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    Liebestraum Piano Cello (1) - Score and Parts

    Uploaded by

    William Wijaya
    This document is a musical score for Franz Liszt's Liebestraum No. 3 for piano and cello. It contains the musical notation for both instruments across multiple pages. The piece is marked Poco Allegro, con affetto and dolce cantando, indicating it should be played in a loving, singing style at a moderate tempo. It utilizes various musical elements such as crescendos, pedal markings, and dynamic variations to convey the romance and emotion of the composition through the interweaving of the piano and cello lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Liebestraum Piano Cello (1) - Score and Parts

    Uploaded by

    William Wijaya
    212 views22 pages
    This document is a musical score for Franz Liszt's Liebestraum No. 3 for piano and cello. It contains the musical notation for both instruments across multiple pages. The piece is marked Poco Allegro, con affetto and dolce cantando, indicating it should be played in a loving, singing style at a moderate tempo. It utilizes various musical elements such as crescendos, pedal markings, and dynamic variations to convey the romance and emotion of the composition through the interweaving of the piano and cello lines.

    Original Title

    Liebestraum Piano Cello (1)-Score and Parts

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This document is a musical score for Franz Liszt's Liebestraum No. 3 for piano and cello. It contains the musical notation for both instruments across multiple pages. The piece is marked Poco Allegro, con affetto and dolce cantando, indicating it should be played in a loving, singing style at a moderate tempo. It utilizes various musical elements such as crescendos, pedal markings, and dynamic variations to convey the romance and emotion of the composition through the interweaving of the piano and cello lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    212 views22 pages

    Liebestraum Piano Cello (1) - Score and Parts

    Uploaded by

    William Wijaya
    This document is a musical score for Franz Liszt's Liebestraum No. 3 for piano and cello. It contains the musical notation for both instruments across multiple pages. The piece is marked Poco Allegro, con affetto and dolce cantando, indicating it should be played in a loving, singing style at a moderate tempo. It utilizes various musical elements such as crescendos, pedal markings, and dynamic variations to convey the romance and emotion of the composition through the interweaving of the piano and cello lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 22

    Liebestraum No. 3 S.

    541
         
         
    Poco Allegro, con affetto

     


    Violoncello

    
                                

               
     
    Piano


    dolce cantando

      
                

    3


    Vc.

    
                                          

               
     
    Pno.

     

        
          

    6


    Vc.

                    
                      
     
      
                
    Pno.

     
    sempre Pedale

           
           

    9


    Vc.

     
                          

              
       
              
           
    Pno.

     
    
      
                 
    2

        
    12


    Vc.

                  
                         

                  
     
    Pno.

     
     

    

    
              
      

    15


    Vc.

                            
                

          
               
    Pno. poco cresc. ed agitato

     

    
            
      


     
    18
    Vc.

                                    
      
     

                    
    Pno.

        
    
    

    

    


                     
              

    21


    Vc.

     
                               

    
                 

         
      
    Pno.

      

         


    25

              
    Vc.

       
     
                   
         
                      

              
               
     
                    
    
    
    
    Pno.

      
    3

          
     


    Vc.

      
                                

     
                                 

    Pno.

        


         
      

    26
    Vc.

     
                                          
    Piu animato, con expressione/passione

         
                                      
    Pno.

              


      


               
      
    29
    Vc.

       
                             
         

     

      
                                          
    cresc.
    Pno.


       


             
    32
    Vc.

      
              
                

                               
    Pno.

              
                  
    4

     


     
    34
    Vc.

         
                               
      
      

    
                         
                        
    Pno. 

           

    
                          
    37


     
                
    Vc.

      
                     
     
        
                      
       

         
    Pno.

       
    

                 
     


    40
    Vc.

                 


                                     
             

         
                              
    Pno.

        
      

     
      

      
       


      
    43

        
    Vc.

          
        
               

             
                       
    Pno.

       
    
    5

      
    45


      
    Vc.

         
        

     
      
         
      
    Pno.


        
      
    6

       
    46


     
      
    Vc.

        
                

        
      

                       
        
      
    Pno.

      

       
     
    48


    
    Vc.

         
          
     
            
       
    Pno.

    

     
     
    49


     
    Vc.

         
            
         
         
    
     
    
    Pno.

     


            
         
          
    50


     
    Vc.

               



     
               





     

                                
    Pno.

              
       
     
     
                     
    7

            


    53
    Vc.

          
           
      

               

                    
      

                    
              
    Pno.

      
     
         
        
    8


    56

        
     
    Vc.

        
            

        

    
     
                
    affrettando

           
              

    Pno.

        

       
    59


                     
    Vc.

                                  

             
        

                                                                              
        
    Pno. 

        
    60


    Vc.

              
                     

       
                       

              
     
    Pno.
    leggiero

                


    Vc.

     
                           

     
       
    Pno.

           
    9

        
    61 Tempo primo
    Vc.

    
                        

     

     
     
             

           


    dolce armonioso

       
    Pno.

             
       

     

       
    10

      
    64
    Vc.

    
        


         
     
         
    Pno.

        

              


     
    65
    Vc.

    
          
          

     
      
       
     
     

          
        
         
        
           
    Pno.

     

    

    

             


    68
    Vc.

                
     
     
      
      
           
       
        
          
           
    Pno.

     
      
    

       


         
      
    71
    Vc.


                          
     
       
        
                 
    Pno. poco a poco ritenuto

              
      
     
    
             
    11

          


    74

         
    Vc.

      
                                  
      
     

    
                
             
    Pno. piu smorz. e rit.

         
      
     

                         
    12

       


    78

     
          
    Vc.

              
                      

     
                   

    

    
     
                        
    Pno.

                  


        
    

    

    
    Violoncello
    Liebestraum No. 3 S. 541

                        
            
    Poco Allegro, con affetto

      

                                 
       
    7

                                    
       
    14

    
                        

           
       
    21

      26                  
      
        
           

                

                       
     
    31

        
                              

    37

     

                   

       
              
    43

              
          
           
         
    49


         

                             
       
    54
      
                       
    2

     
    60 Tempo primo

                                       


    64

                                            
    73

          
          
    81
    Piano
    Liebestraum No. 3 S. 541



                     
            
    Poco Allegro, con affetto

      
               
      
    dolce cantando


    
                                        
    3

      
          
       


                              
        
    6

       
         
               
    sempre Pedale


                
      
            
    9


        
                
         


    



                                  
       
    12


                 
      
      
    

    

                  
    2

                            
    15

          
      
    poco cresc. ed agitato

            


    
              
        

     
      
         
    18

            
         


    


          
                     
      
    20

     
              
        
       


    

     
                   
    22

          

            
       



            
               
          
                            

           
          
    25

            
                  
      
        
    
        


                                  

                

       
                                

    
    3

                
             
    26

      
    Piu animato, con expressione/passione

         
                        


         

      
               
             
    28

      
    cresc.

                           
       


         

          
           
         
    30

       

          

        
                  
     


         
         
            
         
    32

     

                  
                
               


         
       
                   
    34


                                
        

          



    4

               

    36

         

    

            
              
         

    

    

               
        
            

    38

    
            
        
            
     


               
                
             
     
    40

                     

        
       
      


         
                
       
                         
    42

                  
                       
      


    
         
             
       


    44

    
            
          

       

     


        
                    
    5



                
    46

         
             
               
      
       
     


      
                       
                
    48

                   
                  
      
    


     

      
            
       


       
    50  

                     
             


       
    

     
                  
               
    52  

         

                     

     




         
                    

             
            
    54

      
     
                
      
     

      

       
       
     

     
    6

    

        
    56

     
            
    affrettando

         
             


     
       


     
    

    58

        
          
        


                             
                     
         
    59

                                                                 
       


            
              

                      
          
    60

            
     
    leggiero


     
                
        

        

     
       


    7

                                     
    61 Tempo primo

           

           


    dolce armonioso

        
            


     

                        
    64

                
         
                       
         
     



                                   
    67

           
          
                 
      


     
    

    

     

                            
    70

       
        
          
      
    
    poco a poco ritenuto

          
     


    

                      
          
    72

      
     
            
             

     
     
    

      
    8

                                     
    
    74


      

    
               
       
    piu smorz. e rit.

     
      
     


     
                 
                 
                 
    77

    

                  
                       
       
    


    
     
                   
    82

           

    
     
      
       
           
      

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