This church started to be built in the year 1266 by 2. CHAPEL OF THE DIVINE SHEPHERDESS 7.

CHAPEL OF CALVARY
order of King Alfonso X, the Wise, due to the The image of the Divine Shepherdess, of It’s decorated with tempera paintings completed
miraculous healing, through the intervention of St. neoclassical style, is a work of Gabriel de Astorga. c. 1740 by Domingo Martínez. The front canopy
Anne, of an eye disease the monarch suffered. Its devotion started to be spread in 1865 by incorporates the figure of Cristo del Socorro
Built in Gothic-Mudejar style, it is the first temple Father Miguel Mijares. (Christ of the Aid), made in 1620 and attributed
erected from scratch in Seville. to Andrés de Ocampo. On the floor we can
In 1755, after the Great Lisbon earthquake, Pedro de admire the baptismal font, known as Font of the
Silva gave some parts of the temple a baroque 3. TOMBSTONE Gipsies, which was installed in this Royal Parish
appearance while rebuilding it. During 1970-72 it was
It is Niculoso Francisco Pisano’s first known work Church on the eve of Saint Anne’s Day in 1499
again restored, exposing the original stone and brick.
in our city. He introduced the maiolica or tin- as stated in the engraved inscription on its edge.
glazed pottery technique. It features 32 tiles in
which are indicated the date of craft (1503), the
author and the name, partially destroyed, of the 8. HIGH ALTAR
buried person. Its altarpiece, a work of Nufro Ortega and Nicolás
Jurate, was contracted out in 1542 according to the
sketch by master of the Cathedral Martín de
4. CHAPEL OF OUR LADY OF VICTORY Gainza. The central shrine, built in 1754 by
The chapel was originally dominated by an Sebastián Luque, contains the images of St. Anne,
image of St. Barbara. Today the altarpiece, dated the Blessed Virgin Mary (works of the 13th century)
1693 and attributed to Bernardo Simón de and Christ Child (mid 18th century). Fifteen panels
Pineda, contains Our Lady of Victory. It was to by Pedro de Campaña painted between 1550 and
this representation of the Virgin that Fernando 1556 that narrate the life of Virgin Mary complete
de Magallanes prayed, in 1519, before beginning the altarpiece. The altarpiece and its paintings were
his journey around the world and that, in 1522, restored from 2008 to 2010 by the Andalusian
Juan Sebastián Elcano and the other 17 survivors Institute of Historic Heritage. On the sides there are
kneeled after completing the deed. six wooden carvings from the mid 16th century
that depict St. Peter, St. Paul, St. James the Greater,
St. Jude Thaddaeus, St. John the Baptist and St.
5. CHAPEL OF SAINT JOACHIM John the Evangelist.
Its baroque altarpiece is attributed to Bernardo
1. CHAPEL OF THE SOULS Simón de Pineda. The image of St. Joachim was
It was built in the third quarter of the 16th century. completed by Blas Muñoz de Moncada in 1664. 9. CHAPEL OF MOTHER OF GOD OF THE ROSARY
Its altarpiece, dominated by Our Lady of Mount The altarpiece was made by Miguel Franco
Carmel, is dated to the second quarter of the 18th between the years 1709 and 1713. In its shrine Our
century. The walls are covered with a tile 6. CRYPT Lady of the Rosary is worshipped. It is a carving of
wainscoting from 1576 and the chapel is enclosed The temple has three crypts under its naves and great beauty which displays a subtle trianera
with Herrerian-style railings. The finish of the some under its chapels. Nowadays the crypt charm. In 1957 she was proclaimed patron saint
plaster cresting represents the Souls and it was under the right nave is used as a parish museum of costaleros (Holy Week float-bearers) and
made after the 1755 earthquake. and the crypts under the chapels as columbaria. capataces (their guides from outside the float).
10. SACRAMENTAL CHAPEL
The building of the chapel, which houses a 16th
15. CHAPEL OF SAINT FRANCIS
It’s a plateresque altarpiece from the last third of
+ than 750 YEARS
century altar, dates back to the 17th century. The the 16th century, it incorporates anonymous OF MERCY
plasterwork that surrounded the altar is panels from the same century showing the
preserved at the entrance. The altarpiece and the stigmatization of St. Francis of Assisi, St. Peter, St.
image of the Immaculate Conception were Paul, the beheading of St. John the Baptist and
crafted by Miguel Franco between 1709 and 1713. St. Jerome in penitence. The panels of the Nativity
of Jesus and the Assumption are from a later
period. The plaster cresting was made on the
11. CHOIR same date as the one in the chapel of the Souls.
The choir stalls, composed of two rows of seats,
were completed by Miguel Cano between 1619
and 1620. The iron railings were cast by Tomás 16. RETROCHOIR
Márquez after the 1755 Lisbon earthquake. The Exactly in the center, over the altar, one of the
pipe organ was made by Valentín Verdalonga most important works of Alejo Fernández is
in 1814, using the case of the previous organ, located, the Virgin of the Rose, dated 1525. In the
which had been crafted in 1762. side niches we can see the carvings of St. Philip
Neri and St. John of Nepomuk.

12. CHAPEL OF SAINT CHRISTOPHER

The chapel has two starry vaults built in the 17. TOWER
15th century. The railings which enclose it are Added to the original building by a single edge,
from the late 16th century, their owner is its shaft dates back to the first half of the 14th
indicated on the lintel. In the interior of the chapel century. Between the years 1623 and 1630 two
we notice a high polychrome tile wainscoting. more upper structures were built, each one Royal Parish Church of
incorporating two openings with tuscan-style
13. CHAPEL OF THE SAINTS JUSTA AND RUFINA
pilasters made of blue ceramic. The top of the Saint Anne
tower is a pyramidal structure with an octagonal
Dating from the second quarter of the 17th
base covered with white and blue tiles. Triana
century, it depicts the potter sisters from Triana
holding the Giralda because of the 1504
Carmona earthquake. The altarpiece is flanked Our
by St. Francis of Paola and St. Teresa of Ávila. Guide to visit,
a souvenir of your visit BRIEF GUIDE TO THE TEMPLE
14. CHAPEL OF THE BAPTISM to this church,
It was erected between 1614 and 1617. Its ceiling
“Cathedral of Triana”.
consists of a hemispherical vault below which there
are vault-spandrels with the coats of arms of Castile (In Spanish only) -ENGLISH-
and León. On the blind cupola we find a dove.