The Interface Between Meditation and Psychotherapy: I. M A V N
The Interface Between Meditation and Psychotherapy: I. M A V N
The Interface Between Meditation and Psychotherapy: I. M A V N
THE INTERFACE
BETWEEN MEDITATION AND
PSYCHOTHERAPY
63
64 THE WAY OF SILENCE AND THE TALKING CURE
its scientific aspiration has tended to stay away from the subjec-
tive and eschew the pre-scientific, preferring to talk about such
things as “positive emotional reinforcement” and “sublimated
erotic impulses.”
Even in the field of practical psychotherapy, where it should
be obvious that the restoration of health implies the recovery of
the person’s ability to love, the issue has been obscured by the
relatively recent concern of therapy with the healing of aggres-
sion. True as it may be that people need to know and accept their
anger before transcending the childish ambivalence that is part of
the neurotic condition, I think that the theory and practice of
psychotherapy would gain from an explicit acknowledgment of
love as an aspect of health and healing inseparable from aware-
ness and spontaneity.
Yet psychotherapy has greatly added to what spiritual tradi-
tions have been able to offer by way of assisting people to become
less hateful. Specialists in the realm of dynamic therapy as well as
their patients are well aware of how love conflicts with resent-
ment and is interfered by vindictiveness, and how these, in turn,
are the residues of early wounds.
Dissolving the defensiveness that was adopted in the face of
early pain can be greatly assisted through insight, and this is not
precisely the approach meant by Buddha in his metaphors of the
arrow and of the fire. (When you are wounded, you don’t ask
who shot the arrow nor why it was shot, he pointed out, but
endeavor to pull it out. When there is fire, too, you don’t waste
time investigating who started it.)
Meditation is like that: it seeks to relinquish karma “here and
now” through a transient neutrality that permits a sort of “dying
to the past.” Therapy, by contrast, steps forward to meet the
haunting past that wants to make itself present in the now, like a
hungry ghost that needs to be taken care of. It takes the position
that something needs to be taken care of, and specializes, so to
say, in the belated digestion of the past—implicitly or explicitly
assuming that something needs to be learned in the process.
The Interface Between Meditation and Psychotherapy 77
Franz: I had a dream and I tried to figure it out myself but I don’t
know if I really did. It was a very disturbing dream. I have a little
five-year-old girl that I love with such an intensity that it’s sort of a
... we’re sort of one person. And I call her “Sweetie-pie.” And, ah,
and I had a dream in which ah, she was hanging up on a rope from
a beam similar to these beams. And her, she was still alive, though,
but she, her head was kind of crooked, like this. And she was looking
at me like ah, “Well Daddy I don’t like this but if you really want to
do it, that’s OK.” And ah, ... there was a butcher knife and I took the
back end of it—the back side—and I took it and I pushed it through
and decapitated her. And then I woke up and was just hideously in
very much pain. You know. I just ached all over. And that was the
end of the dream.
N: See if you can get in touch with the feeling by describing it.
F: (Long pause. Stands with eyes closed and lowered head. Starts
using left arm forward.) There’s just something in my arm. My arm
feels like a lever. The confusion is going away now. It’s just like a
mechanical lever. ... It’s like there’s some hidden force there that I’m
not aware of what it is.
N: Maybe you can tell her this now, that you cannot help doing what
you are doing; that your arm is like a lever and so forth.
F: Well, there’s something else but it’s so vague I don’t know what
it is. It’s like the rope goes off into, into kind of a gray and white
cloud or something which just disappears.
N: That sounds familiar, from what you have been saying during the
week; your gray man ...9 OK, even though it’s vague, imagine you
are this thing pulling you — the rope or whatever is behind the rope
pulling. Try to merge with that, Franz, and you are pulling Franz,
and having him perform that action.
F: (pause) That really throws me because ... I’m having him perform.
F: But I don’t want him to do that. I don’t want him to perform that
way and, and I don’t want to pull him either. It’s ah, the fact is that
I’m just pulling and the rope’s slipping through his hands. Yeah.
That, it really isn’t working. ... My, my hands feel like clubs. They
don’t feel like hands anymore. They feel like clubs with knots on the
ends. I, I don’t even feel the rope anymore...
N: Now let your hands speak. Imagine your hands can say what they
feel.
F: These hands are solid. They ah, they’re like a rock on the end of
a stick and they’re, they’re very hard. And ah, and there’s some kind
of a life inside, though; there’s something moving inside the rocks
as, it’s like a, a worm or something inside crawling around.
N: Let that life inside speak. You are now that life crawling around
inside the rock.
F: (silence) There’s, there’s some kind of a, there’s a pump. There’s
a pump pumping something. It’s, it’s a surge; some kind of surge.
N: “I am a pump.”
F: Pump. It, it just goes around and around like this, and it’s a, a
pump that surges around and around inside the rock like this.
The Interface Between Meditation and Psychotherapy 87
(Indicates a circular movement in his body, up his back and down his
front.)
N: Then feel that pump surging. Continue to identify with it ... What
does it want?
F: I’ve got a pipe coming in my head. You know? There is a pipe
coming in the top of me and one going out the bottom, and I’m
circulating something. And I ache all over. This pump is, it’s got a lot
of strain, too. There’s a lot of parts in it that are about to break.
There’s ah, it’s like ah, a little more pressure and the pump will
break apart. Much pressure in the pump.
F: I’m Franz and, and I have a lot of things going th-through from my
head through my bottom. Sort of like there’s something from my
head to my bottom. It’s sort of like there’s something coming out of
my rectum. Pumps in my head and goes out my rectum. And I feel
like if I get any more pressure I’m gonna break.
N: Keep repeating this last statement.
F: And I feel like if I get any more pressure in me I’m gonna break....
And I feel like if I get any more pressure in me I’m gonna break....
My rip cage feels like it’s gonna break. It’s (breathing laboriously) if
I (rasping) get any more pressure in me I’m gonna break.
F: Ohhh. (sighs and struggles) ... Ohhh, Oh, my stomach hurts now.
Ohh, and my head hurts.
N: Let go as much as you can and let what wants out, even if you feel
that you can break some more.
F: Oh yeah, (still struggling physically and vocally) my hip wants to
break. Ohh. Oh, my foot wants to break. Oh, ohh. Ohhhh ... ohhh...
ohh. I wann let it break but it won’t break. There’s something
holding it. There’s something keeping it from breaking. There’s like
a sack around my feet, like a board or like a leather boot ... Ohhhh!
Oh ohhh.
N: OK, see if you can now stretch and become that iron band. Be
that which is paralyzing you. Feel yourself now as metal constrain-
ing you and making you hurt.
F: I’m just starting to pump again. I’m throbbing all over. (All this
still almost inaudible) My fingers are throbbing again. My pump is
back in me again. I’m off again. I’m pumping. I think the iron band
is a pump. It’s pumping things through my head.
N: It seems you feel more comfortable being the iron band around
you and squeezing Franz than being the victim of the squeezing.
The Interface Between Meditation and Psychotherapy 89
F: Yeah. A little more. My, my back quit hurting. Only my hands are,
my hands are just pumping or throbbing. They just throb. They’re
pulsing.
N: OK, see if you could now have a dialogue between these two
sides of you; Franz the paralyzed, frozen one, and the pump or the
metal band, as you wish. See what they have to say to each other.
You might start with Franz paralyzed and talking to this band.
F: I’m, I’m stiff and I can’t move. But, but you’re pumping things
through me and I pulsate. My whole body’s pulsating. It’s like a, like
ah, everything’s pulsating ... Ooh. Even my eyes are pulsating.
F: I feel like a robot with neon lights inside me, and these lights are
all going on and off.
N: OK, let’s look more into this theme. This is coming up since the
very first scene: you perform an action in your dream in which you
feel like your hand does something that you don’t want to do, like
a lever or something pulls you, something does something through
you. You are pumped, now. You seem to experience yourself
always, not as the agent of movement, but as something moved. So
let us take this statement “I feel like a robot.” I would like you to
come back again to us, to the group, and do some repeating of this
statement to other people. Tell some of us here “I feel like a robot,”
and watch your feelings as you say this. Or maybe start just where
you are by saying it to nobody or to everybody. Stick to that
statement “I feel like a robot,” and see what feeling emerges; how
relevant it is.
F: I feel like a robot ... (is still mumbling almost inaudible) ... with
much activity inside ... I feel like a, like a robot. (Semi-closed eyes,
as if listening intently to himself) There’s a great deal of activity
inside ... I feel like a robot ... and I don’t like to feel like a robot ...
90 THE WAY OF SILENCE AND THE TALKING CURE
N: Is it increasing?
F: (Struggling) Oh yes. Oh. Oh.
N: Then go all the way.
N: Do you have any feeling of what the energy wants; where it wants
to go?
F: The, the iron band seems to want to keep my brain from
exploding. It, it’s holding it.
N: Let it explode. I think you’re safe.
N: Put the strength of that energy in your voice when you say it.
F: I see a lot of purple lights. There are purple lights flashing all over
the place ... purple lights ... lights ...
N: Try to merge more with the energy, just as if you were inside the
(inaudible) ...