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Paganiniana: (Variations) For Violin Solo

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The text describes a musical composition called Paganiniana for solo violin, broken into different sections or movements indicated by Roman numerals.

The text describes elements like themes, tempo markings like 'Animato' and 'scherzando', and techniques like tremolo.

The music appears to be structured into seven distinct sections or movements, each indicated by a Roman numeral heading.

Paganiniana

(Variations)
for Violin Solo
Nathan Milstein

          
                  
               
Theme

I 

                              

 
         
    
7

Animato 
   
                    
I              
segue

  
14

       
           
                 
                
scherzando
21

         
   
                          
         
                      
30

                  
                             
40

    
 
       
II                    
    
49

     

   
     
     
leggero

    
                  
52

      
     
                   

   
        
  
56

               
            
    
        
59

  
      

          

2

 
1. 2.

 
        
  
62


 
                                   
Maestoso

            
66 G G

  
III
  
 

 


    


    
                     

                                 
75

  
                                        
                     
         
82

  
  

                            


                       
  
    
89

 
  
  




                            
         IV      
96 Lento


ten.



                          
  
dolce

                            
     
100

 

                          

                             
104
D

 

   

           
                                  
D

  
108

         


         
                          
112

               
            
3

   
Marcato

V                    
115

             

       
               
  
                                   
119

       

     
     
  


    
                 
             
123

      
G

      
    

                   

                             
126 G

      
            
               
          
        
         
129

2.   
   
     
               VI              

1.
132
Amoroso

   
espressivo

                                 
                    
137 3

      
                                  

*) 

                       
3 3
141

*)

                  
Ossia


       
 
   VII       

     
145


rit.
        
   
   

4

           
          
148

 
         

 
  
             

        
   
             

153

          
    

    
      
    
             

             
158

     
  
          
      
     
     
   
             
163

  

 
  Liberamente
     
    
                        
       
168

 
 

cresc.

                      
                              

D

  
175

   

 
     
    
        
        
 
   
179 G

 

          
    

         
          
    
181

    

   
         
         
        
182



  

          
   
                     
183



     
  
                 3
5

             
186 3

  

 
        
3

  
3



   

                          
 
189

  


               


  
    

       
         
192

    
        
5


   
194 5


segue

 
    
 
5
5 

                
196

    
rit.

       

                 
        
Più mosso

                      
198


     
           
ten.

             
                          

  

202

     
  
                   
   



        
             
         
                 
207
G

  

             
                     
     
       
          
214
G

 
  
  
               


     
                 
  

      
220

  
    
           
       
6

           
             
 

 
   
226

   

  
 

    

    

     
  
232

 


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