Students On The Florentine Palazzo Compressed

The Florentine Palazzo
Recorded and designed by architecture students from

RAvB, Rotterdam, NL
&
Universität Liechtenstein, Vaduz, FL
The Analysis of the Palazzo
This booklet presents the results of two simultaneous design courses: one at the Universität Liechtenstein, the other
at the Rotterdam Art Academy, where both courses advocated learning from the Florentine palazzo from two
angles: typological and tectonic. In this study, the Florentine palazzo was approached, not simply as a historical
type, but rather, as a vivid physical design model that can inform architectural thinking in housing design today.
The students have analysed one palazzo each, resulting in a black and white isometrically drawn typological dia-
gram and a coloured bay study of the palazzo.
Typologically, the list of palazzi studied represents the evolution of the typology in Florence from its origins as a
collection of medieval towers to the prototypical Renaissance family palazzo to the post-war apartment block which
is based on a typological study undertaken by Karin Templin with students of the Department of Architecture at
the University of Cambridge 2013-14. Tectonically, particular attention was given to the phenomenon of the joint,
which was once used as a device to join materials together as well as contributing to a compositional idea, today
it is seen as a device to separate materials or make expansion within materials possible. Unfortunately today, the
joint, when merely reasoned from a technical viewpoint, often results in a non-compositional pattern contradicting
architectural ideas.
The following palazzi were studied in Florence:
Palazzo dei Mozzi - 1260-1273

Palazzo Canacci-Giandonati – 15th century
Palazzo Spini Feroni – 1289
Palazzo Davanzati - c. 1350
Palazzo Bardi alle Grazie – Filippo Brunelleschi (attributed), 1410
Medici-Riccardi – Michelozzo, 1444-1469
Palazzo Rucellai - Leon Battista Alberti, 1446-1451
Palazzo Strozzi - Giuliano da Sangallo, 1489-1534
Palazzo Gondi – Giuliano da Sangallo, 1490-1501
Palazzo Guadagni – il Cronaca (attributed), 1503-1506
Palazzo Pandolfini – Raffaello, 1515-1520
Palazzo Bartolini Salimbeni – Baccio d’Agnolo, 1520-1523
Palazzo Niccolini – Baccio d’Agnolo, 1548
Casa dell’Arte della Lana – Ammannati , 1577-1584
Palazzo Nonfinito – Bernardo Buontalenti, 1593-1604
Palazzo Incontri – Paolo Falconieri, ––
Casa I.N.A. – Giovanni Michelucci, 1954-1957
Casa Ventura – Giovanni Michelucci, 1956-1960
Palazzo dei Mozzi – 1260-1273
Palazzo dei
Mozzi
Im Stadtteil Oltrarno, im Zentrum von Florenz gelegen, ist der Pala

Bardini eines der wichtigsten Gebäude des 14. Jahrhunderts. Er w
1266 und 1273 erbaut, nachdem die Türme der Familie Mozzi 126
worden waren.
Es wurde ein prächtiges Beispiel für einen Palast – eine Festung, d
architektonische Elemente des Übergangs zwischen dem Ende d
dem Anfang der 300er Jahre vereint und in einer strategischen P
die geeignet ist, die Brücke von Rubaconte zu verteidigen.
Erbaut, zerstört und dann wiederaufgebaut: Das Haus der Mozzi,

der Antike mehr als ein edler Palast zu sein, er ist eine Festung de
Angriffe eines Feindes fürchten. Zuerst reiche Kaufleute, dann
vertrauenswürdige Schatzmeister vom Papst und italienischen Fü
gewagte Summen manövrieren und mit ihren Kreditnehmern das
politische Leben leben wie diejenigen, die von ihrer Wirtschaft ab
Bereits Mitte des dreizehnten Jahrhunderts siedelte sich Familie M

der Via de' Bardi, vor der RubaconteBrücke (heute Ponte alle G
der Verteidigungsanlagen von Florenz auf der linken Seite des Ar
Oltrarno und Villani uns in ihrer Chronik mitteilen, dass nicht einma
zur Verfügung gestellt wurden:"Erhebt Steine von Palagus und vo
gestrichelten Türmen, so wurden die Mauern von San Giorgio Otr
um die Stadt zu verteidigen....."Es war 1258, und zu dieser Zeit bes
Mozzianer bereits viel Land auf der Rückseite ihres Palastes, Land
Richtung dieser neuen Mauern und zur Porta San Giorgio hinaufs
Jahrhunderte später, mit dem Kauf anderer Flächen, wird ihr Eige
Mauern erreichen. Und wer schreibt, erinnert sich, dass er direkt
alten Mauern den herrlichen Garten der Azaleen sehen konnte
Gärtnern der Bardini, den letzten Besitzern des Palastes, gepflegt
Seit der Antike befindet sich vor dem Palast ein Platz, der bis zum
Um diesen Platz weiter zu vergrößern, wurde die RubaconteBrüc
Bögen verkleinert. Und die Häuser von Alberti im Norden und Mo
waren die beiden Köpfe, die die Brücke verteidigten, wie der Pal
der Palazzo Frescobaldi, der später in ein Kloster umgewandelt w
die gleiche Funktion für die Brücke Santa Trinita. Aber ein Bollwerk
sein, kostete Mozzi und die SoroTürme teuer, als die Ghibellinen
sie angriffen und zerstörten. Genau auf diesen Ruinen wurde ein
Gebäude errichtet, das zwar nicht auf die Qualitäten einer Festu
aber Aspekte einer noblen Residenz aufgreift. Die Mozzis werden
Handelsgesellschaft gründen, die eine beachtliche Entwicklung h
die auch in der Mitte des 14. Jahrhunderts vor jenem rivalisierend
bewahrt wird, an dem die Bardi, Peruzzi und Acciaiuoli beteiligt w
große Kaufmannsfamilien: die "Säulen des Christentums", wie Villa
hatte, ohne jedoch auf all den Umsatz anspielen zu wollen, der s
Kirche von Rom verband.
Gute Beziehungen zu ihren Mitbürgern und Herrschaften; gute Be

Kirche und zu ihrer europäischen Kundschaft: Mozzi, wie andere K
auch, haben große Sorge um ihr Zuhause. Weshalb es draußen w
Festung aussieht, die in ihren Zimmern bequem und komfortabel
In Florenz haben sie einige Regierungspositionen erlangt, z.B. ist ih

gewachsen, seit in ihrem Palast untergebracht Persönlichkeiten u
waren es war 1273 Papst Gregor X., und neben ihm Karl von A
Baldovino II Kaiser von Konstantinopel. Es ist Juni und es ist heiß:"U
Aufenthalt in Florenz mochten schreibt Villani für die Güte des
gesunde Luft und den Komfort, den man in einer Stadt finden ka
beschlossen, den Sommer zu verbringen. Gregor X. will auch ein
unter den Welfen Ghibellinen sein. "Am 2. Juli so schreibt immer
versammelte sich der erwähnte Papst mit seinen Kardinälen, Kön
Kaiser Baldovino, allen Baronen und Kurtisanen und dem florentin
auf dem trockenen Bett des Arno am Fuße der RubaconteBrück
und bedeutende Bevölkerung fand auf riesigen hölzernen Verwa
statt, die errichtet worden waren. An diesem Ort richtete der Pap
Ghibellinen, unter der Strafe der Exkommunikation gegenüber jed
Gehorsam. Er zwang die Führer der einen und der anderen Parte
gegenseitig auf den Mund zu küssen, Frieden zu schließen und
Vorsichtsmaßnahmen und Geiseln zu geben...".
Ein Palast, der in Frieden und Krieg diente: Der Turm und seine an
Töne bewahrten das Haus der Mozzi’s von schweren Kratzern und
das Aussehen des dreizehnten Jahrhunderts.
Bay study (Nina Oksakowski, Vaduz)

Palazzo dei
Palazzo dei Mozzi – 1260-1273
Mozzi
Im Stadtteil Oltrarno, im Zentrum von Florenz gelegen, ist der Palazzo Mozzi
Bardini eines der wichtigsten Gebäude des 14. Jahrhunderts. Er wurde zwischen
1266 und 1273 erbaut, nachdem die Türme der Familie Mozzi 1260 zerstört
worden waren.
Es wurde ein prächtiges Beispiel für einen Palast – eine Festung, die in sich
architektonische Elemente des Übergangs zwischen dem Ende der 200er und
dem Anfang der 300er Jahre vereint und in einer strategischen Position gebaut,
die geeignet ist, die Brücke von Rubaconte zu verteidigen.
Erbaut, zerstört und dann wiederaufgebaut: Das Haus der Mozzi, scheint seit
der Antike mehr als ein edler Palast zu sein, er ist eine Festung derer, die die
Angriffe eines Feindes fürchten. Zuerst reiche Kaufleute, dann
vertrauenswürdige Schatzmeister vom Papst und italienischen Fürsten, die
gewagteTypological
Summen diagram (Nina Oksakowski, Vaduz)
manövrieren und mit ihren Kreditnehmern das gleiche
politische Leben leben wie diejenigen, die von ihrer Wirtschaft abhängig sind.
Palazzo Canacci-Giandonati
Bay study (Emile Brouwer, Rotterdam)

Palazzo Canacci-Giandonati
Typological diagram (Emile Brouwer, Rotterdam)

S V
S H
S H S V
SERAINA BERNEGGER | VENICE PALACE SPINI FERONI | SS 18 | UNIVERSITÄT LIECHTENSTEIN | HANS VAN DER HEIJDEN
Bay study (Seraina Bernegger, Vaduz)

Typological diagram (Seraina Bernegger, Vaduz)

Bay study (Romana Schwitter, Vaduz)

Typological diagram (Romana Schwitter, Vaduz)

Bay study (Koen van den Dungen, Rotterdam)

Typological diagram (Koen van den Dungen, Rotterdam)

Palazzo Bardi alle Grazie, 1410
Bay study (Philipp Althammer, Vaduz)

Palazzo Bardi alle Grazie

1415 - 1430
The Palazzo Bardi-Busini in the Via de `Benci was built around The Palazzo itself is a three storied courtyard building
1415 to 1430. The architectural design, especially the facade which is surrounded by streets and the Via de ´Benci on
could be attributed to Filipo Brunelleschi, according to the art threes sides. It is situated in the nowadys called historian
biographer Giorgo Vasari. part of Florence not far away from the river Arno. The Pa-
lazzo was the residence of the whole Bardi Family and their
The Palazzo was built for the influential Bardi Family. They household servants. The wealth and influence of the family
were a very powerful and wealthy Family which date back to should be shown throughout the outer shell of the palazzo Sources:
the 11th century, earning their fortune as a banking company which is visible to the public. On the contrary the inside
throughout financing diffrent projects which where either po- should stay as private as possible, to live seperated from http://www.limen.org/BBCC/tutela/Conservazione%20delle%20citt%E0/Toscana/Firenze/palaz-
zi400%20A/palazzi%20quattrocento%201%20EN.htm
litical or business related. Their nobelity and power rose until the rest of the city. The main facade, as well as the entran- http://www.limen.org/BBCC/tutela/Conservazione%20delle%20citt%E0/Toscana/Firenze/palaz-
the governement, at some point considered them as a threat ce are located parallel to the street and are the trinket of zi400%20B/Busini/Busini%20Bardi%205.htm
https://www.revolvy.com/main/index.php?s=Palazzo+Busini+Bardi,+Florence&item_type=to-
of being a danger to the republic of Italy. In the 15th century the courtyard building. The building follows the placement pic
they moved as well as other noble familes did, into city of Flo- and the spacing rules, which gives the street its structured https://it.wikipedia.org/wiki/Palazzo_Bardi
rence, which led to the construction of the Palazzo. image.
Isometric modell, Palazzo Bardi alle Grazie 1:200
Via de Benci 5a , Florence
Philipp Althammer Design Studio D The Florence Palazzo Hans van der Heijden Eugen Schuler Bachelor in Architecture SS 2018
Typological diagram (Philipp Althammer, Vaduz)

Bay study (Danny Buitelaar, Rotterdam)

Typological diagram (Danny Buitelaar, Rotterdam)

Palazzo Ruccellai, 1446-1451
Analysis -Analysis
Palazzo -Rucellai
Palazzo Rucellai
Horinzontal
Horinzontal
Sec�on� �er�
Sec�cal
on�Sec�
�er�on
cal Sec�on
and �leva�and
on�leva�
1:20 on 1:20
Analysis - Palazzo Rucellai

Horinzontal Sec�on� �er�cal Sec�on
and �leva�on 1:20
Horizontal Sec�onHorizontal Sec�on
Horizontal Sec�on �leva�on �leva�on �er�cal Sec�on �er�cal Sec�on
Studio - The Florence Palazzo

Studio - The Florence Palazzo
Su��erse�ester 201� - �nter�ediary
Su��erse�ester
�ri�c 201� - �nter�ediary �ri�c
Docent Hans vanDocent
der Heijden Hans van der Heijden
Student Florian Student
Heeb Florian Heeb
Bay study (Florian Heeb, Vaduz)

s - Palazzo Rucellai
ry 1:200
e Palazzo
1� - Intermediary �ri�c
ans van der Heijden
orian Heeb
Typological diagram (Florian Heeb, Vaduz)

Rucallai-A0_layout_presentatie.pdf 1 23-3-2018 00:22:07
CM
MY
CY
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Bay study (Phylicia Kok-Sey-Tjong, Rotterdam)

Palazzo Rucce llai, 1446-1451
Rucallai-A0_ISO.pdf 1 23-3-2018 00:46:40
CM
MY
CY
CMY
PALAZZO RUCELLAI FLORENCE

PHYLICIA KOK-SEY-TJONG
Typological diagram (Phylicia Kok-Sey-Tjong, Rotterdam)

Palazzo Antinori, 1461-1469
ROB DAMEN - ANALYSIS PALAZZO ANTINORI
Rob Damen
Tektoniek
Palazzo Antinori, Florence, 1461
1:20 Close-up
noisreVlanoitacudESG
GSEducationalVersion noisreVlanoitacudESG
Bay study (Rob Damen, Rotterdam)

Palazzo Antinori, 1461-1469
ROB DAMEN - ANALYSIS PALAZZO ANTINORI
Typological diagram (Rob Damen, Rotterdam)

Palazzo Medici-Riccardi, 1444-1469
t h e F l o re n c e Pa l a z z o
PA L A Z ZO ST R OZ Z I
scale 1/ 20
Z e y n e p Ya y l a
facade fragment
noitces lacitrev
Bay study (Zeyneb Yayla, Vaduz)

ZI
la
Typological diagram (Zeyneb Yayla, Vaduz)

ground plan
longitudinal section
Ground floor plan & section (Zeynep Yayla, Vaduz)

west view ground p
Elevation (Zeynep Yayla, Vaduz)

Palazzo Gondi, 1490-1501
Palazzo Gondi
Facade and Sections
Facade 1:20
Facade 1:20
Horizontal Section 1:20 Facade Section 1:20
Bay study (Oscar Sauseng, Vaduz)

GSEducationalVersion
Oscar Sauseng BSc Architektur 4.0, Entwurf D - The Florence Palazzo, Ir. Hans Van der Heijden, SS 18
Architektur 4.0, Entwurf D - The Florence Palazzo, Ir. Hans Van der Heijden, SS 18
Typological diagram (Oscar Sauseng, Vaduz)

PA
lisa
Bay study (Lisa van der Slot, Rotterdam)

Typological diagram (Lisa van der Slot, Rotterdam)

Palazzo Medici-Riccardi , 1444-1469
Bay study (Rocco Cutieri, Vaduz)

Dozent: Hans van der Heijden

li
Via Ca mil lo Ca vou r Martel
V ia d e '
Via de' pucci

i
V ia d ei bi ff
N
First floor 1:500
Facade 1:100
Dozent: Hans van
Facade 1:100 (Rocco Cutieri, Vaduz)

li
Via Ca mil lo Ca vou r Martel
V ia d e '
Via de' pucci

i
V ia d ei bi ff
N
Second floor 1:500
der Heijden
Facade 1:100 (Rocco Cutieri, Vaduz)

Palazzo Guadagni, 1503-1506
PALAZZO GUADAGNI
GEVEL - DOORSNEDE
Bay study (Jeroen Neuteboom, Rotterdam)

Palazzo Guadagni, 1503-1506
Typological diagram (Merve Hancer, Vaduz)

Palazzo Pandolfini
TIP:
Bureaustempels en
renvooien kunnen snel
en makkelijk geplaatst en IsID ChID Wijz. naam Datum
gewijzigd worden als het
origineel op een
Worksheets staat.
Op elke masterlayout is
eenzelfde View Project
Projectnaam
verwijzend naar deze #Project Description
worksheet geplaatst. #Site Name
Het renvooi of de Nr. project
Fragment aanzicht 1: 20
Bay study (Henk Bijsterbosch, Rotterdam)

Palazzo Pandolfini, 1515-1520
Palazzo Pandolfini, 1515-1520
Palazzo Pandolfini
Datum
Isometrie 1:200
Henk Bijsterbosch
Tektoniek
Typological diagram (Henk Bijsterbosch, Rotterdam)

Palazzo Bartolini Salimbeni, 1520-1523
PALAZZO BARTOLINI SALIMBENE FIRENZE, ITALIA
West-Elevation 1:20 Section 1:20
UNIVERSITÄT
LIECHTENSTEIN ERIC ALBER I SS 18 I ENTWURF D: THE FLORENCE PALAZZO I DOZENTEN: IR. HANS VAN DER HEIJDEN //
Bay study (Eric Alber, Vaduz)
RTOLINI SALIMBENE
FIRENZE, ITALIA
Facade // West Elevation 1:50
Facade (Eric Alber, Vaduz)

Bay study (Lars Fraij, Rotterdam)

PALAZZO BARTOLINI SALIMBENI | 1:200 LF
Typological diagram (Lars Fraij, Rotterdam)

Palazzo NiccoliNi
Facade FragmeNt Palazzo Niccolini, 1548
Facade fragment 1:50 Facade vertical section 1:50
Bay study (Haris Memic, Vaduz)

ni führte mehrere Renovationen durch, unter anderem liess er
1609 ein Gemälde an die Fassade anbringen. Es ist anzuneh-
men, dass der Palazzo seinen Namen aufgrund der Änderun-
gen von Giovanni erhielt.
Palazzo Niccolini, 1548
Drawings of details
Section through the garden area and courtyard The facade of the palazzo
to the street
Isometric view showing the typology and system

of this palazzo
Typological diagram (Haris Memic, Vaduz)

Bay study (Karel van Zanten, Rotterdam)

NIEK | tussenpeiling
3/03/2018
Bay study (Karel van Zanten, Rotterdam)

Casa dell’Arte della Lana, 1577-1584
Palazzo - Casa dell‘Arte della Lana

Fassade view 1:20 Le
Stu
Sem
Stu
2n
for
on
vis
sca
Fa
ma
wh
din
De
po
ly
tio
Bay study (Stefan Verling, Vaduz)

Palazzo - Casa dell‘Arte della Lana

Isometric view 1:150 Lecturer
Studio
Hans van der Heijden
The Florence Palazzo
Semester SS18
Student Stefan Verling
Facade tells a different story than its inside live.

Straight and sctructured outside reveals varies fragmented rooms inside.
One facade level might cover one to two room levels.
Bay study (Stefan Verling, Vaduz)

EERSTE ETAGE 1:200 TWEEDE ETAGE 1:200 DERDE ETAGE/DAK 1:200
Bay study (Margot van Bekkum, Rotterdam)

CASA DEL CANTO

ALLA CATENA
THE WOOLGUIDS HOUSE FLORENCE
MARGOT VAN BEKKUM

TEKTONIEK

Palazzo Nonfinito, 1593-1604
Palazzo Nonfinito
Facade Detail 1:20
Bay study (Serena Keller, Vaduz)
Summer Semester 2018 The Florence Palazzo Hans Van Der Hejden Serena Keller
Summer Semester 2018 The Florence Palazzo
Bay study (Serena Keller, Vaduz)

Bay study (Maartje Kool, Rotterdam)

Bay study (Maartje Kool, Rotterdam)

Palazzo Incontri, 1676-1679
SAVINE ABENDROTH
PALAZZO INCONTRI
Bay study (Sabine Abendroth, Rotterdam)

Palazzo Incontri, 1676-1679
SAVINE ABENDROTH
PALAZZO INCONTRI
Typological diagram (Sabine Abendroth, Rotterdam)

Casa I.N.A., 1954-1957
CAS
Petra Bolte
Universität
„Palazzo di
Hans van d
Bay study (Petra Bolter-Allgäuer, Vaduz)

Casa I.N.A., 1954-1957
Typological diagram (Petra Bolter-Allgäuer, Vaduz)

Casa Ventura, 1956-1960
Bay study (Eda Demir, Vaduz)

Casa Ventura, 1956-1960
ISONOMETRY 1:100
Typological diagram (Eda Demir, Vaduz)

The Design of the Palazzo
verkaveling 1/1000
23 maart 2018
1 2 3
4 5 6
7 8 9
10
11 12 13
14 15 16
RAvB.Studio Tektoniek.Firenze
Theo van de Beek architect
Following the initial typological and tectonic study, all students were asked to produce a design for a housing
block as part of a hypothetical redevelopment of a quarter of the city centre of Florence. A key requirement was to
propose a flexible structure for the apartments, allowing for future amendments in ways similar to how the historic
palazzi have accommodated various types of use over the years. In addition to being responsible for the design of a
single apartment block, or contemporary palazzo, each student also had to negotiate with their fellow students and
make sure that the entire development was designed as a balanced and harmonious piece of city.
Throughout the studio, the architectural drawing served as the main instrument of architectural discipline.
Following a prescribed design method, the students began by developing a typological diagram and a coloured bay
study. Departing from this simultaneous study of type and construction, they gradually converged the results of
these studies into an integrated proposal for a contemporary palazzo.
Bay study (Eda Demir, Vaduz)
elevation west
1:250
final grid bazaar
final grid apartments
benches
20 m
entrance entrance
elevation
1.
south Story
2.
1:250
1:250
Plan & elevation (Eda Demir, Vaduz)

Palazzo Vista - facade segment 1:20
The Florence Palazzo How can the interior structure of the palazzo communicate outwardly through the main
Sommersemester 2018 facade by means of elements such as moulding, material or openings?
Florian Heeb Bay study (Florian Heeb, Vaduz)
glasswall
level 4
section
glasswall
level 3
ting
ssibility
glasswall
entrance level 2
for exhibtion
glasswall
glasswall
level 1
glasswall
glasswall
level 0
seating
possibility
seating
possibility
level -1
hall / main entrance

167 m2
seating
possibility
sec�on 1:200
lift
airspace cafe
88 m2
section
4 room-apartment
81.77 m2
installation zone
section
4 room-apartment
ment
87.77 m2
4 room-apartment
92 m2
3 room-apartment
103.13 m2
3 room-apartment
111 m2
3 room-apartment
105.7 m2
3 room-apartment
installation zone
104 m2
air-
space
installation zone
80m2
3 room-apartment
101.6 m2
4 room-apartment
81.13 m2 glass wall
lift
air air
space air space space
utwardly through the main

penings? Level 2/3/4 apartments 1:100
Typical plan (Florian Heeb, Vaduz)

zo �ista - �roundplans, eleva�ons and sec�on 1:200 / 1:100
zo �ista - �roundplans, eleva�ons and sec�on 1:200 / 1:100
�leva�on east 1:200 �leva�on west 1:200
�leva�on east 1:200 �leva�on west 1:200
�leva�on north 1:200 �leva�on south 1:200

glasswall
level 4
section
section
glasswall
level 3
seating
possibility
glasswall
entrance level 2
�leva�on north 1:200 for exhibtion
�leva�on south 1:200
exhibition area
235 m2
glasswall
glasswall
level 1
glasswall
glasswall
level 0
stock for exhibition area seating
possibility
162 m2
seating
possibility
level -1

167 m2
glasswall
level 4
seating
possibility
section
section
installations room
46 m2
glasswall
sec�on 1:200 level 3

seating
possibility
hall
41 m2
glasswall
stock for cafe

disabled toilet 43 m2 entrance level 2
4 m2 for exhibtion
lift lift
airspace multifunctional room airspace cafe
93 exhibition
m2 area 88 m2
ladies men
235 m2
glasswall
glasswall
19 m2 15 m2 level 1
glasswall
glasswall
section
level 0
Level -1 1:200 162 m Level 0 1:200

possibility
2
seating
possibility
level -1

167 m2
seating
possibility
4 room-apartment
installations room 81.77 m2
46 m2
sec�on 1:200
installation zone
section
section
hall
41 m2 Elevations (Florian Heeb, Vaduz)
stock for cafe
disabled toilet 43 m2
4 m2
lift lift
airspace multifunctional room
93 m2
airspace cafe
88 m2
4 room-apartment
4 room-apartment
ladies
19 m2
men
15 m2 84 m2 87.77 m2
�leva�on north 1:200
�leva� on north 1:200 �leva�on south 1:200
�leva� on south 1:200
�leva�on south 1:200
�leva�on west 1:200
section
section
section
section
glasswall
level 4
seating seating
possibility possibility
section
glasswall
level 3
seating
possibility entrance entrance
for exhibtion for exhibtion
glasswall
level 2 exhibition area exhibition area
entrance
for exhibtion 235 m2 235 m2
exhibition area
235 m2
glasswall
glasswall
level 1
stock for exhibitionstock

area for exhibition area seating
possibility
seating
possibility
162 m2 162 m2
glasswall
glasswall
seating seating
level 0 possibility possibility
seating
possibility
hall / main entrancehall / main entrance

167 m2 167 m2
seating
possibility
level -1
hall / main entrance seating seating

167 m2 possibility possibility
installations room installations room

46 m2 46 m2
seating
possibility s
hall hall
sec�on 1:200 41 m2 41 m2
stock for cafe
disabled toilet stock for cafe
disabled toilet 43 m2 43 m2
4 m2 4 m2
lift lift lift lift
airspace airspace multifunctional room
multifunctional roomairspace airspace cafe cafe
93 m2 93 m2 88 m2 88 m2
ladies men ladies men
lift �leva�on south 1:200 19 m2 15 m219 m2 15 m2
multifunctional room airspace cafe

93 m2 88 m2
Level -1 1:200
Level -1 1:200 Level 0 1:200
Level 0 1:200
section
Level 0 1:200
glasswall
level 4
4 room-apartment
section
section
81.77 m2
section
section
section
glasswall
level 3
installation zone
seating
possibility
section
glasswall
entrance level 2 4 room-apartment 4 room-apartment

for exhibtion 84 m2 84 m2
exhibition area hall

4 room-apartment
4 room-apartment hall
235 m2 146 m2 146 m2 87.77 m2
glasswall
glasswall
84 m2 level 1
4 room-apartment 4 room-apartment
92 m2 92 m2
working stations working stations reading stations reading stations
137 m2 137 m2 151 m2 151 m2
4 room-apartment
92 m2
glasswall
glasswall
level 0
seating
possibility
105 m2 105 m2
seating
3 room-apartment
possibility
3 room-apartment
105 m2 103.13 m2 level -1 111 m2 111 m2
167 m2
3 room-apartment
111 m2
seating
possibility
art school art school book shop book shop

139 m2 139 m2 188 m2 188 m2
3 room-apartment
sec�on 1:200 105.7 m2
4 room-apartment 4 room-apartment 104 m2 104 m2
83 m2 83 m2
3 room-apartment lift
installation zone
104 m2 lift lift lift lift

4 room-apartment
83 m2 multifunctional room airspace cafe air- air- air- air-
93 m2 88 m2 airspace airspace space airspace
space space
airspace space
lift
air- air-
space airspace space
installation zone
section
Level 1 1:200
Level 1 1:200 Level 2/3/4Level
1:2002/3/4 1:200
Level 0 1:200
Level 2/3/4 1:200
80m2
3 room-apartment
101.6 m2
4 room-apartment
81.13 m2 glass wall
4 room-apartment
81.77 m2
installation zone
lift
section
air air
space air space space
The Florence
ThePalazzo
Florence Palazzo How can the interior
How structure
can the interiorofstructure
the palazzo communicate
of the outwardly through
palazzo communicate thethrough
outwardly main the main
4 room-apartment
4 room-apartment Sommersemester 2018
Sommersemester 2018 facade by means
facadeofbyelements
means ofsuch asmmoulding,
elements
87.77 2 such as material
moulding,ormaterial
openings?or openings?
84 m2 L
structure of the palazzo communicate outwardly through the main Florian Heeb
Florian Heeb
ements such as moulding, material or openings? Level 2/3/4 apartments 1:100
4 room-apartment
92 m2
3 room-apartment
3 room-apartment
105 m2 103.13 m2
3 room-apartment
111 m2
3 room-apartment
105.7 m2
3 room-apartment
installation zone
4 room-apartment 104 m2
83 m2
lift
air- air-
Plans & section (Florian Heeb, Vaduz)

space airspace space
installation zone
Level 2/3/4 1:200

2
Palazzo ConCreto
Forschungsfrage: Inwiefern bieten die Merkmale eines klassischen Palazzo Hilfe, Pin-Up 17.05.2018
um einen modernen Palazzo in Florenz zu entwerfen, der flexible Wohneinheiten Entwurf D - Hans van der Heijden
anbietet? Haris Memic cand BSc Arch
Die FassaDe
SS 2018
Fassade Ansicht 1:20
Fassade Schnitt 1:20
Fassade Grundriss 1:20
Bay study (Haris Memic, Vaduz)

Palazzo ConCreto
Forschungsfrage: Inwiefern bieten die Merkmale eines klassischen Palazzo Hilfe, Thesis Endkritik 27.06.2018
um einen modernen Palazzo in Florenz zu entwerfen, der flexible Wohneinheiten Entwurf D - Hans van der Heijden
anbietet? Haris Memic cand BSc Arch
organisation
SS 2018
wohnungstyPen 80m² wohnungstyPen 120m²

mAssstAb 1:100 mAssstAb 1:100
Wohnung 1.1 Wohnung 2.1

- Fenster auf einer Seite - Fenster auf einer Seite
- 89.11m² - 128.69m²

- Fenster auf zwei Seiten (Ecke) - Fenster auf zwei Seiten (Ecke)
- 83.41m² - 119.49m²

- Fenster auf zwei Seiten (Ecke) - Fenster auf zwei Seiten (Ecke)
- 77.50m² - 116.86m²
grundrisse
Erdgeschoss Regelgeschoss
1
Maßstab 1:100 Maßstab 1:100
5 5
1 Zugang zum Palazzo 1 Verfügbare Fläche
2 Innenhof 1 1 1 2 Innenhof
3 Erschliessungskern 3 Erschliessungskern
4 Abstellraum für Velos etc. 4 Korridor
5 Büro / Geschäft etc.
6 Leuchtendes Muster
3 3
1
6
4
2
2
4 4
1 1 1
5 5
schemA zur flächenAufteilung
Regelgeschoss Variante 1 Variante 2

- 5 Wohnungen - 5 Wohnungen
- Korridor Frei - Innenhof in Wohnungen integriert
Korridor Korridor
- Erschliessung Wohnung mit Innenhofblick
- Erschliessung
- 110.16m² - 92.24m²
- 110.16m²
Restfläche
- Geeignet als Abstellraum
Tragwerksebene - 18.02m²
- 30cm Breite
Wohnung mit Innenhofblick

Verfügbare Fläche - 140.74m²
- Wohnungen / Büros
- 576.64m²
Plans (Haris Memic, Vaduz)

Palazzo Oksakowski
Palazzo Oksakowski
19m 19m
6floors 6floors
facade: sandstone, sandblasted
facade: sandstone,
concretesandblasted
with sandstone
concrete with sandstone
staircase outside staircase outside
backing material: reinforced
backingconcrete,
material: steel
reinforced concrete, steel
How does a modern Florentine

How doesbuilding
a modern
have
Florentine
to be designed
building have
to fit intothe
be designed to fit in the
urban environment in urban
Florence?
environment in Florence?
Wie kann ich ein modernes

Wie kann
Gebäude
ich ein so
modernes
an den florentinischen
Gebäude so an Palazzo
den florentinischen Palazzo
Typ anpassen, dass esTyp
an anpassen,
den urbanen
dassRaum
es anangegliedert
den urbanenist?
Raum angegliedert ist?
Nina Oksakowski Nina Oksakowski

The Florence Palazzo The Florence Palazzo
SS 2018 SS 2018
Hans van der Heijden Hans van der Heijden
Universität Liechtenstein
Universität Liechtenstein
Bay study (Nina Oksakowski, Vaduz)

GR: EG GR: OG1
GR: OG Regelgeschoss GR: OG mit Wohnungen
Plans (Nina Oksakowski, Vaduz)

Dachaufbau
- Dachziegel
- Traglattung 30mm
- Querlattung 30mm
- Unterdachbahn
- Dämmung 160mm
- Abdichtung
Querbalken 160/80mm
Wandaufbau OG
- Kalkstein 300mm
- Renocell Zellulose Dämmung 100mm
- Zwei -Schicht Kalkputz 20mm
Querlattung 60mm
Dämmung 80mm
Gipsfaserplatte Fermacell
1*12.5mm
1*10.0mm
OG Bodenaufbau
- Bodenbelag 10mm
- Unterlagsboden 60mm
- Dämmung 30mm
- Fundament 250mm
- Dämmung 100mm
Wandaufbau EG
- Kalkstein 400mm
- Renocell Zellulose Dämmung 100mm
- Zwei -Schicht Kalkputz 20mm
Abhängekonstruktion
Tragprofil
Gipsfaserplatte Fermacell
OG Bodenaufbau
- Bodenbelag 10mm
The Florence
Palazzo Mas
- Unterlagsboden 60mm
- Dämmung 80mm
- Fundament 300mm Randstreifen
- Abdichtung
- Perimeterdämmung 100mm
Fassadenansicht, Fassadensc
Fasasdenansicht 1:20
Wie kann ein architektonischer Entwurf erstellt werden, der
mit einer massiven Bauweise, Wohneinheiten schaffen soll
ohne von der Stadt Florenz und der Geschichte
abzuweichen?
Fassadenschnitt 1:20
Horizontalschnitt 1:20
Oscar Sauseng BSc Architektur 4.0 SS 18, The Florence Palazzo, Ir. Hans Van der Heijden, In
Bay study (Oscar Sauseng, Vaduz)

S/A
Schnitt A Schnitt B
M. 1:200 M. 1:200
S/A
West Ansicht
M. 1:100
Oscar Sauseng BSc A
Elevation (Oscar Sauseng, Vaduz)

FACADE DETAIL
Scale 1:20
ECTION
20
Bay study (Petra Bolter-Allgäuer, Vaduz)

ASA ARIOSA
FACADE SECTION
Scale 1:20
ade Section The Florenze Palazzo

Petra Bolter-Allgäuer
FOUR ROOM APARTMENT THREE ROOM APARTMENT
Scale 1:200 Scale 1:200
TREE ROOM APARTMENT

Perspective
ld an architectural design for

ook like in order to the building
ble in its use and to provide a
bearable climate? STUDY
Stone Pattern
SECTION
Scale 1:200
SOUTH VIEW EAST VIEW WEST AND NORTH VIEW

Scale 1:200 Scale 1:200 Scale 1:200
S/02 S/02 S/02 S/02
FLOOR PLAN GROUND FLOOR FLOOR PLAN UPPER FLOORS

Scale 1:200 Scale 1:200
on
ANALYSIS
Window Design
Detail & plan concept (Petra Bolter-Allgäuer, Vaduz)

Translation florentinischer Architektur
Eine Übersetzung in die Neuzeit
Fassadenabschnitt M 1:20
Fassadenschnitt M 1:20
Horizontalschnitt M 1:20
Student Modul Semester Dozent Integration Studiengang

Philipp Wilhelm Althammer Entwurf mit Integration D - The Florence Palazzo Bachelorthesis Sommersemster 2018 Hans van der Heijden Eugen Schuler Bachelor Architektur
Bay study (Pilipp Althammer, Vaduz)

Transla�on ﬂoren�nischer Architektur
Situa�onsplan M1:1500
Ansicht Ost M 1:200 Ansicht Süd & Nord M 1:200 Ansicht West M1:200
Längsschni� 1 M 1:200 Längsschni� 2 M 1:200

Querschni� 1 M 1:200
Querschni� 2 M 1:200
|Elevations & sections (Pilipp Althammer, Vaduz)

Transla�on ﬂoren�nischer Architektur
Grundriss Erdgeschoss M1:200 Grundriss Obergeschoss 2&4 M1:200 Grundriss Dachgeschoss M1:200
Grundriss 3-Zimmer Apartment M1:100
Grundriss Obergeschoss 1 M1:200 Grundriss Obergeschoss 3&5 M1:200

Dachaufsicht M1:200
Grundriss 4-Zimmer Apartment M1:100
Student Modul Semester Dozent Studiengang

Philipp Wilhelm Althammer Bachelorthesis Sommersemster 2018 Hans van der Heijden Eugen Schuler Bachelor Architektur
Grundriss Erdgeschoss M1:200 Grundriss Obergeschoss 2&4 M1:200 Grundriss Dachgeschoss M1:200
Plans (Pilipp Althammer, Vaduz)
Grundriss Obergeschoss 1 M1:200 Grundriss Obergeschoss 3&5 M1:200

Dachaufsicht M1:200
scher Architektur
Neuzeit
Grundriss
Grundriss 3-Zimmer
3-Zimmer Apartment
Apartment M1:100
M1:100
Grundriss
Grundriss 4-Zimmer
4-Zimmer Apartment
Apartment M1:100
M1:100
Apartments (Pilipp Althammer, Vaduz)

Palazzo d 'uva
Entwurf D mit Integration : The Florence Palazzo Sommersemster 2018 Student: Rocco Cutieri Dozent: Hans van der Heijden

4 5 6
Palazzo Eda Palazzo Zeynep Palazzo Serena

1 2 3
7 8 9
4 5 6
7 8 9 Piazza della Reppublica
10
PALAZZO
10
STROZZI
1 2 3
Palazzo Strozzi
11 12 13
Palazzo Oscar Palazzo Haris Palazzo Nina
11 12 13
14 15 16
DUOMO
4 5 6
PIAZZA DELLA 14 15 16
SIGNORIA
Palazzo Eda Palazzo Zeynep Palazzo Serena
Palazzo
PALAZZO
7 8 9 Bartolini
VECCHIO
Salimbene Palazzo
Davanzati
PONTE DI SANTA TRINITA

Piazza della Reppublica
10
Palazzo Strozzi
PONTE VECCHIO
N
Palazzo Oscar Palazzo Haris Palazzo Nina
2000 Situation1:1000
11 12 13
88.80 m2 88.80 m2 88.80 m2 88.80 m2
PIAZZA DELLA 14
88.80 m2
15 16
SIGNORIA 88.80 m2
10
88.80 m2
Palazzo
PALAZZO
Bartolini 88.80 m 2
VECCHIO
Salimbene Palazzo
88.80 m2 88.80 m2 88.80 m2 88.80 m2 Davanzati
1:500 Grundriss Wohnungen 1:100
CHIO Palazzo Serena N
Situation1:1000
ÖFFENTLICH PRIVAT PRIVAT PRIVAT ÖFFENTLICH ÖFFENTLICH

Verkaufsfläche 3.5 Zimmerwohnung 4.5 Zimmerwohnung 3.5 Zimmerwohnung Cafe / Cafe
200.20 m2 2 2 88.80 m 2
88.80 m 118.40 m Restaurant Terrasse
88.80 m2 88.80 m2
257.15 m2 138.75 m2
88.80 m2
PRIVAT
Technikraum/
Veloräume/
88.80 m2
Kellerräume
168.18 m2
88.80 m2
88.80 m2 88.80 m2
88.80 m2
Grundriss Wohnungen 1:100

ÖFFENTLICH PRIVAT
Verkaufsfläche 88.80 m2 118.40 m2 3.5 Zimmerwohnung
200.20 m 2 88.80 m2
Erdgeschoss Obergeschoss Dachgeschoss
Palazzo Nina
PRIVAT PRIVAT PRIVAT ÖFFENTLICH ÖFFENTLICH

ence Palazzo Sommersemster 2018 Student: Rocco Cutieri Dozent: Hans van der Heijden
3.5 Zimmerwohnung 4.5 Zimmerwohnung 3.5 Zimmerwohnung Cafe / Cafe
88.80 m2 118.40 m2 88.80 m2 Restaurant Terrasse
257.15 m2 138.75 m2
PRIVAT
Technikraum/
Veloräume/
88.80 m2
Kellerräume
2
168.18 m
Siting & typology (Rocco Cutieri, Vaduz)
2/3
1:500 2/3
1
1.5 3/4
3/4
2
Proportionen Palazzo Medici -Riccardi Proportionen Palazzo d'uva Fas

Westfassade / Schnitt Schnitt Pal
GSEducationalVersion GSEducationalVersion
Fassadenraster
Studie
1:500
Nordfassade Ostfassade Westfassade Südfassade Sch
Palazzo d 'uva
Referenz Palazzo
Palazzo Medici -Riccardi 1:200
Südfassade 1:200 Ostfassade 1:200
1/2
Proportionsstudie 0.5
1/2 2/3
1:500 2/3
1
1.5 3/4
3/4
2
Westfassade 1:200 Ostfassade 1:200
Proportionen Palazzo Medici -Riccardi Proportionen Palazzo d'uva Fassadenstudie
Westfassade / Schnitt Schnitt Palazzo Medici-
Fassadenraster
Studie
1:500
Nordfassade Ostfassade Westfassade Südfassade Schnitt A
Schnitt A 1:200 Schnitt B 1:200 We
Entwurf D mit Integration : The Florence Palazzo Sommersemster 2018 Student: Rocco Cutieri Dozent: Hans van
Elevations & geometry (Rocco Cutieri, Vaduz)
Fassadenraster
Studie
1:500
Nordfassade Ostfassade Westfassade Südfassade Sc
Schnitt A 1:200 Schnitt B 1:200 W
Entwurf D mit Integration : The Florence Palazzo Sommersemster 2018 Student: Rocco Cutieri Dozent: Hans va
Schnitt A 1:200 Schnitt B 1:200 W
Entwurf D mit Integration : The Florence Palazzo Sommersemster 2018 Student: Rocco Cutieri Dozent: Hans va
Elevations & sections (Rocco Cutieri, Vaduz)

THE
FLORENCE
PALAZZO
PA L A Z Z O
SUONO
RESEARCH
QUESTION
What does a
contemporary
Palazzo in Flo-
rence need to
have to be a
social meeting
point in its ur-
ban context and
on the other
hand a building
with a flexible
and adaptable
roomstructure
as well as a
agreable clima-
te to fit his inha-
bitants needs.
STUDIO
HANS VAN DER HEIJDEN
UNIVERSITÄT
LIECHTENSTEIN
SS 2018
ROMANA SCHWITTER
Bay study (Romana Schwitter, Vaduz)

CE
POINT OF DEPARTURE verkaveling 1/1000

23 maart 2018
nisation is indiciative and should

be changed. The idea was to find
Seraina Stefan Petra a construction height in relation
to the existing architecture and
Merve Florian Selina
those of the neighbour houses.
Eda Zeynep Serena The building should be able to
accommodate different functions
through throughout the building.
Rocco
Oscar Haris Nina As reference I used the Solid

concept as applied by Tony Fret-
ton in Amsterdam. The goal was
Eric Philipp Romana
Elevation East 1:200

to find a frame of the building
Theo van de Beek architect that is adaptable and flexible. It
Point of departure is a flexi- has to accomodate at least a 3
ble housing programme with room apartment of 100 m2 and
the use of current construction a 4 room apartment of 80 m2. At

techniques. The outer dimensi- ground floor level it shows a pu-
on of the blocks in the master- blic function.
plan is fixed. The internal orga-
Elevation North 1:200
3.73
10.26 m2
2.75
Floor Plan Grid
Section
80.00 m² 80.00 m²
136.37 m2 136.37 m2
134.60 m2
Facade Grid 1:200
118.37 m2 118.37 m2
Section
Floor Plan 1:200
Ground Floor
80.00 m² 80.00 m² 80.00 m²
Section 1:200
100.25 m2 100.25 m2
134.60 m2 GSEducationalVersion
80.00 m² 80.00 m² 80.00 m²
JDEN
Floor Plan 1:200 Room 80m2 1:200 Room 100m2 1:200

R First Floor
Geometry (Romana Schwitter, Vaduz)
The open palace How does an architectonical project should be designed
in order to translate the typologie of the florentine palazzo
The florence palazzo
SS18 Universität Liechtenstein
Doz. Hans van der Heijden
-palazzo aperto onto today‘s construction materials, such as concrete, with
it combining qualities of new and old and creating flexible
Integr. Eugen Schuler
Std. Seraina Bernegger
MS 1:20 housing as well as public space?
Facade (Seraina Bernegger, Vaduz)

-references-
E/W N/S
-facades-
MS 1:200
E/W N/S
-facades-
MS 1:200
Elevations (Seraina Bernegger, Vaduz)

Ground floor (Seraina Bernegger, Vaduz)
Possible dwelling (Seraina Bernegger, Vaduz)
Palazzo VITA - Facade section
Stefan Verling Research Question

How can a modern Palazzo in Florence be built, fitting it‘s shell within the urban area and providing contemporary li-
The Florence Palazzo ving on the inside, whereas the usage remains flexible according to residents needs?
SS 2018 Quick Facts

Hans van der Heijden - Dimensions: 36*24*16.5m, 3 floors
- Facade: Travertine and Sandstone
Universität Liechtenstein - Building material:
Bay study (Stefan Verling, Vaduz) Porotherm brick, reinforced concrete
49.07 m2
16 cm / 29 cm 7
6
5
4
3
2
1
8
Popup stores / Offices

9
10
11
14
15
16
17
18
13
174.62 m2
12
Stock room shops
78.59 m2
Schnitt AA Schnitt AA

Lower floor plan M 1:100 Ground floor plan M 1:100 Upper floors plan M 1:100
Palazzo Vita lower floor Palazzo Vita 1st & 2nd floor
Palazzo Vita ground floor
Intersection A-A M 1:100 Dwelling plans 80m2 & 100m2 M 1:100
Facade view east M 1:100 Facade view south M 1:100
Stefan Verling Research Question

How can a modern Palazzo in Florence be built, fitting it‘s shell within the urban area and providing contemporary li-
The Florence Palazzo ving on the inside, whereas the usage remains flexible according to residents needs?
SS 2018 Quick Facts

Universität Liechtenstein Palazzo VITA - Floor plans - Dimensions:
- Facade:
- Building material:
36*24*16.5m, 3 floors
Travertine and Sandstone
Porotherm brick, reinforced concrete
Fitness & Sport Costa Cafe

Stock room
163.00 m2 62.72 m2
86.00 m2
115.28 m2
199.18 m2
Restrooms &
shower wom en
22.07 m2
Restrooms &
shower men
22.07 m2
9
8
7
6
5
4
3
2
1
9
8
7
6
5
4
3
2
1
12
11
10
11
9
8
7
6
5
4
3
2
1
12
10
16 cm / 29 cm 17 cm / 29 cm 17 cm / 29 cm
13
13
Atrium / green area

14
Lift Lift Lift
15 14
Luftraum Luftraum Luftraum

16 15
17 16
18 17
19 18
20 19
10
12
13
14
15
16
17
18
20
21
22
23
24
25
21
22
23
24
25
26
27
28
29
30
31
32
33
11
Technical equipment M edia Room

& maintenance room
50.98 m2
49.07 m2
16 cm / 29 cm 7
6
5
4
3
2
1
Popup stores / Offices

9
10
11
14
15
16
17
18
13
174.62 m2
12
Stock room shops

78.59 m2

Lower floor plan M 1:100 Ground floor plan M 1:100 Upper floors plan M 1:100
Palazzo Vita lower floor Palazzo Vita 1st & 2nd floor
Palazzo Vita ground floor
Intersection A-A M 1:100 Dwelling plans 80m2 & 100m2 M 1:100
Plans & elevations (Stefan Verling, Vaduz)

The florence Palazzo The florence Palazzo
Sommersemester 2018 | the florence palazzo - il palazzo del bazar | Dozent hans van der heijden, integration eugen schuler | student zeynep yayla
mst 1:20 mst 1:20
fassadenschnitt
fassadenfragment fassadenfragment
Bay study (Zeynep Yayla, Vaduz)
horizontalschnitt
100 m2 Wohnung 100 m2 Wohnung
Mst 1:100 Mst 1:100
obere Stockwerke
Mst 1:200
der Bazar
Sommersemester 2018 | the florence palazzo - il palazzo del bazar | Dozent hans van der heijden, integrati
Wie muss ein architektonischer Entwurf für einen

gestaltet werden, sodass die historische Referenz
und das Gebäude als Wohn- und Geschäftshaus fun
Erdgeschoss
mst 1:100
obergeschoss Dachgeschoss
Mst. 1:200nachbar nachbar Mst. 1:200
. DB 2.104
2,75
WB 2.304 WB 2.304
02
3.1
WB 1.303
DB
13,27
101
WB 3.301 WB 3.301
DB 1.
1
3.10
DB 2.103
1
2.10
DB
WB 1.302
DB
WB 2.303
WB 2.303
WB 3.304
WB 3.302
1.302 100 m2 Wohnung 100 m2 Wohnun

WB 3.304
WB 3.306 WB 3.306
WB 2.306
WB 2.306 Mst 1:100 Mst 1:100
WB 3.302
ST 1.201
WB 2.305
WB 2.305
1.302
36
DB 2.103
102
DB 2.
1
10,72
gekrümmte Scheiben
3.10
DB
WB 1.303
WB 2.301 WB 3.301
WB 1.302 WB 2.306 WB 3.306

04
2
2.1
WB 2.307
WB 3.308
WB 3.307
WB 2.308 DB
WB 2.302
WB 3.305
19 St x
3
18/ 24,5
WB 2.309 WB 2.301 WB 3.303 WB 3.301

3
1.302
.10
3
2,75
DB
DB 2.104
,1 1,86 2,36 8,5 5,26 8,5 2,36 27
Pos. WB 1.305 Pos. DB 2.101 Stb. Pos. WB 2.301 Pos. WB 2.306 Stb. Pos. DB 3.101 Stb. Pos. WB 3.301 Pos. WB 3.306 Stb
Beton IW Decke über OG Stb. AW IW Dachelement Stb AW IW
d= 15 cm C25/30 d=27 cm a= 214,36 m2 d= 34 cm d= 34 cm C25/30 d=25 cm a=391,3 m2 d= 34 cm d= 20 cm C25/30
Pos. WB 1.306 C25/30 C25/30 Pos. WB 2.307 Stb. C25/30 C25/30 Pos. WB 3.307 Stb
Beton IW Pos. DB 2.102 Stb. Pos. WB 2.302 AW Pos. DB 3.102 Stb. Pos. WB 3.302 AW
bei Lift umlaufend Decke über OG Stb. AW d= 20 cm C25/30 Dachelement Stb AW d= 20 cm C25/30
d= 20 cm C25/30 d=27 cm a= 256,5 m2 d= 34 cm Pos. WB 2.308 Stb. d=25 cm a=17 m2 d= 34 cm Pos. WB 3.308 Stb.
Pos. WB 1.307 C25/30 C25/30 AW C25/30 C25/30 AW
Beton IW Pos. DB 2.103 Stb. Pos. WB 2.303 d=22 cm C25/30 Pos. DB 3.103 Stb. Pos. WB 3.303 d=22 cm C25/30
d= 20 cm C25/30 Decke über OG Stb. AW Pos. WB 2.309 Stb. Dachelement Stb AW
d=27 cm a= 72,26 m2 d= 34 cm AW d=25 cm a=42,6 m2 d= 50 cm
C25/30 C25/30 d=50 cm C25/30 C25/30 C25/30
Pos. DB 2.104 Stb. Pos. WB 2.304 Pos. WB 3.304
Decke über OG Stb. AW Stb AW
d=27 cm a= 74,25 m2 d= 34 cm d= 34 cm
C25/30 C25/30 C25/30
Pos. WB 2.305 Pos. WB 3.305
Stb. AW Stb AW
d= 34 cm d= 50 cm
C25/30 C25/30
obere Stockwerke
Mst 1:200
nachbar
Bazar ground floor & typical plan (Zeynep Yayla, Vaduz)
integration
Positionspläne
zzo - il palazzo del bazar | Dozent hans van der heijden, integration eugen schuler | s Casa dell’Arte della Lana, 1577-1584
Westansicht mit den Nachbarn im Mst 1:200 No
Querschnitt im Mst 1:200
Längsschnitt im Mst 1:200
Section & elevation (Zeynep Yayla, Vaduz)

Längsschnitt im Mst 1:200
Nordansicht im Mst 1:200 Ostansicht im Mst 1:200
Querschnitt im Mst 1:200
Section & elevation (Zeynep Yayla, Vaduz)

Collage (Zeynep Yayla, Vaduz)
Palazzo Pitti, Vecchio, Rucellai, Bar-
tolini Salimbeni, Strozzi, Spini Feroni
Abb. 17: Collage
Collage (Zeynep Yayla, Vaduz)

Bay study (Danny Buitelaar, Rotterdam)
Elevations (Danny Buitelaar, Rotterdam)
Bay study (Emile Brouwer, Rotterdam)
Section & elevations (Emile Brouwer, Rotterdam)
Palazzo Moderno onredoM ozzalaP
Facade fragment 1:20 Facade

02:1 nosection
itces ed1:20
acaF 02:1 tnemgarf e
ezneriF.keinotkeT oidutS.BvAR
1
4
7
11
14
11
41
2
5
8
12
15
2
21
51
3
6
9
13
16
3
10
6
31
61
01
Theo van de Beek architect
tcetihcra keeB ed nav oehT

verkaveling
gnilevakrev
23 maart 2018
8102 traam 32
1/1000
0001/1
Floor plan section 1:20 Situation

0002:1 n1:2000
oitautiS Henk Bijsterbosch 02:1 noitces nalp
hcsobretsjiB kneH
3106590 0956013
keinotkeT Tektoniek
Bay study (Henk Bijsterbosch, Rotterdam)

IsID ChID Wijz. naam Datum
Project
Projectnaam
#Project Description
#Site Name
Werknummer: Nr. project
Layoutnummer: -05
Layoutnaam: plt 2,4,6,8
Floors 1 till 6 1:100 Se

Opdrachtgever:
Naam opdrachtgever
Straat opdrachtgever - Stad opdrachtgever
Apartments
GRAPHISOFT
GRAPHISOFT
®
®
GRAPHISOFT ®
FE
VW
FE
VW
KK
KK
KK VW FE
1 :5 0
Apartment 100m2 Corner apartment 100m2 Corner apartment 8

p l a t t e g r o n d 1
L a y o u t
1 :5 0
Elevation Front 1:100 Ele
Elevation (Henk Bijsterbosch, Rotterdam)

Bay study middle part (Karel van Zant, Rotterdam)
volume en entreefaςade
plattegrond laag 8 - 27
2
plattegrond 80 m app
2
plattegrond laag 0
2
2
plattegrond laag 0
snede
EEN GEDENKNAALD VOOR FLORENCE

snede
ALS HERINNERING AAN EEN OUDE BOUWTRADITIE

Karel van Zanten, Tektoniek juni 2018 Karel van Zanten, Tektoniek juni 2018
AN MONUMENTAL OBELISK FOR FLORENCE
AN MONUMENTAL OBELISK FOR FLORENCE AS A REMEMBRANCE OF AN OLD BUILDING TRADITION
AS A REMEMBRANCE OF AN OLD BUILDING TRADITION
Elevation & scheme diagrams (Karel van Zanten, Rotterdam)

E
A
AN
AS A
Bay study lower part (Karel van Zanten, Rotterdam)

Bay study top part (Karel van Zanten, Rotterdam)
Bay study (Koen van den Dungen, Rotterdam)
Ground Floor, commercial 1st Floor, 80sqm apprtments 3rd Floor, 80 and 100sqm apprtments
NONAME ARCHITECTURE VO 101 Begane Grond NONAME

1:200 ARCHITECTURE
GSPublisherVersion 0.84.100.99
VO 102 1e Verdieping 1:200
NONAME ARCHITECTURE VO 104 2e Verdieping 1:200
GSPublisherVersion 0.84.100.99 GSPublisherVersion 0.84.100.99

1:200 ARCHITECTURE
Urban plan, Front Facades
Urban plan, sequence of public spaces
Urban plan, sequence of public spaces
Site & street profiles (Koen van den Dungen, Rotterdam)

Axonometric Projection

1:200 ARCHITECTURE
Plans (Koen van den Dungen, Rotterdam)

The Reversal of Materiality
Koen van den Dungen
Axonometric Projection
Typological diagram (Koen van den Dungen, Rotterdam)

Bay study (Lars Fraij, Rotterdam)
WEST FACADE
ORARY PLASTICITY FACING TRADITIONAL” TEKTONIEK - LARS FRAIJ.
Corner (Lars Fraij, Rotterdam)

hal
Bay study (Lisa van der Slot, Rotterdam)

B
museum hal prive museum hal prive
SECTION A SECTION B
ICAL FOR FLORENCE 1:200 1:200
PLAN UPPERFLOORS
80 + 100 M2 APARTMENTS
1:200
CAFFÈ
PIAZZA DEGLA STROZZI 13
MUSEO
LIBRERIA
SECOND FACADE VIEW FROM PIAZZA STROZZI

UARE, A GLASS BOX INSIDE THE MEMBRANE THE LOGGIA IS AN EXTENSION OF THE SQUARE.
TREET
IL VICINO DI STROZZI
A BOLD BUILDING WITH AN EYE FOR ITS CONTEXT.
CAFFÈ MUSEO LIBRERIA
PIAZZA DEGLA STROZZI 13 PIAZZA DEGLA STROZZI 15 PIAZZA DEGLA STROZZI 17
N
museum hal prive museum hal prive
RSHOI STROZZI’S NEIGHBOUR. WITH ITS SIDE TOWARDS STROZZI’S BACK. 5TH WALL TO- PROFILE SOUTH-NORTH
CHEME, TO ADAPT COLORS WARDS PIAZZA DEGLA STROZZI. MORE INWARDS URBAN FABRIC, NOT LOCATED ON THROUGH ITS BIG SCALE, THE PALAZZO IS AN WORTHY NEIGHBOUR FOR STROZZI
MAINSTREET.
SECTION A SECTION B
1:200 1:200
21ST CENTURY PALAZZO STROZZI GONDI SOLID AMSTERDAM PARIS HAUSSMANN
SCALESTUDY
ONE OF THE BIG BOYS
CAFFÈ
MUSEO
LIBRERIA

SECOND FACADE VIEW FROM PIAZZA STROZZI

A GLASS BOX INSIDE THE MEMBRANE THE LOGGIA IS AN EXTENSION OF THE SQUARE.
STROZZI’S NEIGHBOUR. WITH ITS SIDE TOWARDS STROZZI’S BACK. 5TH WALL TO- PROFILE SOUTH-NORTH
WARDS PIAZZA DEGLA STROZZI. MORE INWARDS URBAN FABRIC, NOT LOCATED ON THROUGH ITS BIG SCALE, THE PALAZZO IS AN WORTHY NEIGHBOUR FOR STROZZI
MAINSTREET.
CASA
CAFE MUSEO LIBRERIA VIA DEGLA STROZZI 9
FRONT PIAZZA DEGLA STROZZI FRONT VIA DEGLA STROZZI

LOGGIA + PUBLIC ENTRANCE APARTMENTS PRIVATE ENTRANCE
Street sections (Lisa van der Slot, Rotterdam)

IL VICINO DI STROZZI
A BOLD BUILDING WITH AN EYE FOR ITS CONTEXT.
21ST CENTURY PALAZZO STROZZI GONDI SOLID AMSTERDAM PARIS HAUSSMANN LOGGIA INCREASES PIAZZA STROZZI INTROVERT BECOME
SCALESTUDY CONCEPT
ONE OF THE BIG BOYS

ROZZI
CASA
CAFE MUSEO LIBRERIA VIA DEGLA STROZZI 9
T. FRONT PIAZZA DEGLA STROZZI

LOGGIA + PUBLIC ENTRANCE
FRONT VIA DEGLA STROZZI
APARTMENTS PRIVATE ENTRANCE
BACK
ALLEY + ENTRANCE FROM SQUARE TO LOGGIA
ARIS HAUSSMANN LOGGIA INCREASES PIAZZA STROZZI INTROVERT BECOMES EXTRAVERT OUTDOOR SPACE WITH PROTECTION FOR HOT ITALIAN SUMMER
CONCEPT
CASA
VIA DEGLA STROZZI 9
BASIC FLOORPLAN SOLID GROUND FLOOR

3X3 M GRID PUBLIC AREA WITH PRIVATE ENTRANCE HALL
1:200 1:200
FRONT VIA DEGLA STROZZI BACK SIDE

APARTMENTS PRIVATE ENTRANCE ALLEY + ENTRANCE FROM SQUARE TO LOGGIA
museum hal prive
Elevations (Lisa van der Slot, Rotterdam) EXPERIENCE LOGGIA

AN URBAN PUBLIC SPACE TYPICAL FOR FLORENCE
SECTION A
1:200
XT.
PARIS HAUSSMANN
FRONT VIA DEGLA STROZZI
1:200
APARTMENTS PRIVATE ENTRANCE
GROUND FLOOR
TROZZI
VIA DEGLA STROZZI 9

CASA
PUBLIC AREA WITH PRIVATE ENTRANCE HALL

CASA
VIA DEGLA STROZZI 9
CASA
VIA DEGLA STROZZI 9
MUSEO LIBRERIA CAFE MUSEO LIBRERIA
BACK
FRONT VIA
FRONT
DEGLA
PIAZZA
STROZZI
DEGLA STROZZI BACK FRONT VIA DEGLA STROZZI SIDE BACK SIDE
APARTMENTS
LOGGIAPRIVATE
+ PUBLIC
ENTRANCE
ENTRANCE ALLEY + ENTRANCE FROM SQUARE TO LOGGIA
APARTMENTS PRIVATE ENTRANCE ALLEY + ENTRANCE FROM SQUARE TO LOGGIA
CONCEPT
LOGGIA INCREASES PIAZZA STROZZI
ALLEY + ENTRANCE FROM SQUARE TO LOGGIA

A A
INTROVERT BECOMES EXTRAVERT
SIDE
B B
1:200
PLAN UPPERFLOORS
80 + 100 M2 APARTMENTS
Plans (Lisa van der Slot, Rotterdam)
A
GROUND
BASIC FLOORPLAN FLOOR
SOLID GROUND FLOOR PLAN UPPERFLOORS PLAN UPPERFLOORS
3X3 M GRID PUBLIC AREA WITH PRIVATE ENTRANCE HALL PUBLIC AREA WITH PRIVATE ENTRANCE80
HALL
+ 100 M2 APARTMENTS 80 + 100 M2 APARTMENTS
1:200 1:200 1:200 1:200 1:200
B
OUTDOOR SPACE WITH PROTECTION FOR HOT ITALIAN SUMMER
museum hal prive museum museum hal prive

hal prive museum hal prive
EXPERIENCE LOGGIA SECTION A EXPERIENCE LOGGIA SECTION B SECTION A SECTION B

AN URBAN PUBLIC SPACE TYPICAL FOR FLORENCE 1:200 AN URBAN PUBLIC SPACE TYPICAL FOR 1:200
FLORENCE 1:200 1:200
Opening the streets of Florence; an
integration between public and private
spaces, with greenery as it merger.

Tektoniek - RAVB 2018
Margot van Bekkum
Section, elevations & site plan (Margot van Bekkum, Rotterdam)

VIA DE’
TORNABUONI
130 - 170
Bay study (Phylicia Kok-Sey-Tjong, Rotterdam)

1 1
Via de' Tornabuoni

130-170
0 0
A B C D E A F G H I J
inside / west facade

glass and architecture concrete
front and back / west and east facade

brazilian brickwork
Elevation (Phylicia Kok-Sey-Tjong, Rotterdam)

Tektoniek / Green place in centre Florance
Phylicia Kok Sey Tjong
section A
side /north an
brazilian brick
classic countryard countryard to the front garden for solid and Via de' Tornbuoni
A B C D E F G H I J
A
1 1
2 2
2 2
3 3
2 2
4 3
5 5
6 6
A B C D E F G H I J
ground floor plan
A B C D E F G H I J
A
1 Ground floor (Phylicia Kok-Sey-Tjong, Rotterdam) 1
2 2
5 5
6 6
A B C D E F G H I J
plan option 2
section A
Section, typological diagrams (Phylicia Kok-Sey-Tjong, Rotterdam)

HYRARCHY - TEKTONIEK - ROB DAMEN
A DRESS IS NOT STRONG ENOUGH
FINAL_PANELS_1975x850.indd 1 18-6-2018 09:33:58
Bay study (Rob Damen, Rotterdam)

Site
1:1000
Front facade
1:200
Section
1:200
9,86 m2
4,51 m2
6,45 m2 3,85 m2
2,40 m2
68,40 m2 Section & elevation (Rob Damen, Rotterdam)

1,99 m2
4,52 m2
5,66 m2
49,99 m2
Bay study (Sabine Abendroth, Rotterdam)
LIFT
100 M2 1:100
LIFT
LIFT
VIA DE’ CORSI
80 M2
LIFT
VIA DE’ PESCIONI 1:400
PLANS 1:200
80 M2
LIFT
LIFT
LIFT
LIFT
LIFT
LIFT
PLANS 1:200 100 M2

80 M2
1:100
80 M2
VIA DE’ PESCIONI 1:400 VIA DE’ CORSI
VIA DE’ CORSI
100 M2
Elevations & plan (Sabine Abendroth, Rotterdam)

1:100
10
GSEducationalVersion G
10 9 10 8 9 7 8 6 7 5 6 4
1:20 Voorgevel
B
1 2 3 4
1:20 Verticale
1:20 Horizontale Doorsnede
Doorsnede
Bay study (Tom van Loon, Rotterdam)

Tektoniek - Tom van Loon
Massing (Tom van Loon, Rotterdam)

Epilogue
Introducing both design studios, I expressed two wishes for my students. First, that they would
lose some of their fear of history. Second, that they would lose their fear forconstruction prac-
tice. Architects’ practice and teaching have distanced itself from both territories to a problematic
degree. But isn’t it construction is what makes architecture happen in the first place? And
doesn’t the history of any profession provide the reservoir of knowledge, skill and technique for
current practice? Why should that be so different in the discourse and the education of
architects?
Therefore, the Florentine palazzo was studied as a strictly physical phenomenon. For a moment,
we left the stories for what they were. The palazzo was not taken as a historical concept to be
studied clinically, at arm’s length. Rather, the structures of the palazzo were studied and drawn.
We found out that the palazzo used to be fabricated of rubble walls and vaults. The stonework
of the corniches, corners and rusticas, contributing so much to the monumental urban imagery,
appeared to be a relatively thin layer of cladding. The spatial organization of the palazzo was
represented in isometric drawings in which type, geometry and urban imagery were made clear
in glance.
Overlooking the results of their analysis of six centuries of palazzo building, it becomes clear
that, no matter how rational the method of analysis is, the findings and ways of representing
these differ considerably, just like the palazzo type has provided for considerable architectural
variability. One might take this as a hint to keep perpetually studying the architectural canon,
hoping for slow, incremental progress in building up an understanding of it.
The design of a range of new palazzi departed from a similar matter-of-factness. The brief called
for a flexible housing block with public amenities at ground floor. Because that is what a palazzo
also is: a solid piece of architecture that has resisted time and sometimes brutal changes in use.
And again the results reveal remarkable differences in approach.
Florian Heeb, a second year bachelor student in Vaduz, designed a compact housing block with
and a-symmetric court. This move introduced different widths in the four wings of the building,
which ultimately resulted in differentiations between the four facades. The casual civic tectonics
may remind one of a post office from the 1950-ies, calm and monumental through its
understandable imagery.
Nothing could be further away from this design than the proposal of Karel van Zanten, a first
year master student in Rotterdam. He boldly stacked two prominent Florentine types on one
another, a tower upon a palazzo. Inspired by the graffiti facades in the city, the facades of these
buildings are to be cladded with stone tiles. An giant building is made tactile by the fragility of its
skin.
Perhaps the most impressive product of both studios is the tiny street section which was made
by Lisa van der Slot. The section is taken over Palazzo Strozzi, the largest and arguably the most
impressive palazzo of Florence. The proposed new palazzo stands up to the size of Strozzi.
Current domestic requirements were reason for several innovations of its typology and its
material manifestation. With a strong hand an equivalent of the famous EUR palazzo in Rome
was developed. Yet, the building is not represented as symmetric or masculine. The street sec-
tion merely shows the corner of the new building and suggests how the proposed gallery matches
the front line of Strozzi and how the different urban scales are reconciled. The Florentine palazzo
seems to be understood as real, solid and urban. Perhaps it is no surprise that the author of this
piece of work is a third year master student in urban design in Rotterdam.
It is encouraging that the students, and that is by no means restricted to the three mentioned
above, have worked with history and with construction - rather than to have worked against it.

Palazzo �ista - �roundplans, eleva�ons and sec�on 1:200 / 1:100
museum hal
SECTION B
1:200 �leva�on west 1:200
�leva�on east 1:200
2
2
�leva�on north 1:200 �leva�on south 1:200
plattegrond laag 0
glasswall
section
section
glasswall
seating
possibility
glasswall
entrance
for exhibtion
exhibition area
235 m2
glasswall
glasswall
glasswall
glasswall

possibility
162 m2
seating
possibility

167 m2
seating
possibility
installations room
46 m2
sec�on 1:200
hall
41 m2
stock for cafe
disabled toilet 43 m2
4 m2
lift lift
airspace multifunctional room airspace cafe
93 m2 88 m2
ladies men
19 m2 15 m2
section
Level -1 1:200 Level 0 1:200

snede

4 room-apartment
81.77 m2
Karel van Zanten, Tektoniek juni 2018
AN MONUMENTAL OBELISK FOR FLORENCE

section
section
AS A REMEMBRANCE OF AN OLD BUILDING TRADITION
4
4 room-apartment
84 m2 8
hall
VIEW FROM PIAZZA STROZZI

146 m2
4 room-apartment
92 m2
working stations reading stations
137 m2 151 m2
THE LOGGIA IS AN EXTENSION OF THE SQUARE.

Palazzi by Florian Heeb, Karel van Zanten, Lisa van der Slot
3 room-apartment
3 room-apartment
105 m2 103.13 m2
3 room-apartment
111 m2
Colophon
Students Vaduz
Nina Oksakowski
Seraina Bernegger
Roman Klinger
Philipp Althammer
Rocco Cutieri
Florian Heeb
Zeynep Yayla
Oskar Sauseng
Merve Hancer
Selina Capol
Eric Albers
Haris Nemic
Stefan Verling
Serena Keller
Christoph Müller
Petra Bolter-Allgäuer
Eda Demir
Teaching staff Vaduz

Hans van der Heijden (design tutor)
Karin Templin (critic, studio lecturer, excursion guide)
Eugen Schuler (tutor structural design)
Students Rotterdam
Emile Brouwer
Tom van Loon
Koen van den Dungen
Danny Buitelaar
Richard van Klaveren
Phylicia Kok-Sey-Tjong
Rob Damen
Clenda Boonman
Lisa van der Slot
Jeroen Neuteboom
Henk Bijsterbosch
Lars Fraij
Karel van Zanten
Margot van Bekkum
Maartje Kool
Savine Abendroth
Teaching staff Rotterdam

Hans van der Heijden (design tutor)
Theo van de Beek (design tutor)
Karin Templin (visiting critic, studio lecturer, excursion guide)
Like Bijlsma (tutor architectural theory of tectonics)
Remy Jansen (tutor photoshop skills)
Endry van Velzen (visiting critic)
Floris Cornelisse (visiting critic)
Design & editing

Karin Templin
Hans van der Heijden Architect

Students On The Florentine Palazzo Compressed

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The Florentine Palazzo

Recorded and designed by architecture students from

The following palazzi were studied in Florence:

Palazzo dei Mozzi - 1260-1273

Im Stadtteil Oltrarno, im Zentrum von Florenz gelegen, ist der Pala

Erbaut, zerstört und dann wiederaufgebaut: Das Haus der Mozzi,

Bereits Mitte des dreizehnten Jahrhunderts siedelte sich Familie M

Gute Beziehungen zu ihren Mitbürgern und Herrschaften; gute Be

In Florenz haben sie einige Regierungspositionen erlangt, z.B. ist ih

Bay study (Nina Oksakowski, Vaduz)

Bay study (Emile Brouwer, Rotterdam)

Typological diagram (Emile Brouwer, Rotterdam)

Bay study (Seraina Bernegger, Vaduz)

Typological diagram (Seraina Bernegger, Vaduz)

Bay study (Romana Schwitter, Vaduz)

Typological diagram (Romana Schwitter, Vaduz)

Bay study (Koen van den Dungen, Rotterdam)

Typological diagram (Koen van den Dungen, Rotterdam)

Bay study (Philipp Althammer, Vaduz)

Palazzo Bardi alle Grazie

Isometric modell, Palazzo Bardi alle Grazie 1:200

Via de Benci 5a , Florence

Typological diagram (Philipp Althammer, Vaduz)

Bay study (Danny Buitelaar, Rotterdam)

Typological diagram (Danny Buitelaar, Rotterdam)

Analysis - Palazzo Rucellai

Horizontal Sec�onHorizontal Sec�on

Horizontal Sec�on �leva�on �leva�on �er�cal Sec�on �er�cal Sec�on

Studio - The Florence Palazzo

Bay study (Florian Heeb, Vaduz)

Typological diagram (Florian Heeb, Vaduz)

Rucallai-A0_layout_presentatie.pdf 1 23-3-2018 00:22:07

Bay study (Phylicia Kok-Sey-Tjong, Rotterdam)

Rucallai-A0_ISO.pdf 1 23-3-2018 00:46:40

PALAZZO RUCELLAI FLORENCE

Typological diagram (Phylicia Kok-Sey-Tjong, Rotterdam)

ROB DAMEN - ANALYSIS PALAZZO ANTINORI

Bay study (Rob Damen, Rotterdam)

ROB DAMEN - ANALYSIS PALAZZO ANTINORI

Typological diagram (Rob Damen, Rotterdam)

Bay study (Zeyneb Yayla, Vaduz)

Typological diagram (Zeyneb Yayla, Vaduz)

Ground floor plan & section (Zeynep Yayla, Vaduz)

west view ground p

Elevation (Zeynep Yayla, Vaduz)

Horizontal Section 1:20 Facade Section 1:20

Bay study (Oscar Sauseng, Vaduz)

Typological diagram (Oscar Sauseng, Vaduz)

Bay study (Lisa van der Slot, Rotterdam)

Typological diagram (Lisa van der Slot, Rotterdam)

Bay study (Rocco Cutieri, Vaduz)

Dozent: Hans van der Heijden

Bay study (Rocco Cutieri, Vaduz)

Via de' pucci

Dozent: Hans van

Facade 1:100 (Rocco Cutieri, Vaduz)

Via de' pucci

Facade 1:100 (Rocco Cutieri, Vaduz)

Bay study (Jeroen Neuteboom, Rotterdam)