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How Acoustic Levitation Works

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How Acoustic Levitation Works


Tracy V. Wilson

4-5 minutes

A basic acoustic levitator has two main parts -- a transducer,


which is a vibrating surface that makes sound, and a reflector.
Often, the transducer and reflector have concave surfaces to
help focus the sound. A sound wave travels away from the
transducer and bounces off the reflector. Three basic properties
of this traveling, reflecting wave help it to suspend objects in
midair.

First, the wave, like all sound, is a longitudinal pressure wave.


In a longitudinal wave, movement of the points in the wave is
parallel to the direction the wave travels. It's the kind of motion
you'd see if you pushed and pulled one end of a stretched
Slinky. Most illustrations, though, depict sound as a transverse
wave, which is what you would see if you rapidly moved one
end of the Slinky up and down. This is simply because
transverse waves are easier to visualize than longitudinal
waves.

Second, the wave can bounce off of surfaces. It follows the law
of reflection, which states that the angle of incidence -- the
angle at which something strikes a surface -- equals the angle
of reflection -- the angle at which it leaves the surface. In other
words, a sound wave bounces off a surface at the same angle
at which it hits the surface. A sound wave that hits a surface
head-on at a 90 degree angle will reflect straight back off at the
same angle. The easiest way to understand wave reflection is to
imagine a Slinky that is attached to a surface at one end. If you
picked up the free end of the Slinky and moved it rapidly up and
then down, a wave would travel the length of the spring. Once it
reached the fixed end of the spring, it would reflect off of the
surface and travel back toward you. The same thing happens if
you push and pull one end of the spring, creating a longitudinal
wave.

Finally, when a sound wave reflects off of a surface, the


interaction between its compressions and rarefactions causes
interference. Compressions that meet other compressions
amplify one another, and compressions that meet rarefactions
balance one another out. Sometimes, the reflection and
interference can combine to create a standing wave. Standing
waves appear to shift back and forth or vibrate in segments
rather than travel from place to place. This illusion of stillness is
what gives standing waves their name.

Standing sound waves have defined nodes, or areas of


minimum pressure, and antinodes, or areas of maximum
pressure. A standing wave's nodes are at the heart of acoustic
levitation. Imagine a river with rocks and rapids. The water is
calm in some parts of the river, and it is turbulent in others.
Floating debris and foam collect in calm portions of the river. In
order for a floating object to stay still in a fast-moving part of the
river, it would need to be anchored or propelled against the flow
of the water. This is essentially what an acoustic levitator does,
using sound moving through a gas in place of water.

By placing a reflector the right distance away from a transducer,


the acoustic levitator creates a standing wave. When the
orientation of the wave is parallel to the pull of gravity, portions
of the standing wave have a constant downward pressure and
others have a constant upward pressure. The nodes have very
little pressure.

In space, where there is little gravity, floating particles collect in


the standing wave's nodes, which are calm and still. On Earth,
objects collect just below the nodes, where the acoustic
radiation pressure, or the amount of pressure that a sound
wave can exert on a surface, balances the pull of gravity.

It takes more than just ordinary sound waves to supply this


amount of pressure. We'll look at what's special about the sound
waves in an acoustic levitator in the next section.

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