Experiencing Stanislavsky Today: Training and Rehearsal For The Psychophysical Actor
Experiencing Stanislavsky Today: Training and Rehearsal For The Psychophysical Actor
Experiencing Stanislavsky Today: Training and Rehearsal For The Psychophysical Actor
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(https://www.routledge.com)
Each section of the book is accompanied by individual and group exercises, forming a full course of study
in the foundations of modern acting.
A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
The book’s companion website is full of downloadable worksheets and resources for teachers and
students.
Table of Contents
Part One: Experiencing - the elements of acting 1. The Creative Space 2. Elements of Stage
Action 3. The Psychophysical Actor 4. The Given Circumstances 5. Creating and Communicating
Vivid Inner Life 6. Communion and Mutual Influence through Mental Action 7. Communion and
Mutual Influence through Physical Actions 8. Mutual Influence through Verbal Action 9.
Psychophysical Stimulation of Emotions Part Two: Creative Principles in Scene Work 10. The Actor
as Designer of the Role 11. Source Material - Preparatory Analysis and Research about the Play and
Character 12. Active Analysis through Physical Actions
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Experiencing Stanislavsky Today: Training and Rehearsal for the Psychophysical Actor (Paperback) - Routledge 11/6/15, 9:46 AM
Philip G. Bennett has been an actor, teacher and director of the Stanislavsky System since 1969 -
Artistic Director of the San Francisco Theatre Academy 1976-1984, the Bennett TheatreLab &
Conservatory 1984-present, and Assistant Artistic Director to Russian emegré teacher, Sonia Moore,
American Stanislavski Theatre, 1969 – 1975.
Subject Categories
∠ Arts (/products/SCAR)
Theatre & Performance Studies (/products/SCAR30)
Practice & Practitioners (/products/SCAR3040)
Acting (/products/SCAR304005)
Actor Training (/products/SCAR304008)
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