Writing Binder Grade 4 Section 3
Writing Binder Grade 4 Section 3
Writing Binder Grade 4 Section 3
Unit Introduction
Unit Overview:
This unit is designed to follow on the heels of the launching unit. The routines and
writing habits you worked hard to establish and practice in the launch are relied on
here to get students writing often and writing well.
This unit is somewhat unique in that it has students start a variety of narrative
pieces but finish only one or two. The reason for this is to have writers doing short
writes as a way of applying new skills and strategies taught. Starting a variety of
pieces also offers students choice in which piece(s) they choose to commit the time
and energy needed for real revision and editing.
The first two lessons are about understanding the genre and listing lots of possible
narrative ideas. In the launch we suggested that you have students write their
drafts on the right side of their notebooks and reserve the left for revisions, edits and
feedback. If you used another routine to organize notebooks for writing and revising,
stick to the one that works for you and your students.
Many of the lessons invite students to do a lot of pair sharing. You can plan for
different partnerships if you want more variety than talking to a neighbor. Just
remember that the point is to do a quick check in, so dont spend too much planning
or class time on these quick turn-and talks.
The group revision lesson near the end is a great way to offer students meaningful
feedback. It can take more than one day to establish routines for behavior in this
type of response group. Take a couple of days and focus on group norms. It will be a
revision routine you can come back to again and again if you set the stage for it here.
Each lesson includes a suggested mentor text. Please refer to the Introduction for
additional information about using mentor texts. The Characteristics of Genre
Chart, also found in the Introduction, is useful for identifying additional narrative
lesson ideas.
Many lessons rely on the teacher having a model of his or her own narrative to use
in demonstrating thinking, writing, revising and editing skills. Models are provided
for you but you might find it easier to just create your own. You will be able to move
more fluidly through the lesson if the story is truly yours. Dont worry about making
mistakes in front of your students when you demonstrate your own writing. It offers
you a chance to model how real writers solve problems. Be a risk taker and have fun
sharing the stories of your life with your students.
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Student Goals:
1. Students will apply classroom systems, routines and procedures of the writing
workshop by:
Establishing habits of independent writers throughout the writing process
Creating and learning to use resources, and applying them to independent
writing
Writing daily
2. Students will come together as a community of writers by:
Developing writing stamina in a productive, quiet writing space
Collaborating and responding respectfully and thoughtfully
Understanding where writers get their ideas (i.e. notebooks, conversations,
personal experiences, mentor texts, etc.)
Exploring exemplary writing (mentor texts and student models)
3. Students understand that as writers they will:
Explore topics and ideas they find meaningful (prewriting)
Compose a first draft (drafting)
Extend and rework selected writing (revising)
Edit and proofread their work (editing)
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Have students share what they read for setting. Star, underline or highlight this in
the margin. Jot down setting description next to the example. Have students do
the same.
Repeat with other personal narrative elements.
Closure:
I want you to save this example in the toolbox section of your writing notebook.
When you start writing your personal narrative tomorrow, youll need to remember
these important elements of personal narrative writing.
Note: You will refer to the chart of personal narrative elements throughout the unit.
If you are using a resources of toolbox section for the writing notebook, have
students record the narrative elements discussed so far.
Notes:
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true stories based on events from the writers life. Writers write
personal narrative about topics that matter to them.
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Family Rituals
Mistakes
Other Ideas
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Uncle Howards
Make quesadillas
with Molly
Family Rituals
Sunday dinner at
Grannys
Mistakes
Mom made my
sisters favorite cake
for my birthday
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Move, Keyona! I said to my short curlyhaired little sister. She was eating a popsicle,
her chubby legs in pink tights. She stood
there, right smack in the middle of the
sidewalk, still slurping the juice down from the
cherry flavored popsicle. She sucked on that
popsicle like a cat lapping milk.
I was at my grandmas house on Fremont
Street with my sister, Keyona, and my best
friend, Leaha. Leaha is the exact opposite of
Keyona.
I looked around the backstreet where my
Setting
grandma and grandpa live. They live in a baby
Description
blue house with white trim. All around me
there were rainbow colored leaves, luscious
green trees and a rocky sidewalk.
CRASH! I almost ran into Keyona but
she jumped out of the way just in time. My
bikes back wheel washed out as my front
wheel flipped forward. I went flying in the air
like an eagle soaring in the sky. Being the
unsafe child that I am, I wasnt wearing pads
or even a helmet. So, when my entire body
went skidding over the hard gravel ground, it
hurt!
I lay on the ground for about two
minutes. I heard wailing. I opened my eyes
and saw Keyona.
Dialogue
Youre not dead, my sister said rubbing
here eyes and smiling her biggest smile. She
stood up, dusted off her pants and finished
eating her cherry popsicle.
I looked at Leaha. Leaha looked at me.
Then we both laughed and laughed until our
stomachs started growling. So we decided to go
get our own popsicles--lemon-lime.
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Character
Description
Interesting
Details
Interesting
Details
Interesting
Details
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Teach (modeling):
Personal Narratives are true stories-sometimes embarrassingly true. But remember
that they are also written with certain elements. Id like you to read Absolute
Innocence one more time. This time highlight any examples you find of the
narrative elements we listed yesterday.
Review Personal Narrative Elements Chart list if needed.
Active Engagement (guided practice):
Students read and highlight alone or in partners.
Have students share the personal narrative elements they found in Lowrys
personal narrative.
Link to Independent Practice:
Writers, today you will choose one of the ideas you listed to begin writing a personal
narrative. Make sure you choose an idea that matters to you. Choose the story you
feel like writing today. All the other ideas will get a chance another day.
Write your piece using as many of the narrative elements as you can.
Refer to Personal Narrative Elements chart.
Look over your list of ideas and star the one you will start today.
Give students some time to select their narrative idea and pair share their ideas.
Write as much as you can on the narrative you chose to write today. Use that great
writing stamina you developed when we did our Launch. You probably wont finish
writing through to the end. Just get as far as you can.
Closure:
Writers, Id like you to share your writing with a partner. Partners have an
important job to do. Listen for what personal narrative elements you hear when your
partner reads.
If time allows have volunteers read short sections of their personal narratives that
demonstrate one of the elements.
Notes:
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Chapter 13
Absolute Innocence
One chilly day when I was in first grade, walking home alone from
school, taking a shortcut through an alley behind my house, I found
what I thought was a very cold mouse, asleep.
I felt sorry for him and thought that if only I could get him warm,
he would wake up, do cute little mousy things, and perhaps I would be
allowed to keep him as a pet. I had never had a pet. My baby brother
had just been born and was something of a disappointment as a
playmate, so I yearned for a lovable creature who would scamper about
at my heels and learn tricks.
Very carefully, I picked him up. At the time, I had not yet read
Stuart Little; so I was not expert at mouseology. I did realize that he
was rather large for a mouse; but The Rats of Nimh had not yet been
written, so I hadnt read that either, and didnt know that there were
other, larger rodents in the same general family as mice.
I carried him home cradled in one arm, and his tail, long and bare
and very stiff, stuck out. He looked vulnerable and homely, with two
visible front teeth my own were missing at the time and as I walked,
I began to think of names for him and to picture how he would come
when I called.
Warming him against my heavy jacket didnt waken him. Clearly
my jacket sleeve wasnt warm enough. So when I entered the house
through the back door, into the kitchen, and heard my mother busy
upstairs with the baby, I carefully turned on the oven. I knew enough to
set it to a low temperature so that it would warm and waken my mouse
gradually. Then I laid him gently inside the oven.
I guess I got busy with my paper dolls and forgot to check on him
for a while. I dont remember, exactly. But that would explain why it
was my mother who first notice that there was something baking.
I always felt that if I had only had a chance to explain, and to
prepare her a bit, it wouldnt have been such a surprise to her when she
opened the oven that day. I felt that if she had just looked at my very
innocent face, my wide-open, completely uncriminal eyes instead of
screaming at me, for no reason whatsoever the whole incident would
have been handled better.
I have always felt that she overreacted.
By Lois Lowry
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Teach (modeling):
Today I need to ask myself another question. I know I need to write a narrative
about a narrow topic. Is the topic of my trip to the beach a narrow topic or a pretty
big story? I think it is pretty big. SO much happened on that trip. I need to narrow
my topic. I want to use one of the strategies for narrowing my topic that we practiced
with our launch.
Show the hourglass graphic organizer.
Who remembers using this in the launch? I think it could really help me find a
narrower focus. I am going to write My trip to the beach at the top here. Now I am
going to list some of the things that happened in the top part of my hourglass.
Model narrowing topic using hourglass (see Launching lesson on narrowing topic.)
Narrow topic to Oregon coast, then to Seaside, then to walking on beach, then to
sneaker wave knocked me down.
Now I have some smaller events. I need to decide which narrowed focus topic I will
write about. I think Ill write about the sneaker wave knocking me down.
Model writing Sneaker wave in the mid-section of the hourglass.
Trip to beach
Oregon Coast
Seaside
Walk on beach
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Closure:
Take another look at your hourglass and notice the details you brainstormed. Now
read your writing back to yourself. Did those details make it into your narrative? If
not, you can try including them tomorrow.
Add Have a narrow focus to the chart of personal narrative elements.
If you are using a resources or toolbox section of the writing notebook, have students
add narrow topic to their list of strategies.
Notes:
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Dialogue:
Bet you cant jump over that rille, Runt, Vern challenged.
Gary Kandel hated it when his brother called him Runt.
Watch me, Runt, Vern taunted. Ill show you how to do it.
-Moonwalk by Ben Bova p614
Character Description:
Reba Jo loved to twang her guitar and sing while the prairie wind whistled
through the thirsty sagebrush.
-The Horned Prince by Jackie Mims Hopkins p94
Setting Description:
As they entered the camp, the longest shadows Marven had ever seen stretched
across the snow, and he realized with a start that the shadows were the
lumberjacks walking in the moonlight. He could smell hay and manure and saw
silhouettes of horses stomping in a snowy corral.
-Marven of the Great North Woods by Kathryn Lasky p218
Active Engagement (guided practice):
Look back over the list of leads. Put a star or check mark next to the one you think
you will try today.
Teach (modeling):
Some of you already had a good lead in your short write yesterday. I like the lead I
used for my short write about the beach. The dialogue sets a mood and I think my
readers will know where I am in the story from the lead. I know I might be able to
write an even better one. Before you start experimenting with your leads, let me show
you how I thought about mine.
Display the sneaker wave short write or the one you wrote yourself.
My lead here is a dialogue lead. I wonder how an action lead might sound? I will
try to remember some specific actions that I was doing that day. I was at the beach,
walking in the sand. I could write I shuffled my feet through damp sand and
tucked a hair behind my ear so the wild wind would stop blowing it. Thats OK, too.
Maybe a character description would be cool. I could describe my son or some of the
other people at the beach.
Link to Independent Practice:
Today when you start writing, I want everyone to write a lead. Writers write strong
leads. Even if you wrote one you like yesterday, I want you to do what I did and try a
new one.
You can write a lead for the same narrative you wrote yesterday or start a new
narrative with a new lead. When you are satisfied with your lead, keep writing the
rest of the narrative.
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Closure:
Read your lead back to yourself. Now that you have written more do you still like
the lead you started with? Some of you might decide to try a different lead another
day.
Read your lead to your neighbor.
Add Strong Leads to the Personal Narrative elements chart.
Note: If you are using a resources or toolbox section of the writers notebook, have
students add types of leads to their resources.
Notes:
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Teach (modeling)
Now lets practice together.
Teacher chooses a character the entire class knows (from the school, or a tv
character). Student partners come up with ideas about the characters appearance,
actions and dialogue.
Teacher records student ideas at the overhead or data projector.
Link to Independent Practice:
Writers create characters that become real to the reader. Today before you write
take a few minutes to brainstorm details about one of the people in your narrative.
As you write, make sure you use at least one of these techniques to develop your
characters.
Remember that you can keep working on the narrative you already started or
switch to a different one.
Closure:
Writers, reread what you wrote today and find the places you developed your
characters. With a partner, share one or two sentences where you developed one of
your characters. Partners, close your eyes and see if you can picture this character. If
not, ask your partner some questions you have about the characters.
Give students time to pair share.
Who will volunteer to share their character development example?
A few volunteers share with whole group. After each writer shares, identify the
technique they used to develop their character.
Add the ways writers develop characters to the character description
element of the Personal Narrative Element Chart.
If you are using a resources or toolbox section of the writers notebook, have
students record the ways writers develop characters.
Notes:
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Think of one of the people in one of your personal narratives. Brainstorm details
about the character the same way Arainnia did.
Character:
Appearance:
How the character
looks
Actions:
What the character
does
Dialogue:
How the character
sounds
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Think of one of the people in one of your narratives. Brainstorm details about the
character the same way Arainnia did.
Character:
Appearance:
How the character
looks
Actions:
What the character
does
Dialogue:
How the character
sounds
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Teach (modeling):
Now, lets look again at my Seaside trip. I have my drafts. I am thinking of the
setting details. I am going to brainstorm some details and list them on the left hand
side of my notebook where I put my changes. For details, I close my eyes and
visualize an imaginary movie of that day on the beach. I see grey sky that melts into
a grey ocean. I hear angry waves crashing onto the shore. I smell the fishy smell of
rotting seaweed.
Teacher lists:
*grey sky melts into grey ocean
*angry waves crashing
*fishy smell of rotting seaweed
I am going to try including these details as I write today. I might add a sentence
that describes setting to a section I already wrote or I might include setting
description in the new sections I write today.
Link to Independent Practice:
Writers describe setting when they write personal narratives. Today you can start a
new personal narrative or continue writing one you already started. Just make sure
to describe the setting. Before you write today-whether you are returning to a draft
you already started or starting a new one. Close your eyes and visualize an
imaginary movie. Jot down some setting details on the left hand side of your writing
notebook before you write. When you have your setting details brainstormed, write
your personal narrative.
Closure:
Read your narrative back to yourself. Find where you described setting. If you
dont see any setting details, mark a spot to add setting tomorrow.
Have a few students share their examples of setting description.
Add the ways writers develop setting to the element of setting description
on the Personal Narrative Element Chart.
If you are using a resources or toolbox section of the writers notebook, have
students add setting description to their tools.
Notes:
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Writers describe setting so that readers get a picture in their minds about where and
when a story takes place. Read how Kathryn Lasky describes the setting of a lumber
camp in Marven and the Great North Woods.
Students highlight examples of descriptive vocabulary for a setting.
P.218
As they entered the camp, the longest shadows Marven had ever
seen stretched across the snow, and he realized with a start that the
shadows were the lumberjacks walking in the moonlight. He could smell
hay and manure and saw silhouettes of horses stomping in a snowy
corral. From a nearby log building he heard the lively squeaks of a
fiddle. It seemed for a moment as if the horses were keeping time to the
music. Mr. Murray must have thought the same.
You want to watch the horses dance, or the jacks? He laughed. Come
along, well take a look.
When they entered the building, the long shadows from the yard
suddenly sprung to life. Marven stared. Immense men with long beards
and wild hair were jumping around to the fiddlers tune like a pack of
frantic grizzly bears. They were the biggest and wildest men Marven
had ever seen.
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Personal
Narrative
Transition
Words
After all
Finally
After that
First
Again
Gradually
Another time
Also
Instead
One reason
As soon as
Just After
Since
Another
Just Before
Suddenly
Before
Later
This
Because
Last(ly)
Besides that
Most of all
Yesterday
But
More than
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Next
Once
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Student examples
from our class
Strong
Images
Strong
Action
Strong
Image
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Lead
Character Development
Setting Description
Powerful Verbs
Sentence Variety
Strong Ending
Parts that are sad or scary or funny
Remember to write your compliment on one side of the paper and your suggestion on
the other.
Dont forget to sign you feedback slip.
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Teach (modeling):
Lets take a look at how Kates sentences start. We know good writers use variety in
their writing, sentence beginnings should be varied too.
Model underlining the first four words in each sentence.
Write the first words in the column to the right. Students keep up with you.
What did you notice about how these sentences start?
Students pair share and a few whole group share.
Link to Independent Practice:
Today when you write, Focus on your sentence variety so your writing sounds
interesting.
First, count the words in each sentence. I need you to jot down the number in the
margin so I can see it. If you have a lot of sentences of the same length, change some.
If you have some sentences that are super-duper long, add more punctuation.
After you are happy with your sentence lengths, underline the first four words of each
sentence. Make sure they start in different ways. If they all start the same way,
change some.
Closure:
What changes did you make? What did you notice about yourself as a writer?
Add write a variety of sentence lengths and types to the Personal
Narrative elements chart.
If you are using a resources or toolbox section of the notebook, have students record
ideas about sentence variety.
Notes:
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Beginnings
First four words of each
sentence
Why do you think she chose to write some very long sentences and some short ones?
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Closure:
Ask for a show of hands for students who worked on leads, then characters, then
setting
Have a few volunteers share their sections they revised.
Notes:
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Lead
What type of lead to use?
Do you think this is the best lead for your personal
narrative?
Character Development
Find places you described your characters. You can
develop characters by telling what they look like, how they act and
what they say.
Setting Description
Writers describe setting with sensory details. Find places
in your narrative that you describe your setting.
Satisfying Ending
Writers pay attention to how their personal narratives end.
Reread your ending. Are you okay with it? If not, take some time
to change it now.
Word Choice
Writers use the best words they can think of when they are
writing. Take another look at your writing and check these types
of words.
Verbs
Transitions
When you have made all the revision changes you need, you are ready to edit.
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Use this list of ways to make your writing look as good as it can while
you make editing changes today. Check for one point at a time.
Use colored pencil to make changes to how your writing looks.
o Good writers use a variety of sentences
9 Count the number of words in each sentence. Make sure you have some short
and some long.
9 Look at your sentence beginnings. Make sure your sentences start in different
ways.
letters
o
Good writers break their writing into paragraphs.
9 Break for a paragraph when you introduce a new person or place.
9 Break for a new paragraph when someone talks.
9 Break for a paragraph when you change an action.
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When I was younger I really liked playing with my Cat. The only prablum was
she didnt like playing with me. I used to want her to sleep in my room. I took her
upstairs to my room every Night and pushed her down on my pillow. she howled and
treid to scratch me. She eneded up trying to open the dorr by throwing her body
against it. Let that dang cat out! my mom yelled. No, she is about to go to
sleep, I called back.
Once I tried to carry her to the store in my backpack. At first she was realy
quiet. I thought she liked it. When we got to the end of the block, she started
going crazy. She pawed at the backpack and spun around inside of it. My Mom
made me go back to the house and put her inside.
I stopped trying to play with my cat a few years ago. The suprsing this is
that once I stopped trying to play with her, she started playing with me. Now she
comes up to me when I do my homework and sits on lap. She even sleeps in my room
sometimes. I guess cats need to decide for themselves when they want to play.
Maybe she just dosnt like backpacks.
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