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The Exchange French

Comes to Life
Fresh Strategies to
Play for a Win

Alex Fishbein
Foreword by John Watson

2021
Russell Enterprises, Inc.
Milford, CT USA

1
The Exchange French Comes to Life
Fresh Strategies to Play for a Win

ISBN: 978-1-949859-29-4 (print)


ISBN: 978-1-949859-30-0 (eBook)

© Copyright 2021
Alex Fishbein

All Rights Reserved

No part of this book may be used, reproduced, stored in a retrieval system


or transmitted in any manner or form whatsoever or by any means,
electronic, electrostatic, magnetic tape, photocopying, recording or
otherwise, without the express written permission from the publisher
except in the case of brief quotations embodied in critical articles or
reviews.

Published by:
Russell Enterprises, Inc.
P.O. Box 3131
Milford, CT 06460 USA

http://www.russell-enterprises.com
info@russell-enterprises.com

Cover by Fierce Ponies

Printed in the United States of America


Table of Contents

Signs and Symbols 6

Preface 7

Foreword by John Watson 10

Chapter 1
Introduction to the Exchange French 13

Chapter 2
The IQP-lite 33

Chapter 3
The Uhlmann Gambit 72

Chapter 4
Symmetrical Structures 95

Chapter 5
The 5...c5 Variation 139

Chapter 6
The 4...Bg4 Variation 149

Chapter 7
The 4...Nc6 Variation 163

Chapter 8
Rare Moves against 4.Nf3 190

Chapter 9
The Miezis Variation 199

Chapter 10
The Delayed Exchange Variation 211
The Exchange French Comes to Life

Chapter 11
Your Repertoire File 224

Index of Variations 235

Bibliography 239

Frequently Occurring Strategic Themes 240

4
Preface

The Exchange French is nothing close to a draw!


The Exchange French has long had the reputation of a boring and drawish
opening. But now this reputation is outdated. In the early 1990s, Garry
Kasparov, one of the least boring and drawish players of all time,
resurrected the 4.Nf3 variation by showing that 4…Bg4 does not equalize.
Since then, many strong players of all styles have played this system and
found new, creative ideas.

Authors of French Defense books from the black perspective have recognized
for a while that there is no draw here at all and have proposed lines where
Black can create interesting play. Indeed, both sides can create complications,
and we will show that playing “boring” moves is actually risky with both
White and Black. The Exchange French is a vibrant opening, just like any
other, and yet there has been very little literature showing how to play it from
the white side. I hope to fill that void with this book.

How this book found its author


In August 2019, Hanon Russell called me and suggested a book on the
Exchange French. He told me that GM Robert Hungaski had observed a
game that I won with that opening and said I could write such a book. I was
surprised for many reasons. Very few of my games in that opening were
published or well known. Besides, I had never faced Robert with White, so
how would he remember what I play?!

So, I called my friend and former coach, GM Dmitry Gurevich, and asked
him for his opinion. He said that I should write it and the book was long
overdue! Indeed, I have played this system for almost thirty years and have
a lot of material. Also, the last few years have brought some new
developments in this opening. It’s time to share these secrets!

7
The Exchange French Comes to Life

General principles versus concrete variations: what does that mean?


A lot of people talk about “general ideas” as being more important to the
student than specific moves. But what do we mean by “general ideas” in
an opening? Are there ideas that are representative of an opening?

Certainly, there are ideas that occur in some openings more than others,
but the reason to learn different openings is that some ideas are ubiquitous.
I will consider my work a success if some of my readers pick up concepts
here that they can use in other openings, even if they don’t play the
Exchange French with either color.

Chapter 2 is dedicated to a specific pawn structure I call the “IQP-lite.” It


has its own subtleties that don’t apply to other isolated queen pawn
positions. I will often try to explain them by examples from the Queen’s
Gambit and other openings. We will also run into typical middlegame and
endgame structures, including two bishops on one side with locked central
pawns, knight versus bishop with the bishop on the color of a blocked
central pawn, doubled isolated pawns in the center, and many others.

I have tried to isolate circumstances that make each of these structures


beneficial to one side or the other, and if you see a deeper analysis of an
illustrative game all the way into the endgame, it is usually because I think
those ideas can recur. An example of this is the analysis of a bishop vs
knight ending with the outside passed pawn that could have occurred in
Game 54.

We included a few “frequently occurring strategical themes” in an index


at the end of the book. You can get a sense of how often various patterns
come up and look at games by theme. This can also be helpful for teaching
or training purposes.

Selection of illustrative games


Most of the ninety-four games in this book were played by grandmasters;
about a quarter by players who played in world championship matches.
Strong players come up with coherent ideas that you will retain as mental
pictures. I will always pick a game played by Carlsen, Anand, or Kramnik,
who play real chess with real plans and real mistakes, rather than games by
computers whose moves nobody can explain.

The progression of the games within each chapter is usually from least to
most theoretically important. I often start with a “negative example,”
showing what not to do. After that I proceed to games showing the proper

8
treatment for White. Although this is a repertoire book for the white side
of the Exchange French, I hope that it can be useful to players who play
the French with Black.

One-stop shopping for your repertoire


This book introduces a new way (at least, one I haven’t seen in print) of
constructing your repertoire. The final chapter, Chapter 11, contains the
precise variations and move orders that I advise players to remember. Of
course, exactly how much you remember will be a function of your skill,
memory, and other factors. But Chapter 11 contains, in one place and a
concise form, all the specific moves that it makes sense to know.

As mentioned, the bulk of this book emphasizes general ideas. Many games
are also not “theoretically” important, at least from the point of view of
your repertoire. That is true in most opening books. Therefore, we highlight
the theoretically important games with a special icon “ K ”. But I like to
have the repertoire handy in one place, not just spread out throughout the
book. The format of Chapter 11 is similar to, if not the same as, a database
program. If you review it before your game, you will be ready when you
sit down to play.

A word of appreciation
I started this project before the pandemic and finished it during it. The last
seven months have not been easy here in the United States, or anywhere
in the world. I would like to thank my wife Lana for creating an
environment where I could work on this book while not neglecting my
other responsibilities. Thanks also to my son Mitch, a chess master, for
critically examining parts of the text and providing valuable theoretical
ideas.

Alex Fishbein
Summit, New Jersey
January 2021

9
The Exchange French Comes to Life

Foreword

The book before you appears at just the right time. The French Defense is
increasingly popular in master chess, at the same time as players of White
are having diminished success against it by using the traditional main lines.
As it happens, many of the world’s leading grandmasters have recently
turned to the Exchange Variation, and specifically the 4.Nf3 repertoire
advocated by Alex Fishbein in this work. Beginning in 2017 with numerous
games by World Champion Magnus Carlsen, GMs including Anand,
Vachier LaGrave, Aronian, Nepomniachtchi, Giri, Nisipeanu, Bacrot,
Xiong, Melkumyan and others have tried their hand with this approach.
Tellingly, experts on the Black side of the French such as Meier and
Vitiugov have also been impressed enough to employ it on the White side.

Happily, Alex Fishbein has now given us a book to explain what the
attractions of this variation are, as well as how to play it. Fishbein is a
longtime proponent of 4.Nf3; in Megabase, a game of his with 4.Nf3
appears in 1991, perhaps inspired by Kasparov’s first use of it in that same
year. In the book, I see references to many other games played by Alex
from 1993 through 2019. He has personally followed and helped refine the
development of this line for years, well before it became popular. This
gives him the perspective to explain why certain lines have prospered while
others have fallen out of favor.

The book takes a conceptual approach, beginning with a lengthy discussion


of the subtleties involved with what he calls the “IQP-lite” position. When
the discussion turns to specific defenses to 4.Nf3, Fishbein uses sample
games, rather than a systematic listing of the best moves. In today’s world
of very concrete theory, this might at first seem superficial, because small

10
differences in move order can have such large consequences. However, in
the comprehensive chapter “Your Repertoire File,” Alex lays out the exact
moves of his recommended repertoire, as well as inferior moves and
interesting alternatives, referring the reader back to the illustrative games
for the technical details. I think that most players will find this a
comfortable way to both master specific variations and put them into a
broader practical context.

As an interesting bonus, we get two chapters which are independent of the


suggested repertoire, but related. One deals with 4.c4 instead of 4.Nf3,
employing many of the same ideas, and the other is the anti-Winawer
system with 3.Nc3 Bb4 4.exd5 exd5 5.Bd3. These are both playable
systems which could offer you variety and unpredictability should you
choose to vary from the main recommendations.

While the main point of this book is to build a White repertoire, any player
of the Black side of the French will benefit by reading it. For one thing,
Fishbein takes an evolutionary approach to laying out the theory, showing
how Black has solved his problems against various secondary attempts
before arriving at the moves he actually recommends for White. Also, a
good number of the sample games end well for Black, whereas in the games
in which White gains the upper hand, Fishbein is careful to note
improvements for the second player. I have been playing and writing about
the French Defense, including this variation, for many years, but I came
across a lot that I hadn’t known in nearly every sub-variation.

I suspect that most readers of this book will be pleasantly surprised to find
out how rich the play can become in the French Exchange Variation. That
alone is enough to reward a careful reading, and Fishbein’s careful
exposition of lines and strategies will undoubtedly translate into extra
points over the board.

John Watson
San Diego
January 2021

11
Chapter 5

The 5...c5 Variation

When your opponent takes what is struggling to equalize in the Uhlmann


meant for you... Gambit declined. Will an extra tempo
for White make the difference and lead
(56) Vojinovic – Nakhbayeva to a white advantage here?
Paracin 2014
French Defense [C01] White has two main moves here: 6.dxc5
and 6.0-0. In the first case, we get
1.e4 e6 2.d4 d5 3.exd5 exd5 4.Nf3 IQP-lite positions from Chapter 2, but
Nf6 5.Bd3 c5!? with colors reversed! In the second
cuuuuuuuuC case, Black will play as we did in the
{rhb1kgw4} Uhlmann Gambit declined, with ...c5-
c4. We first examine the IQP-lite
{0pDwDp0p} position after 6.dxc5.
{wDwDwhwD}
{Dw0pDwDw} 6.dxc5 Bxc5 7.0-0 0-0 8.h3
{wDw)wDwD} cuuuuuuuuC
{DwDBDNDw} {rhb1w4kD}
{P)PDw)P)} {0pDwDp0p}
{$NGQIwDR} {wDwDwhwD}
vllllllllV {DwgpDwDw}
This is a very ambitious response to the {wDwDwDwD}
5.Bd3 variation. Black is saying “I will {DwDBDNDP}
play as if I am White in the Exchange {P)PDw)PD}
French.” {$NGQDRIw}
Recall that this position, colors vllllllllV
reversed, is the starting position of the One of the luxuries of having an extra
Uhlmann Gambit (accepted or move is that you have time for this kind
declined). Black was able to equalize in of prophylactic. If White is fighting for
the Uhlmann Gambit accepted, but was an advantage, it is best to prevent ...Bg4.

139
The Exchange French Comes to Life

8...Nc6 it was White to move (i.e., Black to


move here). Recall that after a2-a3,
Bromann-Berg (Denmark 2008) Black played Bc8-f5 and White found
continued 8...Qd6 here, and after 9.a3? it very hard to fight for any advantage.
Qg3! 10.Ng5? (10.Kh1 Bxf2 11.Nc3 White’s best choice there was Qc2 to
Bxh3! 12.gxh3 Qxh3+ 13.Nh2 Bg3 stop Bf5.Therefore, it is logical here to
14.Qe2 Ng4 15.Rf3 Qxh2+ 16.Qxh2 play Bf4, and to get the position Black
Bxh2 17.Rh3 h6 18.Rxh2 Nxh2 had there, with an extra tempo.
19.Kxh2 was necessary, with
approximate equality in an unbalanced 10.Bf4 Be6 11.a3 Re8 12.Qd2 a6
position without queens) 10...h6! 13.Rfe1 d4?!
11.Kh1 Bxf2 12.Qf3 Qxf3 13.Nxf3 cuuuuuuuuC
Bb6, Black was a clean pawn up and {rDw1rDkD}
won the game. One of my reference {DpDwDp0w}
books on the French gives this as a
model game for Black in this line. But
{pDnDbhw0}
Qd6-g3 can only work against apathetic {DwgwDwDw}
play, like 9.a3. After simply 9.Nc3, {wDw0wGwD}
there is no ...Qg3 because of 10.Kh1 {)wHBDNDP}
Bxf2 11.Ne2, and 9...Qd6 is more or {w)P!w)PD}
less a loss of a tempo.
{$wDw$wIw}
9.Nc3 h6 vllllllllV
One of the lessons of the IQP-lite
Black, in turn, prevents 10.Bg5, which position from Chapter 2 was that d4-d5
would be effective here after 9...Qc7. is often not advisable for White. We
We have now reached our game by saw the Jakovenko-Grischuk game,
transposition (the actual move order where a premature d4-d5 ceded the
there was 1.e4 e6 2.d4 d5 3.Nc3 Nf6 initiative to Black and he won quickly.
4.exd5 exd5 5.Bd3 c5 6.dxc5 Bxc5 Similarly, d5-d4 is not optimal for
7.Nf3 0-0 8.0-0 Nc6 9.h3 h6). Black here.
cuuuuuuuuC
{rDb1w4kD} 14.Ne4 Nxe4?
{0pDwDp0w} This gives White too much play on the
{wDnDwhw0} e-file.
{DwgpDwDw}
{wDwDwDwD} 15.Rxe4!
{DwHBDNDP} Much stronger than 15.Bxe4, which led
{P)PDw)PD} to a quick draw in Reshef-Matsenko,
{$wGQDRIw} USA 2018.
vllllllllV
We have here the position from Chapter 15...Qf6 16.Rae1! Red8
2 with colors reversed, except that there

140
The Variation..
cuuuuuuuuC
{rDw4wDkD} 20...Nxe5 21.Rxe5 Bf8 22.Bc4
Qc6 23.Qd3 Rd7 24.Bb3 b5
{DpDwDp0w} 25.Qf5! Raa7
{pDnDb1w0} cuuuuuuuuC
{DwgwDwDw} {wDwDwgkD}
{wDw0RGwD} {4wDrDpDw}
{)wDBDNDP} {pDqDwDw0}
{w)P!w)PD} {DpDw$Q0w}
{DwDw$wIw} {wDw0wDPD}
vllllllllV {)BDwDwDw}
The position has become ominous for {w)PDw)PD}
Black. Her d4-pawn is safely blockaded
and only the white pieces can create {DwDw$wIw}
threats. vllllllllV
26.Re6?
17.Ne5?!
A tempting move, but 26.Re8!, with
17.Bg3! is already winning for White, threats of R1e6 or Be6, wins very
for example: 17...Re8 18.Bh4 g5 quickly.
19.Nxg5! hxg5 20.Bxg5 Qg7 21.Rh4
with a devastating attack. 26...Rd6! 27.Re7

17...Bf5 18.Ng4! Bxg4 19.hxg4 g5 It’s better to keep material on the board
cuuuuuuuuC with 27.Re8.
{rDw4wDkD}
27...Rxe7 28.Rxe7 Rf6
{DpDwDpDw}
{pDnDw1w0} Black has managed to escape from all
{DwgwDw0w} but certain defeat.
{wDw0RGPD}
{)wDBDwDw} 29.Rxf7 Rxf5 30.Rf6+ Kg7
31.Rxc6 Rf6 32.Rc7+ Kg6
{w)P!w)PD} cuuuuuuuuC
{DwDw$wIw} {wDwDwgwD}
vllllllllV {Dw$wDwDw}
20.Be5
{pDwDw4k0}
White trades into an opposite-color {DpDwDw0w}
bishop middlegame with an attack {wDw0wDPD}
against the king, usually a prescription {)BDwDwDw}
for victory. 20.Bg3, planning f2-f4, is {w)PDw)PD}
also strong.
{DwDwDwIw}
vllllllllV

141
The Exchange French Comes to Life

In the opposite-color bishop ending We have reached the position from the
with rooks, White still has great previous game, after move 13. It’s
winning chances, but now the outcome curious that both players lost a tempo
is in doubt. to reach that position (Black with Be7-
xc5 and White with Bg5-f4). I have also
33.Bd5 Rd6 34.Be4+ Kf6 35.Kf1 seen this position occur with White to
Ke5 36.f3 Rb6 37.b4 Bd6 move, and even then, it’s not clear that
38.Rc6? White has much of an advantage. The
IQP-lite really is a powerful beast!
The pure opposite-color ending appears
to be drawn. 14...Rc8

38...Rxc6 39.Bxc6 Bc7 40.Bb7 a5 Black correctly avoids 14...d4, which


41.bxa5 Bxa5 42.Ba6 b4 43.a4 d3 didn’t work out well in our previous
44.Bxd3 Kd4 45.Ke2 Bc7 game.
46.Bg6 Ba5 47.Bf7 Bc7 48.Bb3
Bb6 49.Bg8 Ba5 50.Bh7 Bc7 15.Rad1 b5 16.Ne5 Nxe5 17.Bxe5
51.Bg6 Ba5 52.g3 Bc7 53.Kf2 Nd7 18.Bf4
Kc4 54.Bf7+ Kc3 55.Bb3 Kd4 cuuuuuuuuC
56.Bf7 Kc3 57.Bg6 Kc4 {wDr1rDkD}
58.Bd3+ Kd4 59.Bh7 Kc4
60.Ke1 Kc5 ½-½
{DwDnDp0w}
{pDwDbDw0}
(57) Tomczak – Poldauf {DpgpDwDw}
Bundesliga 2006 {wDwDwGwD}
French Defense [C01] {)wHBDwDP}
1.e4 e6 2.d4 d5 3.exd5 exd5 4.Bd3
{w)P!w)PD}
Nf6 5.Nf3 Be7 6.h3 0-0 7.0-0 c5 {DwDR$wIw}
8.dxc5 Bxc5 9.Nc3 Nc6 10.Bg5 vllllllllV
Be6 11.a3 h6 12.Bf4 a6 13.Qd2 The position is equal. It is hard for
Re8 14.Rfe1 White to either blockade, or seriously
cuuuuuuuuC threaten, the isolated pawn.
{rDw1rDkD}
{DpDwDp0w} 18...Qh4 19.Bf1 Nb6
{pDnDbhw0} Not bad, but 19...Nf6 20.Be3 Ne4
{DwgpDwDw} 21.Nxe4 dxe4 22.Bxc5 Rxc5 is a
{wDwDwGwD} cleaner path to equality.
{)wHBDNDP}
20.Be3 Nc4 21.Bxc4 (D)
{w)P!w)PD}
{$wDw$wIw} 21...dxc4?!
vllllllllV
An inaccuracy which allows White to
use the dark squares around the former

142
The Variation..
cuuuuuuuuC
Black’s kingside attack was a mirage,
{wDrDrDkD} and his pieces are disorganized.
{DwDwDp0w}
{pDwDbDw0} 24...Rf8? 25.Ne2
{DpgpDwDw}
25.Rd4! Qh5 26.Ne4 Rg6 27.Ng3!
{wDBDwDw1} Qg5 28.h4 Qf6 29.Rf3 traps the queen.
{)wHwGwDP}
{w)P!w)PD} 25...Rg6 26.Nf4 Rf6 27.g3 Qg5
{DwDR$wIw} 28.Re5 Rf5 29.Nxe6 fxe6
vllllllllV 30.Qxe6+ Kh7 31.Rxf5 Qxf5
32.Qxf5+ Rxf5 33.c3
isolated pawn. One advantage of
playing this variation for White against White is up a pawn and converts the
5...c5 is that not everyone is naturally ending.
comfortable in IQP positions. If you
play the Exchange French for White, 33...h5 34.Rd6 a5 35.Rd4 a4 36.f4
you will have a feel for many IQP g5 37.Kg2 gxf4 38.gxf4 Kg6
subtleties. Here, after 21...Bxe3! 39.Kf3 Rc5 40.Ke4 Kf6 41.Rd6+
22.Rxe3 dxc4, Black is contesting the Ke7 42.Rd5 1-0
d-file, but in the game he cannot.
K (58) Bliumberg – Bruch
22.Bxc5 Rxc5 23.Qd6! Rg5?! Germany 1994
French Defense [C01]
23...Rcc8 simply loses a pawn to
24.Qxa6. 23...Rec8 is possible, and if 1.e4 e6 2.d4 d5 3.exd5 exd5 4.Nf3
24.Qxa6? Bxh3! 25.gxh3 Rg5+ 26.Kf1 Nf6
Qxh3+ 27.Ke2 Qg4+ 28.Kd2 Qf4+
29.Ke2 Qg4+ White has nothing better The move ...c5 only makes sense if the
than a draw, but White doesn’t have to white bishop is on d3 (just as we only
take the pawn, and 24.Re4 is possible played c2-c4 on the white side if Black
instead. went Bd6). Nobody has ever played
4...c5 against me here. After 5.Bb5+
24.Re3! Nc6 (5...Bd7 6.Bxd7+ Nxd7 7.Qe2+
Be7 8.0-0 Ngf6 9.Re1 is bad for Black)
cuuuuuuuuC 6.0-0 Nf6 7.Re1+ Be7 8.dxc5 0-0
{wDwDrDkD} 9.Be3 White is a pawn up.
{DwDwDp0w}
{pDw!bDw0} 5.Bd3 c5 6.0-0 (D)
{DpDwDw4w} White allows the Uhlmann Gambit
{wDpDwDw1} Declined, with reversed colors. The
{)wHw$wDP} extra tempo means that Black will have
{w)PDw)PD} to take on b3, instead of supporting his
c4 pawn. We saw in Chapter 4 that
{DwDRDwIw} when White took on b6, he was no
vllllllllV longer fighting for an advantage.

143

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