This Is What Modern Life Really Looks Like, According To An Illustrator (STEVE CUTTS)
This Is What Modern Life Really Looks Like, According To An Illustrator (STEVE CUTTS)
This Is What Modern Life Really Looks Like, According To An Illustrator (STEVE CUTTS)
STEVE CUTTS
Illustrator Steve Cutts has a rather morbid fascination with “the more broken
aspects of life.” His artworks, brightly colored and meticulously detailed,
tend to revolve around poverty, corruption, greed, social media,
consumerism, dependence and drugs ... just to name a few.
STEVE CUTTS
From a trio of humanoid robots operated by cats, to a crowd of zombies too preoccupied
with their cell phones to look for brains, to an overweight man in a shiny car being hoisted
by a group of skeletal laborers — the graphic works are just as captivating as they are
hard to look at. Gluttony, sloth, greed (APETIT MAXIM, LENE MAXIMA, LACOMIE, ); all
the sins of contemporary culture are on display, wrapped up in expressive drawings that
prompt viewers to chuckle, scratch their heads and pray for the future of humanity all at
the same time.
In an email interview with The Huffington Post, London-based Cutts explained that the
main focus of his illustration work is the “unquestionable insanity” that infiltrates the
systems governing our daily lives. “We live in a world where it’s extremely hard to
compete in our market ethically, and producing something without exploitation of people or
environment seems impossible,” he noted. “So people compromise on values and
rationalize it somehow, because otherwise you have to break with society.”
“I’ve made a few pieces about mobile phones and social media, but this isn’t to say those
things are necessarily bad in their entirety,” Cutts confessed. “They have their benefits
obviously, but it’s a comment on our unhealthy dependence on them, their power over us
or their unsustainable manufacturing process that I’m focusing on in those pieces.”
STEVE CUTTS
At the end of the day, many of Cutts’ illustrations differ in style, with some leaning toward
two-dimensional cartoonish scenes and others favoring realism and an eye for
perspective. Some pieces take months to complete, lingering in Cutts’ rotation until a fresh
idea seals their fate, while others take just a couple of days to complete.
But, despite the intense aesthetic variation, one theme rings true: Cutts draws things
that affect us all, directly or indirectly. And to prove he’s not all fire and brimstone, he left
us with a few words of wisdom for illustrators who, like him, want to move from the world
of large creative agencies to the realm of independent freelance:
“I’d say follow jailbreak rules,” he advised. “Prepare for a few months before making the
move, develop a strong portfolio of varied skills, get a few contacts before you leave, have
at least a few K in the bank in case of hard times ... and have patience ... it’s the norm to
take on some less than ideal jobs at the start.”
“Obviously there’s a lot of illustrators/content creators out there,” he added, “so any way
you can stand out from the crowd go for it.”
STEVE CUTTS
STEVE CUTTS
STEVE CUTTS
STEVE CUTTS
STEVE CUTTS