Curriculum CE 1st Year SG
Curriculum CE 1st Year SG
Curriculum CE 1st Year SG
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English is an SVO language. That means Subject-Verb-Object and refers to word order. Subjects and objects are nouns, whereas verbs indicate
action. A complete sentence in English requires a subject and a complete verb. Traditional grammar classifies words based on eight parts of
speech: the verb, the noun, thepronoun, the adjective, the adverb, the preposition, the conjunction, and the interjection.
Each part of speech explains not what the word is, but how the word is used. In fact, the same word can be a noun in one sentence and a verb
or adjective in the next. The next few examples show how a word's part of speech can change from one sentence to the next, and following
them is a series of sections on the individual parts of speech, followed by an exercise.
1. What is a Verb?
The verb is perhaps the most important part of the sentence. A verb or compound verb asserts something about the subject of the sentence
and express actions, events, or states of being. The verb or compound verb is the critical element of the predicate of a sentence.
Here the compound verb "will plant" describes an action that will take place in the future.
2. What is a Noun?
A noun is a word used to name a person, animal, place, thing, and abstract idea. Nouns are usually the first words which small children learn.
The highlighted words in the following sentences are all nouns:
Possessive Nouns
In the possessive case, a noun or pronoun changes its form to show that it owns or is closely related to something else. Usually, nouns become
possessive by adding a combination of an apostrophe and the letter "s."
You can form the possessive case of a singular noun that does not end in "s" by adding an apostrophe and "s," as in the following sentences:
You can form the possessive case of a singular noun that ends in "s" by adding an apostrophe alone or by adding an apostrophe and "s," as in
the following examples:
Example 1
Example 2
Felicia Hemans's poetry was once more popular than Lord Byron's.
Felicia Hemans' poetry was once more popular than Lord Byron's.
You can form the possessive case of a plural noun that does not end in "s" by adding an apostrophe and a "s," as in the following examples:
The men's hockey team will be playing as soon as the women's team is finished.
You can form the possessive case of a plural noun that does end in "s" by adding an apostrophe:
The concert was interrupted by the dogs' barking, the ducks'quacking, and the babies' squalling.
Types Of Nouns
There are many different types of nouns. As you know, you capitalize some nouns, such as "Canada" or "Louise," and do not capitalize others,
such as "badger" or "tree" (unless they appear at the beginning of a sentence). In fact, grammarians have developed a whole series of noun
types, including the proper noun, the common noun, the concrete noun, the abstract noun, the countable noun (also called the count noun),
the non-countable noun (also called the mass noun), and the collective noun. You should note that a noun will belong to more than one type: it
will be proper or common, abstract or concrete, and countable or non-countable or collective.
If you are interested in the details of these different types, you can read about them in the following sections.
Proper Nouns
You always write a proper noun with a capital letter, since the noun represents the name of a specific person, place, or thing. The names of days
of the week, months, historical documents, institutions, organizations, religions, their holy texts and their adherents are proper nouns. A proper
noun is the opposite of a common noun
The Marroons were transported from Jamaica and forced to build the fortifications in Halifax.
Common Nouns
A common noun is a noun referring to a person, place, or thing in a general sense -- usually, you should write it with a capital letter only when it
begins a sentence. A common noun is the opposite of a proper noun.
All the gardens in the neighborhood were invaded by beetles this summer.
I don't understand why some people insist on having six different kinds of mustard in their cupboards.
Concrete Nouns
A concrete noun is a noun which names anything (or anyone) that you can perceive through your physical senses: touch, sight, taste, hearing, or
smell. A concrete noun is the opposite of a abstract noun.
The highlighted words in the following sentences are all concrete nouns:
Whenever they take the dog to the beach, it spends hours chasing waves.
The real estate agent urged the couple to buy the second house because it had new shingles.
As the car drove past the park, the thump of a disco tune overwhelmed the string quartet's rendition of a minuet.
The book binder replaced the flimsy paper cover with a sturdy, cloth-covered board.
Abstract Nouns
An abstract noun is a noun which names anything which you can not perceive through your five physical senses, and is the opposite of a
concrete noun. The highlighted words in the following sentences are all abstract nouns:
Countable Nouns
A countable noun (or count noun) is a noun with both a singular and a plural form, and it names anything (or anyone) that you can count. You
can make a countable noun plural and attach it to a plural verb in a sentence. Countable nouns are the opposite of non-countable nouns and
collective nouns.
In each of the following sentences, the highlighted words are countable nouns:
Since he inherited his aunt's library, Jitu spends every weekend indexing his books.
Non-Countable Nouns
A non-countable noun (or mass noun) is a noun which does not have a plural form, and which refers to something that you could (or would) not
usually count. A non-countable noun always takes a singular verb in a sentence. Non-countable nouns are similar to collective nouns, and are
the opposite of countable nouns.
Since "oxygen" is a non-countable noun, it takes the singular verb "is" rather than the plural verb "are."
We decided to sell the furniture rather than take it with us when we moved.
Since "gravel" is a non-countable noun, it takes the singular verb form "is."
Collective Nouns
A collective noun is a noun naming a group of things, animals, or persons. You could count the individual members of the group, but you usually
think of the group as a whole is generally as one unit. You need to be able to recognize collective nouns in order to maintain subject-verb
agreement. A collective noun is similar to a non-countable noun, and is roughly the opposite of a countable noun.
In this example the collective noun "jury" is the subject of the singular compound verb "is dining."
In this sentence the word "class" is a collective noun and takes the singular compound verb "was startled."
3. What is a Pronoun?
A pronoun can replace a noun or another pronoun. You use pronouns like "he," "which," "none," and "you" to make your sentences less
cumbersome and less repetitive.
Grammarians classify pronouns into several types, including the personal pronoun, the demonstrative pronoun, the interrogative pronoun, the
indefinite pronoun, the relative pronoun, the reflexive pronoun, and the intensive pronoun.
Personal Pronouns
A personal pronoun refers to a specific person or thing and changes its form to indicate person, number, gender, and case.
A subjective personal pronoun indicates that the pronoun is acting as the subject of the sentence. The subjective personal pronouns are "I,"
"you," "she," "he," "it," "we," "you," "they."
When she was a young woman, she earned her living as a coal miner.
It is on the counter.
An objective personal pronoun indicates that the pronoun is acting as an object of a verb, compound verb, preposition, or infinitive phrase. The
objective personal pronouns are: "me," "you," "her," "him," "it," "us," "you," and "them."
In the following sentences, each of the highlighted words is an objective personal pronoun:
Seamus stole the selkie's skin and forced her to live with him.
After reading the pamphlet, Judy threw it into the garbage can.
A possessive pronoun indicates that the pronoun is acting as a marker of possession and defines who owns a particular object or person.
The possessive personal pronouns are "mine," "yours," "hers," "his," "its," "ours," and "theirs." Note that possessive personal pronouns are
very similar to possessive adjectives like "my," "her," and "their."
In each of the following sentences, the highlighted word is a possessive personal pronoun:
This is yours.
In this example, the possessive pronoun "his" acts as the subject of the sentence.
In this sentence, the possessive pronoun "theirs" is the subject of the sentence.
Here too the possessive pronoun "ours" function as the subject of the sentence.
Demonstrative Pronouns
A demonstrative pronoun points to and identifies a noun or a pronoun. "This" and "these" refer to things that are nearby either in space or in
time, while "that" and "those" refer to things that are farther away in space or time.
The demonstrative pronouns are "this," "that," "these," and "those." "This" and "that" are used to refer to singular nouns or noun phrases and
"these" and "those" are used to refer to plural nouns and noun phrases. Note that the demonstrative pronouns are identical to demonstrative
adjectives, though, obviously, you use them differently. It is also important to note that "that" can also be used as a relative pronoun.
Here "this" is used as the subject of the compound verb "must not continue."
Interrogative Pronouns
An interrogative pronoun is used to ask questions. The interrogative pronouns are "who," "whom," "which," "what" and the compounds formed
with the suffix "ever" ("whoever," "whomever," "whichever," and "whatever"). Note that either "which" or "what" can also be used as
an interrogative adjective, and that "who," "whom," or "which" can also be used as a relative pronoun.
You will find "who," "whom," and occasionally "which" used to refer to people, and "which" and "what" used to refer to things and to
animals.
"Who" acts as the subject of a verb, while "whom" acts as the object of a verb, preposition, or a verbal.
Here the interrogative pronoun "whom " is the object of the preposition "to."
Relative Pronouns
You can use a relative pronoun is used to link one phrase or clause to another phrase or clause. The relative pronouns are "who," "whom,"
"that," and "which." The compounds "whoever," "whomever," and "whichever" are also relative pronouns.
You can use the relative pronouns "who" and "whoever" to refer to the subject of a clause or sentence, and "whom" and "whomever" to refer to
the objects of a verb, a verbal or a preposition.
The relative pronoun "whomever" is the direct object of the compound verb "may invite."
The candidate who wins the greatest popular vote is not always elected.
In this sentence, the relative pronoun is the subject of the verb "wins" and introduces the subordinate clause "who wins the greatest popular
vote." This subordinate clause acts as an adjective modifying "candidate."
In a time of crisis, the manager asks the workers whom she believes to be the most efficient to arrive an hour earlier than usual.
The crate which was left in the corridor has now been moved into the storage closet.
In this example "which" acts as the subject of the compound verb "was left" and introduces the subordinate clause "which was left in the
corridor." The subordinate clause acts as an adjective modifying the noun "crate."
Here "whichever" modifies the noun "manuscript" and introduces the subordinate clause "whichever manuscript arrives first." The
subordinate clause functions as the direct object of the compound verb "will read."
Indefinite Pronouns
An indefinite pronoun is a pronoun referring to an identifiable but not specified person or thing. An indefinite pronoun conveys the idea of all,
any, none, or some.
The most common indefinite pronouns are "all," "another," "any," "anybody," "anyone," "anything," "each," "everybody," "everyone,"
"everything," "few," "many," "nobody," "none," "one," "several," "some," "somebody," and "someone." Note that some indefinite
pronouns can also be used as indefinite adjectives.
Many were invited to the lunch but only twelve showed up.
Here "many" acts as the subject of the compound verb "were invited."
The office had been searched and everything was thrown onto the floor.
In this example, "everything" acts as a subject of the compound verb "was thrown."
We donated everything we found in the attic to the woman's shelter garage sale.
Although they looked everywhere for extra copies of the magazine, they found none.
Here too the indefinite pronoun functions as a direct object: "none" is the direct object of "found."
In this example, "everyone" is the indirect object of the verb "give" -- the direct object is the noun phrase "a copy of the amended bylaws."
Reflexive Pronouns
You can use a reflexive pronoun to refer back to the subject of the clause or sentence.
The reflexive pronouns are "myself," "yourself," "herself," "himself," "itself," "ourselves," "yourselves," and "themselves." Note each of these can
also act as an intensive pronoun.
The Dean often does the photocopying herself so that the secretaries can do more important work.
After the party, I asked myself why I had faxed invitations to everyone in my office building.
Although the landlord promised to paint the apartment, we ended up doing it ourselves.
Intensive Pronouns
An intensive pronoun is a pronoun used to emphasize its antecedent. Intensive pronouns are identical in form to reflexive pronouns.
They themselves promised to come to the party even though they had a final exam at the same time.
4. What Is An Adjective?
An adjective modifies a noun or a pronoun by describing, identifying, or quantifying words. An adjective usually precedes the noun or the
pronoun which it modifies.
Mrs. Morrison papered her kitchen walls with hideous wall paper.
The back room was filled with large, yellow rain boots.
An adjective can be modified by an adverb, or by a phrase or clause functioning as an adverb. In the sentence
Some nouns, many pronouns, and many participle phrases can also act as adjectives. In the sentence
Eleanor listened to the muffled sounds of the radio hidden under her pillow.
A possessive adjective ("my," "your," "his," "her," "its," "our," "their") is similar or identical to a possessive pronoun; however, it is used as an
adjective and modifies a noun or a noun phrase, as in the following sentences:
In this sentence, the possessive adjective "my" modifies "assignment" and the noun phrase "my assignment" functions as an object. Note that
the possessive pronoun form "mine" is not used to modify a noun or noun phrase.
Here the possessive adjective "your" is used to modify the noun phrase "phone number"; the entire noun phrase "your phone number" is
a subject complement. Note that the possessive pronoun form "yours" is not used to modify a noun or a noun phrase.
In this example, the possessive adjective "his" modifies the noun phrase " favorite type of bread" and the entire noun phrase "his favorite type
of bread" is the direct object of the verb "sold."
Here the possessive adjective "her" modifies the noun "homeland" and the noun phrase "her homeland" is the object of the preposition “to."
Note also that the form "hers" is not used to modify nouns or noun phrases.
In this sentence, the possessive adjective "our" modifies "way" and the noun phrase "our way" is the direct object of the compound verb "have
lost". Note that the possessive pronoun form "ours" is not used to modify nouns or noun phrases.
Here the possessive adjective "their" modifies "parents" and the noun phrase "their parents" is the object of the preposition "by." Note that the
possessive pronoun form "theirs" is not used to modify nouns or noun phrases.
The cat chased its ball down the stairs and into the backyard.
In this sentence, the possessive adjective "its" modifies "ball" and the noun phrase "its ball" is the object of the verb "chased." Note that "its" is
the possessive adjective and "it's" is a contraction for "it is."
Demonstrative Adjectives
The demonstrative adjectives "this," "these," "that," "those," and "what" are identical to the demonstrative pronouns, but are used as
adjectives to modify nouns or noun phrases, as in the following sentences:
When the librarian tripped over that cord, she dropped a pile of books.
In this sentence, the demonstrative adjective "that" modifies the noun "cord" and the noun phrase "that cord" is the object of the preposition
"over."
Here "this" modifies "apartment" and the noun phrase "this apartment" is the subject of the sentence.
In the subordinate clause, "those" modifies "plates" and the noun phrase "those plates" is the object of the verb "preferred." In the
independent clause, "these" is the direct object of the verb "bought."
Interrogative Adjectives
An interrogative adjective ("which" or "what") is like an interrogative pronoun, except that it modifies a noun or noun phrase rather than
standing on its own (see also demonstrative adjectives and possessive adjectives):
Like other adjectives, "which" can be used to modify a noun or a noun phrase. In this example, "which" modifies "plants" and the noun phrase
"which plants" is the subject of the compound verb "should be watered":
In this sentence, "what" modifies "book" and the noun phrase "what book" is the direct object of the compound verb "are reading."
Indefinite Adjectives
An indefinite adjective is similar to an indefinite pronoun, except that it modifies a noun, pronoun, or noun phrase, as in the following
sentences:
The indefinite adjective "many" modifies the noun "people" and the noun phrase "many people" is the subject of the sentence.
I will send you any mail that arrives after you have moved to Sudbury.
The indefinite adjective "any" modifies the noun "mail" and the noun phrase "any mail" is the direct object of the compound verb "will send."
In this example the indefinite adjective modifies the noun "goldfish" and the noun phrase is the direct object of the verb "found":
Here the indefinite pronoun "all" modifies "dogs" and the full title is a subject complement.
5. What is an Adverb?
An adverb can modify a verb, an adjective, another adverb, a phrase, or a clause. An adverb indicates manner, time, place, cause, or degree and
answers questions such as "how," "when," "where," "how much".
While some adverbs can be identified by their characteristic "ly" suffix, most of them must be identified by untangling the grammatical
relationships within the sentence or clause as a whole. Unlike an adjective, an adverb can be found in various places within the sentence.
In this sentence, the adverb "quickly" modifies the verb "made" and indicates in what manner (or how fast) the clothing was constructed.
Similarly in this sentence, the adverb "patiently" modifies the verb "waited" and describes the manner in which the midwives waited.
Conjunctive Adverbs
You can use a conjunctive adverb to join two clauses together. Some of the most common conjunctive adverbs are "also," "consequently,"
"finally," "furthermore," "hence," "however," "incidentally," "indeed," "instead," "likewise," "meanwhile," "nevertheless," "next," "nonetheless,"
"otherwise," "still," "then," "therefore," and "thus." A conjunctive adverb is not strong enough to join two independent clauses without the aid
of a semicolon.
The government has cut university budgets; consequently, class sizes have been increased.
He did not have all the ingredients the recipe called for; therefore, he decided to make something else.
The report recommended several changes to the ways the corporation accounted for donations; furthermore, it suggested that a new auditor
be appointed immediately.
The crowd waited patiently for three hours; finally, the doors to the stadium were opened.
Batman and Robin fruitlessly searched the building; indeed, the Joker had escaped through a secret door in the basement.
6. What is a Preposition?
A preposition links nouns, pronouns and phrases to other words in a sentence. The word or phrase that the preposition introduces is called
the object of the preposition.
A preposition usually indicates the temporal, spatial or logical relationship of its object to the rest of the sentence as in the following examples:
In each of the preceding sentences, a preposition locates the noun "book" in space or in time.
A prepositional phrase is made up of the preposition, its object and any associated adjectives or adverbs. A prepositional phrase can function as
a noun, an adjective, or an adverb. The most common prepositions are "about," "above," "across," "after," "against," "along," "among,"
"around," "at," "before," "behind," "below," "beneath," "beside," "between," "beyond," "but," "by," "despite," "down," "during," "except," "for,"
"from," "in," "inside," "into," "like," "near," "of," "off," "on," "onto," "out," "outside," "over," "past," "since," "through," "throughout," "till," "to,"
"toward," "under," "underneath," "until," "up," "upon," "with," "within," and "without."
In this sentence, the preposition "without" introduces the noun "fear." The prepositional phrase "without fear" functions as an adverb
describing how the children climbed.
There was rejoicing throughout the land when the government was defeated.
The preposition "along" introduces the noun phrase "the banister" and the prepositional phrase "along the banister" acts as an adverb,
describing where the spider crawled.
The dog is hiding under the porch because it knows it will be punished for chewing up a new pair of shoes.
Here the preposition "under" introduces the prepositional phrase "under the porch," which acts as an adverb modifying the compound verb "is
hiding."
The screenwriter searched for the manuscript he was certain was somewhere in his office.
Similarly in this sentence, the preposition "in" introduces a prepositional phrase "in his office," which acts as an adverb describing the location
of the missing papers.
7. What is a Conjunction?
You can use a conjunction to link words, phrases, and clauses, as in the following example:
Coordinating Conjunctions
You use a coordinating conjunction ("and," "but," "or," "nor," "for," "so," or "yet") to join individual words, phrases, and independent clauses.
Note that you can also use the conjunctions "but" and "for" as prepositions.
This movie is particularly interesting to feminist film theorists, for the screenplay was written by Mae West.
In this example, the coordinating conjunction "for" is used to link two independent clauses.
Daniel's uncle claimed that he spent most of his youth dancing on rooftops and swallowing goldfish.
Here the coordinating conjunction "and" links two participle phrases("dancing on rooftops" and "swallowing goldfish") which act as adverbs
describing the verb "spends."
Subordinating Conjunctions
A subordinating conjunction introduces a dependent clause and indicates the nature of the relationship among the independent clause(s) and
the dependent clause(s).
The most common subordinating conjunctions are "after," "although," "as," "because," "before," "how," "if," "once," "since," "than," "that,"
"though," "till," "until," "when," "where," "whether," and "while."
Similarly, the subordinating conjunction "if" introduces the dependent clause "If the paperwork arrives on time."
Gerald had to begin his thesis over again when his computer crashed.
The subordinating conjunction "when" introduces the dependent clause "when his computer crashed."
Midwifery advocates argue that home births are safer because the mother and baby are exposed to fewer people and fewer germs.
In this sentence, the dependent clause "because the mother and baby are exposed to fewer people and fewer germs" is introduced by the
subordinating conjunction "because."
Correlative Conjunctions
Correlative conjunctions always appear in pairs -- you use them to link equivalent sentence elements. The most common correlative
conjunctions are "both...and," "either...or," "neither...nor,", "not only...but also," "so...as," and "whether...or." (Technically correlative
conjunctions consist simply of a coordinating conjunction linked to an adjective or adverb.)
In this sentence, the correlative conjunction "both...and" is used to link the two noun phrases that act as the compound subject of the sentence:
"my grandfather" and "my father".
Here the correlative conjunction "either...or" links two noun phrases: "a Jello salad" and "a potato scallop."
Similarly, the correlative conjunction "whether ... or" links the two infinitive phrases "to go to medical school" and "to go to law school."
The explosion destroyed not only the school but also the neighboring pub.
In this example the correlative conjunction "not only ... but also" links the two noun phrases ("the school" and "neighboring pub") which act
as direct objects.
Note: some words which appear as conjunctions can also appear as prepositions or as adverbs.
8. What is an Interjection?
An interjection is a word added to a sentence to convey emotion. It is not grammatically related to any other part of the sentence.
You usually follow an interjection with an exclamation mark. Interjections are uncommon in formal academic prose, except in direct
quotations.
Tenses
Meaning: The action happened Meaning: The action was going on (1) Meaning: The action happened Meaning: The action lasted for some
(started and ended) in the past. when another past action happened before another past action or time before another past action or
Meaning 1: Habitual, regular action in the Meaning: The action is going on now. Meaning 1: The action has just ended. –
present. Time expressions: now; right now; at Time expressions: already; just; yet.
Time expressions: usually; every day; the moment. Examples: The letter has already been sent.
often; sometimes; rarely. Examples: He is being examined by We have just been informed of his arrival.
Examples: Mail is usually delivered at the doctor at the moment. The report Meaning 2: Reporting how things have
eight o'clock. This blog is updated every is being typed right now. developed by now.
day. Time expressions: by now; so far; never;
Meaning 2: Stating a fact, general truth, ever; several times; since; lately.
state or condition. Examples: So far, ten workers have been
Past perfect
Simple past Past continuous Past perfect
continuous
Meaning: The action was going on (1) Meaning: The action happened before
Meaning: The action happened in the
when another past action happened another past action or before some point of
past.
or (2) at some point of time in the time in the past.
Time expressions: yesterday; last week;
past. Time expressions: by the time; before;
last year; in 1996; in 2010; two hours ago.
Time expressions: while; when; at five after; by 1990; by yesterday; by last week. –
Examples: His house was built a year ago.
o'clock yesterday. Examples: By the time I returned, the work
She was offered a good job last week. The
Examples: When I came to the on the project had been finished. By 1995,
telephone was invented by Alexander
hospital, Tom was being examined by all apartments in the new building had been
Bell.
the doctor. sold.
Future perfect
Simple future Future continuous Future perfect
continuous
Chapter 4
24 Consonants
20 Vowels
bird - bought -
bait -
wet - about -
father -
bite - boy -
bat -
boat - hut -
wear -
hot - pure -
Chapter 5
Just about all sentences in the English language fall into ten patterns determined by the presence and functions of nouns, verbs, adjectives, and
adverbs.
The patterns are most easily classified according to the type of verb used:
Verb of being patterns (1, 2, 3) use a form of the verb to be as the main verb in the sentence.
Linking verb patterns (4, 5) use one of the linking verbs as the main verb in the sentence. The linking verb is followed by a noun or adjective
functioning as a subjective complement.
Action verb patterns (6, 7, 8, 9, 10) use one of the many action verbs as the main verb in the sentence. The action verb may be either
transitive (take a direct object) or intransitive (not take a direct object).
NP = noun phrase
This abbreviation refers to a headword noun and its modifiers ("noun phrase") functioning as a subject, direct object, indirect object,
subjective complement, or objective complement.
NP1, NP2, NP3, etc. = designations for different noun phrase functions
Numbers in sequential order are used with each NP to designate its difference from or similarity to other NPs before and after it.
LV = linking verb
ADJ = adjective
The verb of being is followed by an adjective that functions as the subjective complement.
The verb of being is followed by a noun that functions as the subjective complement.
Note: The second NP receives the same numerical designation as the first NP because the second NP, the subjective complement, is the
same as the subject (Mr. James = teacher).
4. NP1 + LV + ADJ
Note: The second NP receives the same numerical designation as the first NP because the second NP, the subjective complement, is the same
as the subject (Joan = Buddhist).
6. NP1 + V-int
Even if the action verb is followed by a prepositional phrase, the verb is still intransitive as long as it does not take a direct object.
The action verb is followed by an indirect object and then a direct object.
Note: The indirect object and the direct object each receive a new numerical designation because each is different from the other and both are
different from the subject.
The action verb is followed by a direct object. The direct object is followed by an adjective functioning as an objective complement.
Note: The second NP, the direct object, receives a different numerical designation (NP2) because it is not the same as the subject (NP1).
The action verb is followed by a direct object. The direct object is followed by a noun functioning as an objective complement.
Note: The second NP, the direct object, receives a different numerical designation (NP2) because it is not the same as the subject (NP1). The
third NP, the objective complement, receives the same numerical designation as the direct object (NP2) because it is the same as the direct
object (Jacobsen = friend).
Exercise
5. I am happy now.
7. My head hurt.
A: "Hey Jared. Mom told me to tell you that you shouldn't stay out too 2. It's about time
late."
B: "You've got to be kidding me. I'm 30 years old."
"It's about time."
A: "Patrick won the school election by two votes." "It's about time. I waited two hours for you."
B: "He's not that popular how did this happen?" "It's about time I got a chance to play."
A: "Nobody voted because they expected Jason to win."
B: "You've got to be kidding me." A: "I've been waiting for 3 weeks to try out the new laptop. Isn't it my
turn yet?"
Other Common Sentences B: "Yes. It's your turn. I'll get it for you."
A: "It's about time."
"I really hope you're wrong."
"Please tell me it ain't so." 3. Jump to conclusions
A: "Where are you going for lunch today?" A: "I'm so mad at Jake. I think he told my girlfriend that I was on a
B: "I don't know... how about a burger?" date."
A: "No. I eat that almost everyday. I'm getting sick and tired of them." B: "What makes you think Jake told her?"
B: "Let's go eat teriyaki then." A: "Because he's like that."
B: "He sometimes does stupid things, but you shouldn't jump to
Other Common Sentences conclusions."
"I'm getting sick of this phone. I think I'll buy a new one." 4. Keep an eye on
"I'm tired of the same routine. I need to find something new and
different."
"Can you keep an eye on my daughter while I go get the car?"
4. Call it a day "Don't worry about your luggage. I'll keep an eye on it."
"My mom will keep an eye on our equipment while we go get the
truck."
"Let's call it a day. I'm too tired to continue working."
"We can't continue working without Mike, so let's call it a day." A: "Excuse me sir."
"It's already nine o'clock. Let's call it a day." B: "Yes."
A: "I have to go to the bathroom. Can you keep an eye on my suitcase
A: "How much more work do we have for tonight?" for a minute?"
B: "I think we finished everything for the day." B: "No problem."
A: "Good. Let's call it a day then."
Other Common Sentences
Other Common Sentences
11. Chicken
"I don't want to be waiting for you, so you'd better be there at three
o'clock on the dot."
"There's nothing to be scared of. Don't be a chicken." "He's supposed to show up at four on the dot. If he is late even a
"Everyone thinks I'm a chicken because I didn't go bungee jumping minute, I'm taking off."
with them." "You'd better be here by 1:30, because we're leaving at two o'clock on
"Stop being a chicken and just go." the dot."
A: "Did you ask Martha on a date?" A: "We have to go to Los Angeles tomorrow. What time should we
B: "No. I was about to, but I got a little nervous." meet?"
A: "You're such a chicken." B: "We have to be at the airport at 4:00 o'clock, so let's meet at two
o'clock on the dot."
Other Common Sentences
Other Common Sentences
"I didn't know you were afraid of insects. You're a scaredy cat."
"He's a coward. He wouldn't even go on the rollercoaster ride." "Meet me at the bus station at six o'clock sharp."
"Jack is scared of everything. He's such a sissy." "Let's meet at the book store exactly at 1:00."
"Suzie gave him a hard time for not showing up to her recital." "Their team is not favored to win. But I hope they do. I'm keeping my
13. Make up one's mind "That's the coolest thing I've ever seen. It's really out of this world."
"It's totally out of this world. You're going to be impressed."
"The concert was out of this world. It was an awesome experience."
"We don't got all day, make up your mind."
"Make up your mind, we don't have much time." A: "Did you see the new 3D movie at the IMAX theatre?"
"I can't make up my mind. Can you help me decide?" B: "No. Was it any good?"
"If you don't make up your mind, I'll choose for you." A: "It was better than good. It was out of this world."
"Both of them look really good. I can't make up my mind."
Other Common Sentences
A: "I don't know which one to get."
B: "They're both pretty good, so just pick one." "The movie totally blew me away. It was awesome."
A: "I always regret it when I pick the wrong one." "The essay was very creative and original. I was very impressed."
B: "You're picking between white chocolate or regular chocolate. "I've never seen anything like that before."
There is no wrong answer so hurry up and make up your mind."
13. Over one's head
Other Common Sentences
"I can't decide which one to take." "I don't know the answer to that problem. The subject is over my
"I don't know if I should get the Volvo or the Ford." head."
"I like both of them too much to decide." "Don't bother explaining it to him. It's way over his head."
14. Go Dutch A: "I have to write a paper on the theory of relativity. Do you know
anything about it?"
B: "I won't be able to help you. The theory of relativity is way over my
"You don't have to pay for me. Let's go dutch today." head."
"I can't believe John didn't pay for me. We ended up going dutch on
the whole date." Other Common Sentences
"I actually prefer going dutch because I don't want to feel indebt to
anyone." "I don't understand the meaning. It might be too deep for me."
"It's beyond my comprehension, so don't bother trying to explain it."
A: "How was your date with Sarah?"
B: "I'm not sure. It was just ok." 14. Pain in the ass
A: "Why do you say that?"
B: "She didn't let me pay for her share. She insisted that we go
dutch for everything." "What a pain in the ass."
"I had a customer who kept asking easy questions. It was a total pain
Other Common Sentences in the ass."
"I have a meeting at 7:00 in the morning. It's a pain the ass waking up
"I'll pay half of it." that early."
"Let's pay together." "Having to deal with traffic every day is a pain in the ass."
"I didn't pay for her. We paid our own share."
A: "I have to go to the post office."
15. Throw in the towel B: "I thought you went yesterday?"
A: "They made a mistake on the postage so the package was
returned."
"I was ready to throw in the towel, but I stayed with it." B: "What a pain in the ass."
"He's not a quitter, so he's not going to throw in the towel."
"I saw a fight last almost two hours before one guy threw in the Other Common Sentences
16. Goose bumps A: "I have an interview for citizenship tomorrow. Do you know what
they ask?"
B: "The only questions they ask are in the manual they provide."
"I was so touched by the movie that I started getting goose bumps all A: "Was it difficult?"
over my arms." B: "Since all the questions and answers are already provided, it was
"When she told me that she loved me, I got goose bumps." a piece of cake."
"I get goose bumps anytime I'm scared."
"John told us a story and everyone got goose bumps." Other Common Sentences
A: "Did you watch the speech?" "My homework today was as easy as pie."
B: "No, I missed it. Was it good?" "The assignment was a breeze."
A: "It was so touching that I got goose bumps everywhere."
16. Sooner or later
Other Common Sentences
"I was so inspired by the speech that I had a tingling sensation run "Don't keep waiting for him to confess. He'll tell you sooner or later."
across my body." "He'll come to his senses sooner or later."
"I felt a jolt of excitement when I heard the good news." "She'll realize that she's doing something wrong sooner or later."
"My arms were tingling when I heard that story."
A: "Why does Sarah date so many guys. Doesn't she know most of
17. Stay in touch them are jerks?"
B: "I know. She needs to get hurt before she'll realize what's going on."
A: "I guess she'll figure it out sooner or later."
"Call me more often man. We got to stay in touch." B: "Yeah... but I'm hoping it is sooner than later."
"I hope you stay in touch with me. I'll give you my contact
information." Other Common Sentences
"Let's stay in touch. I'll email you whenever I can."
"Are you staying in touch with her, or are you guys not talking any "I'm not worried about it. He'll eventually return my CD."
more?" "I'll graduate from school eventually."
A: "Since you are moving to England, I'm really going to miss you." 17. Pull someone's leg
B: "Yeah. I'm going to miss you a lot too."
A: "You promise that you'll stay in touch?"
B: "Of course. We'll always keep in touch." "You expect me to believe that? Stop pulling my leg."
"I'm just kidding. I was just pulling your leg."
Other Common Sentences "I didn't know you believed me. I was just pulling your leg."
"Keep in touch. I'll want to know how you're doing." A: "I was eating at a restaurant and this lady next to me started eating
"Julie told me that she would keep in touch with me." my food right in front of me."
B: "What? You can't be serious. Nobody would ever do that."
18. Have the guts A: You're not gullible at all. I was trying to pull your leg."
19. Rain or Shine "If I were in your shoes, I would have done the same thing."
"I can't blame you because I would have done the same thing if I were
in your situation."
"We're going camping this weekend rain or shine."
"Rain or shine, the protesters are out there every day." 19. I can eat a horse
"I don't care about the weather. I'm going golfing rain or shine."
A: "I'm going hiking this Saturday. Do you want to come?" "I'm so hungry that I can eat a horse."
B: "That sounds good. Rain or shine, count me in." "I feel like I can eat a horse right now."
A: "If it's raining, looks like you're going by yourself, because I'm "If I didn't eat anything for two days, I would feel like I can eat a
staying home." horse too."
"I had a tough day today. I'm totally beat." 20. Read between the lines
"I don't want to go out tonight. I'm beat."
"I'm beat so I'm going to sleep early today."
"If you read between the lines, you would have understood what he
A: "Hey Steve, we're going to go to a club tonight. Wanna come?" was implying."
B: "I worked a 12 hour shift today. I'm beat so I'm going to just stay "Steve isn't very good at reading between the lines. You have to tell
home tonight." him exactly what you want."
"Martha can read between the lines very well. She picks up on
Other Common Sentences everything."
"I'm very tired." A: "Did you read chapter three for our English class?"
"I'm exhausted." B: "Yeah. I think the author was indicating that he was supporting the
war."
21. Rings a bell A: "Even though he said one thing, he meant another. You have
to read between the linesto fully understand his stance."
B: "That might be true. I should go read it again."
"I can't put my finger on it, but it definitely rings a bell."
"It rings a bell, but I'm not one hundred percent sure." 21. Under the weather
"Oh, oh, oh... that rings a bell. Where did I see that from?"
A: "Did you go to Martha Lake High School?" "I'm going to stay home because I'm feeling under the
B: "Yeah. Why?" weather today."
A: "I met this girl. Her name is Jane Summerland. Do you know her?" "I told my boss that I was under the weather. She told me to stay
B: "That name rings a bell, but I don't remember for sure." home for the day."
"My wife is feeling under the weather, so I need to get home early
Other Common Sentences today."
A: "Johnny, will you play Star Craft with me?" "You can't do anything about it, so don't sweat it."
"You tried your best, so stop sweating it."
B: "I can't. I'm doing my homework."
A: "Come on. I need someone to play with."
A: "I'm worried about my final examination."
B: "Stop bugging me. I said I'm busy." B: "You didn't take it yet?"
A: "I took it yesterday. I'm not sure how I did."
Other Common Sentences B: "If you tried your best, there's nothing you can do about
the results, so don't sweat it."
"Stop pestering me."
"Stop bothering me."
23. Sleep on it
23. You can say that again
A: "Britney Spears is so hot!"
B: "You can say that again."
"I've been thinking about this problem for two hours. I think I
will sleep on it. It might come to me in the morning."
A: "It was a long year. We accomplished quite a bit."
"I don't think I can decide now. Let me sleep on it and I'll tell you my
B: "I'm just glad that we're almost done."
answer tomorrow."
A: "You can say that again."
"I'm going to need to sleep on it. I don't want to rush my answer right
now."
Other Common Sentences
A: "Do you know if you are going to buy the leather set or the
"I hear ya."
cashmere set?"
"You got that right."
B: "I've been thinking about it for three hours. I really can't decide."
"Damn right."u can do about it."
A: "Why don't you sleep on it."
24. Broke
24. Play it by ear
"The cops are watching this area all-day every-day." "Who cares if they win or lose?"
"There's no way to cross the border because they're constantly "Who cares whether or not it rains."
monitoring all the passage ways." "Who cares about what they think."
30. Good Luck A. "Did you happen to watch the game last night?"
B. "No I was not home."
"Good luck on your interview tomorrow" A. "I was just wondering who won?"
"I heard you're going to look for a new house, good luck." B. "Who cares, I don't really like either teams."
"Good luck trying to find a better deal than this one."
Other Common Sentences
A. "My son has his first baseball game tonight."
B. "Is he nervous?" "It doesn't matter."
A. "He is actually very excited for it." "I do not care."
B. "Tell him we said good luck!"
46. Big Deal
Other Common Sentences
"Passing my driver's test was no big deal."
"I wish you the best." "He thinks he is such a big deal."
"Hope you do well." "It's no big deal if we don't go tonight."
31. Shotgun A. "I think I might have lost that screwdriver you let me borrow last
week."
"Why does he always get to ride shotgun?" B. "It's no big deal, I have another one."
"If we go to the store with mom I call shotgun."
"I am heading out to the party. Do you want to ride shotgun?" Other Common Sentences
A. "Hey James, mom said she would give us a ride home?" "He thinks he is all that matters."
B. "I call shotgun!" "It's not that important."
A. "That's not fair you always sit in the front seat."
B. "You just need to say it before me next time." 47. Now You're Talking
Other Common Sentences "A cold drink sounds great, now you're talking!"
"Now you're talking, the beach sounds relaxing."
"I will sit in the front passenger seat." "Now you're talking, I would love to go out to the club tonight."
"I get to sit in the front seat next to the driver."
A. "I say instead of staying home for vacation we go to Mexico."
32. What a Small World B. "Now you're talking!"
"I didn't know that you knew my uncle. What a small world." Other Common Sentences
"You have family in Florida too? What a small world."
"I went to high school with his mom, what a small world." "I agree."
"I like what you're saying."
A. "Do you see that guy over there?"
B. "Yes, what about him."
"What is happening?" A. "Did you order the cheeseburger with french fries?"
B. "I sure did."
34. Come On A. "It's coming right up."
Other Common Sentences "I am glad you brought an umbrella. That was good thinking."
"Good thinking to call ahead and reserve tickets."
There are not many other sentences that are similar to this. The "It was good thinking to send out invitations sooner than later."
meaning is basically to allure or attract.
A. "I hear the restaurant we are going to is really popular."
35. Never mind B. "It's pretty good... and I already reserved a table for us."
A. "Good thinking!"
"Never mind what you were going to do, we need to leave now!"
"Never mind what I said before, I was wrong." Other Common Sentences
"Never mind cooking dinner for me, I will be home too late."
"You did well remembering that."
A. "So what would you like me to fix for dinner tonight?" "I'm glad you thought of that."
B. "Never mind cooking anything for me, I will not be home until late."
A. "OK I will just cook for myself and the kids then." 51. Shoot
40. Go For It
"Don't mention it."
"No problem."
"I know you want that job. Go for it!"
"If you want to ask her out you're going to have to just go for it." 56. It Totally Slipped My Mind
"Don't let anyone stand in the way of your dreams. Go for it!"
42. Don't Be a Stranger 58. It's written all over your face
"It was really nice seeing you again. Don't be a stranger." "I know you did it, it's written all over your face."
"We need to keep in touch. Don't be a stranger." "I know that you're sad, it's written all over your face."
"Now that we live so close to one another don't be a stranger." "I can tell you are upset. It's written all over your face."
A. "Hey John, I don't see you around here these days." A. "I am not the one who made the mess in the kitchen."
B. "I moved down south several months ago." B. "Come on, it's written all over your face."
A. "Keep in touch man. Don't be a stranger."
B. "Definitely. I'll buzz you every time I come up." Other Common Sentences
Other Common Sentences "Your facial expression is showing your true thoughts."
"I can tell you're lying by your face expression."
"Keep in touch." "The look on your face is making things obvious."
"Ping me once in awhile."
59. I Can't Thank You Enough
48. Let's Go Fifty- Fifty
"I can't thank you enough for all that you have done for me."
"Thanks for everything. I can't thank you enough."
"Thanks for having dinner with us. Let's split the bill fifty-fifty."
"You were a big help today watching the kids. I can't thank you
"Let's split our winnings fifty-fifty."
enough."
"Let's split the tab for drinks fifty-fifty."
"I don't agree with what's happening. That's just my two cents."
49. Good for Nothing
"You didn't ask for my two cents but I'll tell you anyway."
"Just to add my two cents, but I believe changing the design will be a
"That guy is good for nothing."
A. "I noticed that man was bothering you. What did you say to him?"
B. "I told him to get a life and quit bothering people he does not
know!"
A major benefit of focusing students on how words are stressed is the extra mental engagement with the word that it gives. A language learner
needs to engage with a word many times, preferably in different ways, in order to really learn it - identifying and practising word stress can
provide one or two of those engagements.
Stressing the wrong syllable in a word can make the word very difficult to hear and understand; for example, try saying the following
words:
oO Oo
b'tell hottle
And now in a sentence:
"I carried the b'tell to the hottle."
Now reverse the stress patterns for the two words and you should be able to make sense of the sentence!
"I carried the bottle to the hotel."
Stressing a word differently can change the meaning or type of the word:
"They will desert* the desert** by tomorrow."
oO Oo
desert* desert**
Think about the grammatical difference between desert* and desert**.
I will look at this in more detail later.
Even if the speaker can be understood, mistakes with word stress can make the listener feel irritated, or perhaps even amused, and
could prevent good communication from taking place.
When we stress syllables in words, we use a combination of different features. Experiment now with the word 'computer'. Say it out loud. Listen
to yourself. The second syllable of the three is stressed. What are you doing so that the listener can hear that stress?
It is equally important to remember that the unstressed syllables of a word have the opposite features of a stressed syllable!
apple
two-syllable nouns and stress on the first syllable
table hotel
adjectives Oo
happy lagoon
apple
Oo o O oo Ooo oooOo
A useful thing you can do is to help students see connections with other word families. Patterns can usually be found, for example:
o o O o Caribbean
o O o o Caribbean
aluminium (British
aluminum (American
English)
English)
These differences are noted in good learner dictionaries. If words like these come up in class, point them out to students. Ask if there are similar
cases of differences in word stress in their own language - this will heighten awareness and interest.
In the classroom
Students also need to be aware of the way dictionaries usually mark stress - with a mark before the stressed syllable, e.g. 'apple. By knowing
this, students will be able to check word stress independently.
Cuisenaire rods
These different sized, small coloured blocks are great for helping students to 'see' the word stress. The students build the words using different
blocks to represent stressed and unstressed syllables. (Children's small building blocks are a good substitute!)
Integrate word stress into your lessons
You don't need to teach separate lessons on word stress. Instead, you can integrate it into your normal lessons. The ideal time to focus students'
attention on it is when introducing vocabulary. Meaning and spelling are usually clarified for students but the sound and stress of the word can
all too often be forgotten.
Quickly and simply elicit the stress pattern of the word from the students (as you would the meaning) and mark it on the board. Drill it too!
Students can use stress patterns as another way to organise and sort their vocabulary. For example, in their vocabulary books they can have a
section for nouns with the pattern O o, and then a section for the pattern o O. Three syllable words can be sorted into O o o(Saturday, hospital)
and o O o (computer, unhappy).
Remember what I noted before: The more times students mentally engage with new vocabulary, the more they are likely to actually learn it.
Engaging students through word stress helps to reinforce the learning of the words.
Troubleshooting
Initially, many students (and teachers!) find it difficult to hear word stress. A useful strategy is to focus on one word putting the stress on its
different syllables in turn. For example:
oo0 0o o0o
computer ocomputer computer
Say the word in the different ways for the students, really exaggerating the stressed syllable and compressing the unstressed ones.
Ask the students which version of the word sounds 'the best' or 'the most natural'.
By hearing the word stressed incorrectly, students can more easily pick out the correct version.
A personalised and effective way of getting students to hear the importance of correct word stress is by using people's names as examples. I
introduce word stress with my name:
o "How many parts/syllables are there in my name?"
o "Which is the strongest - the first or second?"
Then you can question students about their own names - this will give them a personalised connection to the issue of word stress, with a word
they will never forget!
Conclusion
Any work on aspects of pronunciation can take a long time to show improvements and be challenging for both the students and the teacher, but
working on word stress can be fun and over time will help your students to be better understood and more confident speakers.
Stress pattern
The stress pattern of a word is the way all the syllables are stressed in it. There can be main and secondary stress, or unstressed sounds.
Example
The following are some stress patterns showing main stress and unstressed syllables:
0o e.g. key/board o0 e.g. con/duct (as a verb) o0o e.g. com/pu/ter 0oo e.g. mi/cro/phone oo0o e.g. ed/u/ca/tion
In the classroom
There are different ways to show the stress pattern of a word. Large and small circles can be used, as in the examples above. Colours, a line
above the main stress, an apostrophe before the main stressed syllable or underlining are alternatives.
Intonation may be defined as "speech melody consisting of different tones" (Dalton & Seidlhofer, 1994). When we speak we go up or down on
certain stressed syllables. When, for example, we ask a yes/no- question in English (i.e. a question that may be answered by a yes or a no), we
tend to go up (= a rising tune), and when we state a fact we tend to go down (= a falling tune). Intonation plays a very important role in the
spoken language, and different intonation patterns are used to send out signals and express different attitudes that may "colour" a message. In
this course, we are only going to have a brief look at some of the basic patterns, exemplified through a set of sentences. There is often a
connection between sentence function and choice of intonation pattern. By listening to and practising the following examples you will at least
get some idea of the most fundamental tones that are used (or should be used) in the English classroom.
A sentence normally consists of a combination of lexical words (mainly nouns, adjectives, adverbs and verbs) carrying important meaning, and
form words (conjunctions, articles, pronouns, prepositions, auxiliaries, etc.) which function as support for the sentence structure and do not in
themselves carry much meaning. The lexical words are normally stressed ("heavy"), and the form words are normally unstressed ("light"). The
tone (or glide) up or down will in most cases fall on lexical words that are important for the meaning of a sentence. Sometimes the glide may be
found on a form word (see example 4 below), but that would create a special effect, or a special focus. Listen to, and repeat, the following
sentences:
F: Fall + rise in phrases where there is a "but" in the air. (This pattern - fall+rise - is often used to send out other signals, too. In addition to
reservation, it may for example express warning, and even irony.)
Listen and repeat:
She's nice, (but 'not that nice)
(Was it a good concert?) - The singer was good, (but the 'others were awful).
Public speaking
Public speaking is a process of speaking to a group of people in a structured, deliberate manner intended to inform, influence, or entertain the
listeners. It is closely allied to "presenting", although the latter has more of a commercial advertisement connotation. Public speaking is
commonly understood as a kind of face-to-face speaking between individuals and audience for the purpose of communication.
Effective public speaking can be developed by joining a club such as Rostrum, Toastmasters International, Association of Speakers
Clubs (ASC), Speaking Circles, or POWERtalk International, in which members are assigned exercises to improve their speaking skills. Members
learn by observation and practice, and hone their skills by listening to constructive suggestions followed by new public speaking exercises. These
include:
Oratory
The use of gestures
Using humor
The new millennium has seen a notable increase in the number of training solutions offered in the form of video and on-line courses. Video can
provide significant training potential by revealing to the student actual examples of behaviors to emulate in addition to verbal knowledge
transfer. There are also numerous agencies who offer one to one training in the delivery of a speech.[4]
The use of public speaking in the form of oral presentations is common in higher education [5] [6] and is increasingly recognised as a means of
assessment [7]
Public Speaking Activities
The more you practice your public speaking skills, the easier it will be to speak in front of a group. Exercises for public speaking in class can help
you continue to advance your public-speaking abilities. Classroom exercises help if you're teaching a course on public speaking, wish to
incorporate public speaking into your general curriculum or want to brush up in advance of your class.
Imaginary Animal
Give students 10 minutes to create an imaginary animal and prepare information about the animal. List five questions on the board to ensure
students have a uniform set of information to present, such as its habitat, size, color, sound, number of legs and predatory abilities. Have
students then present their animal in front of the class using their notes and answering each of the questions. This type of exercise helps
students gain confidence, a critical component when speaking in front of a group. Since the animal is known only to the student, she can share
information with an air of authority and expertise.
Neighbor Game
If you are teaching younger students, or a group of older students who have little public-speaking experience, start with a group game. Have
each student sit in a chair, creating a circle. Start by standing in the middle of the circle and completing the statement, "I like a neighbor who..."
with something that is relevant to the group, such as, "...is wearing a collared shirt" or, "...had Mrs. Smith for third grade." Everyone to whom
the statement applies then stands and moves to another seat, you included, so that there's one more person than there are seats. The person
left without a seat then takes his turn completing the neighbor statement. This type of cooperative game gives students a chance to speak very
briefly in front of peers while also having fun.
1. Interests
2. Newspapers and magazine articles, internet, books, histories.
3. Current events.
4. Events from your past.
5. Signs, posters, billboards.
6. Issues that concern you.
7. Observations.
8. Stories you've heard.
9. Proverbs.
10. Books and movies.
Zodiac Zoology
Extempore
Extempore Speaking
Extempore speaking is the term used for a non-formally prepared speech. Explaining to your parents why you arrived home later than your
curfew is a form of extempore speaking. When you watch a beauty pageant on television and the contestants have to draw a question and
answer it for the judges, they are extempore speaking. Every time you speak you are preparing for extempore speaking. You probably prepare
without even knowing it. You have to read to learn new things for this type of speaking. When doing extempore speaking, you need to use the
knowledge that you have and use a strong delivery.
There comes a time in every one’s life when he or she will have to give an impromptu speech. It may be for anything – a radio interview, a
teacher trying to get you to speak up in class, or even in a casual debate. It happens more often than most people would think. The words we
speak are chosen at the point of delivery and they flow back and forth, with communication being two-way, three-way or four-way. It is all
done without any preparation.
The key to extempore speaking is that the words spoken are chosen as we speak them, and what is delivered is a stream of consciousness that
is fluent, erudite and articulate, while being unscripted. Effective extempore speaking always has the purpose of the presentation and the
impact on the audience at its heart. In an extempore/impromptu speaking, it is important to speak to the purpose and to consider carefully
what effect you want to have on your audience, then the notion that it is possible to simply choose the right words at the point of delivery,
without any kind of preparation, is at best naive and at worst disastrous. Even the few who are capable of it will admit to significant
preparation when the stakes are high.
Not only that, you have to consider how long to speak for. Effective speakers, in their preparation, also consider the audience at all times. They
ensure that they speak to the audience they have in front of them, rather than the audience they would like to have in front of them.
Selection Panel conducts GD, PI and extempore for selecting the students. Extempore - in the context of Selection Panel - you have to speak
without preparation. The Selection Panel extempore takes place in between the GD and PI. After completing your GD, when you go for the PI,
you will be given a topic to speak for a minute. There is no basis on which the topic can be given to you. It can be anything and everything.
Topics to expect
Generally, the extempore topics are not very tough. The topics range from something very personal like hobbies, academic
background, a particular or recent incident, a common saying or proverb or an issue of current affair. So be prepared to speak on
anything and everything.
Last year, some of the extempore topics were Dressed to kill, Your Dream Girl, My Impression of the Panel, The color of my shirt,
Properties of Sun, to name a few.
While you get the topic, do not rush to start even if you feel that you are well versed with the topic. Take some time to gather your
thoughts according to points. And then start with the first point and carry on with the flow. Since the duration of your speech will
be very less, your time will end before you can actually talk on all the points which you had arranged. So it would be best to
prioritize your points and say accordingly. It should not so happen that you start your introduction to the topic and as soon as you
think of coming to your main points, you are interrupted by the panel informing you that the time is over.
There are also possibilities that you may not be able to come up with enough points and finish in few seconds only. In that case, the
panel would ask you to speak more. So even if you don’t have much idea about the topic given to you, or can’t gather much point in
the initial few seconds, while speaking, try to think about other related points.
But make sure that you follow a particular structure of introduction, main body and conclusion otherwise it will just be a haphazard
collection of words. But these should be absolutely crisp and to the point. Don’t drag one point for long.
If you don’t have much to say on your topic or can’t think of many points, then arrange your introductory points in a manner which
will give you a good start. If you can recollect some relevant points during your introduction, you can also say that but keep in mind
that you start it in an appropriate manner.
On the day of your extempore, avoid nervousness and be confident. By the time you will have to appear for extempore, you will be
already done with your GD. So your initial nervousness shall be gone by that time. But in the next stage, you would be meeting the
panel all by yourself; you might face nervousness but remember that you should be able to do away with that as you have to
appear confident in front of the panel so that they believe in you.
Though there can be a varied range of topic and you really cannot presume what your topic can be, but still you have to practice.
The best way to practice for extempore is to practice speaking for a minute or two every day. Since you can be given any topic, you
can start your practice with a simple topic and move on to a little higher level. For example, let the topic be your favorite color. Then
in front of your friends or seniors, speak for a minute. Ask them to keep an eye on the watch so that you don’t exceed the time
limit. Continue this practice till the day of your personal assessment round.
Don’t forget to take feedback from your friends or seniors who are judging you. Keep a check on your body language, diction and
speaking. Don’t be too conscious while speaking. Utilize the first few seconds in collecting your thoughts and get going about it.
In this way, you can choose a topic everyday based on your profile, the subject you studied, your interests, person who inspire you
and anything you can think of which might appear in your extempore.
Know your direction. You’ve got to know how you want to deliver your speech before you actually speak. Should you go the
serious, awe-inspiring route, or the hysterical, laugh-a-minute path? The best way you can make a decision is to get a quick feel for
your audience. What type of people are they? What direction would they most accept? Your speech will be praised significantly
more if you speak in a language that works with those listening.
Prepare some backup. It isn’t uncommon to forget what you were going to say. What separates a good speech from a disaster is
how well you can catch yourself. It’s good to have a backup plan for the times when your mind suddenly blanks. That way, if you’re
caught without something to say, you can maneuver yourself out of that situation gracefully instead of gibbering and shaking in a
nervous sweat. In serious situations, you can bail yourself out with a polite way of excusing yourself. If you’re going for laughs, it’s
okay to be candid about your mental block.
Plot a course. Before you speak, try to make a quick mental outline of what you want to say. Some of the worst speeches came out
of people who didn’t take a moment to organize their thoughts before opening their mouths. Your outline doesn’t even have to be
in-depth; all you really need is a guide to help keep your thoughts on track.
Keep it short and sweet. Impromptu speeches aren’t expected to be long, epic narratives. In fact, the more concise you get the
better. A lot of people tend to hide their nerves and their being unprepared by using a lot of words. The problem is - they tend to
miss the point when they do this. Speaking clearly and with as few words as possible shows confidence in your own opinions and
that makes you a much better public speaker than those who just seem to rely on their wide vocabularies.
Watch your words. Lastly, you’ve got to listen to yourself. You do not want to say something you’ll eventually regret. Some things
might be private matters to others in the audience, or certain words can be offensive to others. Even the tone in which you speak
affects the reception of your speech. Listen to the words that are coming out of your mouth to make sure you’re saying what you
want your audience to hear.
Feel free to acknowledge that you have not prepared for a speech
Begin with your introductory sentence, elaborate it, then start working your way to your ending sentence
If you suddenly lose your train of thought or draw a complete blank, there are a few you can do to keep from panicking.
Pretend like you're pausing on purpose. Walk back and forth slowly, as if you're letting your last point sink in.
If you still can't remember what to say, make up a reason to pause the speech. You can say, "I'm sorry, but my throat is very dry. Can
If these tricks don't appeal to you, think of your own. The trick is to have something ready ahead of time.
Although, the best presenters often break the rules regularly and combine his own analysis with what is there as written protocol.
The following are explanations of how you can start a speech or presentation.
Be sure when considering the ‘questioning’ opening that you are not merely doing it to start your speech, rather you should be trying to get
them interested, engaged or inspired by what you are going to say.
Mahatma Gandhi, on 24 February 1916 in Benares, used a measured, factual opening in one of a series of speeches that strove for
independence for India. A few simple facts, established inside a minute or two and a devastating final two sentences set out his thesis that
there was no salvation for India under the then present governing structure.
This opening is appropriate when you understand that the situation demands you to get to the point quickly, you want your audience to
It could be useful when you have to speak on a very technical matter and there is a real necessity that the audience know where you are going
and you will then give signposts along the length of your presentation that refer back to the opening.
The surprising opening can be a visual experience, through a picture on a slide, a sensory experience or simply be spoken by the presenter. It
has the effect of juxtaposing what the audience expects with what they receive.
An example of a surprising opening would be the speaker saying “I have two passions in my life: communication and making soup!” and then
going on to explain the trials and tribulations of soup-making, recipes included.
This has the effect of engaging those who do make soup, and intriguing those who don’t. The link is made when they speaker say- ‘it is
important to know not only what to put into your soup, but also what to leave out - just like creating a presentation.’
Be aware of the risk of trying too hard with the surprising opening. Also, putting all your eggs in this one basket means that if it is unsuccessful
you will have work to do in creating rapport.
It is possible to create a surprising opening that has no connection whatever with the topic of the presentation (it could be about the venue,
about yourself or how you got there) but it is better if the connection is eventually made with the topic at hand, and runs as a theme through
the presentation.
The surprising opening may also be a bald, bold and bluntly stated opening statement that gets right to the point, with no preamble or beating
about the bush.
Stanley Baldwin’s speech on 6 May 1924 in London is a gradual peeling back from beginning to end of what it is like to be English. The final line
is “We still have among us the gifts of that great English race.” Everything leading up to that was a sentimental journey, through an England
that never existed outside the mind of the speaker.
Baldwin speaks of “the anvil of the country smithy, the corncrake on a dewy morning, the sound of the scythe against the whetstone, and the
sight of a plough-team coming over the brow of a hill…” He continues in that vein, revealing an England that evokes nostalgia as it peels back
the layers towards the peroration that talks of “brethren, justice and humanity” of the English race.
Peppering the first few minutes with clues for the audience can draw them into your talk in a seductive way, and in a completely different way
from the factual or surprise opening. You will have to ensure that your pace of delivery is right. If used effectively you can gradually draw the
audience into your way of thinking.
A good, and if you like, standard way of creating an oblique opening is to start by telling the audience all of the things you might have included,
but have decided not to include on this occasion.
This can be an interesting and enjoyable journey and allows you to home in on your topic without doing the obvious of simply starting with
what you are going to tell them.
Salman Rushdie spoke in 1991 about the value of his life. The opening takes us up in a hot air balloon that is careering towards the ground. He
then describes a Balloon Debate, a form of entertainment that has individuals defending the merits of famous people in a balloon to save them
from being jettisoned.
He returns to the balloon theme at the end, stating simply that “the balloon is sinking into the abyss”, a powerful metaphor for his own
situation and that of the democratic world.
This is a classic oblique opening, where an audience is expecting, and eventually gets a very serious speech on a life and death topic but is
treated to an entirely different journey at the outset.
Important Topics for extempore speaking ( for Example: In MBA admission process)
Now that you've had a chance to learn more about us, what would you change about our institute?
Be careful here. Most institutes don't want you to come in and shake up the place. At the same time, they don't want someone who says,
"Nothing, everything looks great here." Seek a middle ground by focusing on one or two non-threatening issues that may have come up in your
discussions.
For example,
"From our discussion of the problem with slow placement due to economic downturn, I think we should look into the possibility of giving more
practical knowledge and exposure to the students. It will make the students more employment ready. I also think, we need to do a horough
analysis of what the companies are expecting out of the students and try to fill the gap existing between the expectations and reality."
Such an answer indicates you are open to making changes but you also have a certain non-threatening decision-making style. Your response
"My dream job would include the execution of all of the theoretical and practical knowledge I will gain from the program. Also, all the
responsibilities and duties in the position of a manager will be handed over to me in my dream job. I also thrive in a fast-changing environment
where there's business growth. Your plans include attracting international placement during the next year, and this would satisfy one of my
ultimate goals of being involved in an international corporation."
An MBA admission panel, for example, tries to avoid repeated topics. But, different and conventional topic like the one above has no right or
wrong answer. In fact, the panel won't even really care what your answer is. He or she just doesn't want to hear something like, "I don't know, I
guess it's blue because that's the way I imagine it." The point is to see how creative you are and how you think. Be sure to explain why you
answered the way you did.
"My brain is red because I'm always hot. I'm always on fire with new plans and ideas."
Consider the following scenario: You are placed in a company after completion of your program. One evening you are working late and are
the last person in the office. You answer an urgent telephone call to your supervisor from a sales rep who's currently meeting with a
potential client. The sales rep needs an answer to a question to close the sale. Tomorrow will be too late. You have the expertise to answer
the question, but it's beyond your normal level of authority. How do you respond?
This response shows that the candidate is confident in his or her ability and can be counted on in an emergency. Similarly, your answer should
indicate that you're not afraid to be the decision maker in a tough situation, even if the situation's beyond your normal level of authority.
"I'd get all the pertinent information, taking well-documented notes. I'd answer the question based on my knowledge and the information
provided. I'd leave my supervisor a note and fill him or her in on the details the next morning. I'd be sure to explain my decision, as well as the
thought process behind it."
Such type of question is asked, generally to check your coping mechanisms for responding to changes. It tests how systematic your approach
could be in dealing with change, both from the perspective of an organization and on the individual level.
A somewhat ambiguous term, change management has at least three different aspects, including: adapting to change, controlling change, and
The response could be “Change management is a term used to refer to the introduction of new processes in an organisation, or the
management of people who are experiencing change. Successful adaptation to change is as crucial within an organization and the individuals
in them inevitably encounter changing conditions as they are powerless to control. The more effectively one deals with change, the more likely
he or she thrives. Adaptation might involve establishing a structured methodology for responding to changes in the business environment.”
Online learning
In today’s world, many adults find themselves unsatisfied with their college and institution and wish for something more but demands on their
time and schedule make this seem impossible. The good news is that the Internet has many online learning opportunities available that allows
one to gain a higher education, learn new skills, and become more marketable. And the great thing about the benefits of online learning and
online education is that one can get an education according to their own schedule and can do it from the comfort of their own home. In fact,
thousands of working professionals have been able to increase their knowledge and jobs skills without ever having to enter a classroom,
thanks to online classes.
By asking you to speak on this topic, the panel might check your understanding on technology and current trends. Your response towards
online learning could be favorable or unfavorable, but don’t be indifferent towards this topic as this shows that you have no idea about the
latest revolutions.
Your response could be, “Online Learning could be considered as learning in the virtual classroom. While there are indeed many solid career
opportunities available today, the market place is extremely competitive, making higher education that much more vital to successfully landing
the job of one’s own dreams. But one of the leading concerns for students, as well as working class, is to consider entering the world of
expensive education. Fortunately, there are plenty of distance learning courses that make it possible for willing students to learn from the
comfort of their own home without having to worry about many other expenses like commutation expenses, lodging and boarding expenses,
etc. Plus, these distance learning programs have been gaining a good degree of credibility throughout the professional world, so one can be
confident of receiving an education that will be acknowledged by major companies.”
These questions help the panel in understanding ‘what is your actual aim- Knowledge or mere Money?’ If you crave for mere Money, i.e. you
are driven by the high salary hype, you will not be considered a good candidate as money minded people generally don’t concentrate on
effectiveness and quality.
But if you are truly driven by your inner force of learning, you will certainly get that chance by securing a seat in your desired college. Your
response to this question could be, “This depends on the situation of the individual student and other factor such as, the type of industry they
are in, the company for which they are employed, and the prior skills they bring with them into the workforce. Attending an MBA school still
has the potential to raise your value and increase your personal bottom line, but it is not a guarantee. However, the economy has already
begun to turn around, and many financial organizations are posting large profits again and have begun to recruit MBA graduates for a variety
of positions. MBA holders work in a variety of positions, including financial controllers, senior financial analysts, project managers, marketing
directors, and of course as CFOs and CEOs. Salaries for these elite positions can be much higher than mid-level jobs.”
A resume - sometimes called a 'Curriculum Vitae' or 'CV' - is a summary of your skills, education and work experience. A good resume
demonstrates how your skills and abilities match up with the requirements of a job.
Resumes give you the opportunity to sell yourself to a potential employer. A resume is not an exhaustive list - if it's too long it probably won't
get read at all. The best resumes are usually no longer than one or two pages.
You should change your resume with every job application so that it lists the skills and experiences you have that are most relevant to the job
you're applying for. A tailored resume will be much more successful than a generic one, even though it means more preparation.
While things like your academic record and work experience are typical ways to show how suited you are to a particular job, these are not the
only things you should include. There are other ways to demonstrate that you are the right person for the job, including your:
Personal traits - you're an honest worker, you enjoy being part of a big team
Key responsibilities and achievements - any awards or recognition that you've received
How do I organise my resume's information?
The structure of your resume will vary depending on your work experience and education and training background.
A resume usually sets out information in a reverse order. Your most recent work experience and study details should be first on the list.
Full name and contact details including address, telephone number(s) and email address.
Education and training
A summary of your education and training history, starting with your most recent studies, making sure you include all training that's relevant to
Start with your most recent work history and work backwards chronologically, listing the name of the employer, your job title, the dates you
worked there, and your responsibilities, tasks and achievements. Make sure you include everything that's relevant to the job.
Skills and abilities
A list of the things you're good at. These can be general skills or skills specific to a particular job. List them under broad headings such as
A list of your hobbies and interests; this gives employers more information about you and also shows other areas of your life where you've
List people who can talk about how good a worker you are. Make sure you get their permission before including them on your resume. List their
name, company name occupation, and contact details. For more information, look at our Who can be my referee page.
Resume checklist
After you've written your resume, and before sending it, go through this checklist:
Proofreading - Make sure there aren't any spelling mistakes, typos or grammatical errors.
Tailoring - Make sure everything you mention shows how well-suited you are for the job you're applying for.
Presentation - Make sure the resume is well laid out, easy to read and printed on clean, white paper in a standard font (like Times
Detail - Make sure you've provided specific examples of your achievements and how you've used the skills you have.
The Heading (The Retern Address) or Letterhead - Companies usually use printed paper where heading or letterhead is specially
designed at the top of the sheet. It bears all the necessary information about the organisation’s identity.
Date - Date of writing. The month should be fully spelled out and the year written with all four digits October 12, 2005
(12 October 2005 - UK style). The date is aligned with the return address. The number of the date is pronounced as an ordinal figure,
though the endings st, nd, rd, th, are often omitted in writing. The article before the number of the day is pronounced but not
written. In the body of the letter, however, the article is written when the name of the month is not mentioned with the day.
The Inside Address - In a business or formal letter you should give the address of the recipient after your own address. Include the
recipient's name, company, address and postal code. Add job title if appropriate. Separate the recipient's name and title with a
comma. Double check that you have the correct spelling of the recipient 's name.
The Inside Address is always on the left margin. If an 8 1/2" x 11" paper is folded in thirds to fit in a standard 9" business envelope,
the inside address can appear through the window in the envelope.
The Greeting - Also called the salutation. The type of salutation depends on your relationship with the recipient. It normally begins
with the word "Dear" and always includes the person's last name. Use every resource possible to address your letter to an actual
person. If you do not know the name or the sex of of your reciever address it to Dear Madam/Sir (or Dear Sales Manager or Dear
Human Resources Director). As a general rule the greeting in a business letter ends in a colon (US style). It is also acceptable to use
a comma (UK style).
The Subject Line (optional) - Its inclusion can help the recipient in dealing successfully with the aims of your letter. Normally the
subject sentence is preceded with the word Subject: orRe: Subject line may be emphasized by underlining, using bold font, or all
captial letters. It is usually placed one line below the greeting but alternatively can be located directly after the "inside address,"
before the "greeting."
The Complimentary Close - This short, polite closing ends always with a comma. It is either at the left margin or its left edge is in the
center, depending on the Business Letter Style that you use. It begins at the same column the heading does. The traditional rule of
etiquette in Britain is that a formal letter starting "Dear Sir or Madam" must end "Yours faithfully", while a letter starting "Dear "
must end "Yours sincerely". (Note: the second word of the closing is NOT capitalized)
Signature and Writer’s identification - The signature is the last part of the letter. You should sign your first and last names. The
signature line may include a second line for a title, if appropriate. The signature should start directly above the first letter of the
signature line in the space between the close and the signature line. Use blue or black ink.
Initials, Enclosures, Copies - Initials are to be included if someone other than the writer types the letter. If you include other material
in the letter, put 'Enclosure', 'Enc.', or ' Encs. ', as appropriate, two lines below the last entry. cc means a copy or copies are sent to
someone else.
The format (layout) is the visual organisation of a business letter. You can follow many different formats when you create business
letters. Be aware that there are often differences depending upon location. The main business letter formats are:
Full-Block Style - All the elements are aligned to the left margin and there are no indented lines. This is a standard block-
style format that is accepted by most businesses.
Modified Block Style - The return address, date, closing and signature start just to the right of the center of the page or
may be flush with the right margin. All body paragraphs begin at the left margin.
Indented or Semi-Block Style - Similar to the modified block business letter style except that the first line of each
paragraph is indented.
Chapter 10
Get to know the student. Determine the date of the interview, the type of interview (phone interview, screening interview, second round
interview, etc.), the type of career or industry, and whether or not the student has anything specific that s/he would like for you to cover.
Choose the appropriate interview handout. We have handouts available for general employment, medical school, academic job interviews, and
Fulbright scholarship interviews. You may also choose or modify questions to suit the client’s needs.
As the interviewer: Get into character. Be engaging but somewhat straight-faced. Avoiding saying “Wonderful!” or “How interesting!”
Simulate a defined beginning of the actual interview. Leave the room and enter as the mock employer.
Greet the interviewee. Shake hands, and ask for a copy of the client’s resume. Start with, “Tell me about yourself.”
Ask your questions. Whenever possible, try to keep the interview flowing like a conversation. Feel free to ask follow-up questions about a
response given by your interviewee.
At the end of the interview, ask the interviewee, “Do you have any questions for me [the employer]?” You may not know the answers, but this
will give the client a chance to think about what to ask. Stay in character and let the student know that the answers would be discussed in a real
interview but that you will simply need to move on.
Conclude the interview. Thank the interviewee for his time and let him know that you will be contacting him regarding the next steps of the
interview process.
As the OCT:
Take detailed notes. Notes will help you to provide detailed feedback. See the attached worksheet for tips. Look for strengths as well as areas for
improvement. Pay attention to both content and delivery.
“Tell me about yourself…” When asked, “Tell me about yourself,” an interviewee should focus on autobiographical details that give the
interviewer a sense of who s/he is and that also suggest her/his suitability for the job (the school, the scholarship, etc.).
Assess the effectiveness of the client’s examples. The interviewee will be providing you with examples to support answers to questions. The
STAR method (Situation, Task, Action, Result) can help students structure concise, effective responses. Students have a tendency to talk too
much about the situation and omit the result. Instead, the student should touch briefly on all four areas.
Step 4: Discuss
What went well? What needs improvement? First, ask the client what s/he thinks. Go over your notes together.
Practice. After discussing how the mock interview went, pose troublesome questions to the client again so that s/he can practice new
techniques. Discourage memorization of answers to sample questions. It is better to prepare by thinking in terms of themes that you will
highlight in the interview: Background, Skills & Abilities, Examples, etc.
Discuss how the student can prepare for the real interview. Refer the student to the Oral Communication Program’s “Interviewing 101” handout
for other advice. For example: Dress appropriately, ask for the employer’s business card, send a thank-you note, etc.
Special Cases
Case Studies: Some students will want to practice case study interviews. While we do not offer thorough case study mock interviews, we can do
our best to help the client with general interview preparation.
Phone Interviews: To simulate a phone interview, turn your chair backs to each other. Recognize an increased need to pay attention to volume
(speak louder), speed (speak slower), conveying emotion (still smile; they will be able to tell),
and using signposts (“In summary, that is my view about…”). Subtle body language ways of communicating will be lost.
Don’t use vague labels. Don’t say, “I’m a perfectionist” or “I’m a people-person.” Instead, interviewees should focus on specific examples and
anecdotes that highlight their skills and make them stand out from other applicants.
For questions about weaknesses: If asked, “What are your weaknesses?” be honest, but put a positive spin on the response. For example: Don’t
say, “I’m always late.” Say, “I tend to take on a lot of projects at once and sometimes I have trouble balancing everything. I recently bought a
Palm Pilot to help me stay organized and on time, and it has been working really well to help me with time management.” (This follows the STAR
method.)
For questions about strengths: If asked, “What is your greatest accomplishment?” be honest and don’t worry about sounding arrogant. A lot of
people have trouble with talking about their strengths. Don’t dilute your response to be humble and don’t start with a shaky, “Well… I think my
greatest strength might be…” If worried about sounding arrogant, remember that actual arrogant people probably wouldn’t bother to be
worried.
Be yourself! If you are trying to say what you think the employer wants to hear, you will probably be wrong! Focus on presenting your best self.
A. This is the dreaded, classic, open-ended interview question and likely to be among the first. It's
your chance to introduce your qualifications, good work habits, etc. Keep it mostly work and
career related.
Q. Why do you want to leave your current job? (Why did you leave your last job?)
A. Be careful with this. Avoid trashing other employers and making statements like, "I need more
money." Instead, make generic statements such as, "It's a career move."
A. Everybody has weaknesses, but don't spend too much time on this one and keep it work related.
Along with a minor weakness or two, try to point out a couple of weaknesses that the interviewer
might see as strengths, such as sometimes being a little too meticulous about the quality of your
work. (Avoid saying "I work too hard." It's a predictable, common answer.) For every weakness,
A. Answer with positive, work-oriented adjectives, such as conscientious, hard-working, honest and
courteous, plus a brief description or example of why each fits you well.
"Because it's a great company." Say why you think it's a great company.
A. Point out your positive attributes related to the job, and the good job you've done in the past.
A. Briefly describe one to three work projects that made you proud or earned you pats on the back,
A. Naturally, material rewards such as perks, salary and benefits come into play. But again, focus
A. Tailor your answer to the job. For example, if in doing your job you're required to lock the lab
doors and work alone, then indicate that you enjoy being a team player when needed, but also enjoy working independently. If you're required
to attend regular project planning and status
meetings, then indicate that you're a strong team player and like being part of a team.
A. To help you answer this and related questions, study the job ad in advance. But a job ad alone may
not be enough, so it's okay to ask questions about the job while you're answering. Say what attracts
you to the job. Avoid the obvious and meaningless, such as, "I need a job."
A. This is sort of a double whammy, because you're likely already stressed from the interview and the
interviewer can see if you're handling it well or not. Everybody feels stress, but the degree varies.
Saying that you whine to your shrink, kick your dog or slam down a fifth of Jack Daniels are not
good answers. Exercising, relaxing with a good book, socializing with friends or turning stress into
productive energy are more along the lines of the "correct" answers.
A. The interviewer is likely looking for a particular example of your problem-solving skills and the
Q. Where do you see yourself five (ten or fifteen) years from now?
A. Explain your career-advancement goals that are in line with the job for which you are
interviewing. Your interviewer is likely more interested in how he, she or the company will benefit
from you achieving your goals than what you'll get from it, but it goes hand in hand to a large
degree. It's not a good idea to tell your potential new boss that you'll be going after his or her job,
A. Tout your skills, experience, education and other qualifications, especially those that match the job
A. The interviewer is likely fishing to see if you are interested in your field of work or just doing a job
to get paid. Explain why you like it. Besides your personal interests, include some rock-solid
business reasons that show you have vision and business sense.
Miscellaneous
Writing / Framing Short Story
1. Short Stories
A short story is a piece of fiction under 20,000 words. More typically, a short story will be 1,000 – 5,000 words. (Pieces under 1,000 words are
“short short stories” or “flash fiction”, over 20,000 and they’re novellas.)
Short stories are published in magazines, newspapers and book anthologies. Short stories need:
A small cast of characters, with one main character
A compact time frame, with the story taking place over the course of a few days or weeks
A single plot without subplots, though longer short stories may have a subplot
The majority of writing competitions are for complete short stories, rather than novels or novel excerpts. If you do enter competitions, don’t be
put off writing if you don’t win – judges have different likes and dislikes.
How to Write a Short Story
Like any story, your short story needs to have a beginning, middle and end:
The beginning is where we’re introduced to the characters, especially the main character and his/her problem
challenging environment.
The end is where the main character triumphs over his/her biggest challenge (or fails, in the case of a tragedy). The resolution should
Whatever type of story or stories you’re writing, and however experienced you are, there’s always room for improvement…
Share Your Story Writing Efforts
It’s hard to write in isolation, and sharing your work with other writers is a great way to get feedback and suggestions. Look for a local writers’
circle, or join an online forum. You want to find somewhere that’s supportive but where people aren’t afraid to offer advice about things that
aren’t working in your story.
Keep Learning
Writing is a craft that you can learn, like any other. There are hundreds of books on all aspects of writing, from the nuts and bolts
of grammar andpunctuation to writing in specific genres. You can also find free advice on the Internet (on blogs like this one). You can even take
a degree or post-graduate course in creative writing.
Keep Practicing
As well as learning about writing, you need to practice. That means writing regularly – ideally daily. As you write more, your stories will get
better – your characters are more “real”, your plots are convincing, and your endings are deeply satisfying to readers. You’ll also find that writing
itself becomes easier: you’ll spend less time struggling to find the right words, and more time enjoying seeing the story spill from your fingers.
Always Revise
All authors need to revise their work. Your first draft might have a lot of problems – inconsistent characterization, scenes which don’t really fit,
holes in the plot, incorrect pacing or tension. Don’t worry if this is the case: most published authors have to extensively rewrite their first drafts
too. Always allow time to revise your story, and if possible, do several rewrites. Most authors recommend letting your story sit unread for a few
days or weeks when you complete a draft, so that you can come to it with fresh eyes.
Good luck with your story writing!
2. Paraphrasing
Examples of Paraphrasing
Paraphrasing involves taking a set of facts or opinions and rewording them. When paraphrasing, it is important to keep the original meaning and
to present it in a new form. Basically, you are simply writing something in your own words that expresses the original idea.
Paraphrasing can be done with individual sentences or entire paragraphs. There are several examples of paraphrasing listed below for both long
Paraphrasing Sentences
Original: Giraffes like Acacia leaves and hay and they can consume 75 pounds of food a day.
Paraphrase: A giraffe can eat up to 75 pounds of Acacia leaves and hay everyday.
Original: Any trip to Italy should include a visit to Tuscany to sample their exquisite wines.
Examples
1. Paraphrasing Paragraphs
Duke's online website provides many examples of paraphrasing in order to help students understand the difference between paraphrasing and
plagiarism.
Here is an example of paraphrasing of a longer passage taken from the Duke website.
Original Passage:
In The Sopranos, the mob is besieged as much by inner infidelity as it is by the federal government. Early in the series, the greatest threat to
Tony's Family is his own biological family. One of his closest associates turns witness for the FBI, his mother colludes with his uncle to contract a
hit on Tony, and his kids click through Web sites that track the federal crackdown in Tony's gangland.
Paraphrased Passage:
In the first season of The Sopranos, Tony Soprano’s mobster activities are more threatened by members of his biological family than by agents of
the federal government. This familial betrayal is multi-pronged. Tony’s closest friend and associate is an FBI informant, his mother and uncle are
conspiring to have him killed, and his children are surfing the Web for information about his activities.
The main point of this passage is that problems within the family are as bad as or even worse than problems caused by the federal government.
Details about this betrayal include one family member turning informant, a hit being put out on Tony by family members, and Tony’s kids
Here is a summary of some of the changes made during the paraphrasing process:
His mother colludes with his uncle = his mother and uncle are conspiring
His kids click through Web sites = his children are surfing the Web
There is a fine line between plagiarism and paraphrasing. If the wording of the paraphrase is too close to the wording of the original content,
then it is plagiarism. The main ideas need to come through, but the wording has to be your own.
To use another person’s writing in your own can be accomplished with quotes and citations. A quote will need to be the exact wording and the
Paraphrasing usually makes the passage shorter than the original. Another option is to use a summary that is much shorter than the original
Although the papers you write will be your own—your own voice, your own thesis statements—there will be times when you will want to
integrate source material to help you support your assertions. When you integrate source material into your work, use summary, paraphrase, or
quotation, depending on your purpose. A summary, written in your own words, briefly restates the writer's main points. Paraphrase, although
written in your own words, is used to relate the details or the progression of an idea in your source. Quotation, used sparingly, can lend
credibility to your work or capture a memorable passage. This chapter details how to write summaries, how to paraphrase, and how to integrate
quoted matter into your text.
Summary
A summary is a brief restatement, in your own words, of the content of a passage. You should focus on the central idea of the passage.
Summarize when you want to present the main points of a lengthy passage or when you want to condense peripheral points necessary to your
discussion. A summary should be brief, complete, and objective.
Check for objectivity and revise any indication of personal opinion or critique.
Summarizing Narratives
The purpose of a narrative is to tell a story, and the point is in the telling of it. In summarizing a narrative, your strategy must be very different
from the strategy you would use in summarizing an expository piece. Do not write a narrative to summarize a narrative. In summarizing a
narrative, give a synopsis or overview of the story's events and relate how these events affect the central character.
Tables present numerical data in rows and columns for quick reference and are most effective when the writer wants to emphasize numbers,
particularly when a great deal of data is being displayed.