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    Altered Scale Exercises GPR G7alt and E7alt

    Uploaded by

    Pete Sklaroff
    The document discusses altered scales and their construction from diatonic triads. It presents the G altered scale and E altered scale, showing how they are derived from rearranging the notes of their corresponding diatonic triads in a specific pattern. Diagrams map out the scales in two octave forms as well as their construction from thirds. The document provides a detailed analysis of how altered scales differ from standard diatonic scales.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Altered Scale Exercises GPR G7alt and E7alt

    Uploaded by

    Pete Sklaroff
    106 views1 page
    The document discusses altered scales and their construction from diatonic triads. It presents the G altered scale and E altered scale, showing how they are derived from rearranging the notes of their corresponding diatonic triads in a specific pattern. Diagrams map out the scales in two octave forms as well as their construction from thirds. The document provides a detailed analysis of how altered scales differ from standard diatonic scales.

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    Altered Scale Exercises Gpr G7alt and E7alt

    Original Title

    Altered Scale Exercises Gpr G7alt and E7alt

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    © © All Rights Reserved

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    The document discusses altered scales and their construction from diatonic triads. It presents the G altered scale and E altered scale, showing how they are derived from rearranging the notes of their corresponding diatonic triads in a specific pattern. Diagrams map out the scales in two octave forms as well as their construction from thirds. The document provides a detailed analysis of how altered scales differ from standard diatonic scales.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    106 views1 page

    Altered Scale Exercises GPR G7alt and E7alt

    Uploaded by

    Pete Sklaroff
    The document discusses altered scales and their construction from diatonic triads. It presents the G altered scale and E altered scale, showing how they are derived from rearranging the notes of their corresponding diatonic triads in a specific pattern. Diagrams map out the scales in two octave forms as well as their construction from thirds. The document provides a detailed analysis of how altered scales differ from standard diatonic scales.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    Altered Scales - Part One

    Pete Sklaroff
    G Altered Scale Diatonic Triads
    Gdim Abm Bbm Baug Dbmaj Ebmaj Fdim Gdim

    1 2 3 3 3 3 3
    3 3 3
         
                   
                 3

     3 5 3 5 3 6 5
    3
    3 6
    4
    5
    3 6
    2 4 6 4 6 4 6 4 6
    3 4 6 3 6 4 7 6 7

    2 Octave Scale Form Scale in Thirds


              
       
    4 5 6

        
                 
                      
    3
    4 6 8 4 6 4
     3 5 6
    3 4 6
    3 5 3 6 5
    3
    6
    4 3 6 4 6
    4 6 1 2 1 4 2 6 4 6
    3 4 6 7 3 4

    E Altered Scale Diatonic Triads


    Edim Fm Gm Abaug Bbmaj Cmaj Ddim Edim

     
    3 3
           
    7

           
    8

                 9
       

    3 3 3 3
    3 3
    4 6
    5 5 6 5 8 6 5 8
     5 6 8
    5 7
    5 8 6
    5
    5 8
    7
    6
    5
    8
    7 5 7
    7 8 7 8

         
             
    2 Octave Scale Form
    10
        11
      12

           
         
       
    8 10 12 8 10 8 12
    8 9 11 5 8 9 11 9 11
     5 6 8 10
    7 9 10
    5 6 5 8 6
    5
    8
    7 5 7 10 9 10 12
    7 8 7 8

    1/1

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