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    of 1
    Fugue and Related Genres 41) 00 you find canonie procedure other than in subject imitation? At what harmonic and time intervals? 199) Is the fugue dlstinetly sectional? Locate cadences and evaluate their properties of punctuation and continuity of motion. hhh) To what extent isthe fugue taken up withthe subject material? With full subject enties? 1s much of the fugue, on the other hand, episodic? i) Locate the final entry or entries of the subject in the tonic. i) Is there a coda? kk) If there is a coda, what does it contain? Subject? Pedal? Reduction or thickening of texture? Use of the dominant of the subdominant? 1) Is the fugue anomalous in any way? What it any particularly striking or Unusual characteristics do you observe in the fugue as a whole? Find an example of the use of canon in an art song, Sudy the use of canonic techniques in "Ricercar II" trom the Stravinsky Cantata (1952), including the use of revograde in what the composer labels ‘cantus cancrizans and in, for example, he canon between cello and voice at rehearsal no. 10 Listed below are some suggestions for further study and analysis. Bach, Brandenburg Cancerto No. 5, third movement Goldberg Variations, variations in canon ‘Mass in B minor, "Kyrie eleison.” “Credo,” and other movements Organ Chorales Eight Short Preludes and Fugues for organ, BWV 553-560 ‘Samuel Barber (1910-81), Piano Sonata, Op. 26, fourth movement Banték, Music for Strings, Percussion and Celesta, first movement Beethoven, Mass in C, “Cum Sancto Spirits” ‘Mass in D, “Et vitam venturi” Piano Sonatas in Blat, Op. 106, and A-tat, Op. 110, fugal movements Berg, Wozzeck, Act Il, Scene 2 and Act Ill, Scene | Bloch, Concerto Grosso No. 2 for stings, first movement String Quartet No. 3, fourth movement fugue Brahms, Requiem, “Der gerechten Seelen sind in Gottes Hand” (end of ant it) ‘Thirteen Canons for women's voices, Op. 113 Chorale Preludes, Op. 122 Ingolt Dani (1912-70), Music for Brass Instruments, fist and third movernents Fauré, Eight Short Pieces for piano, Op. 84, Nos. 3 and 6 Franck, Prelude, Fugue and Variation, Op. 18. for organ Quartet in D, first movement, mm. 173t Handel, Concerto Grosso in F, Op. 6, Nd. 9, fourth movement Israel in Egypt, chorus, “Egypt was glad” ‘Six Fugues for harpsichord (Handel Gesellschaft edition, Vol. 2, PP. 161-74) ‘Six Short Fugues (H. G. edition, Vol. 48, pp. 183-30) Suite No. 2 in F for harpsichord, fugue Fugue and Related Genres Haydn, The Creation, chorus, “Glory to His name forever” ‘Siring Quartets in F minor, Op. 20, No. §. and C, Op, 20, No. 2, final movements Hindemith, Piano Sonata No. 3, final movement String Trio, Op. 34, founth movement Symphony Mathis der Maler frst movement (“Engelkonzert") following rehearsal no. 12 Mendelssohn, Eljah, chorus, “Lord our creator” Mozart, Adagio in Canon for 2 basset horns and bassoon, K. 410 ‘Adagio and Fugue in C, for string quartet. K. 546 Fantasy and Fugue in C, for piano, K. 394 Fugue in C minor for 2 pianos: K. 426 Fugue in G minor for piano, 4 hands, K. 401 Ravel, Le Tombeau de Couperin, second movement Rlegger, Canon and Fugue for organ, Op. 33 Schumann, Four Fugues for piano, Op. 72 Shostakovich, 24 Preludes and Fugues for piano Stevens, Quintet for flute, violin, cell, and piano, fourth movement ‘Symphonic Dances, third movement Stravinsky, Septet (1952). gigue Sawn Prue and Fugue i C mina for organ and orchestra Verdi, Falstat, finale, “Tutto nel mondo @ burla”

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