10 1 Overview
10 1 Overview
10 1 Overview
Introduction
In Module 10.1, students engage with literature and nonfiction texts and explore how complex
characters develop through their interactions with each other, and how these interactions develop
central ideas such as identity and expectations. Module 10.1 introduces foundational protocols and
routines for reading, writing, and discussion that students will continue to build upon and strengthen
throughout the year. The module consists of three units, referred to as 10.1.1, 10.1.2, and 10.1.3. Each
unit focuses on complex texts that offer students opportunities to work with multiple central ideas while
exploring a range of genres.
In Unit 10.1.1, students analyze how authors shape, refine, and transform shared central ideas as they
read three thematically related poems: Christopher Marlowe’s iconic poem “The Passionate Shepherd
to His Love,” Sir Walter Raleigh’s critical reply “The Nymph’s Reply to the Shepherd,” and William Carlos
Williams’ contemporary contribution, “Raleigh Was Right.” This unit introduces students to poets in
conversation and encourages students to make connections across all three texts. Students consider the
choices each poet makes, with a focus on how each poet shapes and refines central ideas shared in all
three texts.
In Unit 10.1.2, students read Ethan Canin’s “The Palace Thief,” exploring character interactions and
motivations and how they contribute to the development of a central idea. Students also have the
opportunity to analyze how rich figurative language contributes to a better understanding of evolving
characters and emotions in the story.
In Unit 10.1.3, students read “Two Kinds” and “Rules of the Game” from Amy Tan’s The Joy Luck Club,
and “Dreaming of Heroes,” a chapter from H. G. Bissinger’s non-fiction text Friday Night Lights. In their
work with Tan’s “Two Kinds” and “Rules of the Game,” students analyze how Tan develops central ideas
through the interactions between complex characters. Students continue their analysis of how authors
shape and refine central ideas in their exploration of Bissinger’s non-fiction text, “Dreaming of Heroes”
from Friday Night Lights, as they forge thematic connections with the central ideas of Tan’s fiction, such
expectations and identity.
The module excerpt from Friday Night Lights contains emotionally charged language that may be
outside of some students' cultural experiences to describe some people and the cultural groups they
represent. Specifically, the racial slur nigger (“the ‘n’ word”) appears several times in the text. The
curriculum includes this excerpt because this is a work of literary non-fiction describing real emotions,
real people, and real events. While the curriculum tries to limit inappropriate language in general, in this
context the use of language contributes to the development of the people, situations, and central ideas
in this text.
The End-of-Unit Assessments provide scaffolding for the Module Performance Assessment, in which
students choose two narrators from the module texts and explore how their different points of view
impact the development of a common central idea.
by Shakespeare]”).
b. Apply grades 9–10 Reading standards to literary nonfiction (e.g., “Delineate and
evaluate the argument and specific claims in a text, assessing whether the reasoning
is valid and the evidence is relevant and sufficient; identify false statements and
fallacious reasoning”).
W.9-10.10 Write routinely over extended time frames (time for research, reflection, and revision)
and shorter time frames (a single sitting or a day or two) for a range of purposes, tasks,
and audiences.
CCS Standards: Speaking & Listening
SL.9-10.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in
groups, and teacher-led) with diverse partners on grades 9–10 topics, texts, and issues,
building on others’ ideas and expressing their own clearly and persuasively.
CCS Standards: Language
L.9-10.4.a- Determine or clarify the meaning of unknown and multiple-meaning words and phrases
d based on grades 9–10 reading and content, choosing flexibly from a range of strategies.
a. Use context (e.g., the overall meaning of a sentence, paragraph, or text; a word’s
position or function in a sentence) as a clue to the meaning of a word or phrase.
b. Identify and correctly use patterns of word changes that indicate different
meanings or parts of speech (e.g., analyze, analysis, analytical; advocate, advocacy).
c. Consult general and specialized reference materials (e.g., dictionaries, glossaries,
thesauruses), both print and digital, to find the pronunciation of a word or
determine or clarify its precise meaning, its part of speech, or its etymology.
d. Verify the preliminary determination of the meaning of a word or phrase (e.g., by
checking the inferred meaning in context or in a dictionary).
CCRA.R.6 Assess how point of view or purpose shapes the content and style of a text.
CCRA.R.9 Analyze how two or more texts address similar themes or topics in order to build
knowledge or to compare the approaches the authors take.
RI.9-10.3 Analyze how the author unfolds an analysis or series of ideas or events, including the
order in which the points are made, how they are introduced and developed, and the
connections that are drawn between them.
RI.9-10.6 Determine an author’s point of view or purpose in a text and analyze how an author uses
rhetoric to advance that point of view or purpose.
Addressed Standards
These standards will be addressed at the unit or module level, and may be considered in assessment,
but will not be the focus of extended instruction in this module.
presented.
e. Seek to understand other perspectives and cultures and communicate effectively
with audiences or individuals from varied backgrounds.
SL.9-10.4 Present information, findings, and supporting evidence clearly, concisely, and logically
such that listeners can follow the line of reasoning and the organization, development,
substance, and style are appropriate to purpose, audience, and task.
L.9-10.1.a, b Demonstrate command of the conventions of standard English grammar and usage
when writing or speaking.
a. Use parallel structure.
b. Use various types of phrases (noun, verb, adjectival, adverbial, participial,
prepositional, absolute) and clauses (independent, dependent; noun, relative,
adverbial) to convey specific meanings and add variety and interest to writing or
presentations.
L.9-10.4.a Determine or clarify the meaning of unknown and multiple-meaning words and
phrases based on grades 9–10 reading and content, choosing flexibly from a range of
strategies.
a. Use context (e.g., the overall meaning of a sentence, paragraph, or text; a word’s
position or function in a sentence) as a clue to the meaning of a word or phrase.
L.9-10.6 Acquire and use accurately general academic and domain-specific words and phrases,
sufficient for reading, writing, speaking, and listening at the college and career
readiness level; demonstrate independence in gathering vocabulary knowledge when
considering a word or phrase important to comprehension or expression.
Prompt
In this three-lesson Performance Assessment, students analyze how the unique perspectives of the
different narrators of the Module 10.1 texts influence the development of central ideas, such as
identity, expectations, tradition, and the relationship between humans and nature. Students discuss,
organize, compose, and revise a multi-paragraph response to the following prompt:
How do the two narrators’ different points of view impact the development of a common central
idea?
In Lesson 1, students complete a carousel activity in small groups to review the development of central
ideas and the unique perspectives of the narrators in each of the module texts. Once they complete this
activity, students select a central idea and two texts upon which to focus their written responses.
In Lesson 2, students form discussion groups with other students who selected the same central idea
and discuss, in their groups, how the perspectives of the narrators of their selected texts influence the
development of this central idea. Students then independently draft an initial claim in response to the
Performance Assessment prompt, and collect and organize evidence in support of this claim.
Texts
Unit 1: “We cannot go to the country / for the country will bring us / no peace”
Marlowe, Christopher “The Passionate Shepherd to his Love.” 1599.
Unit 3: “I won’t let her change me, I promised myself. I won’t be what I’m not.”
Tan, Amy. “Rules of the Game.” The Joy Luck Club. New York: Putnam’s, 1989. pp. 89–101. Print.
Tan, Amy. “Two Kinds.” The Joy Luck Club. New York: Putnam’s, 1989. pp. 132–134. Print.
Bissinger, H. G. “Chapter 4: Dreaming of Heroes.” Friday Night Lights: A Town, a Team, and a Dream.
Cambridge, MA: De Capo, 1990. pp. 73–88. Print.
Module-at-a-Glance Calendar
responses
Use rubrics and
checklists for self-
assessment of
participation in
discussion
Unit 3: “I won’t let her change me, I promised myself. I won’t be what I’m not.”
“Rules of the 14 Read closely for textual CCRA.R.6 Mid-Unit: Students
Game” and details RL.9-10.2 write a formal, multi-
“Two Kinds” Annotate texts to RL.9-10.3 paragraph response to
from The Joy support one of the following
RI.9-10.1
Luck Club by comprehension and prompts:
RI.9-10.2
Amy Tan; analysis In “Rules of the Game,”
RI.9-10.3
“Dreaming of to what extent does
Engage in productive RI.9-10.6
Heroes” from Waverly meet her
evidence-based W.9-10.2.a, b, f
Friday Night mother’s expectations
conversations about
Lights by H.G. W.9-10.4 that she master “the art
text
Bissinger W.9-10.9.a, b of invisible strength”
Collect and organize
SL.9-10.1.a, d, e over the course of the
evidence from texts to
SL.9-10.4 chapter?
support analysis in
L.9-10.1.a, b or
writing
L.9-10.2.a, c In “Two Kinds,” Jing-mei
Use vocabulary
L.9-10.3 states, "My mother
strategies to define
believed you could be
unknown words L.9-10.4.a
anything you wanted to
Interpret figurative L.9-10.5
be in America (p.132).
language To what extent does
Trace the development Jing-mei’s story support
of ideas over the this belief?
course of the text