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Three Pieces For Bass Clarinet and Electronics

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The document provides information about Three Pieces for Bass Clarinet and Electronics composed by Matthew Whiteside in 2014.

It is a composition for bass clarinet and electronics in three movements premiered in 2014.

The piece is for bass clarinet and electronics.

Matthew Whiteside

Three Pieces for Bass Clarinet and Electronics

2014
2

Matthew Whiteside

Three Pieces for Bass Clarinet and Electronics

2014
Matthew Whiteside 3

Three Pieces for Bass Clarinet and Electronics


2014

Three Pieces for Bass Clarinet and Electronics was premiered September 2014 in the Contemporary Music Centre, Dublin
by Joanna Nicholson.

Electronics available to download from www.matthewwhiteside.co.uk

Matthew Whiteside is a composer originally form Northern Ireland currently based in Glasgow. He writes
music for concert, film and collaborative installations often using live electornics within his work. He
completed his Masters in Composition at the Royal Conservatoire of Scotland in 2012.

Catalog No. MW - 0022

Copyright 2014 by Matthew Whiteside. All rights reserved.


Unauthorised photocopying or reproduction of any part
of this material is prohibited.

www.matthewwhiteside.co.uk Transposing Score


mwhiteside@me.com Duration: c. 15 minutes
Matthew Whiteside
Piece One
for bass clarinet and electronics
2014

short pause

long pause

move gradually to/from dirty unspecified multiphonic

audible key click

Suggested Fingering

www.matthewwhiteside.co.uk
Duration: c. 5min
mwhiteside@me.com
for Jo Nicholson

Piece One
for bass clarinet and electronics


M. Whiteside, 2014


q=50

Bass Clarinet


in Bb
pp





Unpitched exhalation Wait for electronics


to finish



mf pp








sub f
mf p mf p sub f p mp


Flutter tongue exhalation


Finger tapping key clicks




(as if tapping fingers on No key click


the desk)


Unpitched flz Mouth bend down



exhalation


mp dim. poco a poco al fine Glasgow, March 2014
Matthew Whiteside
Piece Two
for bass clarinet and electronics
2014

Note groupings imply phrases and natural accents

Boxed X's are electronic hit-points

www.matthewwhiteside.co.uk Duration: c. 3min


mwhiteside@me.com
for Jo Nicholson

Piece Two
q=120
for bass clarinet and electronics
Non Vib. M. Whiteside, 2014
Slightly Legato


Bass Clarinet
in Bb
mf



10

B. Cl.



19

B. Cl.



29


B. Cl.


38

B. Cl.


47

B. Cl.


57
B. Cl.





Furiously
70

B. Cl.






3




80






B. Cl.



Slightly Legato

91



B. Cl.

mf poco a poco cresc.

103

B. Cl.


115


B. Cl.
fff
ff


Glasgow, May 2014
Matthew Whiteside
Piece Three
for bass clarinet and electronics
2014

The piece should be performed at a moderate tempo but with


relative freedom to enable the multiphonics to speak.

All information on multiphonics from Harry Sparnaay, 2010


The Bass Clarinet A Personal History, Barcelona, Periferia.
The multiphonics used in this piece are below with the numbers
refering to Sparnaay's numbering system.

www.matthewwhiteside.co.uk Duration: c. 5min


mwhiteside@me.com

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