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    Hardcore Bass

    Uploaded by

    lalokass
    Hardcore Bass

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Hardcore Bass

    Uploaded by

    lalokass
    210 views12 pages
    Hardcore Bass

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    Hardcore Bass

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    210 views12 pages

    Hardcore Bass

    Uploaded by

    lalokass
    Hardcore Bass

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 12
    At a glance
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    The library contains samples from various vintage bass models recorded using different microphone and preamp configurations to provide a wide range of tones. It is intended to be used in mono by sending the stereo output to a mono bus.

    The bass models included are: 1961 Fender Jazz Fretless, 1963 Höfner, 1965 Gibson EB-2, 1966 Silvertone, and 1972 Rickenbacker.

    The right channel contains samples of an Ampeg rig mic'd with a ribbon microphone, while the left channel contains samples of a larger Ampeg rig mic'd with a dynamic microphone. The pan control mixes the two signal paths to control tone.

    QUANTUM LEAP HARDCORE BASS XP

    Hardcore Bass XP is slightly different from the original Hardcore Bass, due to the way
    it was recorded, and the way it is presented. Hardcore Bass XP is really more of a
    vintage, broad use, bass library. In addition to the original library we wanted to give
    you the option of getting a completely authentic, vintage bass sound, as well as a
    more hi-fi vintage sound. The sound is still the sound of a mic’d cabinet, but this time
    we used two cabinets. All of the samples are stereo. The right channel is the sound
    of a 50’s Ampeg rig, mic’d with an RCA 44 ribbon mic into a Manley tube signal path.
    The left channel is the sound of an 80’s large Ampeg rig mic’d with a Sennheiser 451
    dynamic mic into a Neve solid state signal path. The difference in sound between the
    two signal paths is huge. You can use the library as a stereo bass library, but the
    intended use is this: Whatever bus that the bass will end up passing through, should
    be set to mono. If you are using an outboard mixer, you can send the Hardcore Bass
    XP stereo output into two separate channels, and set them to dual mono (2 channels
    both panned dead center). If you are mixing inside of an audio program like Logic
    Audio, the Hardcore Bass XP VSTi will be stereo. You must assign the output to a
    mono bus, even though the Hardcore Bass VSTi is a stereo instrument. By sending
    the output to a mono bus, you are sending both sides of the stereo signal to a single,
    center panned, channel. Now, the pan control (CC10), in Hardcore Bass XP functions
    as a mixer between the 2 signal paths. The bass will be panned in the center, but the
    pan will control the tone. More bottom and top end from the left channel and all dirty
    midrange from the right.

    Like the first one, Hardcore Bass XP is very good at making aggressive bass sounds,
    but also shines in the softer areas as well. There are fingered as well as picked
    basses and a really nice fretless.

    The basses used are:

    1961 Fender Jazz Fretless (fingered)


    1963 Höfner (picked and fingered)
    1965 Gibson (picked)
    1966 Silvertone (picked and fingered)
    1972 Rickenbacker (picked)

    The programming and nomenclature is very similar to Hardcore Bass 1.

    QUICK NOTES:

    Smooth legato can be achieved simply by using the sustain pedal, and checking to
    make sure that the program you are playing has it’s polyphony limited to 1. Realistic
    releases can be attained by loading the release layer program and setting it to the
    same midi channel as whatever program you are playing.
    QUANTUM LEAP HARDCORE BASS XP

    1961 Fender Jazz Fretless

    61JB 2 Hand Monster


    61JB_KeySwitch_C0-C1.nki
    61JB_FX.nki
    61JB_Slu_KS-C0-D0.nki
    61JB_Harm2.nki
    61JB_SLDown.nki
    61JB_SusVel.nki
    61JB_Stac.nki
    61JB_SluSus_KS_C0-C#0.nki
    61JB_ReleaseLayer.nki
    61JB_Harm.nki
    61JB_SLUpOct.nki
    61JB_Hardcore1.nki
    61JB_SusVib.nki
    61JB_Hardcore2.nki
    61JB_Paris Vibe
    61JB_Punchy

    1963 Höfner Finger

    63HofFng_Noiz.nki
    63HofFng_Trem.nki
    63HofFng_SusVel.nki
    63HofFng_ReleaseLayer.nki
    63HofFng_Keyswitch_C0-D#0.nki
    63HofFng_Hardcore.nki
    63HofFng_SluSus.nki

    1963 Höfner Pick

    63HofPk_UPVel.nki
    63HofPk_Sus_keysplit.nki
    63HofPk_DNVel.nki
    63HofPk_SlUp.nki
    63HofPk_Noiz.nki
    63HofPk_Keyswitch_C0-D0.nki
    63HofPk_Hardcore.nki
    63HofPk_ReleaseLayer.nki
    63HofPk_RndRobin.nki

    1965 Gibson EB2 Pick

    EB2_DnwMte_Vel.nki
    EB2_UpSus.nki
    EB2_ UpMte.nki
    EB2 _DownSus.nki
    EB2_Trem.nki
    EB2_SusRnd_Robin.nki
    EB2_Sus_Keysplit.nki
    EB2_SluSus.nki
    EB2_SlDwn_Vel.nki
    EB2_ReleaseLayer.nki
    EB2_Noiz2.nki
    EB2_Noiz1.nki
    EB2_MuteRND_Robin.nki
    EB2_Mute_Keysplit.nki
    EB2_Keyswitch_C0-G0.nki
    EB2_Hardcore.nki
    EB2_BendUp.nki

    1966 Silvertone Finger

    66SilvFng_SusVel.nki
    66SilvFng_SLUpSus.nki
    66SilvFng_SLDown.nki
    66SilvFng_ReleaseLayer.nki
    66SilvFng_BendUp.nki
    66SilvFng_Noiz.nki
    66SilvFng_Keyswitch_C0-E0.nki
    66SilvFng_Hardcore.nki

    1966 Silvertone Pick

    66SilvPk_Up_Vel.nki
    66SilvPk_Down_Vel.nki
    66SilvPk_Sus_Keysplit.nki
    66SilvPk_SlUpSus.nki
    66SilvPk_SlDown.nki
    66SilvPk_Rnd_Robin.nki
    66SilvPk_ReleaseLayer.nki
    66SilvPk_Noiz.nki
    66SilvPk_Leg.nki
    66SilvPk_Keyswitch_C0-E0.nki
    66SilvPk_Hardcore.nki

    1972 Rickenbacker Pick

    72Rick_Up.nki
    72Rick_Down.nki
    72Rick_SUS_KeySplit.nki
    72Rick_SlUp.nki
    72Rick_Rnd_Robin.nki
    72Rick_ReleaseLayer.nki
    72Rick_Noiz2.nki
    72Rick_Keyswitch_C0-D#0.nki
    72Rick_Hardcore.nki
    72Rick_Noiz1.nki
    CREDITS:

    Programmed by Tony Austin,Nick Phoenix and Pierre Martin.


    Sample editing and various pro-French activities by Pierre Martin.
    Bass by Pierre Martin.
    Subliminal, anti-Republican messages by Nick Phoenix.
    Graphics by Steven Gilmore.
    Additional graphic design by Doug Rogers.
    PDF design by Claudia Phoenix.
    Recorded and Produced by Nick Phoenix and Pierre Martin.

    Special Thanks to Doug Rogers, Rhys Moody and everyone at Native Instruments.
    Also Available:
    QL Guitar and Bass
    QL 56 Strat
    QL Stormdrum
    QL Brass
    QL Rare Instruments
    QL Voices of the Apocalypse
    EWQL Symphonic Orchestra

    Need more info? Go to www.soundsonline.com


    East West End User License Agreement

    Please read the terms of the following audio samples License Agreement before
    using these audio samples. By opening the packaging and installing these audio
    samples, you agree to become bound by the terms of the License Agreement. If you
    do not agree with the terms of the License Agreement, do not open the packaging or
    use these audio samples. East West Sounds, Inc. (“Licensor”) guarantees that all of
    the samples on these discs have been created and recorded specially for this project,
    and any similarity to any other recording is unintentional.

    1. The audio samples recorded on these discs remain the property of Licensor and
    are licensed, not sold, to you for use on your sampling software or equipment.

    2. A right to use the enclosed sounds is granted to the original end-user of the
    product (Licensee) and is NOT transferable.

    3. The Licensee may modify the sounds. LICENSEE CAN USE THE SOUNDS FOR
    COMMERCIAL PURPOSES WITHIN MUSICAL COMPOSITIONS.

    4. This license expressly forbids resale, re licensing or other distribution of these


    sounds, either as they exist on these discs, or any modification thereof. You cannot
    sell, loan, rent, lease, assign or transfer all or any of the enclosed sounds to another
    user, or for use in any competitive product.

    5. Licensor will not be responsible if the contents of these discs does not fit the
    particular purpose of the Licensee.

    If in doubt over usage, please contact East West Sounds, Inc. by fax: (USA) 310-271-
    6968 or email: licensing@eastwestsounds.com

    ALL RIGHTS RESERVED. ©2004 EAST WEST SOUNDS, INC.


    1961 Fender Jazz Fretless
    1963 Höfner
    1966 Silvertone
    1965 Gibson EB-2
    1972 Rickenbacker
    AMPEG
    Left Channel Right Channel

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