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Dynamic Chess Strategy, by Mihai Suba, New in Chess 2010, Paperback,
Figurine Algebraic Notation, 207pp. $19.95 (ChessCafe Price: $16.95)

It's difficult to take on the task of reviewing any revision of a book that has
been hailed as a modern classic. Originally published in 1991, this book won
Book the BCF Book of the Year Award in 1992, but then also rapidly went out-of-
print. The author calls it a new book with roots in the original one. John
Reviews Watson, probably the most important modern chess theorist, has been noted as
agreeing, for the most part, with Suba in his Secrets of Modern Chess
[Find us on Facebook.] Strategy, and I revisited the bibliography section of his book to refresh myself
on what he actually said about Suba:
Translate this page Secrets of Modern
"Next, for a truly modern and eccentric point of view as well as a lot of Chess Strategy
fun, Suba's Dynamic Chess Strategy is highly recommended. My first by John Watson
impression of his book was that, apart from the superb games, it was
rather exaggerated and superficial. But when I was preparing my own
work, I realized he was perhaps the only writer who had worried about
the same topics and come to the same conclusions as I had, and what's
more he had expressed his views eloquently and humorously."

Suba is indeed quite the story-teller, and the book is a blast to read just for the
stories. Just as one example – as it is difficult to extract these stories for a
review, Suba indicates he has no idea what to place in his foreword, and gives
an impression of missing the old days, when all he would have had to have
done, was "just mention the Big Father of the Big Neighbouring Country,
or when in Romania the password was Genius of the Carpathians (President
Ceausescu). How to Play Dynamic Chess
by Valeri Beim
I was glad to see it took Watson even a few reads to get the full point of what
Suba is trying to convey. Watson and Suba can be seen as two very different
teachers covering similar topics: one drier, more factual, and to the point; the
other a great storyteller where the points are not as clear until you think about
them, often much later. However, Suba is definitely more "eccentric" as
Watson notes, with his stories. I don't think this is bad at all; Suba's humor
reminds me of a latter-day Tartakower.

Like Watson, Suba attempts to break us free of the dogma that has pervaded
chess planning for many years. Others have tried and failed for various
reasons, usually because of their own dogmatism, trying to throw out the old
models and redefine chess planning entirely. I think both Watson and Suba
succeed because their emphasis is on re-building the old models to include Elements of Chess Strategy
by Alexei Kosikov
greater emphasis on dynamism rather than the "throw the baby out with the
bath water approach." Suba even gives models of classical chess a nod with a
chapter showing how such models can work in the right circumstances.

Suba makes one point abundantly clear in the beginning – this book is not for
players who cannot be considered advanced, and by that he means not for
children (unless they are prodigies) and not for players under 1900 Elo. An
Internet poster noted that many lower-rated players "fool themselves" into
thinking they understand very advanced chess books because "they read them
like novels" without ever really grasping the main points. As Suba is such an
entertaining writer – he has an incredible wit – there is a danger lower-rated
players may fall into this trap here.

There are eight chapters:

 ● Dynamic Chess Strategy, Revisited
● The Beginning
● Why Rethink Chess Strategy?
● What is Strategy?
● Dynamic Strategy in Attack and Defense
● Lest we Forget the Classics
● Black Wins After All!
● Quiz Solutions

Chapter One includes some quiz questions that are best seen as not too
difficult "discussion opener" types of questions – this book is definitely not a
workbook of any kind. They are the kind of questions a skilled teacher asks to
provide a basic framework for the more difficult concepts to come later.

Here Suba notes that classical positional principles provide a good tool in
helping weak players become stronger, but surprisingly this may hinder their
progress as strong players because the principles may function most of the
time but not all the time. This is very similar to Watson's "rule-
independence"; there are simply positions where you cannot rely on general
rules as a guide but you have to calculate possible continuations based on the
position at hand.

The most interesting point I took away from this chapter on the first read was
Suba's comparison of thinking in chess (during a game) to thinking in cycling
– that is, when you are on a bike, you don't think about what you are doing,
you just do it – and in fact thinking about it (worrying you might fall, for
example, may actually make you fall!) can be detrimental. The time to think
about cycling is before you get on the bike and after you get off of it – but
obsessing over it while you are riding is a sure recipe for disaster.

From this Suba gives a nice framework for chess thinking encompassing two
modes – frame mode and glide mode. When he is in frame mode, you absorb
the position on the board, calculate, evaluate, and decide what you plan to do
and to what extent. These sorts of decisions he makes when he is on move.
When he is not on move, he switches to glide, where he will fantasize about
future positions or phases of the game, notice things did not see or remember
in frame mode, redo some calculations, and evaluate based on future potential
positions.

Chapter Two covers from the beginning of author's career to when he started
formulating some of his concepts. Since I have long believed that unlike
biology, phylogeny does recapitulate ontogeny in chess development, this
short discussion of how he started to reformulate chess planning is most
interesting. There is, of course, the game where he first started to use the
Hedgehog formation (Suba also wrote an excellent book on this opening
system as well), and began to understand what "dynamic potential" really
meant.

In Chapter Three it starts to get meaty, in a chess sense. One of the most
interesting statements I found here was the idea that extrapolating endgame
notions to the middlegame is a mistake; "in most cases endgame principles are
reversed, for example Alekhine's note that a Q-side majority may be
important in the ending but in the middlegame a central majority is much
more important." And what is the main goal in adopting a dynamic approach
to chess? Suba says,

"The main goal of dynamic strategy is to develop the personality of a

player, to discover everyone's uniqueness and turn it to good account. …
Tactics and dynamics are becoming predominant in chess. This favours
young players and there is no mystery about the increasing number of
child prodigies in chess. This is because they are not slaves of a rigid
system of rules and dogmas, and their personalities express themselves
naturally."

Finally, here he provides a "brief presentation of the classic and modern

strategic themes touched on in the book," such as overall plan, partial
planning, and equalizing. Key pieces, semi-open files, center, economy, and
many others.

Chapter Four indicates that strategy has basic functions: to reach a superficial
evaluation of the position, to understand and/or anticipate the opponent's plan,
to understand and/or anticipate the opponent's other weapons, especially when
they don't seem to conform to a logical plan, and to establish a plan. I
particularly found interesting the notion that strategy not the opposite of
tactics, it is the theory of tactics. And as regards definitions, again, very
Watsonian: "I am against definitions. Either you get a truism out of it, or you
get confused with even more difficult terms which themselves need to be
defined, and so forth endlessly." Consider a position given earlier in the book
(Garcia-Padron – Suba, Las Palmas 1979):

[FEN "1q2r1k1/5pbp/r3pnp1/3b3n/Np1N1P2/
1P4PP/PB3QBK/2RR4 w - - 0 29"]

Here Suba notes

"… the black knights have accumulated a large amount of energy. A

Romanian player once discovered a principle, somewhat different from
Tarrasch's verse, "Ein Springer am Rande ist immer eine Schande (i.e. a
knight on the rim is always dim). This principle of "dissipation of
energy" states that a knight is stronger at the edge of the board, because
its energy is not dissipated on too many squares!"

I was reminded of another chess genius and eccentric, Michael Basman, who
once stated that a knight on h1 stood well "because all it could do is improve
its position" (to say nothing of the fact that it actually guarded key squares in
the king's camp, as Basman well knew). In discussing his ideas of dynamic
potential, Suba often borrows from the physical sciences, as above, and those
analogies work very well for me.

The game continued 29.Nc6 Qb7 30.Ne5 Raa8 (the computers consider this a
mistake) 31.Nc5 (White centralizes his knight on the rim!) 31...Qb8, and now
32.Bd4 looks best (Suba even quite honestly rates his position as slightly
worse in that case), but Black's strategy of placing the knight on the rim as a
target and "possessor of superior potential energy" takes hold when White
falls into the trap – 32.g4?? Nxf4! and after 33.Qxf4 Rxa2 Black was well on
his way to winning.

Whereas some other authors have made bold statements about dynamism
being totally ignored in chess prior to the arrival of "their" book on the scene,
Suba knows his chess history better and cites the excellent post-war book by
RN Coles, Dynamic Chess, published in 1956, and covers some of the
principles expounded by Gyula Breyer. Breyer might be the one who started
what Suba calls the "Dynamic Revolution." Indeed, I always thought the
genius Gyula Breyer was somewhat underappreciated (like Max Lange,
Breyer made contributions to all aspects of chess from opening theory to
problem composition), and hope someday someone does him justice by
bringing out a book that discusses him further in historical and modern
context.

Chapter Six is Suba's bow to the classical approach to chess. His pragmatism
shines through when he notes, "To win a classical game in our day you need
your opponent's cooperation at least in the opening. Such a performance is
called "an easy win." Having been an adherent of classical principles all of
my chess life, this matter-of-fact statement has given me something to think
about again. And these statements are peppered throughout the book; earlier,
Suba notes that classical approaches can be such a bind on our imagination
and prevent us "from finding brilliant moves."

Chapter Seven covers the Black pieces, and Suba pronounces that Adorjan did
indeed have the correct idea; those who play better with Black are not passive
defenders but often understand dynamic potential better than other players -
"Understanding and trusting dynamic structures, and their hidden,
undermining possibilities, offers the key to success with black." With only
two illustrative games, this chapter is a little weak compared to the others, and
could have used some expansion with newer material.

So what to say of this book in short? I have only one critique, and that is that
no more games were added to the examples from the first edition. After all,
there is Suba's success in the 2008 World Senior Championship, which
probably could have made a new chapter in itself.

If you are a lower-rated player who still wants to tackle Suba, try Beim's How
To Play Dynamic Chess first. Any player who aspires to USCF Expert or
above needs this book. However, such a player also needs to realize, just as
my brief summary of the above is inadequate because a book like this needs
to be digested properly, over time, that to really understand what Suba is
presenting here takes many readings and much study – and most of all, much
thinking. After all, you think about cycling before you get on the bike, not
while you are riding it.

Order Dynamic Chess Strategy

by Mihai Suba

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