Effects Parameters 271

DIST->DELAY
One input, two output distortion and delay effects in series.
Parameter Range Description
DST1, DST2, OVD1,
DST TYPE Distortion type (DST = distortion, OVD = overdrive)
OVD2, CRUNCH
DRIVE 0–100 Distortion drive
MASTER 0–100 Master volume
TONE –10 to +10 Tone control
N. GATE 0–20 Noise reduction
DELAY 0.0–2725.0 ms Delay time
Feedback gain (plus values for normal-phase feedback,
FB. GAIN –99 to +99%
minus values for reverse-phase feedback)
HI. RATIO 0.1–1.0 High-frequency feedback ratio
FREQ. 0.05–40.00 Hz Modulation speed
DEPTH 0–100% Modulation depth
Distortion and delay balance (0% = all distortion, 100% = all
DLY.BAL 0–100%
delayed distortion)
SYNC OFF, ON Tempo parameter sync on/off
DLY.NOTE 1 Used in conjunction with TEMPO to determine DELAY
MOD.NOTE 2 Used in conjunction with TEMPO to determine FREQ.

1. (Maximum value depends on the

tempo setting)
2.

MULTI FILTER
Two input, two output 3-band multi-filter (24 dB/octave).
Parameter Range Description
TYPE 1 HPF, LPF, BPF Filter 1 type: high pass, low pass, band pass
TYPE 2 HPF, LPF, BPF Filter 2 type: high pass, low pass, band pass
TYPE 3 HPF, LPF, BPF Filter 3 type: high pass, low pass, band pass
FREQ. 1 28.0 Hz–16.0 kHz Filter 1 frequency
FREQ. 2 28.0 Hz–16.0 kHz Filter 2 frequency
FREQ. 3 28.0 Hz–16.0 kHz Filter 3 frequency
LEVEL 1 0–100 Filter 1 level
LEVEL 2 0–100 Filter 2 level
LEVEL 3 0–100 Filter 3 level
RESO. 1 0–20 Filter 1 resonance
RESO. 2 0–20 Filter 2 resonance
RESO. 3 0–20 Filter 3 resonance

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 272 Appendix A: Parameter Lists

FREEZE
One input, one output basic sampler.
Parameter Range Description
In MANUAL mode, recording is started by pressing the REC
and PLAY buttons. In INPUT mode, Record-Ready mode is
REC MODE MANUAL, INPUT
engaged by pressing the REC button, and actual recording is
triggered by the input signal.
Recording delay. For plus values, recording starts after the
REC DLY –1000 to +1000 ms trigger is received. For minus values, recording starts before
the trigger is received.
Input trigger level (i.e., the signal level required to trigger
TRG LVL –60 to 0 dB
recording or playback)
Once playback has been triggered, subsequent triggers are
TRG MASK 0–1000 ms
ignored for the duration of the TRG MASK time.
In MOMENT mode, the sample plays only while the that the
PLAY button is pressed. In CONT mode, playback continues
MOMENT, CONTI.,
PLY MODE once the PLAY button has been pressed. The number of
INPUT
times the sample plays is set using the LOOP NUM parame-
ter. In INPUT mode, playback is triggered by the input signal.
START 1 Playback start point in milliseconds
END 1 Playback end point in milliseconds
LOOP 1 Loop start point in milliseconds
LOOP NUM 0–100 Number of times the sample plays
START 2 Playback start point in samples
[SAMPLE]
END
2 Playback end point in samples
[SAMPLE]
LOOP 2 Loop start point in samples
[SAMPLE]
PITCH –12 to +12 semitones Playback pitch shift
FINE –50 to +50 cents Playback pitch shift fine
PLAY button can be triggered by using MIDI Note on/off
MIDI TRG OFF, C1–C6, ALL
messages.
1. 0.0~2970.5 ms (fs=44.1 kHz), 0.0~2729.2 ms (fs=48 kHz), 0.0~2970.5 ms (fs=88.2 kHz),
0.0~2729.2 ms (fs=96 kHz)
2. 0~131000 ms (fs=44.1 kHz, 48 kHz), 0~262000 (fs=88.2 kHz, 96 kHz)

ST REVERB
Two input, two output stereo reverb.
Parameter Range Description
REV TIME 0.3–99.0 s Reverb time
REV TYPE Hall, Room, Stage, Plate Reverb type
INI. DLY 0.0–100.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–2.4 Low-frequency reverb time ratio
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
Balance of early reflections and reverb
E/R BAL. 0–100%
(0% = all reverb, 100% = all early reflections)
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency

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 Effects Parameters 273

M.BAND DYNA.
Two input, two output 3-band dynamics processor, with individual solo and gain reduction
metering for each band.
Parameter Range Description
LOW GAIN –96.0 to +12.0 dB Low band level
MID GAIN –96.0 to +12.0 dB Mid band level
HI. GAIN –96.0 to +12.0 dB High band level
For positive values, the threshold of the high band is lowered
and the threshold of the low band is increased. For negative
PRESENCE –10 to +10
values, the opposite will occur. When set to 0, all three bands
are affected the same.
CMP. THRE 24.0 to 0.0 dB Compressor threshold
CMP. RAT 1:1 to 20:1 Compressor ratio
CMP. ATK 0–120 ms Compressor attack
CMP. REL 1 Compressor release time
CMP. KNEE 0–5 Compressor knee
LOOKUP 0.0–100.0 ms Lookup delay
CMP. BYP OFF, ON Compressor bypass
L–M XOVR 21.2 Hz–8.00 kHz Low/mid crossover frequency
M–H XOVR 21.2 Hz–8.00 kHz Mid/high crossover frequency
SLOPE –6 to –12 dB Filter slope
CEILING –6.0 to 0.0 dB, OFF Specifies the maximum output level
EXP. THRE –54.0 to –24.0 dB Expander threshold
EXP. RAT 1:1 to ∞:1 Expander ratio
EXP. REL 1 Expander release time
EXP. BYP OFF, ON Expander bypass
LIM. THRE –12.0 to 0.0 dB Limiter threshold
LIM. ATK 0–120 ms Limiter attack
LIM. REL 1 Limiter release time
LIM. BYP OFF, ON Limiter bypass
LIM. KNEE 0–5 Limiter knee
SOLO LOW OFF, ON If this is on, only the low-frequency band will be output.
SOLO MID OFF, ON If this is on, only the mid-frequency band will be output.
SOLO HIGH OFF, ON If this is on, only the high-frequency band will be output.
1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s
(fs=96 kHz)

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 274 Appendix A: Parameter Lists

Preset EQ Parameters
Parameter
# Title
LOW L-MID H-MID HIGH

PEAKING PEAKING PEAKING H.SHELF

G +3.5 dB –3.5 dB 0.0 dB +4.0 dB
01 Bass Drum 1
F 100 Hz 265 Hz 1.06 kHz 5.30 kHz
Q 1.2 10 0.9 —
PEAKING PEAKING PEAKING LPF
G +8.0 dB –7.0 dB +6.0 dB ON
02 Bass Drum 2
F 80 Hz 400 Hz 2.50 kHz 12.5 kHz
Q 1.4 4.5 2.2 —
PEAKING PEAKING PEAKING H.SHELF
G –0.5 dB 0.0 dB +3.0 dB +4.5 dB
03 Snare Drum 1
F 132 Hz 1.00 kHz 3.15 kHz 5.00 kHz
Q 1.2 4.5 0.11 —
L.SHELF PEAKING PEAKING PEAKING
G +1.5 dB –8.5 dB +2.5 dB +4.0 dB
04 Snare Drum 2
F 180 Hz 335 Hz 2.36 kHz 4.00 kHz
Q — 10 0.7 0.1
PEAKING PEAKING PEAKING PEAKING
G +2.0 dB –7.5 dB +2.0 dB +1.0 dB
05 Tom-tom 1
F 212 Hz 670 Hz 4.50 kHz 6.30 kHz
Q 1.4 10 1.2 0.28
L.SHELF PEAKING PEAKING H.SHELF
G –2.0 dB 0.0 dB 0.0 dB +3.0 dB
06 Cymbal
F 106 Hz 425 Hz 1.06 kHz 13.2 kHz
Q — 8 0.9 —
L.SHELF PEAKING PEAKING H.SHELF
G –4.0 dB –2.5 dB +1.0 dB +0.5 dB
07 High Hat
F 95 Hz 425 Hz 2.80 kHz 7.50 kHz
Q — 0.5 1 —
L.SHELF PEAKING PEAKING H.SHELF
G –4.5 dB 0.0 dB +2.0 dB 0.0 dB
08 Percussion
F 100 Hz 400 Hz 2.80 kHz 17.0 kHz
Q — 4.5 0.56 —
L.SHELF PEAKING PEAKING H.SHELF
G –7.5 dB +4.5 dB +2.5 dB 0.0 dB
09 E. Bass 1
F 35.5 Hz 112 Hz 2.00 kHz 4.00 kHz
Q — 5 4.5 —
PEAKING PEAKING PEAKING H.SHELF
G +3.0 dB 0.0 dB +2.5 dB +0.5 dB
10 E. Bass 2
F 112 Hz 112 Hz 2.24 kHz 4.00 kHz
Q 0.1 5 6.3 —

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 Preset EQ Parameters 275

Parameter
# Title
LOW L-MID H-MID HIGH
PEAKING PEAKING PEAKING H.SHELF
G +3.5 dB +8.5 dB 0.0 dB 0.0 dB
11 Syn. Bass 1
F 85 Hz 950 Hz 4.00 kHz 12.5 kHz
Q 0.1 8 4.5 —
PEAKING PEAKING PEAKING H.SHELF
G +2.5 dB 0.0 dB +1.5 dB 0.0 dB
12 Syn. Bass 2
F 125 Hz 180 Hz 1.12 kHz 12.5 kHz
Q 1.6 8 2.2 —
L.SHELF PEAKING PEAKING H.SHELF
G –6.0 dB 0.0 dB +2.0 dB +4.0 dB
13 Piano 1
F 95 Hz 950 Hz 3.15 kHz 7.50 kHz
Q — 8 0.9 —
PEAKING PEAKING PEAKING H.SHELF
G +3.5 dB –8.5 dB +1.5 dB +3.0 dB
14 Piano 2
F 224 Hz 600 Hz 3.15 kHz 5.30 kHz
Q 5.6 10 0.7 —
PEAKING PEAKING PEAKING H.SHELF
G +2.0 dB –5.5 dB +0.5 dB +2.5 dB
15 E. G. Clean
F 265 Hz 400 Hz 1.32 kHz 4.50 kHz
Q 0.18 10 6.3 —
PEAKING PEAKING PEAKING PEAKING
G +4.5 dB 0.0 dB +4.0 dB +2.0 dB
16 E. G. Crunch 1
F 140 Hz 1.00 kHz 1.90 kHz 5.60 kHz
Q 8 4.5 0.63 9
PEAKING PEAKING PEAKING H.SHELF
G +2.5 dB +1.5 dB +2.5 dB 0.0 dB
17 E. G. Crunch 2
F 125 Hz 450 Hz 3.35 kHz 19.0 kHz
Q 8 0.4 0.16 —
L.SHELF PEAKING PEAKING H.SHELF
G +5.0 dB 0.0 dB +3.5 dB 0.0 dB
18 E. G. Dist. 1
F 355 Hz 950 Hz 3.35 kHz 12.5 kHz
Q — 9 10 —
L.SHELF PEAKING PEAKING H.SHELF
G +6.0 dB –8.5 dB +4.5 dB +4.0 dB
19 E. G. Dist. 2
F 315 Hz 1.06 kHz 4.25 kHz 12.5 kHz
Q — 10 4 —
PEAKING PEAKING PEAKING H.SHELF
G –2.0 dB 0.0 dB +1.0 dB +4.0 dB
20 A. G. Stroke 1
F 106 Hz 1.00 kHz 1.90 kHz 5.30 kHz
Q 0.9 4.5 3.5 —
L.SHELF PEAKING PEAKING H.SHELF
G –3.5 dB –2.0 dB 0.0 dB +2.0 dB
21 A. G. Stroke 2
F 300 Hz 750 Hz 2.00 kHz 3.55 kHz
Q — 9 4.5 —

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 276 Appendix A: Parameter Lists

Parameter
# Title
LOW L-MID H-MID HIGH
L.SHELF PEAKING PEAKING PEAKING
G –0.5 dB 0.0 dB 0.0 dB +2.0 dB
22 A. G. Arpeg. 1
F 224 Hz 1.00 kHz 4.00 kHz 6.70 kHz
Q — 4.5 4.5 0.12
L.SHELF PEAKING PEAKING H.SHELF
G 0.0 dB –5.5 dB 0.0 dB +4.0 dB
23 A. G. Arpeg. 2
F 180 Hz 355 Hz 4.00 kHz 4.25 kHz
Q — 7 4.5 —
PEAKING PEAKING PEAKING PEAKING
G –2.0 dB –1.0 dB +1.5 dB +3.0 dB
24 Brass Sec.
F 90 Hz 850 Hz 2.12 kHz 4.50 kHz
Q 2.8 2 0.7 7
PEAKING PEAKING PEAKING PEAKING
G –0.5 dB 0.0 dB +2.0 dB +3.5 dB
25 Male Vocal 1
F 190 Hz 1.00 kHz 2.00 kHz 6.70 kHz
Q 0.11 4.5 0.56 0.11
PEAKING PEAKING PEAKING H.SHELF
G +2.0 dB –5.0 dB –2.5 dB +4.0 dB
26 Male Vocal 2
F 170 Hz 236 Hz 2.65 kHz 6.70 kHz
Q 0.11 10 5.6 —
PEAKING PEAKING PEAKING PEAKING
G –1.0 dB +1.0 dB +1.5 dB +2.0 dB
27 Female Vo. 1
F 118 Hz 400 Hz 2.65 kHz 6.00 kHz
Q 0.18 0.45 0.56 0.14
L.SHELF PEAKING PEAKING H.SHELF
G –7.0 dB +1.5 dB +1.5 dB +2.5 dB
28 Female Vo. 2
F 112 Hz 335 Hz 2.00 kHz 6.70 kHz
Q — 0.16 0.2 —
PEAKING PEAKING PEAKING PEAKING
G –2.0 dB –1.0 dB +1.5 dB +3.0 dB
29 Chorus & Harmo
F 90 Hz 850 Hz 2.12 kHz 4.50 kHz
Q 2.8 2 0.7 7
PEAKING PEAKING PEAKING H.SHELF
G –0.5 dB 0.0 dB +3.0 dB +6.5 dB
30 Total EQ 1
F 95 Hz 950 Hz 2.12 kHz 16.0 kHz
Q 7 2.2 5.6 —
PEAKING PEAKING PEAKING H.SHELF
G +4.0 dB +1.5 dB +2.0 dB +6.0 dB
31 Total EQ 2
F 95 Hz 750 Hz 1.80 kHz 18.0 kHz
Q 7 2.8 5.6 —
L.SHELF PEAKING PEAKING H.SHELF
G +1.5 dB +0.5 dB +2.0 dB +4.0 dB
32 Total EQ 3
F 67 Hz 850 Hz 1.90 kHz 15.0 kHz
Q — 0.28 0.7 —

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 Preset EQ Parameters 277

Parameter
# Title
LOW L-MID H-MID HIGH
PEAKING PEAKING PEAKING PEAKING
G +3.5 dB –10.0 dB +3.5 dB 0.0 dB
33 Bass Drum 3
F 118 Hz 315 Hz 4.25 kHz 20.0 kHz
Q 2 10 0.4 0.4
L.SHELF PEAKING PEAKING PEAKING
G 0.0 dB +2.0 dB +3.5 dB 0.0 dB
34 Snare Drum 3
F 224 Hz 560 Hz 4.25 kHz 4.00 kHz
Q — 4.5 2.8 0.1
L.SHELF PEAKING PEAKING H.SHELF
G –9.0 dB +1.5 dB +2.0 dB 0.0 dB
35 Tom-tom 2
F 90 Hz 212 Hz 5.30 kHz 17.0 kHz
Q — 4.5 1.2 —
PEAKING PEAKING PEAKING H.SHELF
G +4.5 dB –13.0 dB +4.5 dB +2.5 dB
36 Piano 3
F 100 Hz 475 Hz 2.36 kHz 10.0 kHz
Q 8 10 9 —
PEAKING PEAKING PEAKING H.SHELF
G –5.5 dB +1.5 dB +6.0 dB 0.0 dB
37 Piano Low
F 190 Hz 400 Hz 6.70 kHz 12.5 kHz
Q 10 6.3 2.2 —
PEAKING PEAKING PEAKING PEAKING
G –5.5 dB +1.5 dB +5.0 dB +3.0 dB
38 Piano High
F 190 Hz 400 Hz 6.70 kHz 5.60 kHz
Q 10 6.3 2.2 0.1
L.SHELF PEAKING PEAKING H.SHELF
G –1.5 dB 0.0 dB +1.0 dB +3.0 dB
39 Fine-EQ Cass
F 75 Hz 1.00 kHz 4.00 kHz 12.5 kHz
Q — 4.5 1.8 —
PEAKING PEAKING PEAKING H.SHELF
G –4.0 dB –1.0 dB +2.0 dB 0.0 dB
40 Narrator
F 106 Hz 710 Hz 2.50 kHz 10.0 kHz
Q 4 7 0.63 —

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 278 Appendix A: Parameter Lists

Preset Gate Parameters (fs = 44.1 kHz)

# Title Type Parameter Value

Threshold (dB) –26
Range (dB) –56
1 Gate GATE Attack (ms) 0
Hold (ms) 2.56
Decay (ms) 331
Threshold (dB) –19
Range (dB) –22
2 Ducking DUCKING Attack (ms) 93
Hold (ms) 1.20 S
Decay (ms) 6.32 S
Threshold (dB) –11
Range (dB) –53
3 A. Dr. BD GATE Attack (ms) 0
Hold (ms) 1.93
Decay (ms) 400
Threshold (dB) –8
Range (dB) –23
4 A. Dr. SN GATE Attack (ms) 1
Hold (ms) 0.63
Decay (ms) 238

Preset Compressor Parameters (fs = 44.1 kHz)

# Title Type Parameter Value

Threshold (dB) –8
Ratio ( :1) 2.5
Attack (ms) 60
1 Comp COMP
Out gain (dB) 0.0
Knee 2
Release (ms) 250
Threshold (dB) –23
Ratio ( :1) 1.7
Attack (ms) 1
2 Expand EXPAND
Out gain (dB) 3.5
Knee 2
Release (ms) 70
Threshold (dB) –10
Ratio ( :1) 3.5
Attack (ms) 1
3 Compander (H) COMPAND-H
Out gain (dB) 0.0
Width (dB) 6
Release (ms) 250
Threshold (dB) –8
Ratio ( :1) 4
Attack (ms) 25
4 Compander (S) COMPAND-S
Out gain (dB) 0.0
Width (dB) 24
Release (ms) 180

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 Preset Compressor Parameters (fs = 44.1 kHz) 279

# Title Type Parameter Value

Threshold (dB) –24
Ratio ( :1) 3
Attack (ms) 9
5 A. Dr. BD COMP
Out gain (dB) 5.5
Knee 2
Release (ms) 58
Threshold (dB) –11
Ratio ( :1) 3.5
Attack (ms) 1
6 A. Dr. BD COMPAND-H
Out gain (dB) –1.5
Width (dB) 7
Release (ms) 192
Threshold (dB) –17
Ratio ( :1) 2.5
Attack (ms) 8
7 A. Dr. SN COMP
Out gain (dB) 3.5
Knee 2
Release (ms) 12
Threshold (dB) –23
Ratio ( :1) 2
Attack (ms) 0
8 A. Dr. SN EXPAND
Out gain (dB) 0.5
Knee 2
Release (ms) 151
Threshold (dB) –8
Ratio ( :1) 1.7
Attack (ms) 11
9 A. Dr. SN COMPAND-S
Out gain (dB) 0.0
Width (dB) 10
Release (ms) 128
Threshold (dB) –20
Ratio ( :1) 2
Attack (ms) 2
10 A. Dr. Tom EXPAND
Out gain (dB) 5.0
Knee 2
Release (ms) 749
Threshold (dB) –24
Ratio ( :1) 2
Attack (ms) 38
11 A. Dr. OverTop COMPAND-S
Out gain (dB) –3.5
Width (dB) 54
Release (ms) 842
Threshold (dB) –12
Ratio ( :1) 2
Attack (ms) 15
12 E. B. Finger COMP
Out gain (dB) 4.5
Knee 2
Release (ms) 470

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 280 Appendix A: Parameter Lists

# Title Type Parameter Value

Threshold (dB) –12
Ratio ( :1) 1.7
Attack (ms) 6
13 E. B. Slap COMP
Out gain (dB) 4.0
Knee hard
Release (ms) 133
Threshold (dB) –10
Ratio ( :1) 3.5
Attack (ms) 9
14 Syn. Bass COMP
Out gain (dB) 3.0
Knee hard
Release (ms) 250
Threshold (dB) –9
Ratio ( :1) 2.5
Attack (ms) 17
15 Piano1 COMP
Out gain (dB) 1.0
Knee hard
Release (ms) 238
Threshold (dB) –18
Ratio ( :1) 3.5
Attack (ms) 7
16 Piano2 COMP
Out gain (dB) 6.0
Knee 2
Release (ms) 174
Threshold (dB) –8
Ratio ( :1) 3.5
Attack (ms) 7
17 E. Guitar COMP
Out gain (dB) 2.5
Knee 4
Release (ms) 261
Threshold (dB) –10
Ratio ( :1) 2.5
Attack (ms) 5
18 A. Guitar COMP
Out gain (dB) 1.5
Knee 2
Release (ms) 238
Threshold (dB) –11
Ratio ( :1) 2
Attack (ms) 33
19 Strings1 COMP
Out gain (dB) 1.5
Knee 2
Release (ms) 749
Threshold (dB) –12
Ratio ( :1) 1.5
Attack (ms) 93
20 Strings2 COMP
Out gain (dB) 1.5
Knee 4
Release (ms) 1.35 S

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