PRATICANDO

INTERVALOS

DEPARTAMENTO DE MÚSICA
TEORIA MUSICAL
Prof. Sérgio Paulo Ribeiro de Freitas :: Mar 2o16
 Linear Theory #8 Name ________________________
Interval Inversions
Class ________________________

Identify the following intervals

   


  
  

  
 
 




 
   
 

 
 
   


    
  
 
  
2
   

 
   
 

Write in the note to form the given interval. Remember: first establsh the name
of the note based on the INTERVAL. Then put in the sharps and flats. You
may need to use double sharps (x) or double flats (bb).

M3 up m7 up dim 3 down aug 2 up

   

aug 6 up m3 down M2 up Aug 7 up

  




M7 down M 6 up P4 up Aug 5 down
   


Aug 2 up Dim 6th down P8 up Aug 8 down

  

 Linear Theory Lesson 9
Name Intervals Name ________________________
Class ________________________

Name the complete interval above the given tonic, for example, augmented 4th.

1 2 3 4

 
    
  
_____________ _____________ _____________ _____________
5 6 7 8
 
     
  

_____________ _____________ _____________ _____________
9 10

11
 12

 
      
_____________ _____________ _____________ _____________
13 14
 15 16

 
      
_____________ _____________ _____________ _____________
17 18 19 20
 
        
_____________ _____________ _____________ _____________
21 22 23 24

 
     
  
_____________ _____________ _____________ _____________


25 26 27 28

        

_____________ _____________ _____________ _____________
29 30 31 32

 
  
  
  

_____________ _____________ _____________ _____________
 Name ________________________

Class ________________________
Linear Theory 9
Create the named interval by placing the correct pitch above the tonic.

1 2 3 4

      

Minor 7th Major 3rd Diminshed 4th Unison
5 6 7 8

       
Minor 6th Major 7th Unison Major 7th
9 10 11 12

       
Minor 6th Minor 7th Minor 2nd Perfect 5th
13 14 15 16

      

Major 7th Major 2nd Octave Minor 2nd
17 18 19 20

       
Minor 3rd Augmented 4th Minor 3rd Perfect 5th
21 22 23 24

       
Minor 7th Augmented 2nd Diminished 5th
25 26 27 28

       
Minor 2nd Augmented 4th Perfect 5th Major 7th
29 30 31 32

       
Major 6th Minor 7th Minor 6th Minor 3rd
 Interval Practice
The "Major Scale" Method

Identify the following intervals using the major scale of the bottom note to guide you.

? c ww w w b ww w bw
b ww ww w b ww w # ww w w

? #w ww b ww bw w w
w ww w # ww ww w b ww w

?w b ww w bw ww bw ww
w w b ww # ww w w ww

w #w
? ww # ww ww w b ww b ww bw
w w # ww ww

?w ww #w w w #w w
w w b ww # ww w w w ww w

#w #w w w
? ww w ww ww w # ww # ww w b ww
w

? bw w bw bw w w
bw bw b ww b ww bw b ww bw bw bw b b ww

w bw bw bw w
? bw bw b b ww b ww b b ww bw bw b b ww bw b ww
Name_____________________________ Date_________________________ Time Completed _____________________

Interval Identification Speed Test

Take the speed challenge! How fast can you name these intervals? Name them as U (for unison), 2nd, 3rd, ... 7th, etc.

w w
& ww w w w ww
ww w ww
ww w
? ww ww

ww w w
___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___

ww w w ww w
& w
? ww ww w
ww w w
w
ww
___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___

& ww ww ww
ww w w ww
? w w
w w w
w
w w
ww ww
___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___

& w ww
w ww
w w
? w w
ww w w w
w ww
w
___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___

w ww
& w ww w
ww ww w
? w w ww ww
w w
w
___ ___ ___ ___ ___ ___ ___ ___ ___ ___ ___

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 I. Ascending and Descending Intervals from Tonic in the Major Scale

Name: ________________________

œ œœ
Sing and label each interval. Sing harmonic intervals ascending/descending from the tonic.

?# œ œ œ œ œ œ œ œ œ œœ
1._____ 2._____ 3._____ 4._____ 5._____ 6._____ 7._____

œ œ œ œ œ œ œ œ
&b œ œ œ œ œ œ
8._____ 9._____ 10._____ 11._____ 12._____ 13._____ 14._____

?œ œ œ œ œ œ œœ
œ œ œ œ œœ
15._____ 16._____ 17._____ 18._____ 19._____ 20._____ 21._____

b
&b œ œ œ œ œ œ
œ
œ œ
œ œ
œ œ œ
22._____ 23._____ 24._____ 25._____ 26._____ 27._____ 28._____

? #### œ œ œ œ œ œ œ œ œœ œœ
œ œ
29._____ 30._____ 31._____ 32._____ 33._____ 34._____ 35._____

#
& # œ œ œ
œ œ
œ œ
œ œ œ œœ œœ
36._____ 37._____ 38._____ 39._____ 40._____ 41._____ 42._____

? #### œ œ œ œ œ œ œ
# œ œ œ œ œ œ œ
43._____ 44._____ 45._____ 46._____ 47._____ 48._____ 49._____

b œ
& b bb œ œ œ œ œ œ œ œ œ œœ œœ
50._____ 51._____ 52._____ 53._____ 54._____ 55._____ 56._____

? #### ## œ œ œ
œ œ œ
œ œ œ œ œ
œ
œ
œ
#
57._____ 58._____ 59._____ 60._____ 61._____ 62._____ 63._____

b
& b bbb œ œ
œ œ
œ œ œ
œ œ
œ œœ œœ
64._____ 65._____ 66._____ 67._____ 68._____ 69._____ 70._____

3
 II. Ascending and Descending Intervals from Tonic in the Minor Scales

Name: ________________________

Sing and label each interval. Sing harmonic intervals ascending/descending from the tonic.
b
& b 24 œ œ œ œ œ œ œ œ œ œ
œœ œœ
1._____ 2._____ 3._____ 4._____ 5._____ 6._____ 7._____

? ## œ œ œ œ œ œ œ œ œœ œ
œ œ œ
8._____ 9._____ 10._____ 11._____ 12._____ 13._____ 14._____

œ œ œ œ œœ
&b œ œ
œ
œ œ œ œœ
15._____ 16._____ 17._____ 18._____ 19._____ 20._____ 21._____
œ œ œ œ œ œ œ œ œ
?# œ œ œ œ œ
22._____ 23._____ 24._____ 25._____ 26._____ 27._____ 28._____

œ œ œ œ
&œ œ œ œ œ œ œ œœ œ
29._____ 30._____ 31._____ 32._____ 33._____ 34._____ 35._____

œ nœ œ œ œ œœ œ
? bb œ œ œ œ œ œ
b
36._____ 37._____ 38._____ 39._____ 40._____ 41._____ 42._____

### œ œ œ œ œ #œ
& œ œ œ œ œ œ œ œ
43._____ 44._____ 45._____ 46._____ 47._____ 48._____ 49._____

œ œ œ
? bb b œ œ œ œ œ œ œ n œœ œœ
b
50._____ 51._____ 52._____ 53._____ 54._____ 55._____ 56._____

# #
& # # œ œ œ
#œ œ œ
œ œ œ œ œ
œ
œ
œ
57._____ 58._____ 59._____ 60._____ 61._____ 62._____ 63._____
œ œ œ œ œ # œœ
?b œ œ œ œ œ œœ
64._____ 65._____ 66._____ 67._____ 68._____ 69._____ 70._____

4
 III. Ascending and Descending Chromatic Intervals

Name: ________________________

#
Sing and label each interval. Sing harmonic intervals ascending/descending from the tonic.

& œ bœ œ œ œ nœ œ bœ œ # œœ œœ
œ
1._____ 2._____ 3._____ 4._____ 5._____ 6._____ 7._____

? bb œ bœ œ œ œ bœ œ œ b œœ œ
œ nœ bœ
8._____ 9._____ 10._____ 11._____ 12._____ 13._____ 14._____

# œ œ b œœ
& # œ #œ œ
bœ
bœ œ œ
nœ
œœ
15._____ 16._____ 17._____ 18._____ 19._____ 20._____ 21._____

?b c œ œ œ œ œ œ œ bœ
œ nœ bœ œ œ œ
22._____ 23._____ 24._____ 25._____ 26._____ 27._____ 28._____

b œ
& b bb œ ∫œ œ œ œ bœ œ bœ œ œ
∫ œœ œ
29._____ 30._____ 31._____ 32._____ 33._____ 34._____ 35._____

? ### œ œ
œ œ
nœ nœ œ #œ œ œ œ
œ œ œ
36._____ 37._____ 38._____ 39._____ 40._____ 41._____ 42._____

b œ œ œ bœ œ œ
&b b œ bœ œ œ œ œ bœ œ
43.____ - 44._____ 45._____ 46._____ 47._____ 48._____ 49._____
∫œ œ ∫œ œ ∫ œœ
? bb b b œ œ œ œ œ œ b œœ
b b
50._____ 51._____ 52._____ 53._____ 54._____ 55._____ 56._____

# #
& # ## œ nœ nœ œ œ œ œ nœ œ
œ œ #œ œ œ
œ œ œœ
57._____ 58._____ 59._____ 60._____ 61._____ 62._____ 63._____

? #### œ nœ nœ œ œ œ n œœ
œ œ
64._____ 65._____ 66._____ 67._____ 68._____ 69._____ 70._____