Tuba

2 Sir Patrick
Philippe Geiss

  
A

  
 = 130 B C

         
                        
                         
25
D


E

                       
33


                       
37

         
F


41

      

             


   
45

         

    
   
53





G

                       
57



H

                                   
65


       
71

 
      
2

              
 
I

      
73

  


77

        
         

                      
  
  

   


         
81

                      


                    
     
85

                   
89
J

               

                   

93

               

                   
       
 
      
      
97

                


                 
          
101

                
105
K

         
                  
L

  
113  

   

       
M

       
121

subito
