Song: Kung Iniibig Ka Niya by Laarni Lozada
Song: Kung Iniibig Ka Niya by Laarni Lozada
Song: Kung Iniibig Ka Niya by Laarni Lozada
by Laarni Lozada
Patuloy ka na umaasa
Chorus:
Repeat Chorus
Bridge:
Repeat Chorus
ANALYSIS:
The act of two or more people exchanging their subjective experiences was known as intersubjectivity.
Language and the formation of social meaning are thought to necessitate intersubjectivity. The term is
widely used to define the therapeutic interaction between a therapist and a client. The song, without a
doubt, has numerous concepts of empathy and is directly associated with it. When we listened to the
song, we put ourselves in the shoes of the singer and felt as though we were going through the same
agony as the melody. We went through the same emotions as the song depicted and felt the sensation
brought on by the song. Intersubjective, coined by philosopher Edmund Husserl (1859–1938), is most
simply defined as the exchange of conscious and unconscious thoughts and feelings between two
people or “subjects,” assisted by empathy.We all influence and are influenced by others to some extent,
which is known as intersubjectivity. Intersubjectivity is a principle that can be applied to practically any
decision we make, big or little. We must always consider the impact of our actions on
others.Intersubjectivity also contributes to the formation of objectivity: there is a bridge between the
personal and the shared, the self and the others, in the perception of the world as open not only to
oneself, but also to others. Music has the ability to create a sense of personal connection as well as
prove the existence of a meaningful world. This is due to the fact that it simulates or produces a face-to-
face environment in which people share the same events over a period of time. Humans’ primary means
of conducting a “reality check” in the midst of chaos, sense of meaninglessness, and unreality is face-to-
face conversation. This encounter, on the other hand, is essentially “about nothing”; in this sense, it is
an example of “pure sociality.” Musical phenomena are semiotic in nature only in the sense that they
stand for something other than themselves. We rely significantly on words and concepts to describe
social facts and social actions. Simultaneously, the arts, by definition, strive to create experiences that
are incomparable to any other form of expression. The most common response of arts sociologists to
this conundrum has been to focus on the social areas and activities that surround them rather than the
arts themselves. This essay proposes a view of music as a form of contact that results in an
intersubjectively shared experience. At the same time, it is acknowledged that music, like any other kind
of connection, can fail in this regard or be used to intentionally exclude people.