealism in French Film Music (AMS) (Port Alberni)

Colin Roust (University of Kansas), Chair
Hannah Lewis (University of Texas at Austin), Surrealist Sounds: French Film Music and
the Cinematic Avant-Garde
Leslie Sprout (Drew University), Realism in Theory and Practice in Early French Sound
Film: The Case of Rapt (1934)
Sunday
(Sunday morning, cont.)
Sound and Image (SMT) (Pavilion Ballroom C)

Jonathan Bernard (University of Washington), Chair
Orit Hilewicz (Columbia University), Reciprocal Interpretations of Music and Painting:
Representation Types in Schuller, Tan, and Davies after Paul Klee
Anna Gawboy (Ohio State University), Toward an Analysis of Visual Music
10:3012:00
Late Quattrocento Song (AMS) (Pavilion Ballroom A)

Giovanni Zanovello (Indiana University), Chair
Elizabeth Elmi (Indiana University), Written and Oral Practice in Late-Quattrocento
Neapolitan Song
Adam Knight Gilbert (University of Southern California), Palindromic Play in the Anonymous Chansons of the Chansonnier El Escorial IV.a.24
Mediating the Blues (AMS) (Junior Ballroom A/B)

Gabriel Solis (University of Illinois at Urbana-Champaign), Chair
Lawrence Davies (Kings College London), Journey to the Land of the Blues: Encounters
and Exchange in British and European Visits to Chicago, 195760
Gayle Murchison (College of William & Mary), Chicago Blues in the Studio: Bill Putnam,
Muddy Waters, Still a Fool and the Chess Sound
Music as Character in Film (AMS) (Port Alberni)

Jordan Carmalt Stokes (Hunter College / The Juilliard School), Chair
Per Broman (Bowling Green State University), To Joy and Failure: Ingmar Bergmans
Musicians
Gregory Camp (University of Auckland), The Articulation of Performance and Character
through Music in the Films of James Dean
Music for Stage and Screen (SMT) (Pavilion Ballroom C)

James Buhler (University of Texas at Austin), Chair
Nathan Beary Blustein (Indiana University), Playwriting in Song: Reprise Types in Stephen
Sondheims Sweeney Todd
Frank Lehman (Tufts University), Film-As-Concert Music and the Formal Implications of
Cinematic Listening
Music, Language, Voice, Failure: Views from

Postwar (AMS) (Grand Ballroom D)
Seth Brodsky (University of Chicago), Chair
Benjamin Downs (Stony Brook University), Vocal Immediacy and Lingual Mediation at
the End of the Darmstadt School
Amy Bauer (University of California, Irvine), Modernist Voice and the Failure of Language
Program
Sunday
Prima Donnas (AMS) (Junior Ballroom D)

Karen Henson (University of Miami), Chair
Margaret Butler (University of Florida), The Gabrielli Mystique: Sovereignty, Fandom, and
the Prima Donna in Late Eighteenth-Century Italian Opera
Charles Edward McGuire (Oberlin College & Conservatory), A Carnival or a Sacrament, a
Fair or a Funeral: The Prima Donna at the 1820s British Musical Festival, 1824
Sheraton 3rd Floor, North Tower

art
Crhoom
Parksville
D
J
u
B
b i t s
hi
i o r
Exhibits
Session rooms
Junior Ballroom
A, B, C, D
Small meeting rooms
Parksville
Chartroom
Sheraton 4th Floor, North Tower
Port
A
lbern Port McNeill

i
Port
Hardy
Small meeting rooms

Port Alberni
Port Hardy
Port McNeill
Maps
Blue
Whale
r
hT
ow
e
Cr
a
Ic cke
e d
ut
So
Azure
s
it
Sheraton 4th Floor, South Tower

Small meeting rooms
Burrard
Columbia
Galiano
Granville
Hudson
Vancouver
Be
lu
g
th
N
or
Session rooms
Pavilion Ballroom
A, B, C, D
Small meeting rooms
Azure
Beluga
Cracked Ice
Blue Whale
Finback
Orca
C o n c o u r s e
B
Ceusin
nt ess
re
r
we
To
To
we
r
n
io
il
E x
h
Fi
n
ba
c
a D
O
rc
a
Sheraton 3rd Floor
Galiano
Hudson
Columbia
Vancouver
Granville
Burrard
Sheraton Lower Lobby

Level, North Tower
Small meeting rooms
Gulf Islands
A, B, C, D
Gulf Islands
(Above
Grand
Ballroom)
h i b i t s
Ex
Grand Ballroom
C
Grand Ballroom Level

(lowest level), North Tower
Exhibits
Session rooms
Grand Ballroom
A, B, C, D
Maps
Exhibits: Grand Ballroom Level (lower level)
M
L
R
Ballroom D
Ballroom A
L - Cambridge University Press

M - Musicology and Cultural Heritage Department
of Pavia University
N - Music Library Association
O - Society for American Music
P - Eighteenth-Century Societies
Q - C. P. E. Bach: The Complete Works
R - National Endowment for the Humanities
Lobby Level: Tent, Registration
Hornby St.
Helmken St.
Nelson St.
North Tower
hT
ow
e
ut
So
Tent
Registration
Burrard St.
Exhibits: 3rd Floor

1
Chart
room
3
Parksville
10
23 11
12
13
14
15
16
17
8 7
18
19
20
r
i o
C
21
22
25
24
23
o n
i
D
i lC
to meeting rooms
A B C
J I
H
D E F
G
K
Maps
Booths
1, 2 , 3 W. W. Norton, Inc.

4, 5 Routledge

6 University of Chicago Press

7, 8 Indiana University Press

9 Alexander Street

10 A-R Online Music Anthology

11 A-R Editions, Inc.

12 American Institute of Musicology

13 Institute of Medival Music

14 Connect For Education

15 Connect For Education
16, 17 Boydell & Brewer / University of Rochester Press
18, 19, 20 Oxford University Press

21 University of California Press

22 University of Michigan Press

23 Bloomsbury Publishing

24 University of Illinois Press

25 RIPM: Retrospective Index to Music Periodicals
Tables
A, B, C The Scholars Choice
D, E, F Theodore Front Musical Literature

G Brenreiter

H Rpertoire International de Litterature Musicale
(RILM)

I Pendragon Press

J Music Fundamentals Online, Indiana University

K Illiac Software
F
G
D
A

Vancouver Venues
E
B
Burrard, Granville, or Cambie

are north and across the wate
Bridges (or accessible by wat
In Vancouver, street numbers

next. You can use this to estim
1088 Burrard, e.g. the Bouleva
blocks from the hotel. This gu
distance from the conference
Sushi Maki. Excellent quality

Guu Garden. Sushi & beer pat
Gyu-Kaku. Japanese DIY B
Relish. Gastropub. 888 Nelson
Honolulu Coffee. Farm-to-cup
Nelson St. and Hornby St. (A
Caf One. B, V. $$$

Bar One. Drinks including cra
Conference Hotel: Sheraton
** = 2016 Vancouver Restaur

Entre Price Ranges (CDN): $
$$$$ = over $50
B = Open for breakfast (and la
GF = Gluten-free options adve
Vegan options advertised.
= Confirmed wheelchair-ac
A - Sheraton Wall Centre, 1088 Burrard St.

B - St. Andrews Wesley United Church, 1022 Nelson St.
C - Christ Church Cathedral, 690 Burrard St.
D - Orpheum Theatre, 601 Smithe St.
E - Vancouver Playhouse, 600 Hamilton St.
F - Yaletown Roundhouse Theatre, 181 Roundhouse Mews
G - University of British Columbia

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Published jointly by G.

Henle Verlag Mnich and Editio Musica Budapest

The Complete Edition comprises published and posthumous works by Bartok. It

V. Piano works (nine volumes)

The first six volumes scheduled to be published:

26362 Ruether Ave.

All volumes are stitch-bound in teal-colored cloth with silver embossing.

American Musicological Society

Program & Abstracts

This scholarly edition will be comprised of 48 volumes in seven series:

Theodore Front Musical Literature is pleased to offer

Abstracts of Papers Read

American Musicological Society

Society for Music Theory

Sheraton Wall Centre Hotel

AMS/SMT 2016 Annual Meeting

Meeting highlights: AMS/SMT Vancouver 2016

Transportation to Christ Church Cathedral is available Saturday afternoon prior

AMS/SMT Vancouver 2016

Haydn Society of North America Conference 2016 (Port Alberni)

New Beethoven Research Conference 2016 (Port McNeill)

Grove Editorial Board (Blue Whale)

Grove Editorial Board and Advisory Panel (Blue Whale)

SMT Executive Board (Orca)

AMS Board of Directors (Finback)

SMT Executive Board, Networking Committee, Publications

Haydn Society of North America Conference 2016 (Port Alberni)

SMT Networking Committee (Orca)

SMT Publication Awards Committee (Parksville)

SMT Publications Committee (Blue Whale)

Registration (North Lobby)

Speaker Ready Room (Chartroom)

Exhibits (Grand Ballroom Foyer, Junior

Meeting Worker Orientation (Gulf Islands C/D)

AMS Board of Directors (Port Hardy)

SMT Executive Board (Orca)

Haydn Society of North America Conference 2016 (Port Alberni)

AMS/SMT Vancouver 2016

(Thursday afternoon, cont.)

New Beethoven Research Conference 2016 (Port McNeill)

SMT Music Theory Hack Day sponsored by the SMT

SMT Peer Learning Program Seminar I: Empirical

SMT Peer Learning Program Seminar II: The

Editorial Board of The Works of Giuseppe Verdi (Gulf Islands B)

10:0012:00 SIMSSA: Single Interface for Music Score Searching

Society for Seventeenth-Century Music Governing Board (Vancouver)

AMS Membership and Professional

THURSDAY AFTERNOON SESSIONS

Musical Literacy in the Early Middle Ages (AMS) (Grand Ballroom A)

Between Music Theory and Music History: Carl Dahlhaus on the

Colonial Music in the New World (AMS) (Grand Ballroom B)

Extending Topic Theory (SMT) (Pavilion Ballroom D)

French Music at Home and Abroad in the Long Eighteenth

AMS/SMT Vancouver 2016

(Thursday afternoon, cont.)

Musical Histories of Modern Nationhood (AMS) (Junior Ballroom A/B)

Nineteenth-Century Music and Social History (AMS) (Port McNeill)

Opera Exchanges (AMS) (Grand Ballroom C)

Modernisms Tensions (AMS) (Junior Ballroom D)

THURSDAY AFTERNOON SHORT SESSIONS