Owner'S Manual: Drum Trigger Module
Owner'S Manual: Drum Trigger Module
Owner'S Manual: Drum Trigger Module
OWNER’S MANUAL
EN
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply want you to be aware of the following:
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name Battery Notice:
plate, or specifically recommended by Yamaha. This product MAY contain a small non-rechargeable battery which
(if applicable) is soldered in place. The average life span of this
WARNING: Do not place this product in a position where anyone type of battery is approximately five years. When replacement
could walk on, trip over ,or roll anything over power or connecting becomes necessary, contact a qualified service representative to
cords of any kind. The use of an extension cord is not recom-
perform the replacement.
mended! If you must use an extension cord, the minimum wire size
for a 25’ cord (or less ) is 18 AWG. NOTE: The smaller the AWG This product may also use “household” type batteries. Some of
number ,the larger the current handling capacity. For longer exten- these may be rechargeable. Make sure that the battery being
sion cords, consult a local electrician. charged is a rechargeable type and that the charger is intended for
This product should be used only with the components supplied the battery being charged.
or; a cart, rack, or stand that is recommended by Yamaha. If a cart, When installing batteries, do not mix batteries with new, or with
etc., is used, please observe all safety markings and instructions batteries of a different type. Batteries MUST be installed correctly.
that accompany the accessory product. Mismatches or incorrect installation may result in overheating and
battery case rupture.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct Warning:
at the time of printing. However, Yamaha reserves the right to Do not attempt to disassemble, or incinerate any battery. Keep all
change or modify any of the specifications without notice or obliga- batteries away from children. Dispose of used batteries promptly
tion to update existing units. and as regulated by the laws in your area. Note: Check with any
This product, either alone or in combination with an amplifier and retailer of household type batteries in your area for battery dis-
headphones or speaker/s, may be capable of producing sound lev- posal information.
els that could cause permanent hearing loss. DO NOT operate for Disposal Notice:
long periods of time at a high volume level or at a level that is Should this product become damaged beyond repair, or for some
uncomfortable. If you experience any hearing loss or ringing in the reason its useful life is considered to be at an end, please observe
ears, you should consult an audiologist. all local, state, and federal regulations that relate to the disposal of
IMPORTANT: The louder the sound, the shorter the time period products that contain lead, batteries, plastics, etc. If your dealer is
before damage occurs. unable to assist you, please contact Yamaha directly.
Some Yamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as NAME PLATE LOCATION:
optional accessories. Some of these items are designed to be The name plate is located on the bottom of the product. The model
dealer assembled or installed. Please make sure that benches are number, serial number, power requirements, etc., are located on
stable and any optional fixtures (where applicable) are well this plate. You should record the model number, serial number, and
secured BEFORE using. the date of purchase in the spaces provided below and retain this
Benches supplied by Yamaha are designed for seating only. No manual as a permanent record of your purchase.
other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and are
therefore the owners responsibility. Please study this manual care- Model
fully and consult your dealer before requesting service.
92-BP (bottom)
PLEASE KEEP THIS MANUAL
Introduction
Accessories
Yamaha AC power adaptor (PA-3C)*
Module stand
Module stand fastening screws x 2
Owner’s Manual (this book)
* May not be included depending on your particular area. Please check with your Yamaha dealer.
The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may
appear somewhat different from those on your instrument.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts or • If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
modify them in any way. The instrument contains no user-serviceable parts. If it sudden loss of sound during use of the instrument, or if any unusual smells or
should appear to be malfunctioning, discontinue use immediately and have it smoke should appear to be caused by it, immediately turn off the Standby/On
inspected by qualified Yamaha service personnel. switch, disconnect the adaptor plug from the outlet, and have the instrument
inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor • Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
• When removing the electric plug from the instrument or an outlet, always hold may generate noise.
the plug itself and not the cord. • Do not place the instrument in an unstable position where it might accidentally
• Unplug the AC power adaptor when not using the instrument, or during fall over.
electrical storms. • Before moving the instrument, remove all connected adaptor and other cables.
• Do not connect the instrument to an electrical outlet using a multiple-connector. • When setting up the product, make sure that the AC outlet you are using is
Doing so can result in lower sound quality, or possibly cause overheating in the easily accessible. If some trouble or malfunction occurs, immediately turn off
outlet. the Standby/On switch and disconnect the plug from the outlet. Even when the
Standby/On switch is turned off, electricity is still flowing to the product at the
minimum level. When you are not using the product for a long time, make sure
Location
to unplug the power cord from the wall AC outlet.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or • Use only the stand/rack specified for the instrument. When attaching the stand
heat (such as in direct sunlight, near a heater, or in a car during the day) to or rack, use the provided screws only. Failure to do so could cause damage to
prevent the possibility of panel disfiguration or damage to the internal the internal components or result in the instrument falling over.
components. • Do not place objects in front of the instrument's air vent, since this may prevent
adequate ventilation of the internal components, and possibly result in the
instrument overheating.
(3)-11 1/2
Saving data
Maintenance
• Never attempt to turn off the power while data is being written to Flash ROM
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
(while a "now storing..." message is shown). Turning the power off in this state
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
results in loss of all user data and may cause the system to freeze (due to
corruption of data in the Flash ROM). This means that this instrument may not
Handling caution be able to start up properly, even when turning the power on next time.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel.
If this happens, turn off the power immediately and unplug the power cord from
the AC outlet. Then have the instrument inspected by qualified Yamaha service
personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the Standby/On switch is in the standby position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a
long time, make sure you unplug the AC power adaptor from the wall AC outlet.
• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to
use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical
scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any
violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your
personal use.
• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
(3)-11 2/2
■ Drum Triggers
• Built into the unit are twelve trigger input jacks and a hi-hat controller jack. The instrument also features jacks that are
compatible with two-zone or three-zone pads (pads that transmit different signals depending on the area that is hit).
Moreover, the snare drum jack is compatible with pad-controller-equipped pads. This lets you adjust the ‘virtual’
snares and the tuning—just as you would with an acoustic snare drum. All in all, the DTXPRESS IV has the operabil-
ity, functionality and performance that is virtually equivalent to an acoustic drum kit.
• You can connect the DTXPRESS IV to an acoustic drum kit by using drum triggers such as Yamaha DT20. The setup
data such as the trigger input types and sensitivity can be customized to suit your playing preferences, style and partic-
ular setup.
• Also included in the unit are 50 preset drum kits which naturally contain acoustic drum kits, and cover a wide range of
music genres, such as rock, funk, jazz, reggae, Latin, etc. Moreover, User kit memory is available for storing 20 sets.
With this, you can set up your own original drum kits using the various drum voices.
* The word “trigger” refers to the means by which hitting a pad sends a signal to the DTXPRESS IV as to what sound to play on the
built-in tone generator and how loud the sound should be played.
■ Tone Generator
• The DTXPRESS IV is equipped with a high-quality, 16-bit AWM2 (PCM) tone generator with 32-voice polyphony
that produces dynamic voices or exceptional realism. The voices—totalling 427—cover a wide range sounds, such as
authentic acoustic drums, unique electronic percussion, sound effects, and much more. The instrument also features a
built-in high-quality digital reverb for enhancing the sound.
■ High-performance Metronome
• The DTXPRESS IV provides with a comprehensive, multi-function metronome, allowing various click settings for
each note value. Each note value can be assigned its own separate click sound and pitch. You can also set a timer that
will determine when the click stops and set breaks which how many measures the click will play and then be muted.
• The DTXPRESS IV also features a “Tap” function that lets you set the tempo for the song or click by tapping in tempo
on a pad to any tempo you like. This lets you set whatever tempo you desire for playing or practicing.
■ Sequencer
• The built-in sequencer contains a wide variety of 63 preset songs. Two functions that make the DTXPRESS IV great
for practice are the Drum Mute Function, which mutes a specific drum part, and the Bass Solo function, which lets you
play along with just the song’s bass part. The DTXPRESS IV also allows you to record your performance in real
time—and allows you to play along with your recorded performance data.
• In addition to one main song that is controlled from the panel, three pad songs can be individually controlled and
simultaneously played by trigger input from the pads.
■ Groove Check
• The Groove Check function monitors your playing and provides instant feedback on your rhythmic skills, providing a
powerful way to quickly improve your technique. It includes a Rhythm Gate function that produces sounds only if
your timing is accurate, and also has a Challenge mode that evaluates your playing, giving you a letter grade—and
makes mastering the drums easier and more fun than ever before.
■ Interface
• A MIDI OUT jack on the rear panel lets you connect other devices and play sounds from an external tone generator or
synchronize the metronome with an external sequencer. Also provided are an AUX IN jack, which lets you plug in and
play along with an external audio device, such as a CD player or MD player, and a headphones jack for convenient
practice without disturbing others.
Top Panel
o
8.8.8. ~~~~~YAMAHA ~~~~ !0
~~~DTXPRESS IV~~
q w t
!1
e r y u
Rear Panel
!2 !3 !5 !6 !7 !8
!4 !9 @0 @1
@0 Cable clip
Stereo phone plug Prevents the power cord from accidentally becoming unplugged.
Mono phone jack (p. 12)
@1 Standby/On switch ( )
!4 Hi-hat controller jack (HI HAT CONTROL) The power is turned on when the button is set to this position:
For connecting a hi-hat controller. (p. 10, 11) (>). The power is off when set this way: (?).
In this chapter, you’ll learn how to set up the DTXPRESS IV. Read these instructions carefully
and in the following order to ensure that the instrument sounds and operates properly:
1 Connecting the Pads → 2 Setting Up the Power Supply (p. 12) → 3 Connecting to Speakers or Head-
phones (p. 12) → 4 Turning the Power On (p. 13) → 5 Selecting the Trigger Setup (p. 14)
!! IMPORTANT !!
You’ll need to change the Trigger Settings of the DTXPRESS IV according to the type of drum set you are using
(Standard Set/Special Set/Acoustic Drums, etc.). If the setting is not appropriate, problems may occur—such
as improper sound, or inappropriate volume balance among the pads.
Refer to the “Selecting the Trigger Setup” section on page 14 on how to select the appropriate setup.
CAUTION
To prevent electric shock and damage to the devices, make sure the power is switched OFF on the DTXPRESS
IV and all related devices before making any connections to the DTXPRESS IV’s input and output jacks.
DTXPRESS IV
Module stand
(included)
To 2TOM1 To 3TOM2
To 7HI HAT
Module stand fastening
screws (2; included)
To 1SNARE To 4TOM3
To 8KICK
NOTE
To HI HAT
CONTROL * Foot pedal is not included
in the Standard Set.
DTXPRESS IV NOTE
• The pad models described in the illustrations were included in the Standard Set/Special
Set at the moment this Owner’s Manual was produced. Keep in mind that the model names
of your Standard Set or Special Set may be different from the ones illustrated here. For
details about the latest information on Yamaha drum pads, refer to the following website.
http://www.yamaha.co.jp/english/product/drums/ed/
Module stand
(included)
To 6CRASH
To 2TOM1 To 3TOM2
To 7HI HAT
The DTXPRESS IV can be played from an acoustic drum kit if the kit is fitted with an optional set of drum triggers (such as Yamaha DT20
Drum Triggers) and the triggers are properly connected to the input jacks of the DTXPRESS IV.
2-2. Connect the DC plug of the included AC power adaptor to OUTPUT L/MONO and R jacks PHONES jack
the DC IN jack on the rear panel.
To prevent the cord from being unplugged accidentally,
wrap the cord around the cable clip and secure it.
CAUTION
Whenever making connections, make sure that
the plug on the cable being used corresponds to
the type of jack on the device.
2-3. Connect the other end of the power cord to an AC outlet. ● PHONES jack (standard stereo phone jack)
Use the VOLUME knob on the rear panel to adjust the headphone
WARNING volume.
• Please use the included AC power adaptor. The
use of any other adaptors may cause irregular
operation or damage to the device.
• Only use the voltage specified as correct for
the DTXPRESS IV. The required voltage is
printed on the name plate of the DTXPRESS IV. CAUTION
Do not use the DTXPRESS IV at a high volume
CAUTION
level for a long period of time, or your hearing
• Unplug the AC Power Adaptor when not using
may be damaged.
the DTXPRESS IV, or during electrical storms.
1 2
DTXPRESS IV (MIDI Master) MIDI slave
MUSIC PRODUCTION SYNTHESIZER
8.8.8. *~~DTXPRESS~IV~*
*~~~Welcome!~~~*
3
Audio equipment
(first mixer, then amplifier)
* In the default setting, "1. SP Med" for Special Drum Set is selected.
Now that your DTXPRESS IV is properly connected, it’s time to make some music!
KIT2~~~ƒsnare~~˙
”S01:OakCustom~‚
The trigger input level will be displayed in the bar graph in
the upper right corner of the display. The bar graph indicates Press the [>] button again to move the flashing cursor to the
the input levels of the following input jacks. “S” position, the first character of “S01:OakCustom”.
Bar graph (from left) Corresponding input jacks Press the [>] button twice to view the KIT 3 page.
1 1 SNARE
2 2 TOM1/10
3 3 TOM2/11
KIT3~~~ƒsnare~~
4 4 TOM3/12 ”~~Volume=120~~‚
5 5 RIDE
6 6 CRASH Use the [<]/[>] buttons in this manner to select the desired
7 7 HI HAT
item (the cursor flashes). When the page only contains a sin-
8 8 KICK
gle item, pressing the [<]/[>] buttons will select the next or
9 8 PAD9
previous page.
* The “‚” mark on the lower right side of the display indicates
that a succeeding page is available. Likewise, the “”” mark
2 Select a Drum Kit on the lower left side of the display indicates that a previous
page is available.
A ‘Drum Kit’ is a collection of drum sounds (or voices) that
play when you hit the pads. Try selecting some of the Drum In the KIT 3 page, hit the pad for which you want to change
Kits (1–50) and enjoy the variety of sounds and drum setups the volume. The selected pad (input jack) is shown in the
available. upper half of the display.
* Preset Drum Kit List (p. 49) Rotate the jog dial to adjust the volume (the value is flashing)
Rotate the jog dial to select a Drum Kit. of the pad.
* Some drum voices have two voices in a layer (in other words,
two voices sound at the same time when a pad is hit). In case
KIT1~~~ååååååååå of two-layer voices, select the ˙ or ¶ mark in the upper right
side of the display (press the [<]/[>] buttons so that the
1~:Oak~Custom~~‚ mark flashes, and use the jog dial to select) then adjust each
volume.
Drum kit Number Drum kit Name
Pad (Input jack)
Try out the different drum kits and select one drum kit you
like. KIT3~~~™tom1~~~˙ ˙/¶)
Layer (
* Some Drum Kits have pad songs and drum loops that start ”~~Volume=120~~‚
playback when the corresponding pad is hit.
Volume (0–127)
UTIL5~MasterEQ
”Lo=+~8~Hi=+~0~‚
When a pad-controller-equipped pad (TP100, etc.) is connected, you can adjust the snares setting and tightness, tuning, or
tempo by rotating the pad controller knob of the pad.
Operation (for Special Set users) Operation (Replacing the pad with one equipped
In the default setting, you can adjust the snares setting with pad controller)
and tightness using the pad controller of the TP100 (the Here’s how you can use the pad with pad controller
snare drum pad). To use functions other than the snares (TP100) as a snare drum.
adjustment, change the setting as follows.
1. Use the TP100’s supplied cable to connect the TP100
with trigger input 1SNARE on the DTXPRESS IV.
1. Press the [DRUM KIT] button to enter the Drum Kit
* Use ONLY the TP100’s supplied cable. If another cable is
Select display. used, the pad controller or the pad may not perform prop-
erly.
KIT1~~~_________ * The other trigger input jacks other than the 1SNARE are
not compatible with pad-controller-equipped pads. The
1~:Oak~Custom~~‚ pad controller will not work if this type of pad is connected
to a trigger input jack other than 1SNARE.
2. Next, continue pressing the [>] button until Page 22 2. Press the [SHIFT] + [DRUM KIT] buttons to view the
of the Drum Kit Select pages is called up. Trigger Setup display.
CAUTION
An asterisk “*” will appear next to “TRG2” in
CAUTION
the display if the data has been changed.
An asterisk “*” will appear next to “KIT22”
This asterisk will disappear after the Store
in the display if the data has been changed.
operation (p. 36) is carried out. If a different
This asterisk will disappear after the Store
drum kit is selected or the power is turned
operation (p. 34) is carried out. If a different
off before carrying out the Store operation,
drum kit is selected or the power is turned
the current settings will return to their origi-
off before carrying out the Store operation,
nal condition. If you want to use the selected
the current settings will return to their origi-
pad again, make sure to carry out the Store
nal condition. If you want to keep changes
operation.
made to the data, make sure to carry out the
Store operation. 4. Now you are ready to use the pad-controller-
equipped pad.
See the section “Operation (for Special Set users)” in
the left column to change the function you want to
use for the pad controller.
1 Start the Click (Metronome) Use this display to select the desired Click Set, and then set
Press the [ ON/OFF] button to start the click sound. The the beat, tempo, timer, and the click sound’s overall volume.
left lamp lights in red on the first beat of every measure when Press the [<]/[>] buttons to move the flashing cursor to the
the click is playing. Other beats are indicated with the right item you want to set, then rotate the jog dial to set its value.
lamp in green. The click tempo (q=) is also indicated on the Click Setting display (page 1) Beat Click Master Volume
LED display. Press the [ ON/OFF] button again to stop.
* If tempo is not shown, change the LED display setting (p.
21) to “Disp=tempo.”
CLK1~~~~∫~B=4~÷ç
1~:User~~~⁄=123‚
1st beat (red) Other beats (green)
Tempo
Click Set Number:
Click Set Name Click Timer
CAUTION
An asterisk “*” will appear next to “CLK1” in the
display if settings for beat and tempo are
changed. This asterisk will disappear after the
Press the [CLICK] button to view Click Setting Page 1.
Store operation (p. 20) is carried out. If a differ-
ent Click Set is selected, etc., before carrying
CLK1~~~~∫~B=4~÷ç out the Store Operation, the current settings will
1~:User~~~⁄=123‚ return to their original condition. If you want to
keep changes made to the data, make sure to
carry out the Store Operation.
CLK1*~~~∫~B=4~÷ç
1~:User~~~⁄=130‚
3 Create Your Own Original Click Set 6 Set the User Click Sounds
Press the [>] button to view Click Setting Page 2. Press the [>] button to view Click Setting Page 5.
CLK2*~A˘=9~⁄=9
”~‹=6~ßß=4~Œ=2~‚ CLK5*Sound=¤
”E20:Click1~~~~‚
Use this display to set the individual volume levels (0 to 9) Voice Category/Voice Number: Voice Name
for each of the five click beats. Set the volume level to “0” if
you don’t want the beat to sound. Use this page to create your
You can assign a different drum voice to each of the five click
own original click set.
voices.
* For details about the five click beats, see the illustration
example “Beat timings used when Beat=4” in step 2 on page * This setting is only available if “UserClick” is selected in
18. the CLK4 page.
5 Set the Click Sound Set 7 Tuning the User Click Sounds
Press the [>] button to view page 4 in the Click Setting dis- Press the [>] button to view Click Setting Page 6.
play.
Click Value Type
CLK4*Sound CLK6*Sound=¤
”~1:Metronome~~‚ ”~~Tune=+~0.0
Tuning
The Click Sound Set is used to assign the five different click
sounds that are produced by the metronome. The sounds are You can individually tune each of the five click sounds.
changed as a group. * This setting is only available if “UserClick” is selected in
the CLK4 page.
[Range] Metronome, Wood Block, Percussion, First, select the click value type in the upper half of the dis-
Agogo, Stick, Pulse, UserClick play, and then move the flashing cursor to the lower half of
the display and set the tuning value in semitones (-24.0 to 0 to
With the “UserClick” setting you can use the CLK5 and + 24.0).
CLK6 pages to fine-tune the click sound settings.
~~~Completed!
With the Tap Tempo Function, you can set the song or Generally, the tempo is shown in the LED display. You can
click’s tempo by manually tapping in the tempo on a pad. change the value to be displayed to one of the following
This lets you set the tempo to one that is most comfortable three types.
for you. tempo ..... Shows the current tempo.
The [<]/[>] buttons can also be used to set the tempo mode........ • When pressing the [DRUM KIT] button:
instead of tapping on a pad. Drum kit Number
• When pressing the [SHIFT] + [DRUM KIT]
Operation buttons: Trigger Setup Number
1. Press the [SHIFT] + [ ON/OFF] button. • When pressing the [SONG] button: Song
The Tap Tempo Setting display shown below will Number
appear. • When pressing the [CLICK] button: Click
* The Tap Tempo function can even be used during song Set Number
playback or while the click is sounding. • When pressing the [SHIFT] + [SAVE/
ENTER] buttons: Shows nothing.
• Others: Shows the current tempo.
TAP~TEMPO timer ......Shows the current click timer (p. 18).
¤=123~≠ªªªª
Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
2. Tap on the pad at the tempo in which you want to play
call up the Utility pages.
the song. (Or use the [<]/[>] buttons.) Tap on the pad
steadily and repeatedly—as many times as there are
circles (≠ªªªª) in the display. Every time you tap a UTIL1~Hi-hat
circle disappears, and the resulting tempo value is set HHofs=~~0~T=~~5‚
and shown in the LED display.
* Any pad will do.
2. Next, press the [>] button four times to call up the fol-
* The jog dial can also be used to change the tempo value.
lowing page.
UTIL4~LED
”~Disp=tempo~~~‚
3. Rotate the jog dial to select the type you want to dis-
play.
3. Press the [ ON/OFF] button to hear your newly set
tempo.
Even though a parameter value other than “tempo”
4. Press the [DRUM KIT], [CLICK], or [SONG >/■] but- is shown in the LED display, when tempo is
ton to exit from the Tap Tempo page. In the Click Set- changed by one of the operations below, the new
ting page and Song Select page, the tempo is set to tempo briefly appears in the LED after the change is
the newly selected tempo. If the song or click is play- made.
ing, the tempo will immediately change to the new • When the tempo is changed by holding the
tempo. [SHIFT] button and rotating the jog dial.
• When operating a pad controller (p. 17) whose
function is set to “tempo.”
• When hitting a specific pad whose pad function
(p. 23) is set to “inc tempo” or “dec tempo.”
The DTXPRESS IV contains a wide variety of 63 preset songs. Try selecting among these and
play along with them—they are effective tools that help you learn how to drum and master
drumming techniques. The DTXPRESS IV conveniently lets you mute the drum part of a song
and have only the bass part sound during playback, so you can play the drum part yourself.
UTIL7~~ƒsnare
”Func=off~~~~~~‚
UTIL7~~™tom1
”Func=clkOn/Off‚
Function assigned to the pad
Another highly useful feature of the DTXPRESS IV is the Groove Check function. As you play
along with a song or the click, Groove Check compares your timing with the song or click play-
back and lets you know how accurate your playing is.
The related Rhythm Gate function—in which the sound is cancelled if your timing is off—also
offers you a great way to improve your technique.
Groove Check Mode range of Rhythm Gate according to the result. The tolerance
automatically narrows if your hits are accurate and widens if
The Groove Check function has the following two modes. your hits are inaccurate.
This mode can be used by selecting “Challenge” from the
● Numeric Display Mode Rhythm Gate settings in the GRV2 page.
In this mode, the accuracy of your drum hits is shown in * Hit timing display
numeric display. Just as with the Numeric Display mode, your timing is
The aspects shown in the numeric display are the average displayed with an icon.
inaccuracy in the timing of each hit and the deviation in tim-
ing inaccuracy of all hits. To use this mode, select one of the * Rhythm gate range
modes other than “Challenge” from the Rhythm Gate set- The set range of the Rhythm Gate is shown in the lower
tings in the GRV2 page. side of the upper half of the display.
After a pad (pads) is hit a specific number of times, the
* Hit timing display
DTXPRESS IV evaluates the accuracy of the hits and sets
If your timing is slow or you’re dragging the beat, the the range of Rhythm Gate automatically.
mark will move to the right side of the display. If your
timing is fast or you’re pushing the beat, the mark will ● Hit accuracy evaluation
move to the left. In the lower half of the display, the number of remaining
* Rhythm Gate range hits and the current evaluation result (%) are shown.
With the Rhythm Gate function, sound is produced only The current level (evaluation) and the status change dur-
if the hit is within the specified range, and sound is not ing playback. If your playing accuracy result (%) was
produced if the hit is outside this range. The range of 90% or more, the level is raised one step, and if accuracy
Rhythm Gate can be selected from three levels according is 60% or less, the level is lowered one step.
to the degree of difficulty and if this is set to off, sound is • Current level (evaluation): A (best) to F (worst)
always produced, no matter what your timing is. The • The icon and the meaning of evaluation
selected range is shown in the lower side of the upper half Ã: Increases the strictness (as you continue playing in
of the display. the same way)
≥: Maintains the same strictness (as you continue play-
* Tempo ing in the same way)
The jog dial can be used to adjust the tempo for the song À: Decreases the strictness (as you continue playing in
or click from 30 to 300. the same way)
* Inaccurate timing display NOTE
The average inaccuracies in timing as compared to the
• The level (evaluation) when the challenge mode begins is set to D.
note value set in page GRV4 are shown in numeric dis-
play. Range: 0 (perfectly accurate), 1–9 (in units of 1/24
* Tempo
of a 16th note)
Tempo is not shown in the Challenge mode display. To
The deviation in timing inaccuracy is 0.0 to 9.9. Of
change the tempo, hold the [SHIFT] button and rotate the
course, the smaller this value is, more “in the pocket”
jog dial. You can adjust the tempo for the song or click
your playing is.
from 30 to 300 (the tempo is shown in the LED display).
Your hit Perfect timing
Your hit Perfect timing
GRV1~--æ√æ’æææ-- GRV1~--æ√æ’æææ--
Rhythm gate range
⁄=130~Gr=-2œ0.0‚ 80Hits/~16%(DÀ)‚ Rhythm gate range
GRV4
GRV1~--æææ’æææ-- ”~~Note=⁄(4)
⁄=123~Gr=~0œ0.0‚
Timing (Note value)
Next, press the [>] button once to call up the GRV2 page,
then rotate the jog dial to set the Rhythm Gate. 5 Start the Groove Check
After setup is complete, start playback of the song ([SONG
GRV2~RhythmGate >/■]) or the click sound ([ ON/OFF]) and go back to the
”Mode=easy Groove Check’s main menu (the GRV1 page).
Groove Check begins as soon as you hit the pad specified in
Rhythm Gate setting the GRV3 page.
GRV3
”~Input=ƒsnare~‚
Pad (Trigger Input Source)
In this section, you’ll learn how to record your performance to the DTXPRESS IV’s built-in
sequencer. In the song data you record, you can switch Drum Kits, change the tempo and play-
back in the same way as with Preset Songs.
1 Select the Song you want to record Recorded notes were not played in time.
Press the [SONG] button to display the Song Select display,
select a User Song number (64–83).
If you want to play along with a Preset Song and record it,
select the desired song (1–63). In this case, the lowest num-
bered empty User Song will automatically be selected for
The Quantize Function aligns the timing.
recording.
CAUTION
If a User Song containing data is selected, any
recorded data previously existing is overwritten
and lost. Perfect timing
Tempo CAUTION
Never attempt to turn off the power during
REC~~~~~~~~⁄=130 recording. All User Song data may be lost.
Beat=4~Quant=⁄3
Beat Quantize
6 Give the User Song a name 7-3. Press the [SAVE/ENTER] button. A “now~clear-
The song name of the recorded User Song is shown as the ing~...” message is shown for a short time.
song name of the Preset Song or “Untitled.” Enter your
own original name for the recorded User Song. CAUTION
* The song names of the Preset Songs cannot be edited. Never attempt to turn off the power while the
message “now clearing...” is shown; all User
6-1. Press the [SAVE/ENTER] button in the Song Select
page. The Song Name setting page is shown. Song data may be lost.
6-2. Press the [<]/[>] buttons to move the flashing cursor • If the Factory Set operation is executed, all User Songs (64–
83) will be lost. Please proceed with caution, since executing
to the character you want to edit, then rotate the jog
this operation will also rewrite the entire memory contents of
dial to select a character. A User Song name can con- the DTXPRESS IV (all Click Sets, User Trigger Setups 8–11,
tain a maximum of eight characters, and these can be User Drum Kits 51–70, Utility data) with the data that was set
selected from the following list. in the unit’s memory when it was shipped from the factory (p.
35).
space
!"#$%&'()*+,-./0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
abcdefghijklmnopqrstuvwxyz{|}≥≤
The DTXPRESS IV lets you create your own original Drum Kit by assigning your favorite Drum
Voice to each pad and setting its tuning, pan, decay, reverb, etc.
* Drum Voice: Mainly individual percussion/drum sounds that are assigned to each of the pads.
* Drum Kit: A collection of Drum Voices assigned to pads.
connected to the 8KICK Trigger Input Jack is ühhOpE Edge rim switch input for 7HI HAT jack when the hi-
hat controller is open.
selected. In other words, the kick pedal’s pad input is
ühhCl Pad input for 7HI HAT jack when the hi-hat controller
selected.
is closed.
ühhClE Edge rim switch input for 7HI HAT jack when the hi-
Pad to be edited hat controller is closed.
ühhFtCl Input when the hi-hat controller is pressed (foot close).
KIT2~~~äkick~~~˙ ühhSplsh Foot splash input of the hi-hat controller.
äkick Pad input for 8KICK jack.
”K01:OakCustom~‚
“pad9 Pad input for 8PAD9 jack.
ƒπpad10 Pad input for 2PAD10 jack.
ƒƒpad11 Pad input for 3PAD11 jack.
Īpad12 Pad input for 4PAD12 jack.
2-3. The letter “˙” displayed next to “äkick” indicates Now you’ve selected the Drum Voice that will
layer number 1, and “¶” indicates layer number 2. be used as the base for your original Drum
Two voices can be output (in a layer) through one
input source. Select the voice to be edited here. Voice.
Next, let’s edit this Drum Voice and create
KIT2~~~äkick~~~˙ Layer number your original bass Drum Voice.
”K01:OakCustom~‚ Select and set the display that you want to be edited from
page 3 to page 25 in the KIT screen.
2-4. Next, decide the Drum Voice category. Drum Voice
categories are the same as those used in the user click Store the data when you change the settings!
sound setting (p. 19).
Make sure to store the data after any settings
● Voice Category have been changed.
K: Kick For information about how to save, see steps 26.
S: Snare If a different drum kit is selected, etc., before carrying
T: Tom
out the Store Operation, the current settings will
C: Cymbal
H: Hi-hat return to their original condition. If you want to keep
P: Percussion changes made to the data, make sure to carry out
E: Effect the Store Operation.
Here, select “K: Kick”. Press the [<]/[>] buttons to
move the flashing cursor to the Voice Category and
rotate the jog dial to select “K”.
3 Change the Volume
This determines the volume of the Drum Voice that is output
CAUTION when the pad is hit. Use this to adjust the volume balance
among the other pads.
An asterisk “*” will appear next to “KIT” in the
display if data is changed. This asterisk will dis- Use the [>] button to call up the KIT3 page, then rotate the
appear after the Store operation (p. 34) is carried jog dial to set the volume (0–127).
out. If a different Drum Kit is selected, etc.,
before carrying out the Store operation, the cur- KIT3*~~äkick~~~˙
rent settings will return to their original condi-
tion. If you want to keep changes made to the
”~~Volume=120~~‚
data, make sure to carry out the Store operation.
2-5. Next, let’s select a Drum Voice. 4 Change the Tuning (Pitch)
Press the [<]/[>] buttons so that the voice number This determines the tuning (pitch) of the Drum Voice.
flashes, then rotate the jog dial and assign a Drum
Voice. The voice number and voice name will be dis- Use the [>] button to call up the KIT4 page, then rotate the
played. jog dial to set the tuning in semitones (-24.0 to 0 to +24.0).
Here, select “K02:MapleCustm.”
* If the voice number is set to “00,” “NoAssign” is dis- KIT4*~~äkick~~~˙
played as the voice name and no sound will be pro-
duced.
”~~Tune=-~3.0~~‚
KIT2*~~äkick~~~˙
”K02:MapleCustm‚ 5 Change the Pan
This determines the Drum Voice’s pan setting (the voice’s
NOTE position within the stereo field).
• When Drum Voices are set for both layers 1 and 2, layer icon Use the [>] button to call up the page KIT5, then rotate the
˙ or ¶ is shown in the upper right hand corner of the KIT3 to jog dial to set the voice’s pan position.
KIT10 displays. Move the flashing cursor to this icon (if nec-
essary) and rotate the jog dial to change the layer to be edited. The range is from “L64” (hard left) to “C” (center) to “R63”
• When a Drum Voice is assigned to either of the layers 1 and 2 (hard right). As you rotate the dial, notice the voice change its
(the other is set to “NoAssign”), the layer icon is not shown position within the stereo field according to the setting.
in the KIT3 to KIT10 displays. The layer which has a Drum
Voice is the target layer for editing.
KIT5*~~äkick~~~˙
• When Drum Voices are not assigned for either layer 1 or 2
(“NoAssign”), “---” will be shown in the KIT3 to KIT18 ”~~~~Pan=L~5~~~‚
displays and the settings cannot be made.
KIT12*~äkick
”~HoldMode=off~‚
on ................... Each time the pad is hit, either a MIDI Key 14 Set the Alternate Group
On or MIDI Key Off event will be transmitted
This function allows you to assign different voices to the
alternately.
same alternate group, so that the playing of one sound in the
off................. Normal operation. When a pad is hit, only a group will automatically cancel others in the same group. A
MIDI Key On event will be transmitted. After practical example of this is with the open and closed hi-hat
the decay time elapses, a Key Off event will voices. When you play an actual hi-hat—first open, then
be transmitted automatically. closed—the closed hi-hat naturally mutes the ringing open
* When this is set to “on,” you should also set the Key Assign sound. Likewise, when the open and closed hi-hat voices are
Mode to “high” in the KIT15 page. assigned to the same alternate group, the playing of one
mutes the other.
13 Set the Cross Fade * This setting has no affect on two-layer input sources. The ˙/¶
This determines the Velocity Cross Fade between the layer indication is not shown in the upper right corner of the dis-
voices ˙ and ¶. play.
* This setting affects both layers ˙ and ¶. The ˙/¶ indication is Use the [>] button to call up the KIT14 page, then rotate the
not shown in the upper right corner of the display. jog dial to set the Alternate Group.
Use the [>] button to call up the KIT13 page, then rotate the
jog dial to set the Cross Fade type. KIT14*~äkick
”~AltGrp=off~~~‚
KIT13*~äkick
off .................No cancellation
”~~VelXFade=0~~‚ HH~pad ..........For the voice (ühhOp, ühhOpE, etc.) that is
played when the hi-hat pad is hit.
● Cross Fade Type
HH~pdl ..........For the voice (ühhFtCl, ühhSplsh,
0 .........Cross Fade function is not in effect. ühhCl, ühhClE, etc.) that is played when
˙ ¶ the hi-hat pedal is pressed.
1 ˙ ¶ 6 1–9..................Alternate group number. Assigns the same
group number for voices that you do not want
to be output simultaneously.
˙ ¶ ˙ ¶
2 7
15 Set the Key Assign Mode
˙ ¶ ˙ ¶ This defines the sound output rules when multiple voices that
3 8
are assigned to the same MIDI note number are simulta-
neously output.
˙ ˙ * This setting affects both layers ˙ and ¶. The ˙/¶ indication is
4 ¶ 9 ¶ not shown in the upper right corner of the display.
Use the [>] button to call up the KIT15 page, then rotate the
¶ jog dial to set the key assign mode.
5 ˙
KIT15*~äkick
”KeyAssign=semi‚
Vertical axis: Balance between layers ˙ and ¶
Horizontal axis: Velocity poly ...............Voices are output simultaneously.
Layer ˙ semi ...............Up to three voices for this note number can
Layer ¶ be produced at one time. When a fourth voice
is triggered, one of the first two voices will be
muted (cancelled).
mono ...............One voice can be delivered at one time, and
the previous voice will be muted (cancelled).
high ...............One voice can be delivered at one time, and
the previous voice will be muted (cancelled).
However, even if the maximum number of 32
notes is exceeded, the note number selected
here will not be muted.
”Song=~45áéplay‚ Use the [>] button to call up the KIT17 page, then rotate the
jog dial to set the Rim to Pad.
Song Number Playback mode
Repeat KIT17*~ƒsnrOp
”~RimToPad=off~‚
● Song Number
off .....................Only transmits rim switch event.
off, 45–63 ... Assigns the Song Number that is assigned to on........................Transmits both rim switch event and pad event.
the pad
* The hall, room, or stage types with larger values produce a Use the [>] button to call up the page KIT22, then rotate the
more pronounced reverb effect. jog dial to set the Pad Controller function.
KIT23*
”~~Snares=24~~~‚
24 Set the Program Change and Bank Select Use the [>] button to call up the KIT25 page, then rotate the
jog dial to make the following settings.
When a Drum Kit is selected, this function sets the MIDI Pro-
gram Change Number and the Bank Select MSB and LSB Control Change
MIDI Channel
Transmit On/Off
that will be transmitted. This can be set for each MIDI chan-
nel.
By transmitting a program change message, you can have the
KIT25*CC~Ch1=on
voice of an external MIDI device automatically change when ”Vol=127~Pan=~64
switching the Drum Kit on the DTXPRESS IV.
Volume Pan
* The ˙/¶ indication is not shown in the upper right corner of
the display. * When the Control Change Transmit On/Off is set to “off,”
Use the [>] button to call up the KIT24 page, then rotate the values for Vol and Pan will show “---” and the settings can-
not be made.
jog dial to make the following settings.
● MIDI Channel
Program Change
MIDI Channel 1–16 ...............Target MIDI channel for Control Change
Transmit On/Off
messages
KIT24*PC~Ch1=on ● Control Change Transmit On/Off
”PC003~M000L003‚ on....................Transmits.
off .................Does not transmit.
Program Change Number Bank Select LSB ● Volume
Bank Select MSB 0–127 .............Sets the Volume Control Change data value
that will be transmitted.
* When the Program Change Transmit On/Off is set to “off,” ● Pan
values for PC, M and L will be “---” and the settings cannot
be made. 0–127 .............Sets the Pan Control Change data value that
will be transmitted.
● MIDI Channel
1–16............... Target MIDI channel for the Program Change
26 Save the Original Voice
● Program Change Transmit On/Off To save the Drum Voice you created, use the Store operation
on ................... Transmits. described below and save it to the DTXPRESS IV’s memory.
off................. Does not transmit. Original kits can be saved as a Drum Kit to the User Drum
Kit (51–70) memory locations.
● Program Change Number
001–128 ....... Transmitted program change number. CAUTION
● Bank Select MSB, LSB If you select a different Drum Kit before perform-
000–127 ....... Bank select MSB number, LSB number ing the Store operation, all changes you have
* For more information on Bank Select MSB and LSB, refer to made to the data will be lost. If you want to keep
the Voice List and MIDI Data Format documents, etc. of the settings or changes, make sure to perform the
particular external MIDI device you are using. Store operation.
This function sets the MIDI Control Change Volume and Pan
values that will be transmitted when a Drum Kit is selected. KIT~save~to~51
This can be set independently for each MIDI channel.
:[Oak~Custom~~]
This lets you automatically change the voice Volume and Pan
on an external MIDI device when you switch the Drum Kit of
Edited Drum Kit name
the DTXPRESS IV.
* The ˙/¶ indication is not shown in the upper right corner of 26-2. Rotate the jog dial to select the destination user Drum
the display. Kit number (51–70) that you want to store.
* Data cannot be stored to the Preset Drum Kits (1–50).
* You can save data to a User Drum Kit number that
already contains data. However, be careful when
doing this, since the previous data will be overwritten
with the new data.
26-3. If you want to change the Drum Kit name, press the
[<]/[>] buttons to move the flashing cursor to the Factory Set
character you want to edit, then rotate the jog dial to
select a character. A Drum Kit name can contain a This operation returns all of the DTXPRESS IV’s internal
maximum of 12 characters, and these can be selected settings back to their original factory defaults.
from the following list.
space Please proceed with caution, since executing
!"#$%&'()*+,-./0123456789:;<=>?@ this operation will also rewrite the entire mem-
ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` ory contents of the DTXPRESS IV (all Click Sets,
abcdefghijklmnopqrstuvwxyz{|}≥≤ User Trigger Setups 8–11, User Drum Kits 51–70,
User Songs 64–83, Utility data) with the data that
was set in the unit’s memory when it was
26-4. Press the [SAVE/ENTER] button again. A prompt
appears asking you to confirm the Store operation. shipped from the factory.
KIT~save~to~51
~Are~you~sure~? Operation
1. First, press the [SHIFT] + [SAVE/ENTER] buttons to
26-5. Press the [SAVE/ENTER] button once more to actu- call up the Utility pages.
ally execute the Store operation.
*To cancel the Store operation, press any button except UTIL1~Hi-hat
for the [SAVE/ENTER] and [SHIFT] buttons. (When
“Are you sure?” appears in the display, the jog dial will HHofs=~~0~T=~~5‚
also cancel the operation.)
When the Store operation is complete, the following 2. Press the [>] button several times to call up the
display appears. UTIL8 page.
UTIL8
~~~Completed! ”~Factory~Set
~All~Memory
~Initializing...
Trigger Setup Edit contains various settings related to trigger input signals received from pads
or drum triggers (Yamaha DT20, etc.) that are connected to the trigger input jacks. These set-
tings let you optimize the DTXPRESS IV for best operation and response to these signals.
If you are using drum triggers attached to acoustic drums, or pads other than those that came
with the DTXPRESS IV set, you’ll need to adjust the sensitivity. This section also has settings
that help prevent crosstalk* and double triggering*.
* Crosstalk: The interference between trigger signals of physically adjacent pads, producing unexpected notes.
* Double triggering: The condition where a single pad hit causes multiple (usually two) triggers.
Trigger Setup procedure 3 Rotate the jog dial to change the setting.
* An asterisk “*” will appear next to “TRG” in the display if data
If you are using pads or drum triggers other than those that came is changed. This asterisk will disappear after the Store opera-
with your DTXPRESS IV Set (Standard Set/Special Set), or if tion is carried out.
you need to solve problems with double triggering or crosstalk, * The Trigger Input Level produced when a pad is hit is shown
on the upper right side of the display. When setting the gain,
the Trigger Setup provides more detailed settings—such as
use this level as a guide to measure how hard a pad is being
changing the preset’s trigger setup—for individual pads. hit.
If you’ve created a custom setup for these reasons or others, that Trigger Input Level
setup can be saved to one of the Trigger Setup locations (8–11).
TRG2* ƒsnare~~0%
1 Press the [SHIFT] + [DRUM KIT] buttons to call up the Trig-
”Type=DT~Snare~‚
ger Setup Select page (TRG1). The currently selected Trigger
Setup is indicated in the display.
* If you want to edit a different trigger setup, use the jog dial
4 To save changes you’ve made to the data, use the procedure
described below to store them to a User Trigger Setup (8–11).
and select the setup here.
4-4. Press the [SAVE/ENTER] button again. A prompt Explanations of Each Display Page
appears asking you to confirm the Store operation.
The following explanations cover the available parameters in the
TRG~save~to~8 pages TRG1 through TRG8. To save the edited data, refer to step
4 on page 36.
~Are~you~sure~?
TRG2~ ƒsnare~~0%
CAUTION ”Type=TP1/Snr~~‚
Never attempt to turn off the power while the
Sets the type of pad that is connected to the input jack assigned in
message “now storing...” is shown. All Trig- the upper half of the display ([1SNARE] in the example shown
ger Setup data may be lost. above).
* Values set in [TRG3 Gain, MVl (Mininimum Velocity)] (p. 38)
and [TRG5 RejTime (Self Rejection Time)] (p. 38) will auto-
matically changed to the proper values for the pad type you
set here.
Velocity →
with a proper setting when using a left-handed setting.
*3 When a stereo pad such as the TP80S is connected to the
1SNARE, 5RIDE, or 6CRASH input, “TP3-A” will produce Strength of hit →
the sound that is assigned to rim 1, and “TP3-B” will produce
the sound assigned to rim 2 (p. 28)
*4 When using an RHP series stereo pad, connect the pad to
Input 2TOM1/10, 3TOM2/11, 4TOM3/12, or 8KICK/9, TRG5 RejTime (Self Rejection Time)
and set the pad type in “™tom1”, “£tom2”, “Ωtom3”, or
“äkick” input to “RHP~pad” and the pad type in “ƒπpad10”,
“ƒƒpad11”, “ƒ™pad12”, or ““pad9” to “RHP~rim.” TRG5 ~ƒsnare~~0%
*5 To use the BP80 as a stereo pad, connect the pad to Input
2TOM1/10, 3TOM2/11, 4TOM3/12, or 8KICK/9. ”~~RejTime=1~~~‚
[Range] 0–9
TRG3 Gain, MVI (Minimum Velocity)
Prevents double triggering from occurring in the input jack
assigned in the upper half of the page. After an event is detected,
TRG3~ ƒsnare~~0% further events will be automatically muted for a certain length of
time. The larger the value, the longer time events will be muted.
”Gain=65MVl=~12‚
Gain [Range] 0–99 TRG6 RejLvlAll (Rejection Level)
Adjusts the input gain (sensitivity) for the input jack assigned in
the upper half of the page.
Setting a larger value lets a smaller input level from the pad cre- TRG6 ~ƒsnare~~0%
ate sound. ”~RejLvlAll=2~~‚
* This value will be automatically set after the appropriate pad
type is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the
value will be necessary.
[Range] 0–9
* Some pads are equipped with a sensitivity adjustment knob. Prevents crosstalk from occurring in the input jack assigned in
For details, refer to the owner’s manual that came with the the upper half of the page. Events triggered by other pads (input
particular pad.
jacks) that are of a lower input value than what is set here will not
MVI [Range] 1–127 be triggered for a certain length of time. Larger values require a
Sets the MIDI Velocity (volume) that is transmitted when the pad greater input level in order to produce a trigger event.
is hit the softest. Large values will produce a high volume level
even if the pad is hit softly. However, this will result in a narrow
volume range making it difficult to adequately produce wider TRG7 RejLvl (Specified Rejection Level)
dynamic levels.
The Trigger Input Level will be displayed in percentage in the
upper right hand corner of the display. The maximum velocity TRG7~ ƒsnare~~0%
(input level 99 percent) will be 127. The lower the level is when ”RejLv1=3Frm=56‚
the pad is hit the weakest, the wider the potential dynamic range
will be. RejLvl [Range] 0–9
* This value is automatically set after the appropriate pad type
Frm [Range] 1–6, 56 (5 and 6), 7–12
is set in [TRG2 Type (Pad Type)]. Some fine-tuning of the
value will be necessary. This setting is used to prevent crosstalk between the input jack
assigned in the upper half of the page and the input jack assigned
in the “Frm=” setting.
TRG8 ~ƒsnare
”CopyToInput=~2‚
This function allows you to copy all data settings in pages [TRG2
Type (Pad Type)] through [TRG7 RejLvl (Specified Rejection
Level)] to another input jack.
CAUTION
When the Trigger Setup Copy operation is car-
ried out, the Trigger Setup data will be replaced
with the settings of the copy source.
Operation
1. Hit a pad to select the copy source (input jack) from
which the data will be copied.
Rotate the jog dial and assign the copy destination (input
jack).
Copy source (input jack)
TRG8~ ƒsnare
”CopyToInput=~2‚
Copy destination (input jack)
Input~Copy~to~2
~Are~you~sure~?
~~~Completed!
The DTXPRESS IV displays error messages when incorrect settings have been made or invalid
operations have been detected, or when any abnormal operation or malfunction occurs.
If an error message appears, check the list below and make the appropriate corrections.
This message appears just after the power is switched on and the device cannot correctly
ERROR read the data due to the Factory Reset operation being active.
Data~Initialized The backup ROM data may have been damaged. Contact the nearest Yamaha Service Cen-
ter or the dealer where you purchased the device.
Trobleshooting
The DTXPRESS IV does not produce sound, or does The external tone generator does not produce sound.
not recognize trigger inputs. ● Is the MIDI cable (connector) properly connected? (p. 13)
● Are the pads or drum triggers (Yamaha DT20, etc.) properly ● Is the correct MIDI connector being used? (p. 13)
connected to the DTXPRESS IV’s trigger input jacks? (p. 10, ● Are the MIDI note number values appropriate?
11) (p. 30 Steps 8 to 10: [KIT8], [KIT9], [KIT10])
● Is the DTXPRESS IV properly connected to headphones or an ● The drum voices for both layers ˙ and ¶ may be set to
external audio device such as an amplifier, speaker, etc.? (p. “00:NoAssign.” (p. 29 Step2: [KIT2])
12)
● Check the position of the Standby/On switches and volume A voice other than the set voice is produced.
levels of any connected external audio devices, such as an
● Is the transmitting MIDI channel set to a channel that is not
amplifier, speaker, etc.
used for the drum voice (ch=10)? (p. 30, Step 9: [KIT9])
● The volume knob on the rear panel may be turned down (p.
● Are two-layer voices set in the voice setting on the Drum Kit
15).
Select display? (p. 29 Step 2: [KIT2])
● Is the gain set too low? (p. 38 [TRG3 Gain, MVI (Minimum
Velocity)])
Produces sound but the sensitivity is too low (volume
● The volume setting on the Drum Kit Select display’s “KIT3 Vol-
ume” page (p. 29) may be set to “0.”
is low).
● Is there a problem with the cable you are using? ● Is the gain set too low? (p. 38: [TRG3 Gain, MVI (Minimum
● The drum voices for both layers ˙ and ¶ may be set to Velocity)])
“00:NoAssign.” (p. 29 Step2: [KIT2]) ● Pads with a level adjustment knob should be adjusted
(increased).
● Is the minimum velocity set too low? (p. 38: [TRG3 Gain, MVI
(Minimum Velocity)])
● Are you using a proper velocity curve? (p. 38: [TRG4 VelCurve
(Velocity Curve)])
● Is the volume of the voice you want to use too low? (p. 29 Step
3: [KIT3])
The trigger sound is not stable. (For acoustic drums) ● Lower the specified rejection setting of the pad (trigger input)
● Check the entry “Produces sound but the sensitivity is too low that is not producing sound (p. 38: [TRG7 RejLvl (Specified
(volume is low)” above. Rejection Level)])
● Try selecting a larger pad type setting (DT snare → DT HiTom ● Are both pads (trigger inputs) set to the same alternate group?
→ DT LoTom → DT Kick). (p. 37: [TRG2 Type (Pad Type)]) (p. 31 Step 14: [KIT14])
● Is the Drum Trigger (Yamaha DT20, etc.) improperly attached
with duct tape? (Is there any old adhesive remaining on the The sound is always loud.
head?) ● Is the minimum velocities minimum value set too high? (p. 38:
● Is the cable securely connected to the drum trigger (Yamaha [TRG3 Gain, MVI (Minimum Velocity)])
DT20, etc.) jack? ● Are you using an appropriate velocity curve? (p. 38: [TRG4
VelCurve (Velocity Curve)])
Double triggering is produced. ● Are you using a pad made by another manufacturer? Depend-
● Pads with a level adjustment knob should be adjusted (low- ing upon the manufacturer, output levels might be too large.
ered).
● Is the gain set too high? (p. 38: [TRG3 Gain, MVI (Minimum The DTXPRESS IV does not receive any switch or trig-
Velocity)]) ger signals.
● Use the self-rejection setting. (p. 38: [TRG5 RejTime (Self ● If you can access the Utility display, perform the Factory Set
Rejection Time)]) operation. The DTXPRESS IV will reset to its factory settings.
● (KP65) Is the pad type for the input jack to which the KP65 is (p. 35: [UTIL8 Factory Set])
connected set to Kick Pad? (p. 37: [TRG2 Pad Type]) ● Turn the power off then on while holding the [<] and [>] but-
● Are you using drum triggers (trigger sensors) made by other tons together. The DTXPRESS IV will reset to its factory set-
manufacturers? Too large a signal can result in double trigger- tings.
ing.
● Is the head causing irregular vibrations? It may be necessary The sound does not stop.
to mute the head.
● Some voices have very long release times when the “key off”
● When using acoustic drums, make sure the Drum Trigger is parameter is set to “disable.” (p. 30 Step 11: [KIT11])
attached near the rim (above the bearing) and not near the Press the [DRUM KIT] button to temporarily stop the sound.
center of the head.
● When using acoustic drums, make sure that nothing is touch-
The pad controller function does not work
ing the Drum Trigger.
● Have you connected a pad equipped with a pad controller,
such as the TP100 or TP120SD?
Crosstalk (trigger interference from different inputs) is
● Are the pad controller settings properly set? (p. 17)
produced.
● Is the gain set too high? (p. 38: [TRG3 Gain, MVI (Minimum
The Closed Hi-Hat voice is not produced.
Velocity)])
● Is the proper pad type selected? If the RHH135/130 is used as
● Try increasing the rejection parameter. However, avoid setting
a hi-hat controller, the pad type must be set to “RHH.” (p. 37:
this value too high since that may cause the sound to not be
[TRG2 Pad Type])
produced when another pad (trigger input) is hit at the same
time. (p. 38: [TRG6 RejLvlAll (Rejection Level)])
● If crosstalk is produced with a specific trigger input, try using The edge or cup sections of the cymbal pad do not pro-
specific rejection. (p. 38: [TRG7 RejLvl (Specified Rejection duce sound when struck. The choke functions do not
Level)]) work.
● When using acoustic drums, place the Drum Trigger away from ● Is the proper pad type selected? Select the appropriate pad
any nearby drum. type for the kind of cymbal pad you are using. (p. 37: [TRG2
Pad Type])
Sounds are cut when you play continuously. ● The sound produced by the edge and cup section will not be
produced when a pad equipped with a rim switch (PCY135/
● The maximum polyphony of 32 voices might be exceeded. In
155 etc.) is connected to the Input jack 9– @.
the Drum Kit Select dispaly’s “KIT15 Key Assign Mode” page
(p. 31), set the “KeyAssign” value to “semi” or “mono.”
Foot Splashes are not produced.
When two pads (drums) are played only one sound is ● Is the foot controller connected to the HI HAT CONTROL jack?
heard. ● Adjust the detection time of foot splashes. (p. 16: Adjusting the
Hi-hat)
● Raise the gain setting of the pad (trigger input) that is not pro-
ducing sound. (p. 38: [TRG3 Gain, MVI (Minimum Velocity)])
● Lower the rejection setting of the pad (trigger input) that is not I need to restore the original factory settings of the
producing sound. (p. 38: [TRG6 RejLvlAll (Rejection Level)]) instrument.
● Use the Factory Set function (p. 35) to reset the DTXPRESS IV
internal settings to the initial factory settings.
LCD Displays
* The above “LCD Displays” charts show you the pages available in each display.
Keep in mind that the actual displays on the instrument may be different from those shown here.
KIT13 ƒsnare
” VelXFade=0 ‚ (Page 31)
KIT1 ååååååååå
KIT save to 51
1 :Oak Custom ‚ (Page 15)
KIT14 ƒsnare :[Oak Custom ]
” AltGrp=off ‚ (Page 31) (Page 34)
KIT2 ƒsnare ˙
”S01:OakCustom ‚ (Page 28)
KIT15 ƒsnare
”KeyAssign=poly‚ (Page 31)
KIT3 ƒsnare
(Page
” Volume=127 ‚ 15, 29) KIT save to 51
KIT16 ƒsnare
Are you sure ?
”Song= 45áéplay‚ (Page 32)
KIT4 ƒsnare (Page 35)
” Tune=+ 0.0 ‚ (Page 29)
KIT17 ƒsnare
” RimToPad=--- ‚ (Page 32)
KIT5 ƒsnare
” Pan= C ‚ (Page 29)
KIT18 ƒsnare
” RevSend= 75 ‚ (Page 32)
KIT6 ƒsnare
” Decay= 0 ‚ (Page 30)
KIT19
” RevSendDr= 40‚ (Page 32)
KIT7 ƒsnare
”CutOffFreq= 0‚ (Page 30)
KIT20
”RevType=hall2 ‚ (Page 33)
KIT8 ƒsnare
”Note= 32/G#0 ‚ (Page 30)
KIT21
”RevMastRet= 64‚ (Page 33)
KIT9 ƒsnare
” MIDI Ch=10 ‚ (Page 30)
KIT22
(Page
”PadCtl=snares ‚ 17, 33)
KIT10 ƒsnare
”GateTime=0.3s ‚ (Page 30)
KIT23
” Snares=32 ‚ (Page 33)
KIT11 ƒsnare
”KeyOff=disable‚ (Page 30)
KIT24 PC Ch1=on
”PC001 M000L001‚ (Page 34)
KIT12 ƒsnare
” HoldMode=off ‚ (Page 30)
KIT25 CC Ch1=on
”vol=127 Pan= 64 (Page 34)
* Displayed when
SONG2 Clear a user song is CLK2 A˘=9 ¤=9
selected.
”Are You Sure ? (Page 27) ” ‹=6 ßß=4 Œ=2 ‚ (Page 19)
CLK6 Sound=¤
REC ⁄=120 ” Tune=+ 0.0 (Page 19)
Beat=4 Quant=⁄ (Page 26)
CLK save to 1
REC Meas= 10 :[User ] (Page 20)
Now Recording. (Page 26)
CLK save to 1
Groove Check Function Are you sure ? (Page 20)
GRV1 --æ√æ’æææ--
⁄=130 Gr=-2œ0.0‚ (Page 24)
Challenge Mode
GRV1 --æ√æ’æææ--
80Hits/ 16%(DÀ)‚ (Page 24)
GRV2 RhythmGate
”Mode=challenge‚ (Page 25)
GRV3
” Input=ƒsnare ‚ (Page 25)
GRV4
” Note=⁄(4) (Page 25)
TRG save to 8
TAP TEMPO Are you sure ? (Page 37)
¤=123 ≠ªªªª (Page 21)
Default x x
Mode Messages x x
Altered ************** x
Note 0 - 127 x
Number : True voice ************** x
After Key's x x
Touch Ch's x x
Pitch Bender x x
Prog o 0 - 127 x
Change : True # ************** x
System Exclusive o x
: Song Pos. x x
Common : Song Sel. x x
: Tune x x
System :Clock o x
Real Time :Commands o x
:All Sound Off x x
Aux :Reset All Cntrls o x
:Local ON/OFF x x
Mes- :All Notes OFF x x
sages:Active Sense o x
:Reset x x
Notes:
Specifications
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to
change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may
not be the same in every locale, please check with your Yamaha dealer.
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in
your plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (2 wires)
For details of products, please contact your nearest Yamaha Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
representative or the authorized distributor listed below. Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante. Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
Yamaha Drums global web site: U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
http://www.global.yamaha.com/products/music/drums.html © 2006 Yamaha Corporation
Yamaha Manual Library
http://www.yamaha.co.jp/manual/ WR29770 8??POAP?.?-04D0
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