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    Whats The Use - Mac Miller

    Uploaded by

    Pol M A
    This musical composition is titled "What's the use" by Mac Miller. It is arranged for bass guitar, piano, and upright bass. The document provides musical notation across 36 measures with lyrics and instrumentation for each section. The lyrics discuss loving something, wanting to call in a bridge, and calling in a bridge.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Whats The Use - Mac Miller

    Uploaded by

    Pol M A
    167 views16 pages
    This musical composition is titled "What's the use" by Mac Miller. It is arranged for bass guitar, piano, and upright bass. The document provides musical notation across 36 measures with lyrics and instrumentation for each section. The lyrics discuss loving something, wanting to call in a bridge, and calling in a bridge.

    Original Title

    Whats the use - Mac Miller

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This musical composition is titled "What's the use" by Mac Miller. It is arranged for bass guitar, piano, and upright bass. The document provides musical notation across 36 measures with lyrics and instrumentation for each section. The lyrics discuss loving something, wanting to call in a bridge, and calling in a bridge.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    167 views16 pages

    Whats The Use - Mac Miller

    Uploaded by

    Pol M A
    This musical composition is titled "What's the use" by Mac Miller. It is arranged for bass guitar, piano, and upright bass. The document provides musical notation across 36 measures with lyrics and instrumentation for each section. The lyrics discuss loving something, wanting to call in a bridge, and calling in a bridge.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 16
    At a glance
    Powered by AI
    The document appears to be sheet music or musical notation containing instructions for different instruments like piano, bass guitar, and upright bass.

    Instruments mentioned include piano, upright bass, bass guitar, and guitar.

    Phrases like 'B. Gtr Pno Bass' and 'What's the use' are repeated frequently.

    What’s the use

    Mac Miller
    Arr. Miquel Tià i Pol

              
     = 105

     
    0. Intro


    Bass Guitar

         
             

          
    Piano

       

                 
    Upright Bass
      

                     
    9

    
    0.1. Intro tutti


    B. Gtr

      
      

       
    Pno

           
           
          

    Bass
      
    2 What’s the use

                    
    12

    


    B. Gtr

      


     

       
    Pno

         
     
    Bass
                  
         

                     
    15

    
    1. You can love it


    B. Gtr

     
      

      
    Pno

     

        
        

        

    Bass
               

                     
    18

    


    B. Gtr

       

        
    Pno

               
            

    Bass
                
    What’s the use 3

                     
    21

    


    B. Gtr

       

        
    Pno

           
           
          

    Bass
      

                    
    24

    
    2. I just wanna


    B. Gtr

       

        
    Pno

         
     
    Bass
                  
         

                     
    27

    


    B. Gtr

       

        
    Pno

        
       

         

               
    Bass
    4 What’s the use

                     
    30

    


    B. Gtr

       

        
    Pno

               
            

    Bass
                

                     
    33

    
    3. Okey we callin’ in a bridge


    B. Gtr

       

        
    Pno

           
           
          

    Bass
      

                    
    36

    


    B. Gtr

       

        
    Pno

         
     
    Bass
                  
         
    What’s the use 5

                     
    39

    
    4. I’m so a-bove and beyond


    B. Gtr

       

        
    Pno

        
        

        

    Bass
               

                     
    42

    


    B. Gtr

       

        
    Pno

               
            

    Bass
                

                     
    45

    


    B. Gtr

       

        
    Pno

           
           
          

    Bass
      
    6 What’s the use

                    
    48

    
    5. Yeah, the time is ticking


    B. Gtr

       

        
    Pno

         
     
    Bass
                  
         

                     
    51

    


    B. Gtr

       

        
    Pno

        
        

        

    Bass
               

                    
    54

    


    B. Gtr

       

        
    Pno

      
          
      
                    
    Bass
       3
    What’s the use 7

                     
    57

    
    6. You can love it Tornada


    B. Gtr

       

        
    Pno

           
           
          

    Bass
      

                    
    60

    


    B. Gtr

       

        
    Pno

         
     
    Bass
                  
         

                     
    63

    


    B. Gtr

       

        
    Pno

        
       

         

               
    Bass
    8 What’s the use

                     
    66

    


    B. Gtr

       

        
    Pno

               
            

    Bass
                

                     
    69

    


    B. Gtr

       

        
    Pno

           
           
          

    Bass
      

                    
    72

    
    7. Well I’ma give you


    B. Gtr

       

        
    Pno

         
     
    Bass
                  
         
    What’s the use 9

                     
    75

    


    B. Gtr

       

        
    Pno

        
        

        

    Bass
               

                     
    78

    


    B. Gtr

       

        
    Pno

               
            

    Bass
                

                     
    81

    
    8. Look how far we came


    B. Gtr

       

        
    Pno

           
           
          

    Bass
      
    10 What’s the use

                    
    84

    


    B. Gtr

            
      
     
        
    Pno

         
     
         
         
            
    Bass

                    
    87
     = 60

    


    B. Gtr


                 
      
           
    Pno

          
          

    Bass
                

                     
    93
     = 105

    


    B. Gtr

       

        
    Pno

           
           
          

    Bass
      
    What’s the use 11

                    
    96

    


    B. Gtr

       

        
    Pno

         
     
    Bass
                  
         

                     
    99

    


    B. Gtr

      

       
    Pno

           

      
    Bass
               
    Piano
    What’s the use
    Mac Miller


    Arr. Miquel Tià i Pol

           


           
     = 105

       
            
         


         
              
     = 60


    13

         
     
            
     
    17 - 83 85 - 88


      
            
    91


          
    TACET AL FINE
    Upright Bass
    What’s the use
    Mac Miller
    Arr. Miquel Tià i Pol

        
         
            
     
              
     = 105

            
    1-7

                  
    12

            
         
      
            
                  
    16

            
         
      
            
                  
    20

         
        
         
      
            
                  
    24

     
           
          

            
                  
    28

            
         
      
            
                  
    32

            
         
      
            
                  
    36

            
         
      
            
                  
    40

         
        
         
      
            
                  
    44

     
           
          

            
                  
    48

            
         
      
     
          

                 
        
    52

        
     
      
        
       
      
               

         

    56

            
            
    3

                  
    60

            
         
      
    2 What’s the use
    Upright Bass

            

           
                 
    64

      
        

            

           
                 
    68

      
        

            

           
                 
    72

      
        

            

           
                 
    76

      
        

            

           
                 
    80

      
        

            

           
                 
    84

      
        

      
                          
     = 60


          
    88
     = 105

              
     
                       
    94

     
         

                
         

         
    98

       
    Bass Guitar
    What’s the use
    Mac Miller
    Arr. Miquel Tià i Pol


     = 105

     
                          
    0. Intro 0.1. Intro tutti

    
                            
    1-8
    13


    1. You can love it

    
                            
    18

    
                            
    23


    2. I just wanna

    
                            
    28

    
                            
    33


    3. Okey we callin’ in a bridge

    
                            
    38


    4. I’m so a-bove and beyond

    
                            
    43

    
                            
    48


    5. Yeah, the time is ticking

    
                            
    53


    6. You can love it Tornada

    
                            
    58

    
                            
    63

    
                            
    68

    
                            
    73


    7. Well I’ma give you
    2 What’s the use
    Bass Guitar

    
                            
    78


    8. Look how far we came

    
                            
    83

     
                         
    88
     = 60  = 105


    89 - 92

    
                            
    96

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