Stories Indian Tales
Stories Indian Tales
Stories Indian Tales
INDIAN STORIES
WHY THE CHIPMUNK HAS BLACK STRIPES
Once upon a time, long ago, the animals had tribes and chiefs just like the people. Porcupine was the head
chief of all the tribes because nothing could ever get near enough to hurt him.
One night, Porcupine sent out word calling all the animals together for a great council of the tribes. He had a
very important matter for them to consider, he said. From far and wide, from treetops and holes in the ground, the
animals came hurrying in answer to their chieftain's summons.
They built a great blazing council fire in the forest and seated themselves around in a big ring. Then
Porcupine stood up to address them. His quills quivered and gleamed in the firelight, and for a minute or two, he
did not speak. He looked very much worried indeed.
"I cannot decide," he said, finally. "I cannot decide whether or we shall have night or daylight all the time."
Well, that started a great commotion. Everyone had something different to say. Some wanted it daytime
always and some wanted it night. They all talked at once, and they all talked very loud
so you could not hear what any of them were saying, except Bear. He rocked to and fro on his hind legs,
trying to drown out the others by rumbling in a big deep voice, "Always night! Always night! Always night!"
A little chipmunk who had been sitting on the outskirts of the council became annoyed. Chipmunks hate to sit
still for any time. "You can talk all you like," he shrilled out in his tiny squeaky voice. "You can talk all you like, but
the light will come whether you want it or not. The light will come."
The other animals did not pay any attention to him but went on bawling and roaring and growling until they
were hoarse. Chipmunk danced with excitement on the outskirts of the crowd shrieking, "The light will come! The
light will come!"
And before they knew it, a faint flush had crept up the sky, and the golden disc of the sun rose above the treetops. Shafts of sunlight touched the tops of the open space where the council met. The fire looked weak and
pale. It was daylight.
An astonished silence settled upon the gathered council of the animals. Could it be possible that it was
daylight whether they wished it or not?
A shrill voice suddenly piped up from the edge of the assembly.
"What did I tell..."
"Grrrrr!"
Chipmunk was gone like a flash through the trees with Bear after him. Bear was clumsy and Chipmunk so
quick that he slipped into a hold in a tree before Bear could catch him. But, just before he disappeared, Bear
struck at him with his paw.
The black stripes that run down the chipmunk's sides today show where Bear's claws hit him long ago at the
council when the animals tried to decide whether they should have darkness or daylight all the time.
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TAIL OF FIRE
So long ago that the time could not be counted by suns or moons, a band of Cowichan Indians was drying
deer meat in the sun. They spoke of how good it would be if they only had a small sun to warm them when the
big sun left to let darkness come. They thought that they would never get that thing because what they wanted
would take much power and magic, more than even their most powerful shamans had.
As the people wished and talked, a little bird chirped loudly close by. It flew close to the people and they saw
that it was a beautiful brown bird with a bright red tail which seemed to flicker even when the bird sat still. The
bird looked down on the Indians from a branch just over their heads.
'What do you want, little bird?' asked an old man who had power to speak with birds.
'Nothing do I wish, Wise One, but I bring you what you wish,' it replied. 'I have something which is called fire
on my tail, which is hot like a small sun. It will comfort you when the winds of winter blow, cook your meat, and
bring cheer when the sun has gone, but it must be earned. Tell your tribe to meet me here when the sun comes
again and ask each one to bring a little dry branch with pitch pine on it.'
Before the people could ask why, the bird suddenly disappeared. 'We should obey the wishes of that bird,'
the old man counseled. 'It may bring much good fortune to us.'
When the sun shone again, the people awaited the coming of the bird. Each carried a pine branch with pitch
pine on it, as they had been told. A loud tweet made the people look upward. The brown bird sat on a branch
above their heads, though nobody had seen it come. It asked in a language that all understood, 'Are you ready?'
They answered, 'Yes!'
'Then you must follow me, and the one who first catches up with me will be given fire, but only if the one who
does so is one who does right, is patient, and tries hard without losing courage. Come!'
The bird flew off over rough ground and thick forest. The chase proved too hard for many and they gave up.
Over fast-flowing streams and dangerous marshes and swamps, the bird flew. More and more of the people had
neither the strength nor courage to keep on and they were forced to drop out of the chase. 'Too hard!' 'Too
difficult!' 'Too dangerous!' they gasped as they fell on the ground to rest.
At last one young warrior got close enough to call to the bird, 'Give me of your fire, little bird. I have followed
you far and well and I have done no wrong.'
'It is not as you say,' said the bird, flying higher and faster than before. 'You think only of yourself. That is
bad. You shall not have my fire.'
A second young man caught up with the bird. 'Share your fire with me,' he called. 'I am a good man.'
'A good man does not take that which belongs to another,' the bird answered, flying faster and faster. Soon,
seeing it was no longer followed, the bird flew to the ground and perched beside a woman who was nursing an
old man who looked very sick. 'Bring a dry branch with pitch pine on it,' said the brown bird. 'Fire have I on my
tail and you shall have it. It will keep your sick man warm and cook your food.'
The woman was afraid of a bird that could speak. When she found her voice, she said, 'You are good, little
one, but I deserve not a magic gift. What I do, I do because it is right. The inner voice tells me that I must take
care of one who is sick.'
'Much good I know you do,' said the bird, 'and it is greater good than that done by many people because the
good you do, you think is only your duty. Come, bring a branch and take of my fire. You think first of others, so
you may share the gift with them.'
The woman gladly brought a branch and lit it at the little fire which flickered on the bird's tail. Since that time,
the Indians have had fire.
-- A Cowichan Story, thanks to Harold Stein
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from now on the earth will always be covered with leather.' And so it was. -- A Plains Indian story, thanks to
Harold Stein
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Opossum found Cricket's ministrations so soothing that he fell asleep, awakening just as Cricket was tying the
final knot in the red cord which now completely swathed his tail.
'I will keep it bound up until the very last moment,' thought Opossum gleefully. 'How envious the others will be
when I finally reveal it in all its beauty!'
That evening, his tail still tightly wrapped in the red cord, Opossum marched into the council lodge and was
led to his special seat by a strangely obsequious Rabbit.
Soon it was time for the dancing to take place. The drums and rattles began to sound. Opossum stood up,
loosened the cord from his tail and stepped proudly into the center of the dance floor. He began to sing.
'Look at my beautiful tail!' he sang as he circled the floor. 'See how it sweeps the ground!'
There was a great shout from the audience and some of the animals began to applaud. 'How they admire
me!' though Opossum and he continued dancing and singing loudly. 'See how my tail gleams in the firelight!'
Again everyone shouted and cheered. Opossum began to have just the merest suspicion that all was not
quite as it should be. Was there possibly a hint of mockery in their voices ? He dismissed such an absurd idea
and continued dancing.
'My tail is stronger than the eagle's, more lustrous than the raven's!'
At this the animals shrieked so loudly that Opossum stopped in his tracks and looked at them. To his
astonishment and chagrin they were all convulsed with laughter, some leaning weakly on their neighbor's
shoulders, others rolling on the ground in their mirth. Several were pointing at his tail.
Bewildered, Opossum looked down and saw to his horror that his tail, his beautiful, thick, glossy tail, was now
balk and scaly like that of a lizard. Nothing remained of its former glory. While pretending to comb it, the wily
Cricket had snipped off every single lair.
Opossum was so overcome with shame and confusion that he could not utter a sound. Instead he rolled
over helplessly on his back, grimacing with embarrassment, just as opossums still do today, when taken by
surprise.
-- A Cherokee story, thanks to Harold Stein
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-- 11 --
The cottonwood shook its slender branches mournfully. 'What can I do?' it asked. 'I will be burned to the
ground.'
Rabbit ran on. Behind him, the flames were coming closer. He could feel their breath on his back. A
greasewood tree lay in his path.
'Hide me! Hide me!' Rabbit gasped. 'The fire is coming.'
'I cannot help you,' answered the greasewood tree. 'I will be burned up roots and branches.'
Terrified and almost out of breath, Rabbit continued to run, but his strength was failing. He could feel the fire
licking at his heels and his fur was beginning to singe. Suddenly he heard a voice calling to him.
'Quickly, come under me! The fire will pass over me so swiftly that it will only scorch my top.'
It was the voice of a small green bush with flowers like bunches of cotton capping its thin branches.
Gratefully, Rabbit dived below it and lay there quivering, his eyes tightly shut, his ears flat against his body.
With a thunderous roar, the sheet of flame leaped overhead. The little bush crackled and sizzled. Then,
gradually, the noise receded and everything grew quiet once more.
Rabbit raised his head cautiously and looked around. Everywhere the earth lay black and smoking, but the
fire had passed on. He was safe!
The little bush which had sheltered him was no longer green. Burned and scorched by the fire, it had turned a
golden yellow. People now call it the desert yellow brush, for, although it first grows green, it always turns yellow
when it feels the heat of the sun.
Rabbit never recovered from his fright. To this day, he bears brown spots where the fire scorched the back of
his neck. He is no longer fierce and quarrelsome, but runs and hides at the slightest noise.
As for Sun, he too was never quite the same. He now makes himself so bright that no one can look at him
long enough to sight an arrow and he always peers very warily over the horizon before he brings his full body into
view.
-- A Hopi story
-- 12 --
SPIRIT ANIMAL
As scouts we often visit the woods, but don't really spend a lot of time in the wilderness, especially not alone.
One often wonders what it would be like to spend long periods of time alone in the woods. Could you cope?
Our native Indians believe that one advantage to spending time alone in the wilderness, is that you might
meet your spirit animal. They believe that everyone has their own specific spirit animal, and to meet your spirit
animal is to make your life more complete. An Indian might be canoeing alone across a lake, when he spies a
bear on the shore. And as the bear looks into his eyes, he'll just know, that that's his spirit animal. Of course you
can only meet your spirit animal when you're alone.
One kind of white man often spends a lot of time in the bush, and that's a trapper. It's a very lonely existence,
spending weeks on the trap lines, as you go from lake to lake, trail to trail, collecting furs. They tell the story of
one particular trapper who worked in the Haliburton area. One evening he was sitting near his campfire enjoying
his coffee just after sundown. He'd had a good day, a lot of good furs, and now he was almost ready for bed. He
stared into the embers of the campfire as it slowly faded away, thinking of how bright the fire was and how it
always made the surrounding area look so very dark.
He thought he saw something at the edge of the fire.... No it was nothing. Then he saw it again. At the edge
of the firelight was a raccoon, sitting very still and staring at him. ``That's odd'', he thought, ``this isn't how
raccoons normally act.'' He hissed at the raccoon, but it wouldn't go away. So he ignored it for a little why,
expecting it would move on. After a few minutes he glanced back, and the raccoon was still there staring at him
with those eerie animal eyes. This time he picked up a rock and threw it at the raccoon. ``WHAT!!?'', he thought,
``I could have sworn I hit that coon!'', but the rock seemed to have passed through the animal.
The trapper was now getting very nervous. He completely ignored the spot where the raccoon had been (or
maybe still was). He put out the fire, and headed in darkness for his tent, the half full moon in the clear sky
illuminating the way. ``A good night's sleep and everything will be fine in the morning'', he thought. Something
caught his eye and his head jerked sharply to the right. There it was on the side of path: the raccoon, sitting still
and staring at the trapper. He ignored and it and quickly turned away. BUT there it was on his left now. He
hurried on to the tent now, only a few yards away, looking only at this feet. As he reached the tent he glanced up.
THERE IT WAS. the raccoon sitting between him and his tent!
About three weeks later they found him running through the woods, nearly naked and his body had been
heavily bruised and torn. He'd been living like a wild savage, eating dirt or leaves, even worse than most animals.
Although he spent the next twenty years in an insane asylum, he never regained the use of his mind. Some say
he just snapped after spending too much time alone, especially in the woods............. Some think he met his spirit
animal.
-- Thanks to Blair Madore, University of Waterloo, Canada
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Although they did not know it, the doll was traveling along the path of light which the man had taken the day
before. On and on he went until he came to the eastern edge of day where the sky comes down to meet the
earth and walls in the light.
Looking up, the doll saw a hole in the sky wall, covered over with a piece of skin. The cover was bulging
inwards, as if there was some powerful force on the other side. The doll was curious and, drawing his knife, he
slashed the cords holding the cover in place and pulled it aside.
At once a great wind rushed in, carrying birds and animals with it. The doll peered through the hole and saw
the Sky Land on the other side, looking just like earth, with mountains, trees and rivers.
When he felt that the wind had blown long enough, the doll drew the skin cover back over the hole, saying
sternly, 'Wind, sometimes blow hard, sometimes soft, and sometimes not at all.' Then he went on his way.
When he came to the south, he saw another piece of skin covering an opening in the sky wall and bulging as
before. Again the doll drew his knife and this time a warmer wind blew in, bringing more animals, trees and
bushes. After a time the doll closed up the opening with the same words as before and passed on towards the
west.
There he found yet another opening like the others, but this time, as soon as the cords were cut, the wind
blew in a heavy rainstorm with waves and spray from the great ocean on the other side. The doll hastened to
cover up the hole and instructed this wind as he had one the others.
When he came to the north, the cold was so intense that he hesitated for some time before he dared to open
the hole in the sky there. When he finally did so, a fierce blast whistled in, with great masses of snow and ice, so
that the doll was at once frozen to the marrow and he closed that opening very quickly indeed.
Admonishing the wind as before, the doll now turned his steps inwards, away from the sky wall and traveled
on until he came to the very center of the earth's plain. There he saw the sky arching overhead like a huge tent,
supported on a framework of tall slender poles. Satisfied that he had now traveled the whole world over, the doll
decided to return to the village from which he started.
His foster-parents greeted him with great joy, for they feared that he had gone forever. The doll told them and
all the people of the village about his travels and how he had let the winds into the world. Everyone was pleased
for with the wind came good hunting. The winds brought the birds of the air and the land animals, and they stirred
up the sea currents so that seals and walrus could be found all along the coast.
Because he had brought good fortune as the Moon Spirit had predicted, the doll was honored in special
festivals afterwards. Shamans made dolls like him to help them in their magic and parents also made dolls for
their children, knowing that they bring happiness to those who care for them.
-- Alaskan Eskimo legend, thanks to Harold Stein
-- 17 --
-- 18 --
Big Blue Heron was standing in the marsh looking at his reflection in the water. He raised his black-crested
head to listen.
Two little White Weasels had come along to the river. They were mother and son. When they saw Blue
Heron, they stopped to look.
'What a beautiful big bird-person!' said the son.
'He is called Blue Heron. He carries his head high!'
'Yes, Mother, he is tall as a tree. Were I so tall, I could carry you across this swift river.'
Blue Heron was pleased to hear himself so praised. He liked to hear other say that he was big.
He bent down low and spoke to the two. 'I will help you go across. Come down to where you see that old
tree lying in the stream. I will lie down in the water at the end and put my bill deep into the bank on the other side.
You two run across the tree. Then use my body as a bridge and you will get to the other side.'
They all went to the old tree lying in the water. Blue Heron lay down in the water at the end and stuck his bill
deep into the bank on the other side. Mother and son White Weasel ran lightly and quickly across the log, over
Blue Heron, and were safe and dry on the other side. They thanked Blue Heron and said they would tell all the
persons in the woods how fine Blue Heron was. Then they went on their way.
Old Wolf had been standing on the riverbank watching how the weasels had gotten across.
'What a fine way it would be for me to cross the river. I am old and my bones ache.'
When Blue Heron came back to the marsh, Wolf said to him, 'Now I know why you Blue Herons are in the
marsh - so you can be a bridge for persons to cross the rive. I want to go across, but I am old and my bones hurt.
Lie down in the water for me so I can cross.'
Blue Heron was angry. He didn't like being called a bridge. Old Wolf saw he had spoken foolish words and
decided to use honeyed words.
'You are big and strong, Blue Heron, and that is why you body is such a fine bridge. You could carry me
across like a feather.'
Blue Heron smiled at Wolf and said, 'Old Wolf, get on my back and I'll carry you across.
Wolf grinned from ear to ear thinking how easily he had tricked Blue Heron.
He jumped on the bird's back and Heron went into the rushing river. When he got to the middle, he stopped.
'Friend Wolf,' said Blue Heron, 'you made a mistake. I am not strong enough to carry you across. For that
you need two herons. I can carry you only halfway. Now you must get another heron to carry you the rest of the
way.'
He gave his body a strong twist and Wolf fell into the water.
'You wait here, Wolf, for another heron to come and carry you to the other side.' Then he flew into the marsh.
The water ran swiftly. No heron came, so where did Wolf go ? To the bottom of the river...
Since that day, no wolf has ever trusted a heron.
-- Algonquin Legend, thanks to Jim Speirs
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THE LOON
The Indians in the Pacific Northwest traveled mainly by water, because the forest were so thick it was difficult
to travel by land. This story tells how they were able to find their way back to shore.
One day, a little girl went deep into the forest. She walked until she found a family of loons. She stopped and
played with the loons. In fact, she stayed for several days, becoming good friends with the loons. They taught
her many things. But, soon, she new it was time to return to her family, so she said good bye and returned to her
village.
In time, this little girl grew to be a Mother and then Grandmother. One day she was out in a canoe with her
two Grandchildren. All of the sudden the fog rolled in. [pause] They couldn't see the shore. [pause] They heard
a splashing off in the distance. [pause] The children thought it was a sea monster. [pause] But, the Grandmother
new it was something far worse. [pause] It was hunters from a tribe farther north. If they captured them, they
would take them as slaves. The children would never see their family or village again.
The Grandmother told the children to get down in the canoe and be quiet. The other canoe passed by them
with out seeing them. The children were still hiding in the bottom of the canoe. But, how would they find their way
back to the village? [pause] How would the avoid the hunters in the other canoe?
The Grandmother started to sing. This was a strange song. The Grandmother sung often, and the children
new all of her songs. They thought. The children looked up. Where their Grandmother had been sitting, there
was a giant loon. It spread its wings and flew out of the canoe. It circled the canoe and then flew off. The
children watched it fly off into the fog. Soon, the loon returned and circled again. When it left, this time, the
children followed it. It lead them safely back to their village. For you see, only the loon has eyes that can see
though the fog.
When the Grandmother was a girl, playing with the loons, they thought her a song. If see ever sang that
song, [pause] she would change into a loon [pause] FOREVER. So when the Indians were canoeing in the fog,
they always listen for Grandmother loon to guide them back to shore.
-- Thanks to Chief Lalooska, recorded from memory by Rick Clements
-- 22 --
THE RAVEN
Long ago, near the beginning of the world. Gray Eagle was the guardian of the sun and moon and stars, of
fresh water, and of fire. Gray Eagle hated people so much that he kept these things hidden. People lived in
darkness, without fire and without fresh water.
Gray Eagle had a beautiful daughter, and Raven fell in love with her. At that time Raven was a handsome
young man. He changed himself into a snow-white bird, and as a snow-white bird he pleased Gray Eagle's
daughter. She invited him to her father's lodge.
When Raven saw the sun and the moon and the stars and fresh water hanging on the sides of Eagle's lodge,
he knew what he had to do. He waited for his chance to seize them when no one was watching.
He stole all of them, and a brand of fire also, and he flew out of the lodge though the smoke hole.
As soon as Raven got outside, he hung the sun up in the sky. It made so much light that he was able to fly
far out to an island in the middle of the ocean. When the sun set, he fastened the moon up in the sky and hung
the stars around in different places. By this new light he kept on flying, carrying with him the fresh water and the
brand of fire he had stolen.
He flew back over land. When he had reached the right place, he dropped all the water he had stolen. It fell
to the ground and there became the source of all the fresh-water streams and lakes in the world.
Then Raven flew on, holding the brand of fire in his bill. The smoke from the fire blew back over his white
feathers and make them black. When his bill began to burn, he had to drop the firebrand. It struck the rocks and
went into the rocks. That is why, if you strike two stones together, fire will drop out.
Raven's feathers never became white again after they were blackened by the smoke from the firebrand. That
is why Raven is now a black bird.
-- This story is from a tribe in the Puget Sound area recorded in Indian Legends of the Pacific Northwest
-- 23 --
GHOST STORIES
HE WHO FOLLOWS ME
This is a ghost story I taped from an old-time radio program. I didn't tape the credits, but I know the name of it
is He Who Follows Me, adapted for radio by Richard Thorn. I find an old diary at a flea market for about fifty
cents, and copied the story down into it. I then take it to camp with my troop and tell them it is the diary of my late
great Uncle Bill. Then, I simply start reading it too them. Granted, much of this is too detailed to be part of
someone's REAL diary, but the Scouts are wrapped up in the story too much to notice.
March 3, 1938
Today, Helen and I came across one of the delightful old southern mansions. We decided to stop and make
a study of the place. Helen was especially interested in taking some color pictures to illustrate our lecture series
in the fall.
Although no one was home, we felt than no one would mind us taking a look around the place. We both felt it
a shame that the owners let the place rundown. It was probably beautiful in its day. It could still be renovated,
but not without a lot of money being spent.
After some shots of the house from the front and side, I noticed a building in back of the house. No one was
to stop us, so we moved back there to take a look. The grounds of the back was more shabby than the front, but
seeing how much needed done, it would be impossible without major construction work. Part of the mansion was
still livable, though not very secure.
The building we were nearing didn't seem so worn down. It was in remarkably fine condition. It was built a lot
later than the house was, I estimated it as no more than twenty years old. It was made of stone, gray stone.
Somebody probably had lived in the old house not too long ago, and during that time constructed this building.
But we both still felt it a shame that they let what must have been a wonderful place rundown like this.
We both stopped in front of the stone building. Helen made the observation that it didn't have any windows,
something I had noticed too. I told her it was probably used for storage. It was then that Helen pointed to the
broken padlock on the door. Our curiosity getting the best of us, we decided to check inside, to make sure
everything was all right.
The massive heavy iron door swung open reluctantly. We stepped inside. Although there were no windows,
light entered the structure through a skylight in the ceiling. The cold, damp musty air chilled our bones. Helen
looked around the room, and laid her eyes on a large stone block in the middle of the floor, right where the light
was coming down from the skylight. This was not a storehouse by any stretch of the imagination. This was a
mausoleum, and the stone case on the floor was a sarcophagus, a stone coffin. There was nothing else in there,
but Helen, and I to an extent, felt crowded.
Helen wanted to get a picture of the sarcophagus, with the light laying over. We didn't think there was enough
light for our camera, but we decided to try.
After the first shot, we heard movement outside and a man yell to us. I explained that we saw that the lock
was broken and decided to explore. He told us that he wasn't mad, but that we still shouldn't of came in here,
because "he" wouldn't like it. When I pressed the man to tell me who "he" was, he answered "the thing that
sleeps in that stone coffin."
"This man must be crazy," I thought. He asked us why we didn't pay attention to the warning. Not knowing
what he meant, he took us outside and showed us the writing above the door. "IF YOU ENTER HERE, INTO
THE REALM OF DEATH, I SHALL FOLLOW YOU, AND BRING HIM WITH ME." He said it was a shame that we
didn't see it, because we didn't know what we were getting ourselves into.
I once again apologized and told him we didn't want any legal trouble. He said we were already in enough
trouble, none of it being legal, because it didn't matter to "him." This time, Helen asked about "him," and the man
went into his story. "They called him Mr. Thomas when he was livin'. They call him The Dead that Walks now
that he's dead. He cam to get that name because people around he 'as seen 'em, at night. He is dead, but they
did see him walkin'. I know, cause I seen him myself." "I know you ain't believin' what I'm tellin' ya. I don't care
-- 24 --
what you believe. But you listen to what I'm sayin' now. If I was you I'd get as far away from this place as I could.
Not just this place, but this town, this part of the country."
I didn't understand the urgency, so the man continued with the story, hoping to convince us.
"Old Thomas came from some place in Europe. I say "Old," but he really wasn't old. Just seemed that way.
He bought the house and grounds here and had them cleaned up, till the place looked like it was brand new.
Then he started buildin' this here buildin'."
"There was something funny 'bout Thomas; somethin' in his eyes. Made ya frightened of him. His eyes, they
looked like the eyes of a dead man."
"He never acted like anyone I ever knew. He was always talking about death, always tellin' me how he could
come back after death. I was the caretaker then, just like I am now."
"After this building was completed, I use to watch him at night. He'd come out here. It seemed as though he
was in some sort of trance. He'd stay out here for hours. And when he'd come back to the house his eyes would
glisten and shine, so you couldn't hardly look at him."
"A week before he died, he told me that as long as I live, I was to take care of this place. 'Cause if I didn't
he'd come back an kill me. Then he died. Just like that. He was put in here, in that coffin."
"One night, about two months later when the moon was full, I heard a noise. And when I had come out to
look I saw the door to this place open, and him come out. I could hear his footsteps, something queer and
draggin'-like. Then he turned around, and I could see his face in the moonlight: pale and pasty. Sick lookin'.
Those eyes of his seemed like to burning coals of fire."
"He seemed to be lookin' at me. I heard him say, 'They have disturbed me, and the moon has awakened me.
I shall follow them.' That's what he said. I heard him just as straight as your hearin' me. And then, he vanished
into the night."
"Towards morning, I heard his footsteps again. I heard that big iron door closin'. And I knew he was back."
"The next day I heard Ralph Cummins died the night before, screaming something about not meanin' to go
into the mausoleum. I knew who killed him."
"This has happened again and again for the last ten years since he's been dead. Folks around hear say he'll
follow you around wherever you go if you come inside here."
"Why haven't you been killed?" I asked, thinking I have caught him in his lie.
"Cause he needs me, Hee hee. He ain't gonna kill me. But if I was you, I get out of this part of the country."
March 3, Later.
I sit here and write these words. It is late and the moon has risen full in the sky. Helen is standing by the
window looking out.
For some reason, I am frightened. Yet I know that a few months from now I will laugh at the memory of my
fright. However, in the morning, I do believe that we will leave this place. Helen is glad. She doesn't not believe
the caretaker's story, but she is concerned, just as I.
March 3, Still Later.
When I joined Helen at the window, a husky man appeared on the street below. He looked up at us.
The thing I noticed first was his face. Pale and pasty looking. Helen was startled by his eyes -- two bright
coals of fire, just as the caretaker had described.
The man down in the street, whomever he was, left after about ten minutes. He has given us quite a fright. If
I had felt any doubts as to whether we should leave this place they have all been dispelled now. I don't know
what to believe.
Helen has just gone to bed. I think I shall do the same.
March 4, 1938.
Upon settling down to sleep last night, we heard footsteps coming from the room above us. I called down to
the desk clerk, who only told us that the room above ours was unoccupied.
We left the hotel a short time after hearing the steps. We went immediately to our car and drove all night and
all day.
We are stopping now in a motel almost one-thousand miles away. It is reassuring to know that he cannot
possibly follow us.
Stories compiled by Rick Clements
-- 25 --
I am very tired. I will go to bed and get an early start in the morning.
March 5, 1938.
Last night was not very comforting either. We heard the same footsteps outside our room, and Helen saw
the man's face at the window.
This morning when I went into pay the bill, the man who owns the motel said that a strange pasty-faced man
had been in earlier and told him to tell me that he would follow me.
March 11, 1938.
It is impossible to get any material together that will help me in my work. Everywhere we go, he's there also.
March 16, 1938.
The clerk told us this guy had said it was OK for us to go ahead because he was going to follow us.
March 22, 1938.
He left a message with the lady at the desk lady telling us that he would be in touch.
April 7, 1938.
He left another message at the desk. The manager had the nerve to ask me if he was a friend of ours.
April 18, 1938.
Another disturbing night without sleep. More footsteps from the hall outside.
April 29, 1938.
Expecting it when we went to check out this morning, I asked the clerk if there were any messages. The
clerk said a husky man in a white suit came by and said he'd follow us.
May 15, 1938.
I don't know what to do anymore. We cannot stop for the night without him showing up. The only sleep we
get anymore is in the car while on the road.
May 30, 1938.
Helen and I argued again today. Since we've been on the run, that seems to be all that we can do. She
suggested we go home. I fear that he will stalk us there, too. She felt it was the only place left to turn. I didn't
know what to do or say, so we left for home.
June 23, 1938.
We arrived home this evening. I called Gary as soon as we got home. He said he'd be out within the hour to
see us.
June 24, 1938.
Gary wasn't able to help us in any way. I did not really expecting any help. I was hoping he would be able to
offer some concrete suggestion as to what to do. However, last night was the first night in months that we haven't
been aware of his presence.
Maybe Helen is right. Perhaps he won't follow us here.
July 3, 1938.
We have not seen, nor heard, anything unusual since we first came home. I feel as a man might feel who
has been given a new lease on life.
July 10, 1938.
Still nothing.
August 19, 1938.
Stories compiled by Rick Clements
-- 26 --
For the past two months, a feeling of peace and security has enveloped the house. Helen and I have been
able to go around with no sense of danger or dread. But last night that feeling was shattered...
[At this point I tell them a clipping from the newspaper was inserted into the diary. It was a clipping of a
funeral notice for my Great Aunt Helen. It was, of course, too old and fragile to bring on the camp out. (WINK
WINK.) ]
According to one of their family friends (Gary?) my Great Uncle Bill went upstairs to investigate some
footsteps, leaving my Great Aunt Helen downstairs alone.
When he got to the room that the noise came from, he found it empty. Going back downstairs, he found
Helen, dead, with her eyes wide open.]
August 23, 1938.
I sit here in the empty house, writing this. I know that Thomas will come for me too. I write this in the hope
that someone will find it. Read it. And maybe understand my death.
It is lonely here. Yet, suddenly I feel as if I am not alone. Someone is hear with me.
He is here, in this room with me. I am afraid to turn to meet him. Those eyes of his burning in to me. Yet, I
must. I pray that someone reads this. Perhaps he will
[The August 23 entry was the last he ever made. I simply close the diary and let the scouts wonder. I simply
tell them that my Uncle Bill was found just like my aunt. The coroner could not determine a cause of death, but
our family knows what killed him -- The Dead that Walks. --
-- 27 --
-- 28 --
-- 29 --
-- 30 --
and sure enough, Almost the moment he was given an opening, The steps began to climb the attic stairs. I heard
them. Toffile didn't seem to hear them. "Quick!" I slammed to the door and held the knob. "Toffile, get nails." I
made him nail the door shut, And push the headboard of the bed against it. Then we asked was there anything
Up attic that we'd ever want again. The attic was less to us than the cellar. If the bones liked the attic, let them
have it. Let them stay in the attic. When they sometimes Come down the stairs at night and stand perplexed
Behind the door and headboard of the bed, Brushing their chalky skull with chalky fingers, With sounds like the
dry rattling of a shutter, That's what I sit up in the dark to say-- To no one any more since Toffile died. Let them
stay in the attic since they went there. I promised Toffile to be cruel to them For helping them to be cruel once to
him.
SON. We think they had a grave down in the cellar.
MOTHER. We know they had a grave down in the cellar.
SON. We never could find out whose bones they were.
MOTHER. Yes, we could too, son. Tell the truth for once. They were a man's his father killed for me. I
mean a man he killed instead of me. The least I could do was to help dig their grave. We were about it one night
in the cellar. Son knows the story: but 'twas not for him To tell the truth, suppose the time had come. Son looks
surprised to see me end a lie We'd kept all these years between ourselves So as to have it ready for outsiders.
But tonight I don't care enough to lie-- I don't remember why I ever cared. Toffile, if he were here, I don't believe
Could tell you why he ever cared himself. . .
She hadn't found the finger-bone she wanted Among the buttons poured out in her lap. I verified the name
next morning: Toffile. The rural letter-box said Toffile Lajway.
-- 31 --
WHITE EYES
In fact, there's a Boy Scout camp not far from where this occurred.
The San Bernardino Mountains contains a lot of wilderness regions which saw substantial activity about 100
years ago. Here, miners and loggers worked to bring materials down to the Los Angeles basin. But, like most
industries of that time, there was a high profit motive, and workers lives were not as important as they were now.
One day, a mine tunnel collapsed, trapping a number of men within. They were able to survive, after a
fashion, by drinking water which seeped into the tunnels, eating rats, mushrooms, and their dead co-workers.
They worked from within to dig themselves out, confident that on the other side, others were digging from the
outside in. Well, maybe not that confident, since the mining company was not known for its compassion.
Well, it took them a while, but they finally managed to dig themselves out. Then, the formerly trapped miners
found two surprises. First, since they had lived in darkness for a long period of time, they could no longer stand
the sunlight, and their eyes were pure white---no color except for their pupils, which were dilated. Second, not
one man had lifted a shovel to dig them out.
They then made a pact, these men, to take revenge on those who had abandoned them. Soon after,
mysterious instances of men being killed in the mountains occurred. These men were usually found mauled,
bloody and torn. Close examination showed the teeth marks on them were from human teeth. One man was
even beaten by his arm which had been torn off at the shoulder.
Soon thereafter, the mining company went out of business: No one was willing to work in those mountains,
and even groups of men at night were at risk. Rumor had it that the White-Eyes were out for blood.
Now, since this happened about 100 years ago, and since only men were working in the mines, there should
be no more White-Eyes around. So, we're safe---or are we? Several years ago, a hiker was found mauled on the
trail, with human teeth marks.
-----Embellish the story as you wish! You may even want to adapt it to your locale. But beware---when I told this
story to a group of campers at summer camp once, some boys (in my troop, first timers, and other troops there)
were scared out of their wits, especially since it occurred so close to where they were at.
-- Thanks to Mas Sayano Assistant Scoutmaster, Los Angeles Area Council
-- 32 --
-- 33 --
that young boys/girls can fix their minds on something like this very easily and they will not sleep in the wood,
especially new Scouts.
You'll know you did well when you hear that catch phrase wrap, wrap, wrap echo around the camp for the
next few days.
-- 34 --
HUMOUROUS STORIES
A NIGHT NEAR THE TOOTH
I didn't EXACTLY stay on the Tooth of Time. We were running late when we stopped Shafer's Peak and the
danger of walking fast down the narrow trail with sheer drops on each side in the falling darkness finally overcame
us. We set up a dining fly in a wide spot and placed our packs (with little food) away from us. Some settled under
the fly, and some under the stars.
Our scoutmaster and a couple of the boys took a miniature radio out to an overlook for a bit of news. It was to
be an eventful night! One of the boys was prone to nose bleeding but had not had problems ... until now. In a
fainting sway he nearly pitched over the side. Instead he body checked our small scoutmaster. With a yell that
summoned two of us by name but in a tone that revealed the emergency, we jumped from our sleeping bags and
(almost) streaked over to carry the boy back to his bag. He was fine.
As we slept, a deer or two came silently through our "camp" pausing astride one camper who awoke and
missed seeing the stars! The sure footed animal moved on without incident (unlike burros near water!). We were
sleeping peacefully despite a rising wind in the early morning darkness.
The wind had loosened a corner of our fly and it was flapping in the breeze. About that time, two hikers
bound for sunrise on the tooth, heard the flapping and thought the shadows contained a hungry bear. As is
procedure, they drew out their mess kits and clanged the pieces in a horrible racket to scare the bear! Our
scoutmaster came out of his MUMMY bag without unzipping it! It scared US silly! We all thought we had a bear in
our midst!
We were all a bit anxious about not making our designated camp but it simply was unsafe. Still, this story is
repeated around our campfire with each new batch of scouts in our troop. OH, and we did get to see sunrise over
the tooth!
-- Thanks to Andy Webb
CAMPFIRES
From A Fine And Pleasant Misery
by Patrick F. McManus
The campfire was of two basic kinds: the Smudge and the Inferno.
The Smudge was what you used when you were desperately in need of heat. By hovering over the Smudge
the camper could usually manage to thaw ice from his hands before being kippered to death. The Inferno was
what you always used for cooking. Experts on camp cooking claimed you were supposed to cook over something
called "a bed of glowing coals." The "bed of glowing coals" was a fiction concocted by experts on camp cooking.
As a result, the camp cook was frequently pictured, by artists who should have known better, as a tranquil man
hunkered down by a bed of glowing coals, turning plump trout in the frying pan with the blade of his knife. In
reality, the camp cook is a wildly distraught individual who charged though waves of heat and speared savagely
with a long sharp stick a burning hunk of meat he had tossed on the grill from twenty feet away. Meat roasted
over an Inferno was either raw or extra well done. The cook, if he was lucky, came out medium rare.
-- 35 --
SECURITY GUYS
Two summers ago, when I was deputy director of the CIA, a friend and I traversed the Olympic Mountain
Range in Washington State, hiking 70 miles north to south. Snow in August, ice axes in hand, fording rivers with
ropes and in the swift current nearly being carried downstream pack and all; watching with middle-aged sadistic
pleasure as my much younger security escorts struggle up the trail.
Or the summer before, canoeing 50 mile long Ross Lake in Washington near the Canadian border in overloaded canoes in a driving wind and rainstorm, foot high swells threatening to capsize us, wondering if we'd
escape with our lives.
Then having the security guys, also struggling, paddle up alongside to report that they had a radio call from
Washington ... and "?could I get to a secure telephone?" This when I thought I might never even see the shore
again.
But this message gave me a determination to survive ... if only to get pack to Washington and find out who
had placed that call.
-- Part of a story by Robert Gates, in Scouting Magazine
-- 36 --
WESTERN STORIES
THE BALLAD OF JOHNNY O'DELL
Wild are the tales of the Pony Express
And most of them are true if I don't miss my guess.
But wildest of all tales that they tell
Is that of fearless young Johnny O'Dell.
Johnny was little, but he was a man
Whom none could outride, outshoot or outplan.
Ride, he could ride anything that could run
And could outdo any man with a gun.
Back in those days there were men in the West
And Johnny O'Dell was as good as the best.
Only the bravest could carry the mail
Through terrible dangers that haunted the trail.
Dangers there were on the night I describe,
For Johnny encountered an Indian tribe.
Blackie, his horse, gave a new burst of speed.
No Indian pinto could equal that steed.
Bullets and arrows whizzed over his head
As into the foe and right through them he sped.
Outlaws had raided the station ahead
The horses were stolen, his partner was dead.
Onward went Johnny over the trail.
For such was the life when you carry the mail
Rivers they forded for bridges there were none
While crossing one stream he was stopped by a gun.
"Halt!" cried a man on the bank of the creekAs together they fired by the light of the sun.
Still lay the stranger whom Johnny had met,
For all that I know he is lying there yet.
Onward went Johnny into the West,
As a spot of crimson appeared on his vest.
Together they continued their hazardous ride,
The powerful horse with the brave man astride.
Into the town of Red Gulch did they go,
As blotches of blood marked their way through the snow.
This was the end of the perilous trail
Through bullets, and arrows; through blizzards and hail.
Johnny dismounted and cried with a wail,
"Oh, Darn it all, I've forgotten the mail!"
-- 37 --
-- 38 --
-- 39 --
-- 40 --
MISCELLANEOUS STORIES
THE FARMER
There was this farmer who had many fields. And throughout all his fields, he worked very very hard at
keeping all the animals away, and as such, out of his crops that he worked very very hard to plant.
And ... He was successful in keeping all the animals out. No birds, no deer, NOTHING got through all his
wire fences and traps that he had set out to keep the animals out.
As time went on, this farmer got more and more lonely. So lonely as a matter of fact, that one day, he went
out into his fields, held his arms out wide and called to all of the animals to come. He stood there all day and
night with his arms out wide, calling to all the animals, but you know what, none of the animals came ... No, not
one. ... And what was the reason none came?
All of the animals were afraid of the farmers ... new scarecrow out in the field.
-- Thanks to Brad George
HE DREW
This Poem was written by a Grade 12 Student who committed suicide some 2 weeks later.
He always wanted to explain things.
But no one cared.
So he drew.
Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He
would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him
that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his
pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark,
and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he
brought it with him. Not to show anyone, but just to have it with him like a friend. It was funny about school. He
sat in a square, brown desk. Like all the other square, brown desks. And he thought it should be red. And his
room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold
the pencil and chalk, With his arm stiff and his feet flat on the floor, Stiff. With the teacher watching and watching.
The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like
them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about
morning. And it was beautiful. The teacher came and smiled at him. "What's this?" she said. "Why don't you
draw something like Ken's drawing? Isn't that beautiful?" After that his mother bought him a tie. And he always
drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone
looking at the sky, it was big and blue and all of everything. But he wasn't anymore. He was square inside And
brown And his hands were stiff. And he was like everyone else. And the things inside him that needed saying
didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.
-- Thanks to Heather McCaslin, Troop Scouter
-- 41 --
SCOUTING STORIES
WEBELOS
Hear now the Webelos legend; The tale of the Webelos tribe; The tale of Akela its Chieftain.
'Hoo', called the owl in the darkness and Mowglie, the Indian boy Lay in his tipi and listened to the rustle of
trees in the night.
'Boom' went the deep muffled beat of the great ceremonial drum; the braves of the tribe were convening, He
wished he could answer that call.
Quick, like the flight of an arrow; Quiet, in the hush of the night; Before a great fire ring they gathered Awaiting
Akela their Chief.
Here in the great council ring fire On top of the cliff there they met. Here often they come for decisions Here,
too, the Great Spirit they sought.
Here they sought help from the Spirit On hunt or on warpath; in peace. Here they met their Chief Akela;
Awaited his final decrees.
Now with the 'boom' of the big drum All was quiet, the night was quiet still. The great ceremonial fire, when
lighted, illuminated the hill
The tom-toms began, set the rhythm, Akela stepped into the Ring. First low and slow, then ... like thunder...
The beat as he danced near the fire.
Dancing with grace, full of gesture, In costume he told of his life. He told of the strength of his father, The
powerful 'Arrow of Light'
'Kind Eyes' his mother, taught those things that only a mother can know. He once save her life with his arrow;
His father helped fashion his bow.
The tom-toms beat on and his dance Told of trips to the forest, where wolf Taught him the ways of the wild life
of the ground, of the tracks, ways to food.
Through dancing and gesture he told how he next faced the Bear and learned The meaning of Courage; and
then He became a young Scout on the trail.
Akela, the Wise, closed his dance. By sign and by gesture he told How the Tribe can be strong only when
The boys of the Tribe are quite strong.
He said this, 'The future is hidden But if we are strong and are brave, If we can teach our boys to be square,
Our tribe will continue to be strong.'
"Let us name our tribe for the Bobcat, The Wolf and the Bear and the Scout, The Webelos Tribe we'll be
called and The strongest of all we will be."
Akela thus ended his dance The beat of the tom-tom was stilled. In silence the warriors stood, Then gave the
great guttural "HOW"!
The fire burned low, all was still. No sound broke the hush on the hill, Save the crackle of embers and all The
mysterious half- noises of night.
The braves raised their right hand toward heaven. "Living Circle" was formed with their left. The Webelos
pledge was then given; "To live and help live' was their pledge.
This, then, is the Webelos legend. This, then, is the reason they're strong. They honor the pledge which they
make; "To live and help live" is their goal.
-- Arranged from the prose by Milton Klint, Salina, Kansas
-- 42 --
AKELA'S TEST
I found this as a skit in a 1962 edition of The How To Book Of Cub Scouting. I modified it for an advancement
ceremony. I changed the main character from Brave Heart to Akela. I also changed the events a little to fit the
advancement ranks we had. I left it as a ceremony when I included it here. You can uses it as a ceremony or
change it into a story or skit.
Baloo: Akela had to pass a test to prove himself worthy of becoming chief. All the braves were given four
arrows. These were special arrows, once they had been used they would shatter. They could only eat food they
had caught themselves. The brave who stayed out the longest would become chief.
Akela: I walked far from camp and stopped at the side of a clearing. I waited all night for a deer to come by. I
took careful aim and shot. It provided me with food for many days. It's hide provided me with clothing.
Baloo: This showed that Akela had learned the basic skills he needed. It also showed the virtue of patience.
The rank of Bobcat indicates the Cub Scout has learned the basic skills. Will _____ come up an join us by the
campfire. Your parents will join you later. ____ has earned his (their) Bobcat badge(s).
Akela: I walked along the trail near the stream. There, I came upon a friend laying in the trail. He had used
up all his arrows and was starving. I saw a squirrel in a near by tree. I wanted to save my arrows for bigger
game, but my friend was starving. So, I shot the squirrel for my friend.
Baloo: This showed Akela had learned the value of friendship and that he was unselfish. The Wolf badge
indicates the Cub Scout has learned new things has he travels the trail of Scouting. Will _____ come up an join
us by the campfire. ____ has earned his (their) Wolf badge(s).
Akela: As I followed the trail by the stream, I came face to face with a huge bear. It growled and started
running toward me. I strung my bow, took careful aim and when he was near I shot and killed him. He provided
me with food for many more days. His heavy coat provided me with shelter from the cold nights.
Baloo: This showed Akela is brave. This is also why honor the Cubs at the next level of accomplishment with
the Bear badge. Will _____ come up an join us by the campfire. ____ has earned his (their) Bear badge(s).
Akela: The meet from the bear lasted for many days, but soon I had to continue on to search of more food. I
came upon a wolf that had just killed a dear. The wolf saw me and ran off. I was hungry, but I had promised to
only eat food I had killed, so I continued on.
Baloo: This showed Akela's honesty. To earn the Webelos badge, the Cub Scout must learn the Boy Scout
law which includes honesty. Will _____ come up an join us by the campfire. ____ has earned his (their) Webelos
badge(s).
Akela: I was many days from our camp. I needed food to give me the strength to make it back to camp. So, I
tracked the wolf I had seen before. I took my last arrow, took careful aim and missed. I was scared because I
had no food or arrows. As I started back to camp, I prayed to the great spirit. Suddenly, I saw the arrow; it was
still whole. I followed the wolf's trail again. I took aim and shot him. I now had enough food to return home
Baloo: Akela learned that sometimes you have to ask for help. Our Cub Scouts sometimes need help also.
Their parents provide that help. So, will the parents please come up and stand behind their sons.
-- Thanks to Rick Clements, Cubmaster, Pack 225
-- 43 --
STORY TELLING
These are general guidelines to try. It will take some trial and error to find what works for you. I've seen
things work great for someone, but I have been unable to make them work. I have been able to adapt them and
make them work.
CHOOSING A STORY
You can write your own story, use one that's written or modify a story that's written. But, the final story needs
to fit both you and your audience. As the workbook The Entertaining Speaker from Toastmasters International
says, "It should suit your personal style and outlook on life. If you aren't comfortable with a story or a set of funny
lines, your material won't go over well as part of an entertaining speech."
If you are writing an entertaining story, your personal experiences are a good starting point, but you don't
have to stick to the facts. You can stretch the facts, combine different events or even modify a joke to fit. Also, a
story doesn't have to funny to be entertaining; the ghost stories and the "Winter Cub Story" are entertaining by
being dramatic.
If you are using an existing story, the workbook Storytelling from Toastmasters International offers the
following points to consider.
- The age of the audience. Are your listeners adults, teenagers or children? Different age groups prefer
different types of stories.
- The type of audience. Are your listeners boys, girls, men women?
- The social and intellectual levels of your listeners. Generally, younger children enjoy stories with plot and
action. Older children and adults like stories with more humor and interplay with characters. All ages enjoy
rhythm and movement of event in stories. Stories should be well paced, with few slow and no dull spots.
You also need to consider how your story will fit with other events. For example, if the story will be used at
the beginning of a campfire, it should have a lot of excitement and energy. If the story will be used near the end,
it should be quieter and more thoughtful.
Stories are usually better told than acted out. If you act them out they become more of a skit. I had the
instructor at Pow Wow (a Cub Scout leader training session) tell us that it's better to just stand than incorporate
any movement. My experience tends not to agree with that; gestures -- if the are natural -- add to the story.
The gestures also depend on the audience. A friend of mine, who is a seminary student, said he was taught
that elementary school age children like more gestures and movement. That agrees with the following statement
from Gestures: Your Body Speaks from Toastmasters International.
-- 44 --
You may, on occasion, have to adapt your gestures to fit the size and nature of your audience. The larger the
audience, the broader and slower your gestures should be. Young audiences are usually attracted to a speaker
who uses vigorous gestures, but older, more conservative groups may feel irritated or threatened by a speaker
whose physical actions are too powerful.
-- 45 --