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    Felix Budelmann

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    Ítalo Bianchi
    Felix Budelmann is an academic who has authored and edited numerous books and articles about Greek literature and lyric poetry. Some of his most notable books include Greek lyric: a selection, Textual events: performance and the lyric in early Greece, and The Cambridge companion to Greek lyric. His research focuses on topics such as collective cognition in Greek choruses, audience reception of tragedy, and cognitive approaches to lyric poetry. He has published many articles in journals and edited volumes on these subjects.

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    Felix Budelmann

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    Ítalo Bianchi
    301 views3 pages
    Felix Budelmann is an academic who has authored and edited numerous books and articles about Greek literature and lyric poetry. Some of his most notable books include Greek lyric: a selection, Textual events: performance and the lyric in early Greece, and The Cambridge companion to Greek lyric. His research focuses on topics such as collective cognition in Greek choruses, audience reception of tragedy, and cognitive approaches to lyric poetry. He has published many articles in journals and edited volumes on these subjects.

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    Felix Budelmann is an academic who has authored and edited numerous books and articles about Greek literature and lyric poetry. Some of his most notable books include Greek lyric: a selection, Textual events: performance and the lyric in early Greece, and The Cambridge companion to Greek lyric. His research focuses on topics such as collective cognition in Greek choruses, audience reception of tragedy, and cognitive approaches to lyric poetry. He has published many articles in journals and edited volumes on these subjects.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    301 views3 pages

    Felix Budelmann

    Uploaded by

    Ítalo Bianchi
    Felix Budelmann is an academic who has authored and edited numerous books and articles about Greek literature and lyric poetry. Some of his most notable books include Greek lyric: a selection, Textual events: performance and the lyric in early Greece, and The Cambridge companion to Greek lyric. His research focuses on topics such as collective cognition in Greek choruses, audience reception of tragedy, and cognitive approaches to lyric poetry. He has published many articles in journals and edited volumes on these subjects.

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    © All Rights Reserved
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    of 3

    Felix Budelmann: books and academic articles

    Books

    FB, Greek lyric: a selection (Cambridge Greek and Latin Classics), Cambridge 2018

    FB and T. Phillips eds., Textual events: performance and the lyric in early Greece, Oxford
    2018

    J. Billings, FB and F. Macintosh eds., Choruses, ancient and modern, Oxford 2013.

    FB ed., The Cambridge companion to Greek lyric, Cambridge 2009.

    FB and P. Michelakis eds., Homer, tragedy and beyond: studies in honour of P. E.


    Easterling, London 2001.

    FB, The language of Sophocles: communality, communication and involvement, Cambridge


    2000.

    Articles

    FB, ‘Dare to believe: wonder, trust and the limitations of human cognition in Euripides’
    Iphigenia in Tauris’, forthcoming in D. Braund, E. Hall and R. Wyles (eds.), Theatre and
    performance around the ancient Black Sea (Cambridge 2019 or 2020).

    FB, ‘Metalepsis and readerly investment in fictional characters: reflections on apostrophic


    reading’, in S. Matzner and G. Trimble eds. Metalepsis: ancient texts, new perspectives
    (Oxford 2019 or 2020)

    FB and E. van Emde Boas, ‘Attending to tragic messenger speeches’, in J. Grethlein, L.


    Huitink and A. Tagliabue eds, Under the spell of stories: experience, narrative and criticism
    in ancient Greece (Oxford 2019 or 2020).

    FB, ‘Group minds in Classical Athens? Chorus and demos as case studies of collective
    cognition’, M. Anderson, D. Cairns and M. Sprevak eds. The history of distributed cognition
    (Edinburgh 2018), 190-208

    J. Thompson, B. Teasdale, S. Duncan, E. van Emde Boas, FB, L. Maguire, R. Dunbar,


    ‘Individual differences in transportation into narrative drama’, in Review of General
    Psychology 22 (2018) 210-19

    FB, ‘Lyric minds’, in Textual events (see Books, above), 235-56.

    FB, R. Dunbar, S. Duncan, E. van Emde Boas, L. Maguire, B. Teasdale, J. Thompson,


    ‘Cognition, endorphins and the literary response to tragedy’, Cambridge Quarterly 46 (2017)
    229-50.

    1
    FB, ‘Performance, reperformance, pre-performance: the paradox of repeating the unique in
    Pindaric epinician and beyond’, in R. Hunter and A. Uhlig eds., Reperformance in ancient
    culture (Cambridge 2017) 42-62.

    R. Dunbar, B. Teasdale, J. Thompson, FB, S. Duncan, E. van Emde Boas, L. Maguire,


    ‘Emotional arousal when watching drama increases pain threshold and social bonding’,
    Royal Society Open Science 3 (2016) 160288.

    FB, Laurie Maguire and Ben Teasdale, ‘Ambiguity and audience response’, Arion 23.3
    (2016) 89-114.

    FB and T. Power, ‘Another look at female choruses in Classical Athens’, Classical Antiquity
    34 (2015) 252-95.

    FB and P. LeVen, ‘Timotheus’ poetics of blending: a cognitive approach to the language of


    the New Music’, Classical Philology 109 (2014) 191-210.

    FB and T. Power, ‘The inbetweenness of sympotic elegy’, Journal of Hellenic Studies 133
    (2013) 1-19.

    FB, L. Maguire and B. Teasdale, ‘Audience reactions to Greek and Shakespearean tragedy’,
    Times Literary Supplement 19 July 2013, 13-15.

    FB, ‘Greek festival choruses in and out of context’, in Choruses, ancient and modern (see
    above) 81-98.

    FB, articles on ‘Dramatic illusion and realism’, ‘Lyric poetry and tragedy’, and ‘Pain,
    physical and mental’, in H. Roisman ed., The encyclopedia of Greek tragedy, Chichester
    2014.

    FB, ‘Alcman’s nightscapes (frs. 89 and 90 PMGF)’, Harvard Studies in Classical Philology
    107 (2013) 35-53

    FB, ‘Epinician and the symposion: a comparison with the enkōmia’, in P. Agocs, R. Rawles
    and C. Carey eds. Reading the victory ode (Cambridge 2012) 173-90.
    FB and P. E. Easterling, ‘Reading minds in Greek tragedy’, Greece and Rome 57 (2010)
    289-303.
    FB, ‘Bringing together nature and culture: on the uses and limits of cognitive science for the
    study of performance reception’, in E. Hall and S. Harrop eds. Theorising performance:
    Greek drama, cultural history and critical practice (London 2010) ch. 9.
    FB, ‘Introducing Greek lyric’, in The Cambridge companion to Greek lyric (see books
    above), 1-18.
    FB, ‘Anacreon and the Anacreontea’, in The Cambridge companion to Greek lyric (see books
    above), 227-39.

    FB, 'The reception of Sophocles' representation of physical pain', American Journal of


    Philology 128 (2007) 443-67.

    2
    FB and J. Haubold, 'Reception and tradition', in L. Hardwick and C. Stray (eds.), A
    companion to classical receptions (Oxford 2007) 13-25.

    FB, 'Trojan Women in Yorubaland: Femi Osofisan's Women of Owu', in L. Hardwick and C.
    Gillespie (eds.), Classics in post-colonial worlds (Oxford 2007) 15-39. Also in: S. Adeyemi
    (ed.), Portraits of an eagle – a festschrift in honour of Femi Osofisan (Bayreuth 2006) 89-
    110.

    FB, 'Körper und Geist in tragischen Schmerzszenen', in B. Seidensticker and M. Vöhler (eds)
    Gewalt und Ästhetik: Zur Gewalt und ihrer Darstellung in der griechischen Klassik (Berlin
    2006) 123-48 .

    FB, 'The mediated ending of Sophocles' Oedipus Tyrannus', Materiali e discussioni per
    l'analisi dei testi classici 57 (2006) 43-62.

    FB, 'Jebb’s Philoctetes', pp. 31-49 in the re-issue of R. Jebb’s Philoctetes commentary
    (Bristol 2004).

    FB, ‘West-African adaptations of Greek tragedy’, Proceedings of the Cambridge Philological


    Society 50 (2004) 1-28, and reprinted in B.Goff (ed.) Classics and colonialism (London
    2005) 118-46.

    FB, 'Classical commentary in Byzantium: John Tzetzes on ancient Greek literature', in R. K.


    Gibson and C. S. Kraus (eds.), The classical commentary: histories, practices, theory (Leiden
    2002) 141-69.

    FB, 'Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient
    and Byzantine scholarship', in Homer, tragedy and beyond (see books above) 209-40.
    FB, 'The metrical scholia on Pindar’s Olympian 1', Bulletin of the Institute of Classical
    Studies 43 (2000) 195-201.
    FB, 'Visual and verbal symbolism in Greek tragedy: the case of the uncut rock in Oedipus at
    Colonus', in L. Hardwick (ed.), The January conference 1999 - theatre: ancient and modern
    (Milton Keynes 2000) 181-97.
    FB, 'Notes on the text of Sophocles', Bulletin of the Institute of Classical Studies 43 (1999)
    171-6.

    May 2019

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