Beowulf: Beowulf, Heroic Poem, The Highest Achievement of Old English Literature and The
Beowulf: Beowulf, Heroic Poem, The Highest Achievement of Old English Literature and The
Beowulf: Beowulf, Heroic Poem, The Highest Achievement of Old English Literature and The
Beowulf
Beowulf preparing to cut off the head of
the monster Grendel, illustration
from Hero-Myths & Legends of the British
Race, 1910. Beowulf falls into two parts. It
opens in Denmark, where King Hrothgar’s
splendid mead hall, Heorot, has been
ravaged for 12 years by nightly visits from
an evil monster, Grendel, who carries off
Hrothgar’s warriors and devours them.
Unexpectedly, young Beowulf, a prince
of the Geats of southern Sweden, arrives with a small band of retainers and offers to
cleanse Heorot of its monster. Hrothgar is astonished at the little-known hero’s daring
but welcomes him, and, after an evening of feasting, much courtesy, and some
discourtesy, the king retires, leaving Beowulf in charge. During the night Grendel
comes from the moors, tears open the heavy doors, and devours one of the sleeping
Geats. He then grapples with Beowulf, whose powerful grip he cannot escape. He
wrenches himself free, tearing off his arm, and leaves, mortally wounded.
The next day is one of rejoicing in Heorot. But at night as the warriors sleep, Grendel’s
mother comes to avenge her son, killing one of Hrothgar’s men. In the morning
Beowulf seeks her out in her cave at the bottom of a mere and kills her. He cuts the
head from Grendel’s corpse and returns to Heorot. The Danes rejoice once more.
Hrothgar makes a farewell speech about the character of the true hero, as Beowulf,
enriched with honours and princely gifts, returns home to King Hygelac of the Geats.
The second part passes rapidly over King Hygelac’s subsequent death in a battle (of
historical record), the death of his son, and Beowulf’s succession to the kingship and
his peaceful rule of 50 years. But now a fire-breathing dragon ravages his land and
the doughty but aging Beowulf engages it. The fight is long and terrible and a painful
contrast to the battles of his youth. Painful, too, is the desertion of his retainers except
for his young kinsman Wiglaf. Beowulf kills the dragon but is mortally wounded. The
poem ends with his funeral rites and a lament.
That is not to say that Beowulf is an optimistic poem. The English critic J.R.R.
Tolkien suggests that its total effect is more like a long, lyrical elegy than an epic. Even
the earlier, happier section in Denmark is filled with ominous allusions that were well
understood by contemporary audiences. Thus, after Grendel’s death, King Hrothgar
speaks sanguinely of the future, which the audience knows will end with the
destruction of his line and the burning of Heorot. In the second part the movement is
slow and funereal: scenes from Beowulf’s youth are replayed in a minor key as a
counterpoint to his last battle, and the mood becomes increasingly sombre as
the wyrd (fate) that comes to all men closes in on him.
Beowulf has often been translated into modern English; renderings by Seamus
Heaney (1999) and Tolkien (completed 1926; published 2014) became best sellers. It
has also been the source for retellings in text—John Gardner’s Grendel (1971), for
example, which takes the point of view of the monster—and as movies.
According to St. Bede the Venerable, the Anglo-Saxons were the descendants of
three different Germanic peoples—the Angles, Saxons, and Jutes. By Bede’s
account, those peoples originally migrated from northern Germany to the island
of Britain in the 5th century at the invitation of Vortigern, a ruler of Britons, to help
defend his kingdom against marauding invasions by the Picts and Scotti, who
occupied what is now Scotland. Archaeological evidence suggests that the first
migrants from the Germanic areas of mainland Europe included settlers
from Frisia and antedated the Roman withdrawal from Britain about 410 CE. Their
subsequent settlements in what is now England laid the foundation for the later
kingdoms of Essex, Sussex, and Wessex (Saxons); East Anglia, Middle
Anglia, Mercia, and Northumbria (Angles); and Kent (Jutes). Ethnically, the Anglo-
Saxons actually represented an admixture of Germanic peoples with Britain’s
preexisting Celtic inhabitants and subsequent Viking and Danish invaders.
The peoples of each of the various Anglo-Saxon kingdoms spoke
distinctive dialects, which evolved over time and together became known as Old
English. Within that variety of dialects, an exceptionally rich vernacular
literature emerged. Examples include the masterful epic poem Beowulf and
the Anglo-Saxon Chronicle, a collection of manuscripts that cover events in the
early history of England.
The term Anglo-Saxon seems to have been first used by Continental writers in the
late 8th century to distinguish the Saxons of Britain from those of the European
continent, whom St. Bede the Venerable had called Antiqui Saxones (“Old
Saxons”). The name formed part of a title, rex Angul-Saxonum (“king of the Anglo-
Saxons”), which was sometimes used by King Alfred of Wessex (reigned 871–99) and
some of his successors. By the time of the Norman Conquest, the kingdom that had
developed from the realm of the Anglo-Saxon peoples had become known as
England, and Anglo-Saxon as a collective term for the region’s people was
eventually supplanted by “English.” For some time thereafter, Anglo-Saxon
persisted as an informal synonym for English, but that use diminished as emigrants
from Asia, Africa, the Caribbean, and other areas beyond northern Europe further
reshaped Britain’s ethnic composition.