1.

INTRODUCTION OF BASIC TOOLS

The toolbox contains common tools used for editing clips in the timeline
. Click on any of the buttons (or use the keyboard shortcuts) to select each tool. The default
tool is the selection tool.

When you select a tool the mouse pointer will usually change to a new icon to represent the
tool when held over the timeline panel. In some cases you can change the Behaviour of a
tool by holding down a modifier key such as the Shift key.

The tools are described below with links to more information.

Button Keyboard Description

Shortcut
V SELECTION TOOL.
The default tool, used to select clips in the timeline.
M TRACK SELECT TOOL.
Select all clips on a track from a given point, or select multiple tracks.
B RIPPLE EDIT TOOL.
Adjust an edit point and move other clips in the timeline to compensate.
N ROLLING EDIT TOOL.
Adjust an edit point between two clips without affecting the rest of the
timeline.
X RATE STRETCH TOOL.
Change the duration of a clip while simultaneously changing the speed
to compensate.
C RAZOR TOOL.
Cut a clip (or multiple clips) into two clips.
Y SLIP TOOL.
Move a clip's in and out points by the same amount simultaneously, so
the rest of the timeline is not affected.
U SLIDE TOOL.
Move a clip back and forth in the timeline, while simultaneously
adjusting adjacent clips to compensate.
P PEN TOOL
Create control (anchor) points.
H HAND TOOL.
Drag the timeline view left and right.
Z ZOOM TOOL.
Click in the timeline to magnify the view, or drag and select a
rectangular area to zoom into tool is selected. Sometimes you can do.
1 Make sure you’ve copied all the lesson folders and contents from the DVD to your hard
drive. The suggested directory is My Documents/Adobe/Premiere Pro/9.0/Project
(Windows) or Documents/Adobe/Premiere Pro/9.0/ Project (Mac OS).

Note: It’s best to copy all the Project assets from the DVD to your hard drive and leave them
there until you complete this book; some lessons refer to assets from previous Project.

2 Launch Premiere Pro.

3 Click Open Project.

On the welcome screen of Premiere Pro, you can start a new project or open a saved one.

4 In the Open Project window, navigate to the Lesson 01 folder in the Lessons folder, and
then double-click the Lesson01.prproj project file to open the first lesson in the Premiere
Pro workspace.

Note: All Adobe Premiere Pro project files have a .prproj extension.

Note: You may be prompted with a dialog box asking where a particular file is. This will
happen when the original files are saved on a hard drive (or hard drive letter) different from
the one you’re using. You’ll need to tell Premiere Pro where the file is. In this case, navigate
to the Project /Assets folder, and select the file that the dialog box is prompting you to
open. Premiere Pro will remember this location for the rest of the files.
 2.ARRANGING THE INTERFACE AND LEARNING
CUSTOM LAYOUT

INTRODUCTION:

A device or program enabling a user to communicate with a computer.

ARRANGING THE INTERFACE

Premiere Pro CC-2018

Audio editing and mixing interface

Editing interface

Color correction
Effects interface

Graphics interface
 3.MONTAGE SHOT

Click on your first shot, then go up into its effects panel. Drag your cursor over to Scale, and
then make a keyframe marker at the beginning of your clip (by pressing the stop watch).
This will make a marker point of your current clip scale, which is 10Now go to the end of
your clip, and raise the scale up to 105 (or higher).
This will automatically make another key frame marker.
If you play out your clip, you will see that you’ve created a digital scale.
This method can be done in reverse too, creating a digital scale out. For example, start with
your clip scale at 110. Then go to the end and make it 100.
To make this effect work properly, you must apply it to at least three other shots in your
sequence. Right-click your first shot, then select Copy in the drop-down menu.
Once you’ve done that, highlight the other clips in your sequence, and then right-click. From
the drop-down menu press Paste Attributes.
An additional window will appear; just select Motion and press okay.
This will apply your scale in effect to all of the shots you highlighted. Depending on the
length of your other clips, you may need to adjust the scale manually to make sure they
don’t zoom in too slow or too late.
Again, I can’t express how much this little technique has gotten me through a ton of edits.
You can apply to almost every project’s montage sequences.
 4.ORGANIZING VIDEO FOOTAGE

Step 1:
Open the premiere pro
Step 2:
Import the video which u have to edit

Step 3:

We have the organizing the video clips in the new bin folder
Step 4:

We have the save the video clips in bin and we have the organize the clip and save by their
name, number and other that we easily understandable

5.COLOUR CORRECTION
● In Premiere, find the clip you want to add color to on the timeline and double-click it.

● Click the Effects Control tab.

● Search for Fast Color Corrector, and double-click it.

● When the effect loads in the Effect Controls window, it’s going to give you a ton of
options. Scroll down to the White Level and click the eyedropper icon.

● Find the brightest/whitest area of your picture and click the eyedropper there.

● Now go back to the Effect Controls window and go to the Black Level eyedropper.

● This time you’ll be finding the darkest/blackest part of the image and click the
eyedropper on it.

● If you want to do more to the image, you can go to the Gray Level and use the
eyedropper to identify the neutral colors in your scene. However, you don’t always
have to do this and you can actually mess up the picture using it.
● You can also adjust your Color Level Settings: you can intensify the colors or add
richness to your look. The left corresponds to the blacks in the scene, the right
corresponds to the highlights.

Color correction
Before

After
 6.APPLYING EFFECTS TRANSITION & MOTION
EFFECTS
Adobe Premiere Pro is a video editing program developed by Adobe Systems and available
for Mac and Windows platforms. The software lets you edit uploaded or downloaded video
in a variety of ways, including color grading, cutting and arranging video clips, adding visual
effects, adding separate audio tracks, and converting video files to different formats. You
can also insert any of a variety of effects to transition between 2 chronologically adjacent
video clips in your project,. This guide shows you how to choose and implement a transition
in Adobe Premiere Pro CC

Step 1:

Select the "Effects" panel in the lower-left corner of the interface

Step 2:

Open the "Video Transitions" folder.

Step 3:

Select the folder of the type of transition you want to use. The number and types of
transitions depend on your version of Premiere Pro. Common transition types include
dissolve, 3D motion, and slide. Each folder contains transitions that are stylistically similar
but offer slightly different effects

Step 4:

Click and hold on the transition you want to use, then drag it over to your video clip panel.

Step 5:
Drop the transition into a position on the video clip bar. Transitions can be placed in
between two overlapped clips, as well as at the beginnings and endings of each clip.

Step 6:

Click and drag the left and right edges of the transition to shorten it or extend it.Each
transition has a default time length you can alter in this way.
When you play the video clips back, the transition may stutter and jerk, depending how
much you shortened or lengthened the effect. It is signified by a red bar at the top of the
video clip panel. Simply hit the "Return" key on Mac or "Enter" key on Windows to create a
rendered video preview. This will make the video and transitions flow smoothly.

7.MULTIPLE LAYER AND KEY FRAMES

In Adobe Premiere Pro, you can use an adjustment layer to apply the same effect to
multiple clips on the Timeline. Effects applied to an adjustment layer affect all layers below
it in the layer stacking order.

You can use combinations of effects on a single adjustment layer. You can also use multiple
adjustment layers to control more effects.

Adjustment layers in Premiere Pro behave similarly to the adjustments layers in Adobe
Photoshop and Adobe After Effects.

Create an adjustment layer

1.Select File > New > Adjustment Layer.
2.In the Video Settings dialog box, modify settings for the adjustment layer, if necessary,
and then click OK.
3.Drag (or Overwrite) the adjustment layer from the Project panel on to a video track above
the clips you want to affect in the Timeline.
4.Click anywhere in the body of the adjustment layer to select it.

5.With the adjustment layer selected, enter the name of the effect that you want to apply in
the Rapid Find box of the Effectspanel.
6.Double-click the effect to add it to the adjustment layer. You can add multiple effects to
the adjustment layer.

7.Press Shift+5 to open the Effect Controls panel. Modify the parameters of the effect as
needed.
When you play the sequence, note that all the clips on the underlying tracks are affected by
changes you made to the adjustment layer.

Resize an adjustment layer to highlight an area

You can add an effect to an adjustment layer, like a tint or color correction effect, and then
resize it. The technique allows you to highlight an area of the screen.

1.Double-click the adjustment layer in the Timeline display area.

2.Drag the anchor point in the center of the screen to reposition the adjustment layer, and
then drag the edge of the clip to scale it down.

Blend modes and adjustment layers

Using an adjustment layer, you can apply the same blend mode and opacity adjustment to a
range of clips. Do this in Premiere Pro by changing the blend mode under Opacity in the
Effect Controls tab of the adjustment layer.

This technique is equivalent to duplicating a clip in a video track over an existing clip, and
then changing its blend mode.
Keyframes are used to change the properties of a video or audio effect over time. Almost
any effect can use keyframes; for example, volume, opacity, scale, position, colour balance,
etc.

The idea is to create more than one keyframe, then set the desired effect values at each
keyframe. Premiere will create a gradual change in values between keyframes (this is known
as interpolation). For example, you could create a keyframe where the volume is -20dB and
another keyframe 5 seconds later where the volume is 0dB. Premiere will interpolate this to
create a smooth five-second volume increase.
8.SOUND EDITING ADJUSTING AUDIO LEVEL DUBBING
AND SYNCING

Adobe Premiere Pro’s Essential Sound Panel enables video editors to mix audio and add
effects without having a degree or advanced training in audio engineering. Adobe Audition
introduced the Essential Sound Panel over a year ago, but Creative Cloud’s Spring update
(April 2017) introduced the panel into Adobe Premiere Pro CC. This is great news for video
editors, because it reduces the number of steps and programs you need to mix your audio
professionally and at broadcast standard.
There are four audio types in the Essential Sound Panel: Dialogue, Music, Sound FX, and
Ambience. Below is an overview of the various parameters in each audio type, along with tips
on how to use them effectively. Remember, audio editing and mixing is not a craft — it’s an
art. No one formula will fit all scenarios, and this guide is not intended to fix your audio, but
to give you the tools to help you better approach audio mixing in Premiere Pro CC.

Loudness
Underneath your presets, there’s a loudness tab. If you select “Auto-Match,” it will set your
audio to a target loudness of -23 LUFS, the broadcast loudness standard for dialogue. LUFS
stands for loudness units relative to full scale, which is just a standard for audio levels on
broadcast TV and other video.

Once you click the Auto-Match button and it turns blue, you’re all set. You just mixed your
dialogue to broadcast standard, and all you had to do is click a button. It really makes it easy.

Repair
Following Loudness is the “Repair” tab. When you click on it, it will expand to reveal four new
parameters, which you can activate by clicking on the check box next to it, then using a slider
to reduce or increase the effects. When you enable any of the repair effects, it will apply an
effect at the clip level, which you can see under the audio clip’s effects controls tab. Let’s
review the four parameters.

Reduce Noise: When you activate “Reduce Noise,” it applies an Adaptive Noise Reduction to
your audio. You can use the slider to increase or reduce the intensity of the effect. This effect
removes variable broadband noise like background noises and wind. It works best if you add
a few seconds of the noise before the dialogue begins. If you don’t have noise in the
beginning, you may be better off pulling your audio into Adobe Audition and using the noise-
print method to remove noise from dialogue. I’d also recommend getting a plugin
called CrumplePop Audio Denoise for Premiere Pro to reduce hums or hisses. I use
CrumplePop on my dialogue in almost every video I produce to remove hums.
Reduce Rumble: This effect is intended to get rid of microphone rumble only. When you
enable this parameter, it adds an “FFT Filter” to the audio clip, which you can open up and
make further adjustments to if the slider doesn’t offer enough control.

DeHum: This effect removes the sound of electrical hums from your audio. There’s an option
to select 50hz or 60hz depending on your country. Typically, North and South America use
60hz and the rest of the world uses 50hz. When you activate this parameter, the Essential
Sound Panel automatically applies the “DeHummer” effect to your audio clip.

DeEss: This effect does exactly what it sounds like — it removes the harsh “s” sounds, also
known as sibilance. Once checked in the Essential Sound Panel, it applies a “DeEsser” effect
to your audio clip.

Clarity
Once you’ve corrected the audio using the “Repair” tab, you can move on to improve the
clarity of your audio using Dynamics, EQ, and Speech Enhancement.

Dynamics: This will let you compress or expand the dynamic range of your dialogue recording.
You can move the dynamics slider to make your dialogue sound more natural or more
focused. When you make the audio more focused, it compresses the audio, reducing the
dynamic range between the loudest and the quietest part; and when you make the audio
more natural, it expands the dynamic range, making the difference between the loudest and
quietest parts of the audio further apart. When you use Dynamics on an audio clip, you’ll see
that it applies a Dynamics Processing effect directly to the clip, which you can open up in the
Effects Controls tab.