Module No. 3
Module No. 3
Module No. 3
Creative Writing
Information Sheet No.3
Objectives:
At the end of the module, students will be able to:
1. differentiate the salient features of the various figures of speech;
2. distinguish the differences between figures of speech and figurative
language; and
3. evaluate the figures of speech used in lines/ excerpts from literary pieces.
When you were asked to write academic type of writing during your first year of
Senior High, you are always asked to carefully choose words that are appropriate to the
type of writing and consider that it should be understood by most readers.
In this module, you’ll be able to understand the use of figurative languages which is
to build imagery and give words more power. It’s tempting to think that direct language is
the easiest for us to understand, but sometimes we respond better to more creative
wording.
This word originated from the Old French which is figuratif meaning metaphorical.
Figurative language refers to language that uses words in ways that deviate from their
literal interpretation to achieve a more complex or powerful effect. This language uses
figures of speech to achieve its purpose.
You might be wondering, is Figurative language the same with figures of speech or
do they differ? There's a lot of confusion about the difference between the terms "figures
of speech" and "figurative language." Most of the confusion stems from the fact that
different people often use "figurative language" to mean slightly different things. The two
most common definitions of figurative language are:
Tropes are figures of speech that play with and shift the expected and literal
meaning of words.
Schemes are figures of speech that involve a change from the typical mechanics of
a sentence, such as the order, pattern, or arrangement of words.
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To put it simply; tropes play with the meaning of words, while schemes play with the
structure of words, phrases, and sentences.
That might be by putting a foreign concept into familiar terms that a reader or
listener can easily grasp, or it might be by creating imagery that’s vivid and visceral.
Some types of figurative language also have other uses unrelated to their role in
creating imagery. For example, writers use alliteration, consonance and assonance
alongside rhyme to give words rhythm and musicality.
Figures of Speech
Figures of speech can take many forms. A figure of speech can involve a single word, a
phrase, an omission of a word or phrase, a repetition of words or sounds, or specific
sentence structures.
Tropes
Generally, a trope uses comparison, association, or wordplay to play with the literal
meaning of words or to layer another meaning on top of a word's literal meaning. Here
are some of the commonly use figures of speech:
For example, if someone says "it's raining cats and dogs," this obviously doesn't
literally mean what it says—it's a metaphor that makes a comparison between the weight
of "cats and dogs" and heavy rain.
Metaphors are tropes because their effect relies not on the mechanics of the sentence,
but rather on the association created by the use of the phrase "cats and dogs" in a non-
literal manner.
Simile: A simile, like a metaphor, makes a comparison between two unrelated things.
However, instead of stating that one thing is another thing (as in metaphor), a simile
states that one thing is like another thing. To stick with cats and dogs, an example of a
simile would be to say "they fought like cats and dogs."
For that reason, “She plays like a child” and “My grandpa was like a helicopter hovering
over are family” are not similes – at least not effective ones.
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Be careful with like or as. Because each serves as different parts of speech, just
because you see like or as does not mean that there is a simile. For example, “I like M &
M’s” is not comparing anything; like is a verb in this example, and nothing is being
compared. Or, “My mom is more like a best friend than a mom” is a factual statement
and is not comparing two dissimilar things; therefore, it is not a simile.
Oxymorons are tropes because their effect comes from a combination of the two words
that goes beyond the literal meanings of those words.
Once again, this is a trope because its effect comes from understanding that the words
mean something different from what they literally say.
Personification can help writers to create more vivid descriptions, to make readers see
the world in new ways, and to more powerfully capture the human experience of the
world. Attributing a human emotion to something inanimate—as in the sentence about
"indifferent rain"—can make that thing easier to understand and more vivid in the
reader's imagination.
Onomatopoeia can use real words, made-up words, or just letters used to represent raw
sounds (as “Zzzzzz” represents someone sleeping or snoring). Advertising, branding,
and slogans often use onomatopoeia: “Snap, crackle, pop.”
Real words that sound like real things: This type of onomatopoeia, which
we’ll call conventional onomatopoeia, uses words whose own sound evokes the
sound of real things. The word “meow,” which sounds just like the sound a cat
makes when it actually meows, is a classic example of conventional
onomatopoeia.
Real words made to evoke the sound of real things: In this rarer type of
onomatopoeia, a word or series of words is used to imitate a real-world sound,
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even though the words used don’t mimic that sound themselves. Perhaps the
most famous example of this type of onomatopoeia is Edgar Allen Poe’s poem
“The Bells,” in which Poe repeats the word “bell” 62 times to evoke the sound of
a bell ringing and tolling, even though the word “bell” itself does not itself sound
like a bell ringing.
Made-up words that sound like real things: Made-up words can fill the void
when no word exists to sufficiently capture the nuances of a real-world sound.
For example, when James Joyce needed a word to convey the sound of
someone knocking on a door, he invented “tattarrattat.” Today, almost a
hundred years after he coined it in writing his novel Ulysses, “tattarrattat” has
become a legit word
Irony: It is a literary device or event in which how things seem to be is in fact very
different from how they actually are. If this seems like a loose definition, don't worry—
it is. Irony is a broad term that encompasses three different types of irony, each with
their own specific definition: verbal irony, dramatic irony, and situational irony.
Verbal irony is a figure of speech in which the literal meaning of what someone
says is different from—and often opposite to—what they actually mean. For
example, if someone has a painful visit to the dentist and when it's over says,
"Well, that was pleasant," they are using verbal irony because the intended
meaning of their words (that it wasn't at all pleasant) is the opposite of the literal
meaning of the words. Verbal irony is the most common form of irony. In fact it is
so common that when people mention "irony," they often are actually referring to
verbal irony.
Pun: a figure of speech that plays with words that have multiple meanings, or that
plays with words that sound similar but mean different things. The comic novelist
Douglas Adams uses both types of pun when he writes: "You can tune a guitar,
but you can't tuna fish. Unless of course, you play bass."
In the first sentence, Adams puns on the similar sounds of "tune a" and "tuna," while in
the second he puns on the two meanings of the word "bass"—the musical instrument,
and the fish.
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A less common form of synecdoche occurs when a whole is used to refer to a part. An
example of this is when the word "mortals" is used to mean humans—"mortals"
technically includes all animals and plants (anything that dies), so using "mortals" to
mean humans is a synecdoche that uses a category to stand in for one of its subsets.
A synecdoche occurs when a part stands in for a whole, or a whole stands in for a part.
To recognize synecdoche it's helpful to understand that there are different sorts of
wholes and parts. The most common types of wholes and parts are:
A container and what it contains: "Can I buy you a glass?" refers not to the
glass itself; it is a synecdoche in which "glass" refers to the drink inside it.
A category and the items in those categories: "America took home gold" is a
whole-to-part synecdoche in which the larger category of "America" is used to
stand in only for American olympians. This type of synecdoche can also be part-
to-whole. For example, "The citizens were all put to the sword" is a synecdoche
in which the term "sword" stands in for the entire category of weapons used to
kill.
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phrase like "The pen is mightier than the sword," in which "pen" stands in for
writing and "sword" stands in for physical power.
Litotes is pretty simple in the way it works: instead of stating something directly, you
state that the contrary statement is not true.Typically, the contrary statement will be
phrased as some sort of superlative (for example, "he's not the sharpest tool in the
shed"). This is part of what makes litotes an example of understatement, since what's
actually being expressed is "He's far from the sharpest tool in the shed."
Litotes must contain a negative statement (as in, "not the best weather"). Litotes is a
form of understatement, the intentional presentation of something as smaller, worse, or
lesser than it really is.
Here are other tropes that are used in literature:
Antanaclasis
Anthimeria
Paradox
Periphrasis
Rhetorical Question
Schemes
Schemes are mechanical—they're figures of speech that tinker with words, sounds, and
structures (as opposed to meanings) in order to achieve an effect. Schemes can
themselves be broken down in helpful ways that define the sort of tinkering they employ.
Some of the most commonly used schemes are explained briefly below:
Here are some of the key points that you have to take note:
Alliteration is the repetition of sounds, not just letters. Alliteration isn’t just about
repeated letters. It’s about repeated sounds:
Crooks conspire with the kind king.
This example is alliterative because the “c” and “k” produce the same sound even
though they are different letters.
Alliterative words don’t have to be right next to each other. The repeated
sounds of alliteration do not have to appear in sequential words, one immediately
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after another. A phrase can still contain alliteration if the repeated sounds are
separated by other words. For instance, the example below is alliterative despite the
“a” and “of”.
Assonance is a figure of speech in which the same vowel sound repeats within a
group of words. An example of assonance is: "Who gave Newt and Scooter the blue
tuna? It was too soon!"
In practical terms, these rules mean that assonance can sometimes also be alliteration,
but isn't always.
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Consonance vs. Assonance
Consonance is nearly identical to another figure of speech called assonance,
with one critical difference: consonance has to do with repeated consonant sounds (i.e.,
non-vowel sounds), whereas assonance has to do with repeated vowel sounds.
In practical terms, these rules mean that consonance can sometimes be a form of
alliteration, but isn't always.
The following well-known adage is an example of parallelism: "Give a man a fish, and
you feed him for a day. Teach a man to fish, and you feed him for a lifetime." The
grammatical structures of the first and second sentences parallel each other.
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Parallelism in Grammar
In grammar, parallelism is the principle that using similar grammatical elements
in certain contexts—when making a list, for example—leads to sentences that flow in a
more natural way. In the following sets of sentences, the first version is parallel while the
second is not. Note how the examples without parallelism are awkward and a little
confusing.
In this first set of sentences, the first sentence contains a list of three parallel nouns,
while the second combines two nouns with a verb.
Parallelism: Their son loved playing chess, video games, and soccer.
No parallelism: Their son loved chess, video games, and to play soccer.
In the second set of sentences, the first contains parallel adjectives, while the second
combines two adjectives with a verb.
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Self-Check No. 3
_____________________
Teacher: ___________________________
chosen.__________________________________________
____________________________________
desert.____________________________________________
4. Here is the smell of blood still; all the perfumes of Arabia will not sweeten this little
hand._______________________________
5. “A black bug bit a black bear, but where is the black bear that the black bug bit?”
___________________________________
___________________________
7. I had so much homework last night that I needed a pickup truck to carry all my books
home! ___________________________________
hand._______________________________
__________________________________
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10. Death lays his icy hands on
kings.___________________________________________
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