Adam Rafferty - Silent Night - Lesson PDF
Adam Rafferty - Silent Night - Lesson PDF
Adam Rafferty - Silent Night - Lesson PDF
“Silent Night”
for Solo Fingerstyle Guitar
Introduction Page 3
© 2015 Adam Rafferty and Crescent Ridge Publishing, LLC All rights Reserved.
© 2009 Guitar Arrangement by Adam Rafferty
(No part of this PDF , images, and concepts may be duplicated, or redistributed by any means
and is punishable by law.)
adam@adamrafferty.com
http://studywithadam.com
http://adamrafferty.com
3
Greetings and thanks for downloading my arrangement of “Silent Night.” I hope that
you get hours of enjoyment out of playing this piece.
Here are some tips and insights that will explain how to make this sound and feel as
comfortable as possible.
My goal was to create a “crystal clear” arrangement that was not born of “guitar-isms”
chords, and grips - but MUSICAL ideas and voice leading, as much as possible.
Yep...it takes practice to pull off a“pure and simple” sound on guitar.
Technique Tips
P & M pinch:
I use P & M (thumb & middle) quite a lot on the right hand, because it gives me the
right control in this piece.
Yes, it’s uncommon but it feels good. That has a lot to do with the steel strings, so if
you are playing nylon you may find a better balance with I & M than I do.
Here is an example of how I use P & M, and I call these my “Spoonful of Sugar 3rds”
because they ring over each other and there is little or no string noise or notes getting
cut off (use P I M except where indicated)
Try this - play the 2nd string open with your M finger. Let it ring.
While it’s ringing, play the 3rd string with your I finger.
Did the back of your I finger “bump” the 2nd string and stop it from ringing? For me,
that “bump” and cutting the note off happens when I use that type of right hand
fingering.
Here’s what I do to prevent that...if I play the 2nd string and want it to ring, I then play
the 3rd string with my thumb. That way, nothing can accidentally mute the 2nd string.
Here’s an example:
Even though this next example is with thumb (P) only, notice how the 3rd string can
ring through as you add the bass notes with your thumb (P).
“Silent Night” is a very short musical idea, and when it is sung it has several verses.
For the purposes of solo guitar, I have kept the arrangement to the basic song played
twice (one repeat.)
In the repeat I add some things to keep the musical interest alive.
Counter Melody
The counter melody is shown below in the 2nd bar. The MELODY note is the first open
B and should ring as you play the counter melody (scale) going down under it.
Through using a harmonic, an open string, and then playing notes on the 5th string, we
stay way clear of the 2nd string.
TIP: play the 3rd string open with thumb (P) on the right hand:
pull off
Compare the two chord progressions, and hum the melody to “Silent Night.”
If you are not sure about what some of these chords are, don’t worry, just play what is
in the tabs, and LISTEN :-)
Count “1 2 3” for each bar of music shown since we are in 3/4 time.
G | G | G | G
D7 | D7 | G | G
C | C | G | G
C | C | G | G
D7 | D7 | G | G
G | D7 | G | G
G | G | G | G
D7 | D/C | G | G#DIM
A- | D7 | G | E / G#
A- | D7 | G | E
D7 | D# dim7 | E- | A13
G/D | D7 | G | G
Most Important...Enjoy!
There you have it! I hope you enjoy learning and playing this one. The nice thing
about Christmas tunes is that you can play them year after year in all kinds of settings
(at home, Church, school, Christmas Concert) and so on.
Feel free to watch the instructional video as often as you need to and if you have any
questions at all, please email me!
Video 2
Video 3
slide
Video 4
Video 5
Video 6
Video 7
“Thank you so much for all the help you have given me
this year and all the years before. You are the
greatest. I have been gigging more than ever lately
(jazz gigs), and my playing wouldn’t be nearly what
it is without the all the things you have taught me.
I look forward to learning more in the future and
enjoying a wonderful friendship as well. .
Take care, - Kurt Bitttner
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It is really cool the way you play the lines with different feels. The ad lib stuff (here’s something Wes would do, how
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I have a gig tonight, and feel really inspired to play, and try to apply these lines and the feel. I would absolutely
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From the Laptop of Adam Rafferty
Two things that my great teachers taught me are that 1) there are no shortcuts,
but 2) it’s easy when you get the right information!
I made a “pact“ with myself anytime I’d feel the “elation and delight” of
unraveling musical mysteries, that I’d pass the knowledge on as best I can.
This is the process of how music and learning evolve. Each generation builds on
the information from the previous one and this continually raises the standard
of excellence.
I also made a pact that I’d be a teacher (for you) that the “proof would be in
the pudding”. I.E. - you’d want to learn from me because you actually love the
music you hear come out of my fingers!
No matter what anyone’s level of talent is, we all need teachers and people who
have seen things we haven’t, and basically “been around the block“ more than we
ourselves have.
Your excellence matters to me. Your level of joy and creativity matters to me.
Your happiness matters to me! And I thank you for entrusting me to share my
knowledge with you.
I am here to coach you, teach you, kick your butt and show you how excellent
you can be. Feel free to call or email me anytime for lessons, coaching,
questions or just to say “Hi!” As well, if you have any questions about any of
my online lessons or guitar educational products, call me.
I am here to help YOU realize your true excellence on the guitar, in music and
in life!
Adam