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Formulation of Research Question

As per my parameter for the Dharampur


1) History of Dharampur
2) Dharampur tourism purpose
3) Dharampur skills

INTECH CHATER
The objective of conservation is to maintain the significance of the architectural
heritage or site. the historic precincts of cities and their relationship to the natural
environment. It also includes culturally significant modern buildings and towns. The
intangible heritage includes the extant culture of traditional building skills and
knowledge, rites and rituals, social life and lifestyles of the inhabitants, which
together with the tangible heritage constitutes the ‘living’ heritage. Both tangible
and intangible heritage, and especially the link between them, should be conserved.
architectural heritage exists in fragments, it is necessary to conserve it, even in part,
as representative of a historic past. conserving unprotected architectural heritage
offers the opportunity to use indigenous practices.
1) What to conserve will, therefore, be determined by those strategies of
conservation AREA OF INTEREST DHARAMPUR
2) What is accommodate the imperatives of development and the community
while seeking economically to achieve maximum protection values of the
architectural heritage and site.
integrate unprotected heritage and sites into daily social life by balancing their needs
so that neither overshadows the other. The visual created by advertisement boards,
signage, hanging electric cables, air conditioning units, dish antennas, etc. must be
carefully controlled to enhance the visual character of the architectural heritage and
site. Additions of street furniture, pavement material, lighting, signage, etc. can add
to the experience and appreciation of the heritage. In this respect the objectives of
conservation can mediate even new buildings or neighbourhoods by requiring them
to make reference to the old by employing elements, methods and devices
characterizing the architectural heritage of the area so that the new is linked with
the old. It is an effective strategy to conserve architectural heritage, particularly by
using traditional craftspeople in the process. effect on the local context, and must
conform to the carrying capacity and vulnerability of the architectural heritage. the
extent possible, engage traditional materials, skills and knowledge in the process.
the original internal functional characteristics of the building or site, its external
image must be retained.

RBSA NAME: RUCHIPATEL E.NO : 74- B SUB: RSM


 Association with events, activities or patterns.
 Association with important persons, including ordinary people who have made
significant contribution to India’s living heritage.
 Distinctive physical characteristics of design, construction or form, representing
the work of a master craftsperson.
 Potential to yield important information, such as socio-economic history. Railway
stations, town halls, clubs, markets, water works etc.
It must aim to convey the meaning of the heritage in the most effective manner.
reconstruction/ rebuilding can provide the impetus to develop a parallel market for
local buildings materials and new opportunities for the use of alternative systems of
building.

Local material and traditional technology


The use of local materials and traditional technologies must invariably be preferred.
Their choice must be based on the availability of traditional knowledge systems. It is
necessary to recognize that the use of certain traditional building materials may be
inadvisable on account of the damage this can cause to the natural ecological
systems.

AREA OF INTEREST DHARAMPUR


The Impacts of Tourism By Glenn Kreag
1. Economic
2. Environmental
3. Social and cultural
4. Crowding and congestion
5. Services
6. Taxes
7. Community attitude
Environmental
Area with high value natural
resources, like lakes waterfalls,
monuments, unique flora and fauna,
and great scenic beauty attract
tourists and new residents who seek
emotional and spiritual connection
with nature. Because these people
value nature, selected natural
environments are preserved,
protected and ecological decline.
Lands that be developed can generate
income by accommodating the
recreational activities of visitor.
Tourist income often makes it possible
to preserve and restore

historic buildings and monuments.

Social and Cultural


Crowding and Congestion

historic buildings and monuments.


historic buildings and monuments.
Activities
 Educational, cultural, and historical tourism often has lower social and
environmental impact.
 Recreational activities may have a greater impact on the environment.
 Entertainment activities may conflict with the social values of local
residents.

Warli painting
There are a lot of tribute who resides in village of dharampur. the tribal art like
bamboo art and warli painting are the crafts and art found here.
Currently there is a lack of infrastructure and knowledge about the diversity of art
existing in this part of the world which do not allow them to explore the
possibilities of creating different things from the available resources. This limits
them into the same traditional art products which does not give economic benefits
to its capabilities.
This proposal aims to provide a platform that should create awareness among the
people and allow them to learn and explore different kinds of art or direction in
which their local art could be used. It can be a place where their art work will be
showcased to the society and could add to their economic benefits. It could create
a place where peoplehistoric
learn from each other.
buildings and monuments.

Conclusion
Directing tourism growth toward local needs, interests, and limits can greatly
enhance tourism ’s value to the community and help create a sustainable industry.
Many small communities have the skills and resources for successful tourism
development. Creating a local tourism industry is not a daunting task, but making
tourism really "fit" the community requires work.

Thus it could act as a great place to make people aware about art.
This place aim to act as a bridge between the rawness of local art skills and
knowledge of artist.

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