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    FHJCSG 45 PDF

    Uploaded by

    Jose Arango
    The document summarizes the ii-V-I progression using guide tones only in 3 sentences: The progression moves from a Cm7 chord to an F7 chord, then to a Bbmaj7 chord. This progression repeats with different chords, moving from minor to dominant seventh to major seventh chords. The guide tones outline the ii-V-I progression harmonically in each change of chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    FHJCSG 45 PDF

    Uploaded by

    Jose Arango
    30 views4 pages
    The document summarizes the ii-V-I progression using guide tones only in 3 sentences: The progression moves from a Cm7 chord to an F7 chord, then to a Bbmaj7 chord. This progression repeats with different chords, moving from minor to dominant seventh to major seventh chords. The guide tones outline the ii-V-I progression harmonically in each change of chord.

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    fhjcsg_45.pdf

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    © © All Rights Reserved

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    The document summarizes the ii-V-I progression using guide tones only in 3 sentences: The progression moves from a Cm7 chord to an F7 chord, then to a Bbmaj7 chord. This progression repeats with different chords, moving from minor to dominant seventh to major seventh chords. The guide tones outline the ii-V-I progression harmonically in each change of chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    30 views4 pages

    FHJCSG 45 PDF

    Uploaded by

    Jose Arango
    The document summarizes the ii-V-I progression using guide tones only in 3 sentences: The progression moves from a Cm7 chord to an F7 chord, then to a Bbmaj7 chord. This progression repeats with different chords, moving from minor to dominant seventh to major seventh chords. The guide tones outline the ii-V-I progression harmonically in each change of chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 4

    The ii-V-I Progression

    Guide Tones Only

    h = 120 d
    0:14
    Cm7 F7 Bbm7 Cm7 F7 Bbmaj7 C#m7

    4 B Q B BB P BB DBB F BB P Q DDBB Q DDBB Q BB F BB BB BB DBB F BB P B


    : 4 DDB P F B B
    1

    L L L L
    c ) ) ) ( ( ( ) ) ) ) ) ( ( ( %
    ) ( ( ( ' & ) ) ) ( ( ( ' & #

    Cm7 F7 Bbmaj7 Bm7


    H Cm7 F7 Bbmaj7

    DB BB F BB BB P BB DBB F BB P Q BB DB BB P F BB BB P BB DBB F BB
    5

    DB DB

    $ $ # # # " ! # $ $ # # # " !
    " " " " ! ! ! ! " " " " ! ! !

    DDBB BB F BB P BB BB DBB F BB DDBB BB F BB Q F BB BB DBB F BB


    Cm7 F7 Bbmaj7 Cm7 F7 Bbmaj7
    9

    L
    ) ) ) ) ( ( ( ) ) ) ( ( (
    ) ) ( ( ( ' & ) ) ( ( ' &

    13 B B
    DB B DF BB BB P
    C7 F7
    B Q Q BB
    Bb7

    DB
    B B
    DB B DF BB Q P
    C7 F7
    B Q Q BB
    Bb7

    DB
    L L L L L
    * * ) ) ( ( * * ) ( (
    ) ) ( ( ' ' ) ) ( ' '

    Page 1/4
    H
    B BB DF BB BB B Q Q BB P Q DB HQ Q BB P Q F BDBB
    C7 F7 Bb7 Gm7 C7 Cm7 F7 Bb7 Gm7

    DB DB B BB DBB F BB DB
    17

    L L
    B L L
    * * ) ) ( ( $ $ $ # " ( "!
    ) ) ( ( ' ' $ # " " ! ' )
    "!

    H H H H
    C7 Cm7 F7 Bbmaj7 C7 B7 Bb7

    BB BB DBB F BB BB Q Q BB DB
    B BB DF BB BB B Q Q BB
    B B B DB
    21

    DB B B B B B DB B
    * ) ) ( ( * * ) ) ( (
    ) ) ( ( ( ) ) ( ( ' '
    )
    ) ) ' ' ) ) ( ( ' '

    C7 B7 Bb7
    H H
    C7 B7 Bb7
    H H
    C7
    H
    DB
    25 B BB DF BB BB DB
    B Q Q BB DB
    B BB DF BB BB B Q Q BB P Q DBB
    DB
    B B B B DB B B B B B DB B B
    * * ) ) ( ( * * ) ) ( ( *
    ) ) ( ( ' ' ) ) ( ( ' ' )
    ) ) ( ( ' ' ) ) ( ( ' ' )

    F#m7 B7 Bbmaj7
    H H
    C7
    H F#m7 B7 Bbmaj7
    H H
    BB P F BB DBB BB Q Q BB P Q DBB B DBB BB Q Q BB
    DB
    29

    B D
    B DB B B B DB B
    * ) ( ( * * ) ( (
    ( ( ( ( ) ( ( ( (
    * *
    ( ' ' ) ( ' '

    Q DBB P BB BB BB Q Q BB P Q DBB BB P F BB DBB BB DBB F BB P Q DBB


    F7 Bbmaj7 C7 F#m7 B7 Bbmaj7 C7
    33

    L L L L L
    ) ) ) ( ( * * ) ( ( ( *
    ( ( ( ( ( ) ( ( ( ' & )

    Page 2/4
    37
    BB P F#m7
    B
    F B DBB
    B7
    BB DBB F BB
    Bbmaj7
    B
    DB P
    C7 F#m7
    B
    F B DBB
    B7
    BB DBB F BB
    Bbmaj7

    * ) ( ( ( * * ) ( ( (
    ( ( ( ' & ) ( ( ( ' &

    H H H H
    C7 F7 Bbmaj7 C7 F7 Bbmaj7

    DB
    41 B BB DF BB BB BB Q Q BB DB
    B BB DF BB BB P BB Q Q BB
    B DB B B B B B DB B
    * * ) ) ( ( * * ) ) ( (
    ) ) ( ( ( ( ) ) ( ( ( (
    ) )
    ) ' ' ) ) ) ) ' '

    C7 F7 Bbmaj7 F#7 F7 Bbmaj7 F#7

    DB
    45 B BB DF BB P BB DBB F BB B BB DF BB BB
    DB BB DBB F BB P Q DDBB
    DB B FB B L
    * * ) ( ( ( * * ) ) ( ( & *
    ) ) ( ( ' & ) ) ( ( ( ' & )
    *
    * * ) )

    B7
    H Bbmaj7
    H C7 F7 Bbmaj7

    49 BB Q DF BB BB Q F BB BB DBB F BB DB
    B BB DF BB BB BB DBB F BB
    B B DB B
    ) ( ( ( * * ) ) ( ( (
    ( ( ' & ) ) ( ( ( ' &
    ( '

    53B B
    DB B DF BB BB P
    C7 F7
    BB DBB F BB
    Bbmaj7
    B B
    DB B DF BB BB
    C7 F7 Bbmaj7
    BB DBB F BB

    * * ) ) ( ( ( * * ) ) ( ( (
    ) ) ( ( ( ' & ) ) ( ( ( ' &

    Page 3/4
    Dbm7 Gb7 F#m7 B7 Bbmaj7 Dbm7
    H Gb7
    H F#m7 B7

    BB DBB B DBB BB DBB F BB P Q BB Q DBB P B DBB


    DB FDB
    57

    DB B B DB DB DB B
    * * * ) ( ( ( * * * )
    * ) ( ( ( ' & * ) ( (
    * *
    * * ( ' * * (

    Bbmaj7 Bb7 Bb6 Dbm7 Gb7 F#m7 B7 Bbmaj7 Dbm7


    H Gb7 F#m7 B7

    61
    BB DBB F BB P Q BB BB DBB F BB DBB Q F BB BB Q BB P Q BB Q DBB B
    F B DBB
    DB B B L L L DB

    ( ( ( * * * ) ( ( * * * )
    ( ' & * ) ( ( ( ( * ) ( (
    ' ' ' *

    H
    BB B B Q DBH
    Bbmaj7 Gm7 C7 F#m7 B7 Bb7 Gm7

    DB F B P
    Q DB Q DB Q FB B DBB B BB P
    B B
    65

    DB

    ( ( ( $ $ # # " " " $


    ( ' & $ # # " ! ! $

    H B ==
    F BBB
    H
    C7 F#m7 B7 Bb7 B7 Bbmaj13

    Q DBB Q F BB B Q Q DBB P Q ==
    DBB
    68

    DB B DB =
    L
    )
    )
    $ # # " ) (
    # # " ! ( (
    ( '

    Page 4/4

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