Timeline Artist Style Theme: Contemporary Arts Vs Modern Arts
Timeline Artist Style Theme: Contemporary Arts Vs Modern Arts
Timeline Artist Style Theme: Contemporary Arts Vs Modern Arts
SUGAR SPHINX
ART - made by Kara Walker
- expresssion and application of human skills and - position in a sphinx form - “We understand black
imagination women's desire and pleasure in relation to the
oppression we’ve endured for centuries.
MAJOR CATEGORIES OF ART: Experiencing sexual terrorism at the hands of
1. VISUAL ARTS / FINE ARTS white and black men taught black women that
- aesthetic beauty of artwork our bodies aren’t our own. In response, many
2. APPLIED ARTS black women turned inward, and used specific
- functionality, used in everyday life tactics to ensure survival.” (Kara Walker) -
CONTEMPORARY vs MODERN ARTS “Walker sees art as a means of reclaiming our
ARTS bodies. She is attempting to use art to force
1970s-present TIMELINE 1900s-1960s people to view black women as whole beings. If
Living ARTIST Deceased sugar is connected to both desire and capital,
Does not follow any STYLE Traditional Art Style
Walker is saying that black women are entitled to
rules
Societal Issues THEME Expressions both. We can be sexy without being
hypersexualized. We can be bold in our
ARTWORKS: sexuality. We can be fierce. We are entitled to
1. SABEL IN BLUE by Benedicto Cabrera our bodies.” (Kara Walker)
- dislocation in society
6. BULUL
- rice god in cordillera community
2. INTERACTIVE
- relationship of the artwork and audience
- Ex: 3d art gallery - Vertical Line: strength and power (yung nakared
3. ORIGINALITY na humahatak)
- parody - Diagonal Line: dynamic action/conflict and
stress
4. INTEGRATED
(nakaputi sa dulo)
- 2 or more art forms
- Horizontal Line: suggests no motion or at rest
5. CAN BE SOLD ONLINE - Curve Line: Emotion
- through Social Media
2. SHAPE AND FORM
6. PROCESS-BASED - made from lines
- no idea what the subject will be a. Geometric Shape
- can measure using mathematical equation -
7. SELF-TAUGHT height and width or 2D b. Organic Shape -
- based on experience cannot be measured
- Ex: Genesis (painted by Hernando Ocampo) - height and width
8. COLLABORATIVE c. Geometric Form
- height, width, depth or 3D d. Organic
- collaboration; help from other artists. Form
- height, width, depth or 3D
3. COLOR
- produced when light, striking an object, is
reflected back to the eyes a. Hue - nasa color
wheel b. Value
- lightness and darkness of color
- tint – white - shade - black
- c. Intensity/Saturation
- brightness or dullness of color
- gray - dullness
- same color- brightness
* COLOR WHEEL
1. LINE
- elongated
- Ex: Spoliarium * COLOR SCHEMES
1. MONOCHROMATIC
2. ANALOGOUS
5. TRIADIC
6. TETRADIC
3.
COMPLEMENTARY
5. MOTION
- movement of art
- 2d or 3d
4. SPLIT-COMPLEMENTARY a. 3d
- Kinetic Sculpture (moving) b.
Implied
6. SPACE
- area that the artwork occupy a. Actual
Space - positive and negative space b.
Illusion Space
- perspective (atmospheric and linear
perspective)
7. TEXTURE
- feel
a. Tactile First Mass in Limasawa by Carlos Botong
- exact Francisco
b. Visual -
2d art forms
c. Ephemer
al Texture -
subject to change
- Ex: Smoke, Clouds
5. COLLAGE PAINTING
- different elements to form an art piece
JONATHAN BENITEZ
- artwork focuses more on human and environment
THEMES OF PAINTING:
Breaking Colonial Ties II by Aileen Lanuza-de
THEME -
Pio
general
message
SUBJECT -
specific
message
First Mass in Limasawa (in Leyte, Cebu; March
1. GENRE PAINTING 31,1521) by Carlos Botong Francisco
- portrayal of everyday life usually in rural areas
- Ex: 3. SCAPES
- wider view or scenery
- Ex: Landscape, Seascape, Skyscape,
Cityscapes(starry starry night), Galaxyscapes
4. PORTRAITS
- focus on a person's expression
- Ex:
5. STILL-LIFE PAINTING
- portray inanimate
objects - natural and
El Ciego “The Blind Man” by Fernando man-made - Ex:
Amorsolo
Planting Rice by Fabian Dela Rosa "Still Life With Golden Goblet (2019) " by Olan
Ventura
2. HISTORICAL PAINTING
- about history
- Ex:
1. Granadean Arabesque
- by Jose Joya in 1958
- mixed media
- nilaban sa Venice competition
- * Napoleon "Billy" Veloso Abueva
Labandera by Fernando Amorsolo - youngest artist to receive award at 46
3. The Fishermen
- by Ankyukuk (1981)
6. Isla Hubad
- by Neil Pasilan (2012)
7. Sabel in Blue
Nude in 1998 and Nude in 2007 by Benedicto - by Benedicto Reyes Cabrera (2006)
Cabrera
8. OMG Christ
7. RELIGIOUS - by Ernest Conception (2015)
- depicts the beliefs of people
- Ex: 9. Alkaff Bridge - by Pacita
Abad
Sorrow or Pieta
SCULPTURE
- It can stand without a surface or background - symbolizes cultural communities like ethnic
groups
- Ex: UP LIFT by Ferdinand Cacnio
- Ex: BULUL by Benedict Cabrera
- Transfiguration by Napoleon Abueva
- SARIMANOK by Abdul Marie Ace Emao
- Up Oblation By Guillermo Tolentino
(First Maranao to be awarded international
- Sacrifice for country and academic freedom artist)
5. FRANCISCO MACABULOS MONUMENT - - Grants the CCP to identify the honors and
priveleges to be a NA of the Philippines
- In Maria Cristina Park Tarlac City
INTRODUCTION OF ORDER OF
NATIONAL
ARTISTS IN THE PHILIPPINES
- Amado V, Hernandez (NA for Literature) - This EO adds priveleges to the NA’s
- Antonio J. Molina
- highest group in administering the NA AWARD - review the short list that they created
- The head of the ONA Secretariat will be the - After this, short list is passed to the ONA
Executive Director of the NCCA Secretariat which will still be further reviewed
then thereafter will go to the President of the
- consists of the NCCA (National Commission Philippines
for
Culture in the Arts) - BOC (Board of - Then the President of the Philippines will
Commission) proclaim the NA Awardee through the
recommendation of the ONA Secretariat
- Then passes to the ONA SRG - 1962 onwards are considered as Nominees
- Assigned by the ONA Secretariat - He/she must have pioneered style which
result in the Development of the Philippine Arts
- They verify information and create presentation (Art styles)
of the national artist awardee
- Ex: Victorio Edades as the pioneer and
- Review the passing of the ONA SECRETARIAT father of Philippine Modern Art
- After that, they create the short list (name - he/she should master his/her skills
deliberated by the ONA COE)
5. BROAD ACCEPTANCE
- Passes the list to the ONA JOE
- He/she must have been recognized (Globally and
Locally)
G. Lifetime Materials