ASML Syllabus F18

Advanced String Methods and Literature I
Session 1: Aug 20-Oct 15, 2018

MUS 5121:0001
The University of Iowa School of Music, Fall 2018
Professors: Katie Wolfe and Scott Conklin
Office locations: VOX 5455, VOX 5465
Classroom: 3403 VOX
Time: 1:30 to 3:10PM, Monday
Phone: 335-1642, 335-1645
Email: katherine-wolfe@uiowa.edu, scott-conklin@uiowa.edu
Office hours by appointment
Departmental Executive Officer: David Gier (VOX 1400, david-gier@uiowa.edu)
Course description: Advanced String Methods and Literature I & II are required courses
for all graduate string performance majors. These courses are intended to introduce you
to the various techniques, histories, and repertoire for violin, viola, cello, and double bass.
The course will also incorporate string chamber music repertoire throughout the year as
well as related topics of pedagogy and string performance.
Session 1 Course Description: Session 1 will focus on the violin. We will be studying
topics such as: the history, repertoire, technique and the legacy of the
violinists/teachers/pedagogues who have shaped its development through the centuries to
today. Session II will begin in the middle of the semester and focus on the viola.
Course materials: Reading and listening assignments will be provided by the instructor,
available online or placed on reserve in the Music Library.
Course requirements: Attendance, class participation, preparation of assigned materials,

participation in mock masterclass, paper and final project.
Grading: Grades will be given in the plus/minus format, and based on the following
criteria: 20% attendance, 30% class participation and preparation of assigned reading and
listening, 25% masterclass and paper, 25% final presentation. The grade you receive for
this session will be averaged with the grade you receive for Session II (Viola) to
determine your semester grade.
Attendance Policies: If you are unable to attend a class session due to illness, emergency,
or unavoidable conflict, you must contact the instructor for the week you will be gone
prior to the class session when at all possible. We reserve the right to deem an absence as
“excused” or “unexcused.”
Mock Masterclass: During class on Oct 8, you will participate in a mock masterclass.
The goal of this is to give you a valuable 10-15 minute experience in teaching a
masterclass. Each student will act as both a performer, preparing 2-3 minutes of a work
from the solo repertoire, and as a masterclass teacher. After the masterclass, you will
write a 3-5 page paper in two sections. In the first section, you will comment on your
experience as a student. For instance: what were the main points of the masterclass, how
effective was the time spent, and suggestions for areas of improvement. In the second
section, you will evaluate your own teaching, commenting on your experience, what you
were trying to achieve, and suggestions for areas of improvement in your presentation.
The paper will be due in class the week following this class, Oct. 15
Final Presentation: Your presentation will be given during finals week, during the
official time and date assigned and announced by the registrar during the 5th week of
classes. The duration should be approximately 15 min. Please practice timing your
presentation after you have prepared it to make sure that you are “in the ballpark”. The
topic of your presentation will be based on one significant work for violin (that has not
been covered in class). You will present a formal analysis of the work and research the
historical background, including information about the premiere, the dedication (if any),
and any other significant events surrounding the composition of the work, and place it in
a general context of the history of the development of the violin. You may wish to
include a discussion of musical influences on this piece, and its place within the total
musical output by this composer.
Students can seek additional help with their presentations from the Speaking Center:
http://www.uiowa.edu/~rhetoric/centers/speaking.html.
Course Outline
Aug 20 Wolfe Introduction
Development of the Violin and Bow
Baroque I – Corelli and Vivaldi
Aug 27 Conklin Baroque II – Tartini and Bach

Bach Solo Sonatas and Partitas
Sept 3 Labor Day, No Class
Sept 10 Wolfe Classical – Haydn, Mozart,

Beethoven, Viotti and Friends
Sept 17 Conklin Romantic Beginnings – Paganini

Mendelssohn, Schumann and Schubert
Sept 24 Wolfe Romantic – Tchaikovsky, Auer, Heifetz, Vieuxtemps,

Wieniawski, Sarasate
Oct 1 Conklin Romantic – Joachim, Brahms,

Bruch, Saint-Saens, Faure, Franck, Strauss, etc.
Oct 8 Wolfe Mock Masterclass and intro to 20th
Century – Kreisler, Ysaye
Oct 15 Conklin 20th Century - Galamian, Prokofiev, Shostakovich, Barber,

and others. Paper due on Mock Masterclass.
FINAL EXAM WEEK: Presentations of Projects: 15 min each Time and location will be
announced in the fifth week of the semester
The professors reserve the right to make any necessary changes to the syllabus and class
schedule.
The College of Liberal Arts and Sciences

Policies and Procedures
Administrative Home
The College of Liberal Arts and Sciences is the administrative home of this course and governs matters such as the add/drop
deadlines, the second-grade-only option, and other related issues. Different colleges may have different policies. Questions may
be addressed to 120 Schaeffer Hall, or see the CLAS Academic Policies Handbook at https://clas.uiowa.edu/students/handbook.
Electronic Communication
University policy specifies that students are responsible for all official correspondences sent to their University of Iowa e-mail
address (@uiowa.edu). Faculty and students should use this account for correspondences (Operations Manual, III.15.2).
Accommodations for Disabilities
The University of Iowa is committed to providing an educational experience that is accessible to all students. A student may
request academic accommodations for a disability (which includes but is not limited to mental health, attention, learning,
vision, and physical or health-related conditions). A student seeking academic accommodations should first register with
Student Disability Services and then meet with the course instructor privately in the instructor's office to make particular
arrangements. Reasonable accommodations are established through an interactive process between the student, instructor,
and SDS. See https://sds.studentlife.uiowa.edu/ for information.
Nondiscrimination in the Classroom
The University of Iowa is committed to making the classroom a respectful and inclusive space for all people irrespective of
their gender, sexual, racial, religious or other identities. Toward this goal, students are invited to optionally share their
preferred names and pronouns with their instructors and classmates. The University of Iowa prohibits discrimination and
harassment against individuals on the basis of race, class, gender, sexual orientation, national origin, and other identity
categories set forth in the University’s Human Rights policy. For more information, contact the Office of Equal Opportunity
and Diversity, diversity@uiowa.edu, or visit diversity.uiowa.edu.
Academic Honesty
All CLAS students or students taking classes offered by CLAS have, in essence, agreed to the College's Code of Academic
Honesty: "I pledge to do my own academic work and to excel to the best of my abilities, upholding the IOWA Challenge. I promise
not to lie about my academic work, to cheat, or to steal the words or ideas of others; nor will I help fellow students to violate the Code
of Academic Honesty." Any student committing academic misconduct is reported to the College and placed on disciplinary probation
or may be suspended or expelled (CLAS Academic Policies Handbook).
CLAS Final Examination Policies
The final examination schedule for each class is announced by the Registrar generally by the fifth week of classes. Final exams
are offered only during the official final examination period. No exams of any kind are allowed during the last week of classes.
All students should plan on being at the UI through the final examination period. Once the Registrar has announced the date,
time, and location of each final exam, the complete schedule will be published on the Registrar's web site and will be shared
with instructors and students. It is the student's responsibility to know the date, time, and place of a final exam.
Making a Suggestion or a Complaint
Students with a suggestion or complaint should first visit with the instructor (and the course supervisor), and then with the
departmental DEO. Complaints must be made within six months of the incident (CLAS Academic Policies Handbook).
Understanding Sexual Harassment
Sexual harassment subverts the mission of the University and threatens the well-being of students, faculty, and staff. All
members of the UI community have a responsibility to uphold this mission and to contribute to a safe environment that
enhances learning. Incidents of sexual harassment should be reported immediately. See the UI Office of the Sexual Misconduct
Response Coordinator for assistance, definitions, and the full University policy.
Reacting Safely to Severe Weather
In severe weather, class members should seek appropriate shelter immediately, leaving the classroom if necessary. The class
will continue if possible when the event is over. For more information on Hawk Alert and the siren warning system, visit the
Department of Public Safety website.

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What topics will be covered in Session 1?

What are the course requirements?

Advanced String Methods and Literature I

Session 1: Aug 20-Oct 15, 2018

Course requirements: Attendance, class participation, preparation of assigned materials,

Aug 27 Conklin Baroque II – Tartini and Bach

Sept 3 Labor Day, No Class

Sept 10 Wolfe Classical – Haydn, Mozart,

Sept 17 Conklin Romantic Beginnings – Paganini

Sept 24 Wolfe Romantic – Tchaikovsky, Auer, Heifetz, Vieuxtemps,

Oct 1 Conklin Romantic – Joachim, Brahms,

Oct 15 Conklin 20th Century - Galamian, Prokofiev, Shostakovich, Barber,

The College of Liberal Arts and Sciences

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