Study No.

2
By Fernando Sor

 
                  
       
4

  2

0 3 0 0


1 1 3 3
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 3 3 3
3 3 3

  
         
       
 
   
   

0 3 0
3 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2
3 3 3

         
            
4
2      

0 0
0 1 3 1
0 0 0 0 0 0 0 0 0 0 0 0
3 2 2 2 2
5 3 2 0 2 3
3

    
                     
4

  2
 

3 0 0
1 3 3 3 1
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 3 3 3 2 2 2
3 3 3

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SheetMusicDirect.com Order 4184622 | 1 copy purchased by Gilles DECERLE (gdecerle@hotmail.com) on Jul 06, 2018
    
                             4

      4
2

0 3 0 0
1 1 0 1 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 3 2 0
3 3 5 3 2 2
3

       
                                
   

0 3 3 1 1 1 1 0
3 3 3 1 0 0 3 3 3 3 1
0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 2 2 2 0 2
2 3 2 3

          
 
                            
   
0 3 1 0
3 3 3 1 3 1 0 0 1 2 3 4
0 0 0 0 0 0 0 0 0 0 0 0 0 2
3 3 3 2 2 2 0
2 3 2 3 0
3

2/3CIII

   
  
                               
4

   
3

0 3 0
1 1 3 5 3 3 1
0 0 0 0 0 0 0 0 4 4 4 4 2 2 2 2
2 2 2 2 2 2 3 3 3 2 2 2
3 3 0
4

CI

 
2/3CII

                             
3


2
  3
4

0 1
2 2 3 3 3 1 1 0 1
3 3 3 3 2 2 2 2 0 0 0 0 0 0
2 2 2 3 3 3 2 0 3 2
3 3
3 1 3

SheetMusicDirect.com Order 4184622 | 1 copy purchased by Gilles DECERLE (gdecerle@hotmail.com) on Jul 06, 2018