True Blood Ties Sound Script

INT.
PRISON - ENTRANCE - MORNING
Gin (physical description) is entering a

cellar with cubicles where clothes are
stored, the camera shows a close-up of his
facial expressions. Gin goes to one of the
cubicles and grips one of the clothes, his
hands shaking. (the spectator hears Gin´s
steps 0s-5s) (there is no sound from 5s to
10s in order to generate attention to Gin´s
actions ) (just after Gin takes the clothes
an acute sound/chirp is heard 10-13s) ( sound
of voices in jail )
EXT. STREET - MORNING
Jena, (physical description) is jogging, then

she stops and bends down, breathless. A close
up of her face shows her sweating and
gasping.(in order to do not be repetitive by
using Jena`s steps the sound of her heart is
displayed for 10 seconds/or the time she
takes jogging )(sound of rocks while
jogging)(the scene ends with the sound of
Jena´s heavy breathing)
INT. HOUSE - LIVING ROOM - MORNING
Gin is stressed out, , lying on the floor,

sweating.A body is seen in the background.
(intensive heart`s rate sound and breathing)
INT. HOUSE - SHOWER - MORNING
Jena is in the shower and a close up of her

face, she closes her eyes as water falls to
her face. (water falling sound such as in
American psycho
https://www.youtube.com/watch?v=RjKNbfA64EE)(
all the scene)
(Gin is seen hiding a box in the closet of

the room, Jenna arrives and asks him what is
that and why is he acting in such an
aggressive and mysterious
way.)(https://www.youtube.com/watch?v=vIgX450
Rd68 15 seconds of Requiem 2.47-3.02 )
Jena gets out of the shower and enters the

shot, puts on her shoes, grabs a purse and
her keys of the car on the table and exits
the house through the main entrance door, the
camera is behind her.(sound is recorded while
the scene is being shouted in order to give
authenticity to the scene)
EXT. HOUSE - PARKING - MORNING
Jena arrives at the entrance of the jail,

enters at the driver's seat of the car and
the car drives away from the shot (Jena´s
steps sound is displayed for a few seconds
and at the moment she enters to the car the
engine sounds for 2 secs while the car drives
away from the shot).
INT. CAR - MORNING
Jena in the driver's seat of the car arrives

to the jail closed door, the door opens and
the car goes inside (a slight chirp is
heard while the door is being opened ).
INT. PRISON - FAMILY MEETING ROOM - MORNING
JENA is in a small square table in the center of the room,
where she meets her father with a smirk face.
Her father enters into the room where he meets with her
daughter.
She greets her father with a very piercing voice (heavy
father's steps from the moment he enters to the scene to
the moment he sits, sound of the chair being dragged in
the flor and the conversation begins).
Jena
Hi dad.
(Talking very secure but in an exagerated way)
GIN
(He sits down)
Hi sweetheart. You look

nice.
(Gin acting a little bit strange and comfortless. )
JENA
Thanks. How’ve you been
feeling?
She says it (Rolling her
eyes)
GIN
Got rid of that head cold
finally. Took months.

JENA
You got more color in your
face.
GIN
I feel good. How about you?
Every time I see you, you’re
more beautiful than before.
How are things? How’s your
wacko mother?
JENA
She’s
alright. I
been
taking
care of
her.
(with a
piercing
voice)
GIN
Leaving her was the best
decision of my life.
JENA
(She laughed)
She threw you out, what are
you talking about?
GIN
Yeah, but I didn’t go
crawling back like she
wanted.
JENA
That makes you
happy?
(She speaks in an
ironic tone)
GIN
At least I have some pride
left in the salt shaker.
JENA
...Look, if you’re going to
act like this the first
minute of me sitting down,

than I’m outta here.
(With a persuasive voice)
Jena stands up and the cop monitor stares mad at her and
Gin. And makes a sign to Jenna to sit down inmediatly.
GIN
Alright, alright, just sit
down, okay? Jena, I’ll cool
it. I haven’t had the best of
mornings. Someone stole my
soap and I had to shower with
just water.
JENA
Well, I’ve had a bad
life, so we’re even...
GIN
Alright, Jena, Sit down,
just sit down, I’m sorry.
Jena sits. A tense moment between them.
How is your mother, really?
JENA
She drives me
crazy?
(Gin looks at Jena with intrigue, Jenna looks at him
nervously but still with a strong voice.)
But she’s okay, I guess, you know she’s taking
heavier doses of meds now and she...lately, I
catch her in daydream states. She’ll be
talking with me and suddenly stop and she’s
off somewhere else. Then she’ll snap right
back into the conversation like nothing
happened. She seems a little bit crazy.
(She says it with hate)
GIN
Right.
She has
changed
since she
has been
taking
care by
you.
JENA
Mmmm, I think she knows she
goes off but we never mention
it to each other, cause, you
know...it’s just---
Jena holds back the nervous welling up inside of her,

not knowing exactly what to say. SHe moves around in
her sit, nervously)
GIN
I’m going before the board
next month and you never
know, most likely they will
want me to stay the whole ten
but since I’ve done half, you
never know, they may let me
out sooner. I doubt it but if
they do, things will change
and get better. I’ll be home
and I’ll be there.
JENA
It’s a long shot.
They gather solid
evidences, Dad.
GIN
Yeah Yeah solid evidences.

(says it with a mocking tone)
They open up the case again,
they was another person
involved.
(Jenna looks staigth to his

father´s eyes, Gin stares back
at them without hesitation)
They were searching for more

clues, they found out someone
took a ring out of the corpse.
Not my DNA. But since there
are new questions, it might
help me.
(Jenn starts to swallor saliva

rapidly)
But let’s not depend on it
but---I know your situation
cause it’s my situation. You
understand?
Jena oddly hids and
Are you keeping up with things?
JENA
Yeah, things get rough but
we’re getting by. I put a
hundred in your commissary.
GIN
That’s plenty, thank
you. Is Harvey taking
care of you?
A dark aura descends over Jena.
JENA
Yeah, he, he gives me the
money to survive.
GIN
I did a lot of favors for

him, got him out of a lot of
shit. He knows what to do.
JENA
Yeah. I should go now, take
care.
(while the conversation is
taking place there will be
complete silent in the room
so there will be no place for
non diegetic sounds, the echo
will be controlled by the
usage of cloth and paneles.
The conversation must be the
priority )
INT. (Final flashback location)- MORNING

A dead body is shown and a close up shot shows a ring on the
body's hand, Jena's hand reaches for the ring and takes it
off the body’s hand.
(https://www.youtube.com/watch?v=vIgX450Rd68 10 seconds of
Requiem)(to be chosen with the director and producer)
INT. PRISON - FAMILY MEETING ROOM - MORNING
Jena gives a smile to her father and waves at him as she

sends a kiss. Jena stands up. (the spectator must hear the
kiss clearly as the smile and waves produce no sound)
INT. CAR - MORNING
There is a close up to Jena´s hands as she starts the engine

and puts her hands in the steering wheel.(engine´s sound 2
secs- …….)

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INT.

PRISON - ENTRANCE - MORNING

Gin (physical description) is entering a

EXT. STREET - MORNING

Jena, (physical description) is jogging, then

INT. HOUSE - LIVING ROOM - MORNING

Gin is stressed out, , lying on the floor,

INT. HOUSE - SHOWER - MORNING

Jena is in the shower and a close up of her

INT. HOUSE - LIVING ROOM - MORNING

(Gin is seen hiding a box in the closet of

INT. HOUSE - LIVING ROOM - MORNING

Jena gets out of the shower and enters the

EXT. HOUSE - PARKING - MORNING

Jena arrives at the entrance of the jail,

INT. CAR - MORNING

Jena in the driver's seat of the car arrives

INT. PRISON - FAMILY MEETING ROOM - MORNING

JENA is in a small square table in the center of the room,

where she meets her father with a smirk face.

She greets her father with a very piercing voice (heavy

father's steps from the moment he enters to the scene to

the moment he sits, sound of the chair being dragged in

the flor and the conversation begins).

(Talking very secure but in an exagerated way)

(He sits down)

Hi sweetheart. You look

Thanks. How’ve you been

She says it (Rolling her

Got rid of that head cold

finally. Took months.

You got more color in your

I feel good. How about you?

Every time I see you, you’re

more beautiful than before.

How are things? How’s your

Leaving her was the best

She threw you out, what are

you talking about?

Yeah, but I didn’t go

crawling back like she

That makes you

At least I have some pride

left in the salt shaker.

...Look, if you’re going to

act like this the first

minute of me sitting down,

(With a persuasive voice)

Alright, alright, just sit

down, okay? Jena, I’ll cool

it. I haven’t had the best of

mornings. Someone stole my

soap and I had to shower with

Well, I’ve had a bad

life, so we’re even...

Alright, Jena, Sit down,

just sit down, I’m sorry.

Jena sits. A tense moment between them.

How is your mother, really?