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    Arts Reviewer

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    Faith Perl Nilo
    This document discusses several major Philippine theater groups and their contributions to the local performing arts scene. It also outlines key roles in a theater production such as the director, stage manager, and designers. Finally, it provides an overview of elements that go into a program or design brief for a theatrical production, including theme, plot, characters, script/libretto, and music/sound considerations.

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    Arts Reviewer

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    Faith Perl Nilo
    25 views2 pages
    This document discusses several major Philippine theater groups and their contributions to the local performing arts scene. It also outlines key roles in a theater production such as the director, stage manager, and designers. Finally, it provides an overview of elements that go into a program or design brief for a theatrical production, including theme, plot, characters, script/libretto, and music/sound considerations.

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    This document discusses several major Philippine theater groups and their contributions to the local performing arts scene. It also outlines key roles in a theater production such as the director, stage manager, and designers. Finally, it provides an overview of elements that go into a program or design brief for a theatrical production, including theme, plot, characters, script/libretto, and music/sound considerations.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    25 views2 pages

    Arts Reviewer

    Uploaded by

    Faith Perl Nilo
    This document discusses several major Philippine theater groups and their contributions to the local performing arts scene. It also outlines key roles in a theater production such as the director, stage manager, and designers. Finally, it provides an overview of elements that go into a program or design brief for a theatrical production, including theme, plot, characters, script/libretto, and music/sound considerations.

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    PHILIPPINE THEATER GROUPS – to maintain LOCAL PERFORMING GROUPS

    standards of production and a vital cultural force


     non-professional theater
     Philippine Educational Theater Association  small groups of amateur
     contrast with other groups  school theater
     Innovative and modern perspective  ADMU: Dulaang Sibol
     Issue-based theater (social and political  UP: Dulaang UP
     1960s: Cecile Guidote  UST: Teatro Tomasno

     Tanghalang Pilipino FUTURE ORIGINAL PERFORMANCE


     Leading exponent
    1. Rise in the number of original plays written
     CCP
    and produced by Filipino Playwrights
     Cultural consciousness
    2. The increasing interest for theater
     Original Filipino Play
    3. The new trends featuring spectacles: never
     1987
    before seen stage productions

     Repertory Philippines ROLES IN A THEATER PRODUCTION


     Chance to watch world class plays
     Les Miserables, Alice in, Miss Julie 1. Director
     Zenaida Amador and Baby Barredo  Key figure in theater production
     1967  Reproduce the playwright’s intentions
     Success or failure depends on
     New Voice Company  Morale of the people
     Political and Social concerns
     The Vagina Monologues (2001): About Sex 2. Stage Manager
    Trafficking and Domestic Violence  Architect of the performing arts
     Male Voice: About Violence in Filipino Men  Structuring lights, coordination
     Monique Wilson  Marriage of all the elements
     Synchronization
     Trumpets
     Asia’s first professional gospel theater  Set Designer/Production Designer
    group - Prepares the set
     Little Mermaid, Joseph the Dreamer - Furniture, sceneries, props
     The Blue Bird. About magical adventure of  Costume, mask, and accessories designer
    two children - Costume: visual element, define
     For Emerging Filipino Talents character, believable
     Jaime Del Mundo and Rony Fortich (The  Makeup Artist
    Blue Bird) - Accentuates normal features
    PROGRAM OR DESIGN BRIEF
    The production designer meets with the design team to
    discuss the details

     Program or Design Brief – can be thought as ab


    assignment containing broad objectives,
    expectations and the purpose.
    - Script of the play
    - Style and tone
    - The budget, props, work
    - Time and place
    - Movement and grouping of actors
    - The budget in both time and money
    - The workforce
    - The inventory

    ELEMENTS
    1. Theme – central idea of the production
    2. Plot – story line
    3. Characters – actors interwoven with the plot of
    the play
    4. Script or Libretto – the story of any play is taken
    forward by
    5. Music or Sound –
    o Natural Sounds – feeling of authenticity
    o Music – a new dimension occurs
    o Dialogue – music that will go with the
    dialogue

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