Zed-10Fx User Guide: Publication AP7763

ZED-10FX USER GUIDE
Publication AP7763
CONTENTS
Warranty ......................................................................... 4
Conformity Statement ................................................. 5
Safety Instructions ......................................................... 6
Packed Items Checklist ................................................ 9
Introduction to ZED-10FX & 10............................... 10
Specifications .................................................................. 12
Dimensions ..................................................................... 13
Block Diagram................................................................ 14
Mono Input Channel 1&2 ............................................ 15
Mono Input Channel 3&4 (GTR I/P) ........................ 18
Stereo Input Channel 1................................................ 19
Stereo Input Channel 2................................................ 21
Effects Processor ........................................................... 22
Master Section ............................................................... 24
USB Connection ............................................................ 26
Application DrawingLive Mixing ........................... 27
Application DrawingStudio Recording ................ 26
Wiring Information ....................................................... 29
Product Support ............................................................ 30
Allen & Heath 3 ZED-10FX User Guide

WARRANTY
Limited One Year Warranty
This product is warranted to be free from defects in materials or

workmanship for period of one year from the date of purchase by the
original owner.
To ensure a high level of performance and reliability for which this
equipment has been designed and manufactured, read this User Guide
before operating. In the event of a failure, notify and return the defective
unit to ALLEN & HEATH Limited or its authorised agent as soon as
possible for repair under warranty subject to the following conditions
Conditions Of Warranty
The equipment has been installed and operated in accordance with the
instructions in this User Guide.
The equipment has not been subject to misuse either intended or
accidental, neglect, or alteration other than as described in the User
Guide or Service Manual, or approved by ALLEN & HEATH.
Any necessary adjustment, alteration or repair has been carried out by
ALLEN & HEATH or its authorised agent.
The defective unit is to be returned carriage prepaid to ALLEN & HEATH
or its authorised agent with proof of purchase.
Units returned should be packed to avoid transit damage.
In certain territories the terms may vary.
Check with your ALLEN & HEATH agent for any additional warranty
which may apply.
http://www.allen-heath.com

EMC & SAFETY
This product complies with the European Electro magnetic

Compatibility directives 2004/108/EC and the European Low Voltage
Directives 2006/95/EC.
This product has been tested to EN55103 Parts 1 & 2 2009 for use
in Environments E1, E2, E3, and E4 to demonstrate compliance with
the protection requirements in the European EMC directive
2004/108/EC. During some tests the specified performance figures
of the product were affected. This is considered permissible and the
product has been passed as acceptable for its intended use. Allen &
Heath has a strict policy of ensuring all products are tested to the
latest safety and EMC standards. Customers requiring more
information about EMC and safety issues can contact Allen & Heath.
NOTE: Any changes or modifications to the console not approved
by Allen & Heath could void the compliance of the console and
therefore the users authority to operate it.
ZED-10FX User Guide AP7763 Issue 2

Copyright 2009 Allen & Heath Limited. All rights reserved
Allen & Heath Limited

Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK
http://www.allen-heath.com

SAFETY INSTRUCTIONS
WARNING - Read the following before proceeding :
CAUTION
AC MAINS IN ~
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

FUSE TYPE AC SUPPLY 47-63Hz
T 3.15A 20mm 220 - 240V~ 320VA MAX
T 5.0A 20mm 100 - 120V~ 300W MAX
! WARNING: This equipment must be earthed.

SERIAL No:
Made in the UK by ALLEN & HEATH
WARNING - THIS APPARATUS MUST BE EARTHED.
Read instructions: Retain these safety and operating instructions for future
CAUTION - HOT SURFACE, AVOID CONTACT.
reference. Adhere to all warnings printed here and on
the console. Follow the operating instructions printed in
this User Guide.
Do not remove cover: Operate the console with its covers correctly fitted.
Power sources: Connect the console to a mains power unit only of the
type described in this User Guide and marked on the
rear panel. Use the power cord with sealed mains plug
appropriate for your local mains supply as provided
with the console. If the provided plug does not fit into
your outlet consult your service agent for assistance.
Power cord routing: Route the power cord so that it is not likely to be walked
on, stretched or pinched by items placed upon or
against it.
Grounding: Do not defeat the grounding and polarisation means of

the power cord plug. Do not remove or tamper with the
ground connection in the power cord.

SAFETY INSTRUCTIONS
Water and moisture: To reduce the risk of fire or electric shock do not ex-
pose the console to rain or moisture or use it in damp
or wet conditions. Do not place containers of liquids on
it which might spill into any openings.
Ventilation: Do not obstruct the ventilation slots or position the con-
sole where the air flow required for ventilation is imped-
ed. If the console is to be operated in a rack unit or
flightcase ensure that it is constructed to allow ade-
quate ventilation.
Heat and vibration: Do not locate the console in a place subject to exces-
sive heat or direct sunlight as this could be a fire haz-
ard. Locate the console away from any equipment
which produces heat or causes excessive vibration.
Servicing: Switch off the equipment and unplug the power cord
immediately if it is exposed to moisture, spilled liquid,
objects fallen into the openings, the power cord or plug
become damaged, during lightening storms, or if
smoke, odour or noise is noticed. Refer servicing to
qualified technical personnel only.
Installation: Install the console in accordance with the instructions

printed in this User Guide. Do not connect the output of
power amplifiers directly to the console. Use audio
connectors and plugs only for their intended purpose.
Important Mains plug wiring instructions

The console is supplied with a moulded mains plug fitted to the AC mains power lead.
Follow the instructions below if the mains plug has to be replaced. The wires in the
mains lead are coloured in accordance with the following code:
TERMINAL WIRE COLOUR

European USA/Canada
L LIVE BROWN BLACK
N NEUTRAL BLUE WHITE
E EARTH GND GREEN & YELLOW GREEN
The wire which is coloured Green and Yellow must be connected to the terminal in the plug
which is marked with the letter E or with the Earth symbol. This appliance must be earthed.
The wire which is coloured Blue must be connected to the terminal in the plug which is
marked with the letter N.
The wire which is coloured Brown must be connected to the terminal in the plug which is
marked with the letter L.
Ensure that these colour codes are followed carefully in the event of the plug being changed.

SAFETY INSTRUCTIONS
General Precautions:
Damage : To prevent damage to the controls and cosmetics

avoid placing heavy objects on the control sur-
face, scratching the surface with sharp objects, or
rough handling and vibration.
Environment : Protect from excessive dirt, dust, heat and vibra-
tion when operating and storing. Avoid tobacco
ash, smoke, drinks spillage, and exposure to rain
and moisture. If the console becomes wet, switch
off and remove mains power immediately. Allow to
dry out thoroughly before using again.
Cleaning : Avoid the use of chemicals, abrasives or solvents.
The control panel is best cleaned with a soft brush
and dry lint-free cloth. The faders, switches and
potentiometers are lubricated for life. The use of
electrical lubricants on these parts is not recom-
mended. The fader and potentiometer knobs may
be removed for cleaning with a warm soapy solu-
tion. Rinse and allow to dry fully before refitting
them.
Transporting : Protect the controls from damage during transit.
Use adequate packing if you need to ship the unit.
Hearing : To avoid damage to your hearing do not operate
any sound system at excessively high volume.
This applies particularly to close-to-ear monitoring

such as headphones and in-ear systems. Contin-
ued exposure to high volume sound can cause
! frequency selective or wide range hearing loss.

PACKED ITEMS
Check that you have received the following:
Left Left Left O/P Level

Switch
Right Right Right

Mic Mic Mic Mic
Line Line GTR 1 GTR 2
Hi Z Hi Z
Left Left Left USB
USB IN L
0 0 0 0 USB IN R
20 40 20 40 20 40 20 40
GAIN GAIN GAIN GAIN
Right Right Right
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40 FX OUT/ AUX
M L M L M G M G FOOTSWITCH OUT
HPF HPF HPF HPF
0 0 1 Dly+verb (level) 9 Plate (decay)
Record +16
HF HF HF HF 5 5 2 Dly+verb (size) 10 Plate (predly) Bus +9
TAP
-15 -15 +6
3 Dly+verb (regen) 11 Plate (colour) +3
Aux-FX 0
-15 +15 -15 +15 -15 +15 -15 +15 4 PingPong(regen) 12 Hall1 (size) -3
650 650 650 650 +15 +15
500 1k 500 1k 500 1k 500 1k -6
200 200 200 200 5 BeatDly (regen) 13 Hall2 (size)
L R -9
f 2k f 2k f 2k f 2k
HF HF 6 Ambient (echo) 14 Arena (size) MAIN 0
-12
3k 3k 3k 3k MIX LEVEL -16
120 4k 120 4k 120 4k 120 4k 7 SlapVerb (size) 15 Flanger (dpth) -20
-30
MID MID MID MID
8 DoubleZED(size) 16 Chorus (dpth)
-15 +15 -15 +15 +10
Bank 9-16 L R
LF LF Phones
-15 +15 -15 +15 -15 +15 -15 +15
LF LF LF LF
SEL Mix
Monitor
-15 +15 -15 +15 Source 0
LEVEL
-15 +15 -15 +15 -15 +15 -15 +15
PARAMETER (HOLD)
FX FX FX FX FX FX +10
0 0 0 0 0 0 TAP
+6 +6 +6 +6 +6 +6
FX to PLAYBACK TO AUX MIX Record
AUX AUX AUX AUX AUX AUX AUX AUX LEVEL
PHONES SELECT
0 0 0 0 0 0 0 0 0
Aux
+6 +6 +6 +6 +6 +6 +6 +6 +6
PAN PAN PAN PAN BAL BAL

Playback
L R L R L R L R L R L R
LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0

FX 0 0 0
LEVEL
+10 +10 +10 +10 +10 +10 +10 +10

+10
Phones
Record Record Record Record Record Record Record PLAYBACK MAIN MIX
LEVEL LEVEL
Listen Listen Listen Listen Listen Listen Listen
ZED-10FX MIXER
Mains Lead This User Guide!

Check that the correct
mains plug is fitted.

INTRODUCTION TO THE ZED-10FX
Background Overview:
The Allen & Heath ZED series mixers have been carefully and lovingly designed in the beau-
tiful county of Cornwall in the UK and are manufactured alongside a wide range of profes-
sional audio mixing consoles to the same high standards. Many of the components used in
ZED-10FX and ZED-10 are exactly the same as in the larger Allen & Heath products and the
construction methods are also very similar utilising individual vertically mounted channel
circuit boards with each rotary control fixed with a metal nut to the front panel. This pro-
vides a very robust product that will resist damage and give years of reliable use. It also
makes servicing much easier should it be required, with the ability to remove one particular
channel from the mixer at a time. The vertical board construction method is unique in a
product at this price point and puts the ZED-10FX and ZED-10 in a truly professional class
of their own.
The audio circuitry is based on years of continual development and refinement , the perfor-
mance of all the elements within the mixer is scrutinised and perfected to ensure the very
best sound quality possible.
Multi-application:
ZEDs are great for live mixing! Their layout makes them very easy to use and easy to
achieve a great sound. They are also perfect for recording, either a live show or an audio
project at home can be built up track by track using the USB digital audio interface. The flexi-
bility and quality of these mixers make them stand out from the crowd. You can plug your
guitars or instruments straight into the class A discrete FET high impedance inputs, cater for
up to four microphones, two stereo sources with MP3 player compatibility, separate 2-track
record outputs and a stereo playback input for 2-track replay or perhaps interval music from
a CD player, XLR main stereo outputs with inserts, comprehensive monitoring with head-
phones and separate monitor speaker outputs, 48V microphone phantom power, DI level
switching for sub mixing, and not least of all, the same digital effects algorithms as those used
on our flagship digital consoles costing 150 times as much!
All this and the ability to withstand life being gigged night after nightthere is nothing else
like it at this price point.
ZED mixers are also ideal for teaching establishments, houses of worship, hotels and confer-
ence centres where their ease of use and robust qualities make them a top choice.
Mic/Line Pre-amps:
Based on the pre-amps from the MixWizard series, the ZED-10FX & ZED-10 pre-amps use
low noise discrete transistor circuitry to achieve high gain (60dB max), low noise and good
linearity.
GTR/Hi Z Inputs:
Specially designed for ZED-10FX and ZED-10, two ultra high impedance discrete class A FET
(Field Effect Transistor) inputs for plugging any kind of guitar or instrument straight in. A
26dB gain boost switch allows instruments with very low output pickups to be used, and the
FET does a great job of approximating the valve/tube input circuitry commonly found on
instrument combos or amplifiers.
INTRODUCTION TO THE ZED-10FX
EQ:
The ZED-10FX and ZED-10 mixers are equipped with a 3-band equaliser circuit on each
mono input, with swept mid frequency section, and a 2-band EQ on the stereo channels. The
frequency and response of each has been carefully chosen to give the maximum performance
when using the EQ on a variety of sources.
Effects Processor:
Zed 10FX has a professional quality effects processor built in which uses our own effects
algorithms developed by our talented engineering staff at Allen & Heath. The effects range
from classic reverbs, cascaded delay plus reverbs to shimmering flanger & chorus effects. The
different effects types are selected with a simple up/down button interface and the tempo of
the delay settings can be set using the TAP button. Holding the TAP button allows the pa-
rameters of the effects to be adjusted. The audio signal to the DSP is converted using 24 bit
high dynamic range converters running at 48kHz sample rate, ensuring low noise, low distor-
tion, transparent effects.
Record Bus:
A separately switched stereo bus can be routed to from any channel creating a selective
recording bus, monitoring bus or stereo clean feed output. You can even route just the ef-
fects processor output to this bus and use the mixer as a high end effects unit.
USB:
Getting audio to and from a computer easily is now a common requirement for live sound
and music production. The way we have implemented this on ZED is super-flexible and super
-easy! No longer do you need to fiddle around the back of your computer to get to the
soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead
to your ZED, select the USB routing on the mixer and the device on your computer and
thats it! CD quality audio to and from your PC or MAC.
Internal power supply:

Not a wall wart - a proper built in power supply specifically designed and based on totally
reliable technology.

SPECIFICATIONS
Operating Levels
Input
Mono channel (XLR) Input -10 to 60dBu for nominal (+11dBu in max)
Mono channel Line Input (Jack socket) +10 to 40dBu (+31dBu maximum)
Stereo Input (Jack or phono sockets) 0dBu nominal (control = Off to +15dB)
Output
L/R Outputs ( XLR) Normal/DI out 0dBu/-30dBu +21dBu/-9dBu maximum.
Aux & FX Outputs (Jack sockets) 0dBu nominal. +21dBu maximum.
Record & Monitor Outputs (phono sockets) 0dBu nominal. +21dBu maximum.
Frequency Response
Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 10Hz to 30kHz.
Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 25kHz
Stereo in to Mix L/R out +0.5/-1dB 10Hz to 30kHz
THD+n
Mic in to Mix L/R Out, 10dB gain 1kHz +10dBu out 0.002%
Mic in to Mix L/R Out, 30dB gain 1kHz 0.01%
Line in to Mix L/R out 0dB gain 0dBu 1kHz 0.003%
Stereo in to Mix L/R out 0dB gain +10dBu 1kHz 0.002%
Gtr Input to Mix L/R Out, 0dBu, Boost OUT 0.015%
Gtr Input to Mix L/R Out, 0dBu, Boost IN 2% Second Harmonic
Headroom
Analogue Headroom from nominal (0Vu) 21dB
USB in & out headroom from nominal (0Vu) 14dB
Noise
Mic Pre EIN @ max gain 150R input Z 22-22kHz -127dBu
Mix L/R out, L/R faders = 0, Levels min, 22-22kHz -96dBu
Mix L/R out, L/R faders = 0, Levels min, 22-22kHz -96dBu
USB Audio CODEC (Coder/Decoder)
USB Audio In/Out USB 1.1 compliant 16bit.
Sample Rate 32, 44.1, or 48kHz

DIMENSIONS

Switch
Right Right Right

Mic Mic Mic Mic
Hi Z Hi Z
Left Left Left USB
USB IN L
0 0 0 0 USB IN R
20 40 20 40 20 40 20 40
GAIN GAIN GAIN GAIN
FX AUX
Right Right Right OUT OUT
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40
M L M L M G M G
HPF HPF HPF HPF

Record +16
TAP
-15 -15 +6
Aux-FX 0
650 650 650 650 +15 +15
500 1k 500 1k 500 1k 500 1k -6
L R -9
f 2k f 2k f 2k f 2k
-12
-30
MID MID MID MID
-15 +15 -15 +15 +10
Bank 9-16 L R
LF LF Phones
-15 +15 -15 +15 -15 +15 -15 +15
LF LF LF LF
SEL Mix
Monitor
-15 +15 -15 +15 Source 0
LEVEL
-15 +15 -15 +15 -15 +15 -15 +15
PARAMETER (HOLD)
0 0 0 0 0 0 TAP
+6 +6 +6 +6 +6 +6
PHONES SELECT
0 0 0 0 0 0 0 0 0
Aux
+6 +6 +6 +6 +6 +6 +6 +6 +6

Playback

FX 0 0 0
LEVEL
+10 +10 +10 +10 +10 +10 +10 +10

+10
Phones
LEVEL LEVEL
336mm (13.2 inches)

95mm (3.7 inches)
275mm (10.8 inches)
Weight
ZED-10FX
Unpacked 3.3kg (7.3 lb)
Packed 4.5kg (10 lb)

REC R
REC L
AUX
PFL
FX
R
L
Phantom Power
MONO CHANNEL Phantom Power
48V To Mics
GAIN PFL RECORD
HPF LEFT INSERT
3 BAND EQUALISER
ZED-10FX User Guide

MIC IN
LEVEL MAIN LR
100Hz LF HM HF PAN
+ LEVEL
- L
RIGHT INSERT
MAIN OUT
LINE IN 0dBu NOMINAL
FX
R
MONO CHANNELS 1&2
BLOCK DIAGRAM SCHEMATIC
AUX
CLASS A
FET FX OUT
INSTRUMENT IN
AUX MIX
MASTER LEVEL
HI-Z DI AUX OUT
MONO CHANNELS 3&4
GAIN BOOST
RECORD OUT
ST1-b L
L
GAIN STEREO CHANNEL PFL
R
R
RECORD
2 BAND EQUALISER EFFECTS MIX
BAL USB DEVICE USB 1 STEREO I/O
L LF HF
PRIORITY SWITCHING
RECORD BUS OUTPUT
ST1-a
AUX-FX USB AUDIO
14
R
INPUT
FX
STEREO CHANNEL 1
METERS
AUX PRIORITY SWITCHING
USB STEREO CHANNEL 2 RECORD BUS
AUDIO PFL/AFL
INPUT AUX
L R PLAYBACK
EFFECTS MIX PLAYBACK
FX TO AUX INPUT
L PFL
PHONES
ST2
EFFECT TYPE LEVEL
R
DSP
BANK
RECORD PFL ACTIVE
PFL ACTIVE
SEL UP HEADPHONES
EFFECTS SEL DOWN
PROCESSOR TAP/PARAMETER
MONITOR LEVEL
MONITOR OUTPUT
L
EFFECTS
Allen & Heath

FOLLOW MIX
TO MIX R
USB
AUDIO PLAYBACK
INPUT TO AUX
ZED 10FX BLOCK DIAGRAM
L R PLAYBACK
INPUT PLAYBACK
PLAYBACK LEVEL
L
PLAYBACK
R
MONO INPUT CHANNEL 1 & 2
Mic Input Socket

Standard 3-Pin XLR socket wired as Pin 1=Chassis, Pin 2=hot
(+), Pin 3=Cold (-). Le
Line Input Jack Socket

Standard 1/4 (6.25mm) Jack socket for balanced or unbalanced Ri
Mic Micline level signals.MicWired Tip=Hot(+),
Mic Ring=cold (-),
Sleeve=Chassis.
Line Line GTR 1 to the XLRGTR
The Line input connects input
2
Hi Z Hi Z through a circuit, so
be aware that the two signals will add together if both inputs
are plugged in simultaneously.
Gain Control
0 This
0 adjusts the gain of
0 the input amplifier0 to match the signal
20 40 20 40 20 40 20 40
level of the source. The gain is varied from +10dB to +60dB for
GAIN GAIN GAIN GAIN
signals plugged in to the xlr socket (Mic Input) and 10dB to
+40dB for signals plugged into the Line input jack.
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40
M L M L M G M G
100Hz Hi-pass Filter
HPF HPF filter is used forHPF
The Hi-pass reducing pop noiseHPF
and rumble
from microphone signals. It is a single pole (6dB per octave) 0
HF HFfilter with a cornerHFfrequency set at 100Hz.
HF
The filter affects signals from both Mic XLR and Line jack sock-
-15
et.
-15 +15 -15 +15 -15 +15 -15 +15 +15
650 650 650 650
500 1k 500 1k 500 1k 500 1k
200 200 200 200
f 2k f 2k f 2k f 2k
HF
3k 3k 3k 3k
120 4k 120 4k 120 4k 120 4k
MID MID MID MID
-15 +1
LF
-15 +15 -15 +15 -15 +15 -15 +15
LF LF LF LF
-15 +1
-15 +15 -15 +15 -15 +15 -15 +15
FX FX FX FX FX
0 0 0 0
+6 +6 +6 +6 +
AUX AUX AUX AUX AUX
0 0 0 0
0 0 0 0
20 40 20 40 20 40 20 40
GAIN GAIN GAIN GAIN
Rig
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40
M L M L M G M G
MONO INPUT
HPF HPF
CHANNEL
HPF
1&2 HPF
0
HF HF HF EQ HF HF 5
The HF (High Frequency) equaliser affects the frequency re- -15
sponse of the higher audible frequencies. The corner frequen-
-15 +15 -15cy of 12kHz
+15 is around
-15 3dB from
+15 the maximum
-15 cut
+15or boost of +15
650 650 650 650
500 1k the circuit.
500 1k It has plenty
500 of gain
1k and actually
500 gives 1k
slightly more
200 200 200 200
that the +/-15dB legend suggests.
f 2k f 2k f 2k f 2k
HF
3k 3kdBr
20.00 3k 3k
120 4k 120 4k 120 4k 120 4k
MID MID MID MID
15.00
10.00
5.00
-15 +15
0.00
-5.00
LF
-15 +15 -15 +15 -10.00
-15 +15 -15 +15
LF LF -15.00 LF LF
-20.00
10.00 Hz 100.00 1000.00 10000.00 30000.00
-15 +15
MF EQ
-15 +15 -15 +15 -15 +15 -15 +15
The MF (Mid Frequency) equaliser affects the middle of the
FX FX audible frequency FX range. The frequency
FX graduations on the FX
0 sweep control
0 are the centre frequencies
0 of the EQ.0 The 0
range has been carefully chosen to cover boomy frequen-
+6 cies around
+6 120Hz to 250Hz +6 which may need cutting
+6 back, or +6
AUX AUX a lift at 2 to 3kHz

AUX may be required for
AUX microphone intelligibil-
AUX
0 ity. 0 0 0 0
dBr
20.00
+6 +6
15.00
+6 +6 +6
10.00
PAN PAN 5.00

PAN PAN BAL
0.00
-5.00
L R L R L R L R L R
-10.00
-15.00
LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0

-20.00
10.00 Hz 100.00 1000.00 10000.00 30000.00
LF EQ
The LF (Low Frequency) equaliser affects the response at the
+10 low end
+10of the audio range.+10
The graph shows the
+10response of +10
the LF EQ at maximum cut and boost. The corner frequency
Record is 80Hz.
Record Record Record Record
dBr
20.00
15.00
Listen Listen
10.00
Listen Listen Listen

5.00
0.00
-5.00
-10.00
-15.00
-20.00
10.00 Hz 100.00 1000.00 10000.00 30000.00

0 0 0 0
20 40 20 40 20 40 20 40
GAIN GAIN GAIN GAIN
Rig
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40
M L M L M G M G
MONO
HPF INPUT
HPF CHANNEL
HPF 1&2 HPF
0
HF HF HF HF 5
FX send -15
This controls the level of signal that is sent to the effects
-15 +15 -15 processor
+15 from -15the channel.
+15 The signal-15 is post-level
+15 which +15
650 650 650 650
500 1k 500 1k 500 1k 500 1k
200 200
means it is affected
200
by the channel Level
200
control (so it stays
f 2k f in proportion
2k fto the signal 2k going tof Mix) and the2ksend con-
HF
3k trol has
3k 6dB gain fully clockwise.
3k 3k
120 4k 120 There
4k is no master 120 level4k
control for the120 FX bus.
4k
MID MID MID MID
-15 +15
AUX send
Controls the level of signal sent to the Auxiliary output
LF
-15 +15 -15 +15the channel.
from -15 The +15 -15
signal is sourced +15
pre-Level so is
LF LF independent LF LF to the main L-R Mix.
of the level being sent
The send control has +6dB gain fully clockwise and unlike
-15 +15
the FX bus, there is a master level control for the Aux
-15 +15 -15 output.
+15 -15 +15 -15 +15
FX FX FX FX FX
0 PAN 0 0 0 0
The pan control adjusts how the signal from the mono
+6 input+6channel is shared +6between the left and+6right stereo +6
AUX AUX buses and subsequently

AUX the mainAUX
stereo outputs. Set AUX
to the
0 mid position,
0 equal amounts 0 of signal are fed 0to left and 0
right, with pan set to L, none is sent to the Right bus.
+6 +6 +6 +6 +6
PAN PAN LEVEL PAN PAN BAL

The rotary Level or fader controls the amount of signal to
the left & right buses, Record bus and to the FX send con-
L R L trol. R There is 10dB
L of Rgain fully clockwise
L Rand the unityL R
gain position is marked by 0.
LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0
Record
+10
Switches
+10
the channel signal
+10
to a separate stereo
+10
bus called +10
Record. The Pan and Level controls affect the Record signal
Record
and the channel Mix L-R
Record
signal remains unaffected
Record Record
by this Record
switch.
Listen
Listen Listen Listen Listen Listen
Switches the channel signal to the headphones or monitor
output circuit for checking the channel signal. Takes the
signal after the EQ but before the Level control (so you can
check the signal before adding it to Mix or Record)

MONO INPUT CHANNEL 3 & 4
Hi Z input
The only difference between mono inputs 1-2 and 3-4 is
Left or other instruments.
the Hi Z inputs for guitars Left
Standard 1/4 (6.25mm) Jack socket for unbalanced line

level signals or instrument pickups. Wired Tip=Hot(+),
Right
Ring=cold (-), Sleeve=Chassis. Right
Mic Mic The Hi Z input connects to the XLR input through a cir-
GTR 1 GTR 2 cuit, so be aware that the two signals will add together if
Hi Z Hi Z both inputs are plugged in simultaneously.
The Hi Z input can be used Left
with normal line level signals
Left Left
but is designed specifically to match signals from instrument
pickups. The input impedance is extremely high (10Mohms)
and a FET (Field Effect Transistor) running in Class A mode
40
0
20 40
0
20
emulates
40
the type of circuits used in valve guitar combos or
head amplifiers. The input circuit has soft asymmetric over-
GAIN GAIN
drive characteristics, giving a warm 2nd harmonic
Right Right
character Righ
to the sound if required.
60 40 - 10 10 60 40 - 10 10 60 40
M L M G M G
HPF HPF HPF

Hi Z Input GAIN BOOST OUT Hi Z Input GAIN BOOST IN
0 0 1 Dly+verb (level)
HF HF 5 5 2 Dly+verb (size)
TAP
-15 -15
3 Dly+verb (regen)
+15 -15 +15 -15 +15 4 PingPong(regen)

650 650 650 +15 +15
1k 500 1k 500 1k
200 200 5 BeatDly (regen)
2k f 2k f 2k
HF HF 6 Ambient (echo)
3k
Gain Boost3k 3k
7 SlapVerb (size)
4k 120 4k 120 4k
A recessed switch MID
MID on the rear panel allows the HI Z input to be boosted by 26dB, useful
for instruments with weak pickups or where 8 DoubleZED(size)
-15more overdrive
+15 is required.
-15 When the XLR
+15
is being used or for normal line level signals (like keyboards)make sure the switch isBank
in 9-16
the OUT position. LF LF
+15 -15 +15 -15 +15
LF LF
SEL
-15 +15 -15 +15
+15 -15 +15 -15 +15

PARAMETER (HOLD)
FX FX FX FX
This device complies with Part 15 of the FCC Rules.
Main Output Level Guitar input gain switches Operation is subject to the following two conditions:
0dBu CAUTION Unity gain (1) this device may not cause harmful interference, and
TAP
-30dBu RISK OF ELECTRIC SHOCK High gain (+26dB) (2) this device must accept any interference received,
0 OFF
0
ON
0
DO NOT OPEN
0
including interference that may cause undesired operation.
0
0 I
AC MAINS IN ~
100 - 240V~ 47-63Hz 15W
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
WARNING: THIS APPARATUS MUST BE EARTHED
CET APPAREIL DOIT ETRE MIS A LA TERRE
Serial No.
ALLEN&HEATH Laite on liitettv suojamaadoituskoskettimilla varustettuun pistorasiaan
Apparatet m tilkoples jordet stikkontakt
ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. MADE IN CHINA Apparaten skall anslutas till jordat uttag
+6 +6 +6 +6 +6
FX to
AUX AUX AUX AUX AUX
0 Allen & Heath 0 0 18 0 ZED-10FX User0 Guide 0
+6 +6 +6 +6 +6 +6
PAN PAN BAL BAL

STEREO INPUT CHANNEL 1
ST-1b Inputs
Standard RCA Phono sockets for unbalanced line level
stereo signal sources from equipment such as CD
Left players, sound modules or MP3 players. If your MP3
player has a mini jack socket (most common) use a
stereo mini jack plug to 2 x RCA Phono lead.
Right
ST-1a Inputs
Standard 1/4 jack sockets for line level stereo signals.
The ST1b inputs (RCA Phono) are connected through
the break contacts of these jack sockets so plugging
Left into ST1a will override the signals from ST1b.
ST-1 Gain
Adjusts the input level to the ST1 channel from off
Right (maximum attenuation) to +15dB gain. For low level
inputs from MP3 players, turn it fully clockwise.
0 Stereo EQ
5
High frequency and low frequency equaliser with cor-
ner frequencies of 12kHz for the HF and 80Hz for the
-15
LF and maximum cut & boost of 15dB.
+15
dBr
20.00
HF 15.00
10.00
-15 +15 5.00
LF
0.00
-5.00
-10.00
-15 +15
-15.00
-20.00
10.00 Hz 100.00 1000.00 10000.00 30000.00
FX
0
Stereo channel EQ
+6
AUX
Allen & Heath 0 19 ZED-10FX User Guide
+6
BAL
0
5
-15 STEREO INPUT CHANNEL 1
+15
FX send
This controls the level of signal that is sent to the effects
HF
processor from the stereo channel. The signal is post-level
which means it is affected by the channel Level control (so
it stays in proportion to the signal going to Mix) and the
-15 +15
send control has 6dB gain fully clockwise.
There is no master level control for the FX bus.
LF
-15 +15
AUX send
Controls the level of signal sent to the Auxiliary output
from the stereo channel. The signal is sourced pre-Level so
is independent of the level being sent to the main L-R Mix.
FX
0 The send control has +6dB gain fully clockwise and unlike
the FX bus, there is a master level control for the Aux
+6 output.
AUX
0 Balance
The balance control adjusts the relative level between the
+6 left and right stereo signals as they are sent to the stereo
BAL buses and subsequently the main stereo outputs. Set to the
mid position, equal amounts of signal are fed to left and
right, with Bal set to L, none is sent to the Right bus.
L R
LEVEL 0
LEVEL
The rotary Level or fader controls the amount of signal to
the left & right buses, Record bus and to the FX send con-
+10
trol. There is 10dB of gain fully clockwise and the unity
gain position is marked by 0.
Record
Record
Switches the channel signal to a separate stereo bus called
Listen Record. The Bal and Level controls affect the Record signal
and the channel Mix L-R signal remains unaffected by this
switch.
Listen
Switches the channel signal to the headphones or monitor
output circuit for checking the channel signal. Takes the
signal after the EQ but before the Level control (so you can
check the signal before adding it to Mix or Record)

STEREO INPUT CHANNEL 2
ST-2 Input
Left The USB audio input is connected through the
break contacts of the standard 1/4 (6.25mm) jack
sockets. Plugging into the jacks will override the
USB input, so if you want to use the ST-2 channel
for the USB input signal, make sure nothing is
plugged into the jack sockets.
Right
The rest of the features of the ST-2 channel

are as described for ST-1
0
5
Important Note:
-15
If the ST-2 channel is not being used for USB play-
+15
! back or stereo input it is best to keep the level
controls turned down so that unwanted noise from
the inactive USB device is not passed to the mix.
HF
Record OUT
Standard RCA phono sockets for the stereo line
Left level Record outputs sourced from the USB out
-15 +15
selector switches. Useful for connecting to stereo
recording devices, stereo mix feeds, or where se-
LF Right
lective channels are required to feed other equip-
ment.
-15
Left
+15
USB
Playback Input
USB IN L
USB IN R
Standard 1/4 (6.25mm) jack sockets for unbalanced
line level inputs. Can be used for additional stereo
FX Right sources such as CD players for background music,
0
or playing back a final mix from a recording device.
The USB audio input is connected through the
+6
Record
break contacts of these inputs, plugging into the
AUX Bus jack sockets overrides the USB input.
0
Aux-FX
USB OUT Source selector switches
+6 L R
MAIN
Select the signal source for the USB audio output
BAL MIX and the Record output. With both switches up the
main Mix is selected. The Record Bus switch will
override the Aux-FX switch if both are pressed.
L R
LEVEL 0
+10
ZED-FX EFFECTS PROCESSOR
Effects Type Selection LED.

8 Green LEDs show one of 16 effects types available. If the
Bank LED is off the green LEDs will show one of 1 to 8 on
the effects list (or off if no LEDs are lit), if the Bank LED is
1 Dly+verb (level) 9 Plate (decay) on the green LEDs will show which of effects types 9 to 16
2 Dly+verb (size) 10 Plate (predly) is selected. For effects types 1 to 5, the green LED will
TAP
3 Dly+verb (regen) 11 Plate (colour) blink in time with the tempo of the delay time.
The green LEDs also display the level of the parameter
4 PingPong(regen) 12 Hall1 (size)
adjustment when the TAP button is held down. The more
5 BeatDly (regen) 13 Hall2 (size) LEDs that illuminate, the more the parameter is increased
6 Ambient (echo) 14 Arena (size) in value or intensity.
7 SlapVerb (size) 15 Flanger (dpth)
Bank LED.
The Bank LED illuminates when one of the effects type 9 to
Bank 9-16 16 is selected. If the Bank LED is on, then the green LED
will show which effect is selected from the list.
SEL SEL Buttons.

The SEL buttons select the type of effect. They also adjust the pa-
rameter of the selected effect when the TAP button is held down.
PARAMETER (HOLD)
TAP Button.
TAP The TAP button is used in two ways. If one of effects types 1 to 5
are selected then the TAP button can be used for adjusting the
FX to frequency or tempo of the delay parameter.
AUX
0 If the TAP button is held down, the SEL buttons then become pa-
rameter adjust buttons to increase or decrease the level of the
+6 parameter assigned to the selected effect.
FX to AUX Send control.
This adds some of the effect to the Aux bus, so if the Aux is being
used for a monitor for a singer for example, the performer will be
FX able to hear their voice with some reverb added.
LEVEL 0
Effects Level.
Controls the volume of the effects (wet) signal to the main stereo
+10
Mix and the Record bus.
Record
Record
Switches the Effects (wet) signal to the stereo Record bus.
Listen
Listen
Switches the Effects (wet) signal to the headphones or monitor
output circuit for checking the effect.

ZED-FX EFFECTS PROCESSOR
Effects Type List & Description.

There are 16 different effects presets in the ZED Effects Processor. Each is fed with a mono
signal from the FX bus, and the output from the effects processor is in stereo.
Each preset has a parameter adjust control which is matched to the preset. This control may
morph several parameters all at once, for example the parameter control for the Chorus
effect will adjust not only the depth, but the response of the filters in software to create a
more or less intense effect. In general, when adjusting the effect parameter, the more LEDs
that are illuminated, the more intense the effect or higher the parameter value.
To restore the parameter settings to the factory defaults, hold down both SEL buttons whilst
switching on the power to your ZED.
Effects Type Table with description.
Effect Preset Name Effect Description & Parameter adjustment.
1 Dly+verb(level) Delay with Reverb. Delay feeds reverb (Classic Plate).

TAP for delay time Min = 70mS Max = 1.35S, Adjust the level of reverb.
2 Dly+verb(size) Delay with Reverb. Delay feeds reverb (Classic Plate). TAP for delay time
Min = Min = 70mS Max = 1.35S, PARAMETER Adjusts the size of reverb.
3 Dly+verb(regen) Delay with Reverb. Delay feeds reverb (Classic Plate). TAP for delay time
Min = 70mS Max = 1.35S, PARAMETER adjusts the regeneration of the delay.
4 PingPong(regen) Ping Pong delay (left then right) in parallel with Plate reverb. TAP for left delay time
Min = 70mS Max = 1.35S, PARAMETER adjusts the delay regeneration.
5 BeatDly(regen) As (4) but right delay is set for 1/4 beat of left. Good for off beat 4/4 delay sound.
TAP for left delay time & PARAMETER adjusts the delay regeneration.
6 Ambient(echo) Echo Delay with Reverb. PARAMETER adjusts the echo time.
7 SlapVerb(size) Reverb with echo reflections creating classic slapback reverb sound.
PARAMETER adjusts the slapback size (more slap echo).
8 DoubleZED(size) Classic stereo doubler.

PARAMETER adjusts delay and size.
9 Plate(decay) Classic plate reverb. PARAMETER adjusts decay time.
10 Plate(predly) Plate reverb with pre-delay. Good for vocals/percussion.

PARAMETER adjusts pre-delay time (for increased intelligibility).
11 Plate(colour) Classic plate reverb. PARAMETER adjusts tonal texture from dark to bright.
12 Hall1(size) Smooth classic hall reverb. PARAMETER adjusts size of hall.
13 Hall2(size) Brighter hall reverb. PARAMETER adjusts size of hall.
14 Arena(size) Arena reverb. PARAMETER adjusts size of arena.
15 Flanger(dpth) Classic flanger effect. PARAMETER adjusts depth and tonality.
16 Chorus(dpth) Chorus effect. PARAMETER adjusts depth and tonality.

MASTER SECTION
Main Mix Out XLR connectors
StandardLeftXLR output connectors Leftfor the main ste- Left O/P Level
Switch
reo mix. Impedance balanced to aid interference

rejection. A recessed switch on the rear panel re-
Right Right Right
c duces the level by 30dB if it is required to submix
2 these outputs into the XLR inputs of another mixer.
Main MixLeftInsert jackLeft

sockets Left USB
Standard 1/4 (6.25mm) jack sockets wired:USB IN L
0
20 40
Tip = send, Ring = return, Sleeve = Chassis.
USB IN RNominal
Right Right Right

Effects & Aux bus Outputs
0 10 60 40 FX OUT/ AUX
M G Standard 1/4 (6.25mm) jack sockets wired: FOOTSWITCH OUT
HPF Tip=hot, Ring=cold, Sleeve=Chassis. 0dBu. Plate (decay)
0 0 1 Dly+verb (level) 9
F The FX out 5
is the Effects5
bus output,
2 Dly+verb (size)
and can be
10 Plate (predly)
Record
Bus
+16
+9
used for connecting to external equipment such
TAP
-15 -15 +6
-15 +15
as an effects
+15
processor. +15
OR a 4latching
PingPong(regen) footswitch
12 Hall1 (size)
Aux-FX 0
-3
650
00
500 1k can be connected (wired between Tip &
5 BeatDly (regen) Sleeve)
13 Hall2 (size)
L R
-6
-9
2k
and
HF used to mute HF the on-board6 FX. Ambient (echo) 14 Arena (size) MAIN
MIX LEVEL 0
-12
-16
3k
120 4k The AUX out is taken from after 7 SlapVerbthe
(size) AUX
15 Flanger MIX
(dpth) -20
-30
D
master
-15 level
+15 control.
-15 +15
+10
Bank 9-16 L R
LF LF Phones
-15 +15 48v to Microphones
Switches industry standard 48v (phantom SEL power) Monitor
Mix
to -15all 4 microphone
+15 -15
inputs
+15
for use with condenser Source
LEVEL
0
-15 +15
microphones. PARAMETER (HOLD)
FX FX +10
0 0 0 TAP
Monitor Level
+6
Controls+6the volume +6of theFXstereo
to monitor outputs
PLAYBACK TO AUX MIX Record
X AUX AUX AUX LEVEL
from off (fully attenuated) to +10dB of0 gain. AUX
PHONES SELECT
0 0 0 0 0
Aux
+6
Monitor+6 Source switch +6 +6 +6 +6
N BAL BAL
This allows the stereo monitor outputs (RCA phonos) Playback
L R
to beL
sourced
R
either
L R
from the headphone monitor
selection, or from the main FX stereo0 mix. Useful for 0
L 0 LEVEL 0 LEVEL 0 0
splitting the functions of LEVEL
the stereo monitor outputs
from the headphones.
+10 +10 +10 +10 +10
+10
Phones
Record Aux MixRecordLevel control
Record Record PLAYBACK MAIN MIX
The master volume control for the Aux mix bus.LEVEL LEVEL
Listen AdjustsListen
the level from
Listenoff (fully attenuated)
Listen to +6dB
gain.
Main Mix Level
This is the master volume control for the main stereo mix. Range is from off (fully attenuated)
to +10dB of gain.

MASTER SECTION
O/P Level
Switch Stereo Meters
12 Segment LED meters with fast attack (4mS) and
medium decay (1S).
The meters display the signals selected by the
Phones Select switches, or the mono Listen signal
(PFL) if activated by any of the Listen switches.
PFL (Pre-Fade Listen) active LED

A red LED to indicate a Listen switch has been
FX
OUT
AUX
OUT
pressed on one of the channels.
Doing this will override the Phones select source to
the headphones and send the Listen signal to the
meters.
+16
+9
+6
+3
Headphones level
0
-3
Controls the volume of signal to the headphones.
-6
-9
-12
LEVEL 0 -16
-20
Warning ! To avoid damage to
-30
your hearing do not operate the
+10
L R headphones or sound system at
Phones
e x c e ss i v e l y h i gh volume.
Monitor
Source
Mix
LEVEL
0
! Continued exposure
volume sound can cause frequency
to high
+10
selective or wide range hearing
loss.
AUX MIX Record
LEVEL
PHONES SELECT
0 Phones Source Selector switches

Aux
+6 These switches allow you to choose what you hear
Playback
on the headphones. With all switches up the default
is the main stereo Mix, then you can choose be-
tween the Playback input (USB Input if nothing is
0 plugged into the jacks), the Aux bus output, or the
Record bus output. Pressing any Listen switch will
override the selection and allow you to monitor
+10
MAIN MIX
Phones individual channels.
LEVEL
Headphones Output
Standard 1/4 (6.25mm) jack socket wired Tip=Left,
Ring=Right, Sleeve=Ground.

CONNECTING TO A COMPUTER
USB lead type A to B

Switch
Right Right Right

Mic Mic Mic Mic
Hi Z Hi Z
Left Left Left USB
USB IN L
0 0 0 0 USB IN R
20 40 20 40 20 40 20 40
GAIN GAIN GAIN GAIN
FX AUX
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40
M L M L M G M G
HPF HPF HPF HPF

Record +16
TAP
-15 -15 +6
Aux-FX 0
650 650 650 650 +15 +15
500 1k 500 1k 500 1k 500 1k -6
L R -9
f 2k f 2k f 2k f 2k
-12
-30
MID MID MID MID
-15 +15 -15 +15 +10
Bank 9-16 L R
LF LF Phones
-15 +15 -15 +15 -15 +15 -15 +15
LF LF LF LF
SEL Mix
Monitor
-15 +15 -15 +15 Source 0
LEVEL
-15 +15 -15 +15 -15 +15 -15 +15
PARAMETER (HOLD)
FX FX FX FX FX FX
0 0 0 0 0 0 TAP +10
+6 +6 +6 +6 +6 +6
PHONES SELECT
0 0 0 0 0 0 0 0 0
Aux
+6 +6 +6 +6 +6 +6 +6 +6 +6

Playback

FX 0 0 0
LEVEL
+10 +10 +10 +10 +10 +10 +10 +10

+10
Phones
LEVEL LEVEL
USB Audio Interface

The ZED is equipped with a stereo bi-directional USB 1.1 compliant audio CODEC. It is fully
compliant with USB 2 ports and uses standard Windows and MAC Core Audio Drivers. In
other words, plug it in and your computer will find it and be able to transfer audio to and
from the ZED USB device.
You will need some form of audio software running on your computer to be able to store
and play back what you record, but on a basic level, you can use your computers media play-
er to play straight to the ZED device.
Important Note:
If there seems to be no audio transfer between the computer and your ZED, or the level is
very low, please check the volume level setting of the Audio Device in your computers op-
erating system. This may need to be set to the Max position.

ZED-10FX User Guide
APPLICATION DRAWINGLIVE MIXING
27
O/P Level
Left Left Left Switch
Right Right Right
Mic Mic Mic Mic
Hi Z Hi Z
Left Left Left USB
USB IN L
0 0 0 0 USB IN R
20 40 20 40 20 40 20 40
GAIN GAIN GAIN GAIN
FX AUX
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40
M L M L M G M G
HPF HPF HPF HPF
Record +16
+6
TAP
-15 -15
Aux-FX 0
-15 -15 -15 -15 4 PingPong(regen) 12 Hall1 (size)
650 +15 650 +15 650 +15 650 +15 +15 +15 -3
500 1k 500 1k 500 1k 500 1k -6
L R -9
f 2k f 2k f 2k f 2k
-12
-30
MID MID MID MID
-15 +15 -15 +15 +10
Bank 9-16 L R
LF LF Phones
-15 +15 -15 +15 -15 +15 -15 +15
LF LF LF LF
SEL Mix
Monitor
-15 +15 -15 +15 Source 0
LEVEL
-15 +15 -15 +15 -15 +15 -15 +15
PARAMETER (HOLD)
0 0 0 0 0 0 TAP
+6 +6 +6 +6 +6 +6
FX to AUX MIX
PHONES SELECT
PLAYBACK TO Record
0 0 0 0 0 0 0 0 0
Aux
+6 +6 +6 +6 +6 +6 +6 +6 +6
PAN PAN PAN PAN PAN PAN
Playback
FX 0 0 0
LEVEL
+10 +10 +10 +10 +10 +10 +10 +10
+10
Phones
LEVEL LEVEL
Allen & Heath

ZED-10FX User Guide
APPLICATION DRAWINGSTUDIO RECORDING
28
O/P Level
Left Left Left Switch
Right Right Right
Mic Mic Mic Mic
Hi Z Hi Z
Left Left Left USB
USB IN L
0 0 0 0 USB IN R
20 40 20 40 20 40 20 40
GAIN GAIN GAIN GAIN
FX AUX
- 10 10 60 40 - 10 10 60 40 - 10 10 60 40 - 10 10 60 40
M L M L M G M G
HPF HPF HPF HPF
Record +16
+6
TAP
-15 -15
Aux-FX 0
-15 -15 -15 -15 4 PingPong(regen) 12 Hall1 (size)
650 +15 650 +15 650 +15 650 +15 +15 +15 -3
500 1k 500 1k 500 1k 500 1k -6
L R -9
f 2k f 2k f 2k f 2k
-12
-30
MID MID MID MID
-15 +15 -15 +15 +10
Bank 9-16 L R
LF LF Phones
-15 +15 -15 +15 -15 +15 -15 +15
LF LF LF LF
SEL Mix
Monitor
-15 +15 -15 +15 Source 0
LEVEL
-15 +15 -15 +15 -15 +15 -15 +15
PARAMETER (HOLD)
0 0 0 0 0 0 TAP
+6 +6 +6 +6 +6 +6
FX to AUX MIX
PHONES SELECT
PLAYBACK TO Record
0 0 0 0 0 0 0 0 0
Aux
+6 +6 +6 +6 +6 +6 +6 +6 +6
PAN PAN PAN PAN PAN PAN
Playback
FX 0 0 0
LEVEL
+10 +10 +10 +10 +10 +10 +10 +10
+10
Phones
LEVEL LEVEL
Allen & Heath

WIRING INFORMATION
Insert cable wiring PROCESSOR
RETURN OUT
S T
INSERT R
T S
R
SEND
GROUND S T
RETURN R
IN
SEND
LINK RING TO SLEEVE TO UNBALANCE
General Wiring Information

Y-Adapter Y-Adapter
2 Outputs to 1 Input RCA phono jacks adapter 1 Output to 2 Inputs
RCA PHONO CABLE
UNBALANCED
No ! UNBALANCED INSTRUMENT CABLE UNBALANCED Yes
BALANCED TRS JACK CABLE BALANCED
Sleeve=ground Sleeve=ground
Ring=cold (-) Ring=cold (-)
Tip=hot (+) Tip=hot (+)
MIC CABLE
TO 2=hot (+) 1=ground
BALANCED BALANCED
1=ground 2=hot (+)
FROM
INPUT OUTPUT
XLR MALE XLR FEMALE
3=cold (-)
3=cold (-)
TRS to XLR-F CABLE 1=ground 2=hot (+)

BALANCED BALANCED
Sleeve=ground XLR FEMALE

3=cold (-)
Ring=cold (-)
Tip=hot (+)
2=hot (+) 1=ground BALANCED TRS to XLR-M CABLE

BALANCED
XLR MALE Sleeve=ground

3=cold (-) Ring=cold (-)
Tip=hot (+)

See more products from ALLEN & HEATH at: www.allen-heath.com
Large Live Sound mixers iLive digital, ML and GL Series
Small Format Live Sound mixers ZED, MixWizards and

PA Series
DJ products Xone Series
Sound Management Series iDR Series
Registering your product
Thank you for buying the Allen & Heath ZED-10FX mixer. We hope that you are happy
with it and that you enjoy many years of faithful service with it.
Please go to www.allen-heath.com/register.asp and register your products serial number and

your details. By registering with us and becoming an official Registered User, you will ensure
that any warranty claim you might make is actioned quickly and with the minimum delay.
Alternatively, you may either copy or cut off this section of the page, fill in the details, and
return it by mail to:
Allen & Heath Ltd, Kernick Industrial Estate, Penryn, Cornwall TR10 9LU, UK

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ZED-10FX USER GUIDE

Allen & Heath 3 ZED-10FX User Guide

Limited One Year Warranty

This product is warranted to be free from defects in materials or

Allen & Heath 4 ZED-10FX User Guide

This product complies with the European Electro magnetic

ZED-10FX User Guide AP7763 Issue 2

Allen & Heath Limited

Allen & Heath 5 ZED-10FX User Guide

WARNING - Read the following before proceeding :

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

! WARNING: This equipment must be earthed.

Made in the UK by ALLEN & HEATH

WARNING - THIS APPARATUS MUST BE EARTHED.

Grounding: Do not defeat the grounding and polarisation means of

Allen & Heath 6 ZED-10FX User Guide

Installation: Install the console in accordance with the instructions

Important Mains plug wiring instructions

TERMINAL WIRE COLOUR

Allen & Heath 7 ZED-10FX User Guide

Damage : To prevent damage to the controls and cosmetics

This applies particularly to close-to-ear monitoring

Allen & Heath 8 ZED-10FX User Guide

Check that you have received the following:

Left Left Left O/P Level

Right Right Right

PAN PAN PAN PAN BAL BAL

LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0

+10 +10 +10 +10 +10 +10 +10 +10

Listen Listen Listen Listen Listen Listen Listen

Mains Lead This User Guide!

Allen & Heath 9 ZED-10FX User Guide

Internal power supply:

Allen & Heath 11 ZED-10FX User Guide

L/R Outputs ( XLR) Normal/DI out 0dBu/-30dBu +21dBu/-9dBu maximum.

Aux & FX Outputs (Jack sockets) 0dBu nominal. +21dBu maximum.

Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 10Hz to 30kHz.

Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 25kHz

Stereo in to Mix L/R out +0.5/-1dB 10Hz to 30kHz

Mic in to Mix L/R Out, 30dB gain 1kHz 0.01%

Line in to Mix L/R out 0dB gain 0dBu 1kHz 0.003%

Stereo in to Mix L/R out 0dB gain +10dBu 1kHz 0.002%

Gtr Input to Mix L/R Out, 0dBu, Boost OUT 0.015%

Gtr Input to Mix L/R Out, 0dBu, Boost IN 2% Second Harmonic

Analogue Headroom from nominal (0Vu) 21dB

USB in & out headroom from nominal (0Vu) 14dB

Mic Pre EIN @ max gain 150R input Z 22-22kHz -127dBu

Mix L/R out, L/R faders = 0, Levels min, 22-22kHz -96dBu

Mix L/R out, L/R faders = 0, Levels min, 22-22kHz -96dBu

USB Audio CODEC (Coder/Decoder)

USB Audio In/Out USB 1.1 compliant 16bit.

Sample Rate 32, 44.1, or 48kHz

Allen & Heath 12 ZED-10FX User Guide

Left Left Left O/P Level

Right Right Right

HPF HPF HPF HPF

PAN PAN PAN PAN BAL BAL

LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0 LEVEL 0

+10 +10 +10 +10 +10 +10 +10 +10