Nongbri JSNT 2019
Nongbri JSNT 2019
Nongbri JSNT 2019
journals.sagepub.com/home/jnt
of Method
Brent Nongbri
MF Norwegian School of Theology, Religion and Society, Oslo, Norway. Macquarie University, Department
of Ancient History, Australia
Abstract
It is often said that palaeographic analysis of Greek literary manuscripts from the Roman
era has progressed from an aesthetic judgment to more of a science, thanks largely to
increased data (in the form of newly discovered papyri and parchments from Egypt) and
to more sophisticated ways of describing similarity and difference in handwriting. This
progress is frequently taken to mean that we may now use the analysis of handwriting to
assign dates to undated manuscripts with much greater precision and accuracy than was
possible a century ago. This article questions this conclusion by focusing on neglected
methodological points that specifically relate to the problem of palaeographic dating
of codices, namely the size and character of the corpus of securely datable samples
to which the handwriting of undated codices is compared. This problem is especially
relevant for early Christian books, the surviving examples of which tend to be copied
in the codex format.
Keywords
Codices, codicology, early Christian manuscripts, methodology, New Testament
papyri, palaeography, papyrology
Establishing dates for the earliest Christian manuscripts, and for Greek, Latin
and Coptic literary manuscripts in general, is a fraught enterprise. There are a
Corresponding author:
Brent Nongbri, MF Norwegian School of Theology, Religion and Society, Oslo, Norway. Macquarie
University, Department of Ancient History, North Ryde, New South Wales 2109, Australia.
Email: brent.nongbri@gmail.com
Nongbri 85
1. For examples of each type of ‘datable’ manuscript involving Christian literature, see
Luijendijk 2010 (on P.Oxy. 2.209 as part of an archive); Parker, Taylor, and Goodacre 2013
(on P.Dura 10, found in a secure archaeological context); Luijendijk 2011: 245-54 (on P.Oxy.
4.654, a copy of the Gospel of Thomas written on the reverse of a cursive document); Bagnall
1992 (on P.Oxy. 3.412, a literary text datable by its contents that was later reused for a dated
document); Turner 1966 (on P.Bodmer 20, which contains a copy of a martyrdom with a
known date); and BeDuhn and Hodgins 2017 (the results of radiocarbon analysis of the Beatty
Manichaean codices). One recent study suggests that the analysis of ancient ink may be able
to provide a non-destructive means of dating manuscripts, but more data is needed (see the
contribution of Goler et al. in this issue). Further discussion of these kinds of ‘datable’ manu-
scripts can be found in Nongbri 2018: 47-82.
2. I follow Orsini and Clarysse 2012 in distinguishing between dated documents (letters, edicts,
etc. that actually contain explicit dates) and relatively datable literary manuscripts (manu-
scripts with a terminus ante quem or terminus post quem fixed by one of the methods just
outlined).
3. For reflections on the tenuous nature of palaeographic dating, see Bagnall 2009. In their
recent overview of the dating of papyrus copies of NT texts, Pasquale Orisini and Willy
Clarysse also note the particular problems relating to the palaeographic dating of early
Christian manuscripts: ‘Literary papyri are notoriously difficult to date because they bear no
accurate date, and only few of them can be dated thanks to circumstantial evidence … As a
result dates given by editors or other scholars are as a rule based on palaeographical criteria,
i.e. a comparison with the handwriting of datable texts written in a similar script … New
86 Journal for the Study of the New Testament 42(1)
presented by the pool of datable samples of Greek literary writing from the
Roman era: its small size and its lack of codices.
Testament texts are even more problematic than other literary texts, since they are nearly
always written in the form of a codex, so that the script is the same on the two sides and nei-
ther the back nor front can be used to provide a terminus ante or post quem. Gradually, how-
ever, an uneasy consensus has been reached among papyrologists, and the result of this is
found in the dates put forward by Nestle-Aland’ (Orsini and Clarysse 2012: 443-44). We
should probably be somewhat cautious in describing the dates in Nestle-Aland as the results
of a considered consensus. The baseline for the dating of P1–P76 was established in the early
1960s, when Wilhelm Schubart, Herbert Hunger, Karl Preisendanz, Colin H. Roberts and
Theodore C. Skeat systematically back-dated many of these pieces to an earlier period than
that which was proposed by the original editors. A comparison with the list of papyrus manu-
scripts in the 28th edition of Nestle-Aland shows that, in almost all cases, these dates have not
been revised in the intervening half century (Aland 1963: 305-308).
4. The most current introductions to the palaeography of Greek literary manuscripts are Edoardo
Crisci and Degni 2011 along with Cavallo 2008. A condensed version of the material in
Cavallo’s book can be found in English in Cavallo 2009. Still very valuable is the introduc-
tory discussion in Turner 1987: 1-23.
5. See, however, the cautious comments in Turner 1987: 20: ‘For the Roman period my conclu-
sion … is that several “styles” of writing were simultaneously in use. Contemporary with
each other, they cross-fertilize and hybridize easily. Study of these reciprocal influences is
rewarding, provided only that the investigator is not trying to prove a derivation of one “style”
from another.’
Nongbri 87
time.6 Describing the procedure in this way raises several questions. What is
meant by ‘graphic similarity’ in this context? How is ‘comparison’ to be carried
out? How ‘rough’ are the dates generated by such a process?
Probing each of these questions thoroughly is beyond the scope of the present
task. Instead, I will frame my discussion in terms of a broader question: How
does palaeographic dating work in practice? A manuscript of unknown date is
first usually assigned to one of several generally accepted styles of writing (or its
affinities with one or more styles are noted).7 The earliest and latest securely dat-
able samples of each style will then provide the range within which the sample
of unknown date can be placed. While scholars differ on what clusters of writing
samples should be gathered together as ‘styles’ and whether or not a particular
manuscript might be properly classified as a given ‘style’, there is general agree-
ment among competent palaeographers on this basic approach. Where I would
like to focus our attention in this article is the pool of datable samples that serves
as the basis for assigning dates to undated manuscripts. Both its size and its char-
acter render it problematic for the uses to which it is put, especially when it
comes to assigning dates to ancient codices.
Palaeographic Handbooks
To provide context for understanding the problem, I will need to briefly sketch
some of the background of the history of the discipline of palaeography. As
Malcolm Choat demonstrates in his contribution to this issue, the modern study
of palaeography had its origins in the quest to determine the authenticity of ques-
tionable documents. Close study of handwriting was thought to be a good means
of authenticating real documents and detecting forgeries. By the late nineteenth
and early twentieth century, however, practitioners of palaeography evinced an
aesthetic sensibility that sits somewhat awkwardly with such forensic and
‘scientific’ goals. In the literature of that era, it is not uncommon to see Greek
6. This assumption is the bedrock of the process, but it is not without complications. See Nongbri
2014: 19-20 for a listing of reasons for caution in offering narrow dating ranges on the basis
of palaeography: We possess writing exercises demonstrating that copyists could write in dif-
ferent styles that we usually associate with time periods centuries apart; the working lives of
writing professionals could be two or three decades or more; modes of writing were passed
across generations from teachers to students. To these examples, one might add also the con-
sideration of the materials involved in writing. Is the writing surface absorbent and prone to
blots at the beginnings or ends of strokes? How different is the experience of writing on
papyrus versus writing on parchment? What about the level of competence of a given copy-
ist? Such factors may account for subtle graphic differences among samples of writing.
7. For differing classifications of ‘styles’ of Greek writing of the Roman era, see Turner 1987:
20-23 and Cavallo 2008: 58-140. For specific application to NT manuscripts, see Orsini and
Clarysse 2012.
88 Journal for the Study of the New Testament 42(1)
and Latin writing described using only or mostly emotive terms like ‘handsome’,
‘beautiful’, ‘pure’ and the like. Reading through Edward Maunde Thompson’s
palaeographic handbooks provides ample examples (Thompson 1893 and 1912).8
In the near total absence of securely dated literary manuscripts to serve as com-
paranda, assessments of the dates of newly discovered manuscripts could swing
wildly from publication to publication. For example, the so-called ‘Hawara
Homer’, a papyrus roll containing part of the Iliad discovered in 1888, was origi-
nally assigned to the fifth century; just eleven years later it was dated to the
second century.9
Over the course of the twentieth century, however, with the accumulation of
more securely dated or datable samples for comparison and the development of
photographic technology that allowed wider access to the visual evidence, the
assignment of palaeographic dates stabilized somewhat.10 And at the same time,
these sorts of explicit aesthetic judgments became less common. One can detect
a growing sense in the writings of palaeographers in the twentieth century that
palaeography was progressing from an art to a science.11 The last century has
clearly seen a great deal of progress in amassing a database of datable samples of
literary handwriting that can be used for palaeographic comparison. By the
1960s, there also emerged a much more detailed and in some respects more
objective way of describing Greek handwriting of the Roman era.12 When it
8. For a related analysis of later Latin and English palaeography, see Treharne 2011.
9. See Sayce 1889: 24 and Kenyon 1899: 101-103.
10. I say ‘somewhat’ because recognized experts still disagree about the dates of some manu-
scripts by a matter of not just decades, but centuries. Examples are plentiful. Among early
Christian manuscripts, one could point to PSI 1.1, which was assigned by its original editor to
the seventh century, by Roberts and Skeat to the third century, by Turner to the third or fourth
century, by Cavallo to the fifth or sixth century, and by Orsini and Clarysse to a surprisingly
narrow fifty-year window between the years 450 and 500 (see Vitelli 1912: 1-2; Aland 1963:
307, n. 2; Turner 1977: 147; Cavallo 2008: 101-102; Orsini and Clarysse 2012: 470). For a
parchment example, consider P.Ant. 1.12, a leaf of a codex containing 2 John that was
assigned by its original editor, Roberts, to the third century but was assigned to the fifth cen-
tury by Cavallo and Maehler (see Roberts 1950: 24, and Cavallo and Maehler 1987: 22). The
fifth-century date for P.Ant. 1.12 has been seconded in recent years by Kruger 2012, although
part of his argument is based on palaeographic similarity between P.Ant. 1.12 and the equally
contested PSI 1.1! Examples of such wide variation in opinions can also be found among non-
Christian manuscripts. P.Lit.Lond. 127, two parchment sheets from a codex containing ora-
tions of Demosthenes, were assigned by their editor ‘with fair confidence about the 2nd
century after Christ’ (Kenyon 1894: 248). This date was accepted by Turner (Turner 1977: 35,
38, and throughout). Yet Cavallo and Maehler assign the codex to the early fourth century.
The list could go on.
11. Evaluating whether art or science is the better descriptor of the field of palaeography depends
on determining exactly what is meant by the words ‘art’ and ‘science’. See Canart 2006.
12. I say ‘in some respects more objective’ because much of our palaeographic discussion still
seems to me to employ a terminology that is less about describing handwriting and more
Nongbri 89
If the study of book hands is to be placed on a sound and objective basis, what is
required at the start is a list of all those hands for whose date there is some kind of
evidence available whatever the difference in the kind and value of the evidence may
be … To give such a list would be beyond the scope of this book; but in selecting the
manuscripts to be illustrated none has been included whose date has to be determined
simply by analogies between the style of the hand in question and that of other
manuscripts … Such austerity will have its reward if it results in a more objective
approach to the subject, since an analysis of those hands for whose date there is some
firm evidence provides the only means of placing those far more numerous manuscripts
whose age is uncertain. (Roberts 1956: xii-xiii)
15. The same question can be posed even to detailed studies dedicated to a single ‘style’ of writ-
ing. As Peter Parsons noted in his review of Guglielmo Cavallo’s monumental work on the
‘Biblical Majuscule’, the set of data assembled by Cavallo for the period from the second to
the ninth century ce contained some 130 samples, but only 13 were datable by some means
other than palaeography, and these datable manuscripts were not spread evenly over the
period (so Parsons: ‘it must never be forgotten that the decadence of [the Biblical Majuscule]
over a period of four centuries is given its structure by only three dated MSS’). See Cavallo
1967 and Parsons 1970.
Nongbri 91
This point is blindingly obvious. Rolls have a blank side that can be reused. The
back of a dated documentary roll can be reused for a literary text, and the back
of a literary roll can be reused for a dated document. Codices, with their leaves
inscribed on both faces, are not ideal for reuse in this manner.16
Why is this lack of codices in the pool of dated comparanda a problem? It is
widely acknowledged that before the third century ce rolls rather than codices
were the main vehicle for the transmission of literature. Over the course of the
third and fourth centuries, the codex overtook the roll as the chief medium for
literature. Using the Leuven Database of Ancient Books (LDAB), we can get a
rough sense of the change over time.17 For the first century, codices account for
virtually 0% of surviving books. Codices make up about 5% of books assigned
to the second century, about 24% of books assigned to the third century, about
79% of books assigned to the fourth century, and about 96% of books assigned
to the fifth century. The major shift seems to have occurred over the course of the
third and fourth centuries. Why is this important for dating early codices? Two
sets of data from Oxyrhynchus can help to illuminate the problem.
Lucio Del Corso has generated a list of all the examples of the ‘severe style’
published in the first 70 volumes of the P.Oxy. series.18 So we have a group of
samples all found (though not necessarily copied) at a single location. Out of this
corpus of 248 examples, 16 have either a reasonably secure terminus post quem
or a terminus ante quem established by one of the methods of reuse described
above. The earliest of these datable samples was probably copied in the second
half of the second century, the latest in the second half of the third century. It is
16. There is a small corpus of codices that were constructed by pasting together the written sides
of used documentary rolls to make a double-thick length of blank papyrus and then cutting
this thickened papyrus into sheets that were folded for use in codices. For a discussion of
these rare books, see Bagnall 2002. On even rarer occasions, codices could be inscribed only
on the right-hand pages of each opening, leaving the left-hand pages blank to be inscribed
with other literature or documentary text. See Wouters 1979: 61-92.
17. These numbers were calculated by searching the ‘century’ and ‘bookform’ categories of the
LDAB in October of 2016. No account is taken of items classified as ‘sheets’. The numbers
were checked against the ‘graphing’ feature of the LDAB, which produced different raw
numbers (because of the algorithms used to divide the values of individual pieces assigned
dates like ‘second century to fourth century’) but nearly identical percentages. The percent-
ages of codices I calculated are somewhat higher than those reported in 1983 by Roberts and
Skeat 1983: 36-37: In the first century, codices account for 1%, in the second century 2%, in
the third century 17%, in the fourth century 70%, and in the fifth century 89%. We may
explain these differences by noting both the updated dataset of the LDAB and the fact that
Roberts and Skeat restricted themselves to non-Christian books containing literature (that is,
they left out books containing grammatical exercises, etc.).
18. See Del Corso 2006. Other papyri found at Oxyrhynchus (such as the many published in the
PSI series) are not part of his survey.
92 Journal for the Study of the New Testament 42(1)
thus not surprising that undated manuscripts written in the ‘severe style’ are usu-
ally assigned to the second or third centuries.19
But matters are not quite so simple. Del Corso’s database presents an interest-
ing conundrum. The list mostly consists of rolls, but there are at least ten codices
(some of the fragments are difficult to positively identify as either roll or codex).
The use of the ‘severe style’ thus spans the transition period from roll to codex
(as does the use of other styles, such as the ‘Biblical Majuscule’). But the pool of
datable samples of the ‘severe style’ comes exclusively from rolls, and these
samples have been used to assign dates even to the codices that also display this
type of handwriting. It may be the case that all of these codices were in fact pro-
duced in the third century.20 Yet, it is equally possible that the ‘severe style’
persisted beyond the second half of the third century, but we simply have no
examples datable to this later period because the medium of choice had shifted
to the codex, which cannot easily either incorporate used dated documents or be
itself reused for dated documents. If so, dates assigned to codices on the basis of
datable samples obtained from rolls may tend to skew early. And this is not just
an issue for the ‘severe style’ of writing. In fact, the many new datable samples
of Greek literary handwriting of all styles of the Roman era that have come to
light over the last 120 years are overwhelmingly derived from rolls rather than
codices. But it is this database of samples from rolls that has been used to assign
dates both to rolls and to codices. This fact has special importance for the dating
of early Christian manuscripts, which tend to be copied in the codex format.21
A second, partially overlapping set of data confirms this impression. In 1991,
Mariachiara Lama produced an inventory of literary texts copied on the back
sides of documentary rolls found at Oxyrhynchus. If the dates assigned to the
182 reused rolls Lama has inventoried are basically correct, the phenomenon of
19. Of course, not everyone will agree on what properly belongs to the ‘severe style’. Del Corso
states that he has been ‘inclusive’ in his determination, but his list names only three papyri
containing Christian material. Other equally respected palaeographers have described the
writing of many more Christian pieces from Oxyrhynchus as belonging to the ‘severe style’.
Clarysse and Orsini have described as ‘severe style’ the following additional NT manuscripts
from Oxyrhynchus not in Del Corso’s list: P.Oxy. 1.2; P.Oxy. 4.657; P.Oxy. 7.1108 and
7.1009; P.Oxy. 65.4446; P.Oxy. 66.4494; and P.Oxy. 66.4499. Orsini and Clarysse also
describe a second group containing five NT papyri from Oxyrhynchus as showing the alterna-
tion of thick and thin strokes in addition to the characteristics of the ‘severe style’ (Orsini and
Clarysse 2012: 457).
20. It has been suggested that the copyist of the roll in Del Corso’s list with the latest terminus
post quem (P.Oxy. 7.1016, a papyrus roll of Plato copied after 235 ce) also copied one of the
codices on the list, P.Oxy. 57.3885, a papyrus codex containing Thucydides. See Funghi and
Messeri Savorelli 1992.
21. It is a regularly reported fact that the vast majority of extant early Christian manuscripts,
especially those containing what we would identify as ‘scriptural’ or ‘canonical’ texts, employ
the codex format. See, e.g., Hurtado 2006: 43-93.
Nongbri 93
reuse of the backs of documentary rolls for literary texts seems to have died out
(at least in Oxyrhynchus) during the course of the third century.22 Thus, using
this collection of relatively datable samples to assign palaeographic dates to
codices would require the assumption that particular types of handwriting died
out along with the roll format (which, as we can clearly see from Del Corso’s list,
is a false assumption).23 So, if a codex were copied in the late third or early
fourth century using, say, the ‘severe style’, we would have no way (absent dated
documents written in literary hands) of correctly assigning the date by means of
palaeography because our pool of datable samples trickles off at the period at
which the codex replaced the roll as the primary vehicle for the transmission of
literary texts.24
Conclusions
These observations should prompt a reconsideration of how palaeographic evi-
dence is weighed when it comes to assigning dates to codices. It is regularly
pointed out that undated literary manuscripts are best compared with datable
22. Of the 182 items in her catalogue, only four pieces are assigned a date as late as ‘III/IV’; all
the rest are earlier. See the data collected in Lama 1991. This is not to say that there are no
exceptions. One can still find documents in reuse in, for example, the archive of Dioscorus in
the sixth century (e.g. P.Cair.Masp. 67055).
23. I wish to be clear on this point. The shift from roll to codex was not accompanied by particular
palaeographic changes. That is to say, we find the same types of writing in both rolls and
codices (one can easily find examples of the ‘Biblical Majuscule’ or the ‘severe style’ on both
rolls and codices). Indeed, this is the heart of the problem I identify here: The database of
datable samples tails off with the rise of the codex in the third century. Further evidence
confirming this phenomenon is now available thanks to The Collaborative Database of Greek
Bookhands recently unveiled by Grant Edwards (https://www.baylor.edu/classics/index.
php?id=958430). The number of datable literary samples sharply drops after the third century.
According to data provided by Edwards, the numbers of datable literary samples are as fol-
lows: second century ce: 16, second/third century ce: 14; third century ce: 23; third/fourth
century ce: 2; fourth century ce: 5; fifth century ce: 3; fifth/sixth century ce: 1.
24. The problem may become somewhat less serious from the latter part of the fourth century
when some forms of literary writing and documentary writing begin to become more easily
comparable thanks to what Jean-Luc Fournet has called ‘la littérarisation des documents’ and
‘la documentarisation de la littérature’ (Fournet 2016: 76-84). Yet, it should be noted that this
sentiment seems not to be shared by all palaeographers. According to Cavallo and Maehler,
‘From the fourth century onwards, literary and documentary hands seem to develop along
different paths and with increasing autonomy. The influence of documentary scripts on the
forms of letters and ligatures, and on the general appearance, of contemporary bookhands,
becomes far less evident than it had been in the preceding centuries; it can still be found in
some formal literary hands but not, as a rule, in the formal and highly stylized scripts of this
period’ (Cavallo and Maehler 1987: 1).
94 Journal for the Study of the New Testament 42(1)
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Nongbri 97