dining room. She was shaking her head. Her mouth was forming a silent "no." That was okay. It was just shyness. Ruth would see the painting and she'd get over it. "Ruth," I said. "This is from Meg." I held it out to her. She smiled first at me and then at Meg and took it from me. Woofer had Father Kirows Best turned low now so you could hear the crinkling of the stiff brown paper as she unwrapped it. The paper fell away. She looked at the painting. "Meg!" she said. "Where'd you get the money to buy this?" You could tell she admired it. I laughed. "It costs just the framingy"I said. "She painted it for you." "She did? Meg did?" I nodded. Donny, Wmfer and Willie all crowded around to see. Susan slipped off her chair. "It's beautiful!" she said. I glanced at Meg again still standing anxious and hopeful looking in the dining room. Ruth stared at the painting. It seemed like she stared a long time. Then she said, "No, she didn't. Not for me. Don't kid me. She painted it for you, Davy." She smiled. The smile was a little funny some- how. And now I was getting anxious too. "Look here. A boy on a rock. Of course it's for you." THE GlRL NEW D O O R 97 She handed it back to me. "I don't want it," she said. I felt confused. That Ruth might refuse it had never even occurred to me. For a moment I didn't know what to do. I stood there holdmg it, looking down at it. It was a beautiful painting. I med to explain. "But it's really meant for you, Ruth. Honest. See, we talked about it. And Meg wanted to do one for you but she was so . . ." "David." It was Meg, stopping me. And now I was even more confused, because her voice was stem with warlling- It made me almost angry. Here I was in the rnid- dle of this damn thing and Meg wouldn't let me get myself out of it. Ruth just smiled again. Then looked at Willie and Woofer and Donny. "Take a lesson, boys. Remember this. It's impor- tant. All you got to do any time is be nice to a woman--and she'll do all kinds of good things for you. Now Davy was nice to Meg and got himself a painting. Nice painting. That is what you got, isn't it, Davy? I mean that's all you got? I know you're a little young but you never know." I laughed, blushing. "Come on, Ruth." "Well, I'm telling you you do never know. Girls are plain easy. That's their problem. Promise 'em a little something and you can have whatever you want half the time. I know what I'm saying. Look at your father. Look at Wdlie Sr. He was gonna own his own company when we married. Fleet of 98 Jack Ketchurn milk trucks. Start with m e and work his way on up. I was gonna help him with the books just like I did back on Howard Avenue during the war. Ran that plant during the war. We were gonna be richer than my folks were when I was a kid in Mor- ristown, and that was pretty rich, I'll tell you. But you know what J got? Nothing. Not a damned thing. Just you three poppin' out one, two, three, and that lovely Irish bastard's off to God knows where. So I get three hungry mouths to feed, and now I've got two more. "I tell you, girls are dumb. Girls are easy. Suckers saaight on down the line." She walked past me to Meg. She put her arm around her shoulders and then she turned to the rest of us. "You take this painting now," she said. "I know you made it for David here and don't you try to tell me any different. But what I want to know is, what are you gonna get out of it? What do you think this boy's going to give you? Now Davy's a nice boy. Better than most I'd say. Definitely better. But darlid-he's not gonna give you nothing! If you think he will you got another thing coming. "So I'm just saying I hope that painting's all you been giving him and all you will give him, and this is for your own good I'm telling you. Because you already got what men want right down here and it ain't your goddamn artwork." I could see Meg's face begin to tremble, and I knew she was trying not to cry. But unexpected as all this was I was trying not to laugh. Donny too. The whole thing was weird and maybe it was WE GIRL NEW DOOR partly the tension, but what Ruth had said about the artwork wasfunny. ,Her arm tightened around Meg's shoulders. "And if you give them what they want, then you're nothing but a slut, honey. You know what a slut is? Do you, Susan? Of course you don't. You're too young. Well, a slut's somebody who'll spread her legs for a man, it's that simple. So they can weasel their way inside. Woofer, you quit your goddarnn grinning. "Anybody who's a slut deserves a t h r a s h . Anybody in this town would agree with me. So I just warn you, honey, any slutthg around this house will mean your ass is grass and Ruth's the lawn mower." She released Meg and walked into the kitchen. She opened the refrigerator door. "Now," she said. "Who wants a beer?" She gestured toward the painting. "Kind of pale-looking thing, anyway," she said, "doncha think?"and reached for the six-pack. Chapter Fourteen Two beers was all it took me in those days and I went home lazy and high, with the usual promise not to breathe a word to my parents, which wasn't necessary. I'd sooner have chopped off a finger. Once Ruth finished her lecture, the rest of the evening had been pretty uneventful. Meg went into the bathroom for a while and when she came out again it was as though nothing had happened. Her eyes were dry. Her face an unreadable blank. We watched Danny Thomm and drank our beers and then at one point during a commercial I made plans to go bowling Saturday with Willie a d Donny. I tried to catch Meg's eye but she wouldn't look at me. When the beers were done I went home. I hung the painting next to the mirror in my room. But there was a feeling of strangeness that wouldn't leave me. I'd never heard anyone use the word slut before but I knew what it meant. I'd known since cribbing Peyton Place from my mother. I wondered if Eddie's sister Denise was still too young to qualify. I remembered her naked, bound to a tree, her thick smooth tender nipples. Crying, laughing-sometimes both together. I re- membered the folded flesh between her legs. I thought about Meg. I lay in bed and thought how easy it was to hurt a person. It didn't have to be physical. All you had to do was take a good hard kick at something they cared about. I could too if I wanted. People were vulnerable. I thought about my parents and what they were doing and how they kept kicking at each other. So regularly now that, being in the middle as I was, I had contrived not to care about either of them. Little things, mostly, but they added up. I couldn't sleep. My parents were in the next room, my father snoring. I got up and went into the kitchen for a Coke. Then I went into the liv- ing room and sat on the couch. I didn't turn the lights on. It was well after midnight. The night was warm. There was no breeze. As usual my parents had left the windows open. Through the screen I could see directly into the Chandlers' living room. Their lights were still burning. Their windows were open too and I heard voices. I couldn't make out much of what was being said but I knew who was speaking. 102 Jack Ketchum Willie. Ruth. Then Meg. Then Donny. Even Woofer was still up-you could hear his voice high and shrill as a girl's, laughing. The others were all yelling about somedung. ". . . for a boy!" I heard Ruth say. Then she faded out again into a mixed jumble of sounds and voices all together. I saw Meg move back into the frame of the living-room window. She was pointing, yelling, her whole body rigid and shaking with anger. "You will not!" I heard her say. Then Ruth said something low and out of my hearing range but it came out like a growl, you could get that much, and you could see Meg sort of collapse all of a sudden, you could watch her fold. And then she was crying. And a hand shot out and slapped her. It slapped her so hard she fell back out of frame and I couldn't see her anymore. Willie moved forward. He started to follow her. Slowly. Like he was stalking her. "That's it!" I heard Ruth say. Meaning, I thmk, that wllie should let her alone. There was a moment where I guess nobody moved. Then bodies came and went for a while, drifting by the window, everybody looking sullen and an- gry, Wdlie and Woofer and Donny and Ruth and Meg picking up things from the floor or rearrang- ing the chairs or whatever and slowly moving away. I heard no more voices, no mlking. The only one I didn't see was Susan. THE GIRL NEXT D O O R 103 I sat watching. The lights went off. You could see a dim glow from the bedrooms and that was all. Then even that was gone and the house was black as ours was. Chapter Fifteen That Saturday at the alleys Kenny Robertson missed his seven pin for an easy spare in the tenth frame, finishing with a 107. Kenny was skinny and had a tendency to throw every pound he had into the ball and throw it wild. He came back mopping his brow with his father's lucky handkerchief, which hadn't been too lucky for him at all that day. He sat between me and Willie behind the score- card. We watched Donny line up on his usual spot to the left of the second arrow. "You think any more about it?" he asked Willie. "About getting Meg into The Game?" Willie smiled. I guess he was feeling good. He was probably going to break 150 and that didn't happen often. He shook his head. "We got our own Game now," he said. Chapter Sixteen Those nights I'd sleep at the Chandlers', once we got tired of fooling around and Woofer was asleep, we'd talk. It was mostly Donny and I. Willie never had much to say and what he did say was never too smart. But Donny was bright enough and, as I said, the closest I had to a best friend, so we'd talk- about school and girls, the kids on American Band- stand, the endless mysteries of sex, what the rock 'n' roll tunes we heard on the radio really meant and so on, until long into the night. We talked about wishes, hopes, even nightmares sometimes. It was always Donny who initiated these talks and always I who finished them. At some point long past exhaustion I'd lean over the top of my bunk and say something like, see what I mean? and 108 Jack Ketchum he'd be asleep, leaving me alone at the mercy of my thoughts, uncomfortable and unspent, some- times till dawn. It took time for me to cut deep enough into whatever it was I felt and then once I did I couldn't bear to give up the taste of it. I'm still that way.
The dialogue is solo now. I don't talk. No matter
who's in bed with me I never do. My thoughts slip off into nightmares sometimes but I don't share them. I have become now what I only began to be then-completely self-protective. It started, I suppose, with my mother coming into my room when I was seven. I was asleep. "I'm leaving your dad," she said, waking me. "But I don't want you to worry. I'll take you with me. I won't leave you. Not ever." And I know that from seven to fourteen I waited, prepared myself, be- came myself who was separate from each of them. That, I guess, was how it started. But between seven and thirteen Ruth happened, and Meg and Susan happened. Without them that conversation with my mother might even have been good for me. It might only have saved me from shock and confusion once the time came. Be- cause kids are resilient. They bounce back to con- fidence and sharing. I wasn't able to. And that's due to what happened after, to what I did and didn't do. .
My first wife, Evelyn, calls me sometimes, wakes
me up at night. ?RE GIRL NEXT D O O R 109 "Are the children all right?" she asks me. Her voice is terrified. We had no kids together, Evelyn and I. She'd been in and out of institutions a number of times, suffering bouts of acute depression and anxiety but still it's uncanny, this fixation of hers. Because I never told her. Not any of this, never. So how could she know? Do I talk in my sleep? Did I confess to her one night? Or is she simply sensing something hidden in me-about the only real reason we never did have children. About why I never allowed us to. Her calls are like nightbirds flying screeching around my head. I keep waiting for them to return. When they do I'm taken by surprise. It's frightening. Are the c b i k ad right? I've long since learned not to ruffle her. Yes, Evelyn, I tell her. Sure. They're fine. Go back to sleep now, I say. But the children are not fine. They will never be. Chapter Seventeen I knocked on the back screen door. Nobody answered. I opened it and walked inside. I heard them l a u g h right away. It was coming from one of the bedrooms. Meg's was a kind of high-pitched squealing sound, Woofer's a hysteri- cal giggle. W&e Jr's. and Donny's were lower, more masculine-sounding. I wasn't supposed to be there-I was being pun- ished. I'd been working on a model of a B-52, a Christmas present from my father, and I couldn't get one of the wheels on right. So I tried about three or four times and then hauled off and kicked it to pieces against the bedroom door. My mother came in and it was a whole big scene and I was grounded. 7HE GIRL NEXT D O O R 111 My mother was out shopping now. For a mo- ment at least, I was free. I headed for the bedrooms. They had Meg up against the bedroom wall in a corner by the window. Donny turned around. "Hey, David! She's ticklish! Meg's ticklish!" And then it was like there was this prearranged signal because they all went at her at once, going for her ribs while she twisted and tried to push them away and then doubled over, elbows down to cover her ribs, laughing, her long red ponytail swinging. "Get her!" "I got her!" "Get her, Willie!" I looked over and there was Susan sitting on the bed, and she was laughing too. "h!" I heard a slap. I looked up. Meg's hand was covering her breast and Woofer had his own hand up to his face where the redness was spreading and you could see he was going to cry. Willie and Donny stood away. "What the hell!" Donny was mad. It was fine if he belted Woofer but he didn't like it if anybody else did. "You bitch!" said Willie. He took an awkward open-handed swing at the top of her head. She moved easily out of its way. He didn't try again. "What'd you have to do that for?" 112 Jack Kekhum "You saw what he did!" "He didn't do nothin'." "He pinched me." "So what." Woofer was crying now. "I'm telling!" he howled. "Go ahead," said Meg. "You won't like it if I do," said Woofer. "I don't care wbat you do. I don't care what any of you do." She pushed Willie aside and walked between them past me down the hall into the liv- ing room. I heard the front door slam. "Little bitch," said Willie. He turned to Susan. "Your sister's a goddamn bitch." Susan said nothing. He moved toward her though and I saw her flinch. "You see that?" "I wasn't looking," I said. Woofer was sniveling. There was snot running all down his chin. "She hit me!" he yelled. Then he ran past me too. "I'm t e h g Ma," said Willie. "Yeah. Me too," said Donny. "She can't get away with that." "We were just foolin' around, for chrissakes." Donny nodded. "She really whacked him." "Well, Woofer touched her tit." "So what. He didn't mean to." "You could get a shiner like that." "He could still get one." "Bitch." There was all this nervous energy in the room. WE GIRL NEXT D O O R 113 Willie and Donny were pacing like pent-up bulls. Susan slid off the bed. Her braces made a sharp metallic clatter. "Where you going?" said Donny. "I want to see Meg," she said quietly. "Screw Meg. You stay here. You saw what she did, didn't you?" Susan nodded. "AU right then. You know she's gonna get pun- ished, right?" He sounded very reasonable, like an older brother explaining something very patiently to a not-too-bright sister. She nodded again. "So you want to side with her and get punished too? You want your privileges taken away?" "No." "Then you stay right here, okay?" "All right." "Right in this room." "All right." "Let's find Ma," he said to Willie. I followed them out of the bedroom through the dining room and out the back door. Ruth was around back of the garage, weeding her patch of tomatoes. The dress she wore was old and faded and much too big for her, cinched tight at the middle. The scoop neck hung open wide. She never wore a bra. I stood over her and I could see her breasts almost to the nipple, They were small and pale and they trembled as she worked. I kept glancing away, afraid she'd notice, but my eyes were like a compass needle and her breasts were due north. 114 Jack Ketchurn "Meg hit Woofer," said Willie. "She did?" She didn't seem concerned. She just kept weeding. "Slapped him," said Domy. "Why?" "We were just f o o h g around." "Everybody was tickling her," said Willie. "So she hauls off and clobbers him in the face. Just like that." She tugged out a patch of weeds. The breasts shook They had gooseflesh on them. I was fasci- nated. She looked at me and my eyes got to hers just in time. "You too, Davy?" "Huh?" "You tickling Meg too?" "No. I just came in." She smiled. "I'm not accusing you." She got to her knees and then stood up and pulled off the dirty work gloves. "Where's she now?" "Don't know," said Domy. "She ran out the door." "How about Susan?" "She's in the bedroom." "She saw all this?" "Yeah." u0by.77
She marched across the lawn toward the house
and we followed. At the porch she wiped her thin bony hands over her hips. She pulled off the scarf that bound her short brown hair and shook it free. THE G/RlNEXTDOOR 115 I figured I had maybe twenty minutes before my mother came home from shoppingso I went inside. We followed her into the bedroom. Susan sat right where we left her on the bed l o o h at a magazine, open to a picture of Liz and Eddie Fisher on one page facing across to Debbie Reynolds on the other. Eddie and Liz looked happy, smiling. Debbie looked sour. "Susan? Where's Meg?" "I don't know, ma'am. She left." Ruth sat down next to her on the bed. She pat- ted her hand. "Now I'm told you saw what happened here. That right?" "Yes, ma'am. Woofer touched Meg and Meg hit him." "Touched her?" Susan nodded and placed her hand over her skinny little chest like she was pledging allegiance to the flag. "Here," she said. Ruth just stared for a moment. Then she said, "And did you try to stop her?" "Stop Meg you mean?" "Yes. From hitting Ralphie." Susan looked bewildered. "I couldn't. It was too fast, Mrs. Chandler. Woofer touched her and then right away Meg hit him." "You should have tried, honey." She patted her hand again. "Meg's your sister.' "Yes, ma'am." "You hit somebody in the face and it can do all kinds of things. You could miss and break an 116 Jack Kskhum eardrum, poke out an eye. That's dangerous behav- ior." "Yes, Mrs. Chandler." "Rutk. I told you. Ruth." "Yes, Ruth." "And you know what it means to be in con- h c e with somebody who does that kind of %?" She shook her head. "It means you're gdty too,even though maybe you didn't do anytfung in particular. You're sort of a f&w traveler. You understand me?" "I don't know." Ruth sighed. "Let me eqlain to you. You love your sister, right?" Susan nodded. "And becszlse you love her, you'd forgive her somedung like this, wouldn't you? Like hitting Ral@e?" "She didn't mean to hurt him. She just got mad!" "Of course she did. So you'd forgive her, am I right?" "Uh-huh." Ruth smiled. "Well now you see that's just plain wrong, honey! That's just what puts you in con- nivance with her. What she did wasn't right, it's bad behavior, and you forgiving her just because you love her, that's not right either. You got to stop this sympathizid, Suzie. It doesn't matter that Meg's your sister. Right's right. You got to remem- ber that if you want to get along in life. Now you just slip aver the side of the bed here, pull up your dress and slide down your drawers." Susan stared at her. Wide-eyed, frozen. Ruth got off the bed. She unbuckled her belt. "C'mon, hod," she said. "It's for your own good. I got to teach you about connivance. You see, Meg's not here for her share. So you got to get it for both of you. Your share's for not saying,hey, cut that out, Meg-sister or no sister. RightTs right. Her share's for doing it in the first place. So you come on over here now. Don't make me drag you." Susan just stared. It was as though she d n ' t move. "Okay,"said Ruth. "Disobedience is another thing." She reached over and firmly-though not what you'd cali roughly-took Susan by the arm and slid her off the bed. Susan began to cry. The leg braces clattered. Ruth turned her around so she faced the bed and leaned her over. Then she pulled up the back of her frilled red dress and tucked it into her waistband. Willie snorted, laughng. Ruth shot him a look. She pulled down the little white cotton panties, down over the braces around her ankles. "We'll give you five for conniving, ten for Meg. And five for disobeying. Twenty." Susan was really crying now. I could hear her. I watched the stream of tears roll down across her cheek. I felt suddenly shamed and started to move back through the doorway. Some impulse from Donny told me that maybe he wanted to do the same. But Ruth must have seen us. "You stay put, boys. Girls just cry. There's noth- ing you can do about it. But this is for her own 118 Jack Ketchurn good and you being here's a - ~ a roft it and I want you to stay.." The belt was thin fabric, not leather. So maybe it wouldn't hurt too bad, I thought. She doubled it over and raised it above her head. It whistled down. Smack. Susan gasped and began crying in earnest, loudly. Her behind was as pale as Ruth's breasts had been, covered with a fine thin platinum down. And now it trembled too. I could see a red spot rise high on her left cheek near the dimple. I looked at Ruth as she raised the belt again. Her lips were pressed tight together. Otherwise she was expressionless, concentrating. The belt fell again and Susan howled. A third time and then a fourth, in rapid succes- sion. Her ass was splotchy red now. A fifth. She seemed to be almost gagging on mucus and tears, her breath coming in gulps. Ruth was swinging wider. We had to back away. I counted. Six. Seven. Eight, nine, ten. Susan's legs were twitching. Her knuckles white where she gripped the bedspread. I'd never heard such crying. Run,I thought. Jesus! I'd damn well run. But then of course she couldn't run. She might just as well have been chained there. And that made me think of The Game. Here was Ruth, I thought, playing The Game. THE GIRL N W DOOR 119 I'll be goddamned. And even though I winced every time the belt came down I just couldn't get over it. The idea was amazing to me. An adult. An &t was playing The Game. It wasn't the same ex- actly but it was close enough. And all of a sudden it didn't feel so forbidden anymore. The guilt seemed to fall away. But the excitement of it remained. I could feel my finger- nails dig deep into the palms of my hands. I kept count. Eleven. Twelve. Thirteen. There were tiny beads of perspiration across Ruth's upper lip and forehead. Her strokes were mechanical. Fourteen. Fzpeen. Her arm went up. Beneath the beltless, shapeless dress I could see her belly heave. Uw~~!79 Woofer slipped into the room between me and Donny. Sixteen. He was staring at Susan's red, twisted face. "Wow," he said again. And I knew he was thinking what I was thinking-what we all were thinking. Punishments were private. At my house they were at least. At everybody's house, as far as I knew. This wasn't punishment. This was The Game. Seventeen. Eighteen. Susan fell to the floor. Ruth bent over her. She was sobbing, her whole frail body twitching now, head buried between her arms, her knees drawn up as tight to her chest as the casts permitted. Ruth was breathing heavily She pulled up Su- 120 Jack Ketchum san's panties. She lifted her up and slid her back on the bed, lying her on her side and smoothing the dress down over her legs. "All right," she said softly. "That'll do. You just rest now. You owe me two." And then we all just stood a moment, listening to the muffled sobbing. I heard a car pull in next door. "Shit!" I said. "My mother!" I raced through the living room, out the door to the side of their house and peered through the hedges. My mother was pulled in all the way to the garage. She had the back of the station wagon open and was bent over lifting out bags marked A&P. I dashed across the driveway to our front door and ran up the stairs to my room. I opened a magazine. I heard the back door open. "David! Come on down here and help me with the groceries!" It slammed shut. I went out to the car. My mother was frowning. She handed me one bag after another. "The place was absolutely mobbed," she said. "What have you been doing?" "Nothing. Reading." As I turned to go back inside I saw Meg across the street from the Chandlers' standing by the trees in front of Zorns' house. She was staring at the Chandlers' and chewing on a blade of grass, looking thoughtful, as though she were trying to decide about something. She didn't seem to see me. THE GIRL NEXT D O O R I wondered what she knew. I took the bags inside.
Then later I went out to the garage to get the gar-
den hose and I saw them in the yard, just Meg and Susan, sitting in the tall splotchy grass beyond the birch tree. Meg was brushmg Susan's hair. Long smooth strokes of the brush that were firm and even but delicate too, as though the hair could bruise if you didn't get it right. Her other hand caressed it from below and under, strokmg with just the tips of the fingers, lifting it and letting it gently fall. Susan was smiling. Not a big smile but you could see her pleasure, how Meg was soothing her. And for a moment I realized how connected the two of them were, how alone and special in that connection. I almost envied them. I didn't disturb them. I found the garden hose. Coming out of the garage the breeze had shifted and I could hear Meg humming. It was very soft, like a lullaby. "Goodnight Irene." A song my mother used to sing on long nighttime car mps when I was little. Goodnight, Irene, goodnight, Irene, I'll see you in my dreams. I caught myself humming it all day. And every time I did I'd see Meg and Susan sitting in the grass together and feel the sun on my face and the stroke of the brush and the soft smooth hands. Chapter Eighteen "David, have you got any money?" I felt around in my pockets and came up with a crinkled dollar bill and thirty-five cents in change. We were walking over to the playground, Meg and I. There was going to be a game there in a little while. I had my left-handed fielder's mitt and an old black-taped ball. I showed her the money. "Would you loan it to me?" "Allof it?" "I'm hungry," she said. "Yeah?" "I want to go over to Cozy Snacks for a sand- wich." "For a sandwich?" I laughed. "Why doncha just steal a couple of candy bars? The counter's easy there." THE GIRL N r n DOOR I'd done it myself on plenty of occasions. Most of us did. The best was just to walk up to whatever you wanted and take it and then walk right out again. Nothing lrtive and no hesitations. The place was always busy. There was nothing to it. And nobody had any use for Mr. Holly, the old guy who ran the place, so there wasn't any guilt involved. But Meg just frowned. "I don't steal," she said. Well jeez, I thought, meet Miss Priss. I felt a little contempt for her. Everybody stole. It was part of being a kid. "Just loan me the money, will you?" she said. "I'll pay you back. I promise." I couldn't stay mad at her. "Okay. Sure," I said. I dumped it into her hand. "But what do you want a sandwich for? Make one at Ruth's." "I can't." "How come?" "I'm not supposed to." "Why? "I'm not supposed to eat yet." We crossed the street. I looked left and right and then I looked at her. She had that masked look. Like there was something she wasn't telling. Plus she was blushing. "I don't get it." Kenny and Eddie and Lou Marino were already on the diamond tossing a ball around. Denise was standing behind the backstop watching them. But nobody saw us yet. I could tell Meg wanted to go but I just stared at her. "Ruth says I'm fat," she said finally. 124 Jack Ketchurn I laughed. "Well?" she said. "Well what?* "Am I?" "What? Fat?" I knew she was serious but I still had to laugh. " 'Course not. She's kidding you." She turned abruptly. "Some joke," she said. "You just try going without dinner and breakfast and lunch for a day." Then she stopped and turned back to me. "Thanks," she said. And then she walked away. Chapter Nineteen The ball game dissolved about an hour after it started. By that time most of the kids on the block were there, not just Kenny and Eddie and Denise and Lou Morino but Willie, Donny, Tony Morino and even Glen Knott and Harry Gray, who showed up because Lou was playing. With the older kids there it was a good fast game-until Ed- die hit his hard line drive down the third-base line and started running. Everybody but Eddie knew it was foul. But there was no telling Eddie that. He rounded the bases while Kenny went to chase the ball. And then there was the usual argument. Fuck you and fuck you and no, fuckyuu. The only difference was that this time Eddie picked up his bat and went after Lou Morino. Lou was bigger and older than Eddie but Eddie 126 Jack Ketchum had the bat, and the upshot was that rather than risk a broken nose or a concussion, he stalked off the field in one direction mking Harry and Glen along with him while Eddie stalked off the other way. The rest of us played catch. That was what we were doing when Meg came by again. She dropped some change into my hand and I put it in my pocket. "I owe you eighty-five cents," she said. "Okay." I noticed that her hair was just a little oily, like she hadn't washed it that morning. She still looked nice though. "Want to do something?" she said. "What?" I looked around. I guess I was afraid the others would hear. "I don't know. Go down by the brook?" Donny threw me the ball. I pegged it at Willie. As usual he slumped after it too slowly and missed. "Never mind," said Meg. "You're too busy." She was irritated or hurt or somedung. She started to walk away. "No. Hey. Wait." I couldn't ask her to play. It was hardball and she had no glove. "Okay, sure. We'll go down to the brook. Hang on a minute." There was only one way to do this gracefully. I had to ask the others. "Hey guys! Want to go down to the brook? Catch some crayfish or something? It's hot here." THE GIRL NEXT D O O R 127 Actually the brook didn't sound bad to me. It was hot. "Sure. I'll go," said Donny. Willie shrugged and nodded. "Me too," said Denise. Great, I thought. Denise. Now all we need is Woofer. "I'm gonna go get some lunch," said Kenny. "Maybe I'll meet you down there." "Okay." Tony vacillated and then decided he was hungry too. So that left just us five. "Let's stop at the house," said Donny. "Get some jars for the crayfish and a Thermos of Kool-Aid." We went in through the back door and you could hear the waslung machine going in the basement. "Donny? That you?" "Yeah, Ma." He turned to Meg. "Get the Kool-Aid, will ya? I'll go down after the jars and see what she wants." I sat with Willie and Denise at the kitchen table. There were toast crumbs on it and I brushed them onto the floor. There was also an ashtray crammed with cigarette butts. I looked through the butts but there was nothing big enough to crib for later. Meg had the Thermos out and was carefully pouring lime Kool-Aid into it from Ruth's big pitcher when they came upstairs. Willie had two peanut butter jars and a stack of tin cans wirh him. Ruth was wiping her hands on her faded apron. She smiled at us and then looked over at Meg in the kitchen. "What are you doing?" she said. 128 Jack Ketchum "Just pouring out some Kool-Aid." She dug into the pocket of her apron and took out a pack of Tareytons and lit one. "Thought I said stay out of the kitchen." "Donny wanted some Kool-Aid. It was Donny's idea." "I don't care whose idea it was." She blew out some smoke and started coughing. It was a bad cough, right up from the lungs, and she couldn't even talk for a moment. "It's only Kool-Aid," said Meg. "I'm not eating." Ruth nodded. "Question is," she said, taking an- other drag of the cigarette, "question is, what did you sneak before I got here?" Meg finished pouring and put down the pitcher. "Nothing," she sighed. "I didn't sneak anythmg." Ruth nodded again. "Come here," she said. Meg just stood there. "I said come over here." She walked over. "Open your mouth and let me smell your breath." 'What?" Beside me Denise began to giggle. "Don't sass me. Open your mouth." "Ruth . . ." "Open it." "No!" "What's that? What'd you say?" "You don't have any right to . . ." "I got all the right in the world. Open it." "No! " "I said open it, liar." THE GIRL NWT DOOR 129 "I'm not a liar." "Well I h o w you're a slut so I guess you're a liar too. Open it!" "No." "Open your mouth!" "No!" "I'm telling you to." "I won't." "Oh yes you will. If I have to get these boys to pry it open you will." Willie snorted, laughing. Donny was still stand- ing in the doorway holding the cans and jars. He looked embarrassed. "Open your mouth, slut." That made Denise giggle again. Meg looked Ruth straight in the eye. She took a breath. And for a moment she suddenly managed an adult, almost stunning dignity. "I told you, Ruth," she said. "I said no." Even Denise shut up then. We were astonished. We'd never seen anydung like it before. Kids were powerless. Almost by definition. Kids were supposed to endare humiliation, or run away from it. If you protested, it had to be oblique. You ran into your room and slammed the door. You screamed and yelled. You brooded through dinner. You acted out-or broke things accidentally on purpose. You were sullen, silent. You screwed up in school. And that was about it. All the guns in your arsenal. But what you did not do was you did not stand up to an adult and say go fuck yourself in so 130 Jack Ketchurn many words. You did not simply stand there and calmly say no. We were still too young for that. So that now it was pretty amazing. Ruth smiled and stubbed out her cigarette in the cluttered ashtray. "I guess I'll go get Susan," she said. "I expect she's in her room." And then it was her turn to stare Meg down. It lasted a moment, the two of them facing off like gunfighters. Then Meg's composure shattered. "You leave my sister OW of this! You leave her alone!" Her hands were balled up into fists, white at the knuckles. And I knew &at she- knew, then, about the beating the other day I wondered if there had been other times, other beatings. But in a way we were relieved. This was more like it. More like what we were used to. Ruth just shrugged. "No need for you to get all upset about it, Meggy. I just want to ask her what she knows about you raiding the icebox in between meals. If you won't do what I ask, then I guess she'd be the one to know." "She wasn't even with us!'' "I'm sure she's heard you, honey. I'm sure the neighbors have heard you. Anyhow, sisters know, don't they? Sorta instinctive, really." She turned toward the bedroom. "Susan?" Meg reached out and grabbed her arm. And it was like she was a whole other girl now, scared, helpless, desperate. THE GIRL NEXT DOOR "God damn you!" she said. You knew right away it was a mistake. Ruth whirled and smacked her. "You touch me? You t w h me, dammit? You bold with me?" She slapped her again as Meg backed away, and again as she stumbled against the refrigerator, off balance, and fell to her knees. Ruth leaned over and gripped her jaw, pulling on it hard. "Now you open your goddamn mouth, you hear me? Or I'll kick the living shit out of you and your precious little sister! You hear me? Willie? Donny?" Willie got up and went to her. Donny looked confused. "Hold her." I felt frozen. Everydung was happening so fast. I was aware of Denise sitting next to me, goggle- eyed. "I said hold her." Willie got out of his seat and took her right arm and I guess Ruth was hurting her where she held tight to her jaw because she didn't resist. Donny put his jars and cans on the table and took hold of her left. Two of the cans rolled off the table and clattered to the floor. "Now open, tramp." And then Meg did fight, trying to get to her feet, bucking and rolling against them, but they had her tight. Willie was enjoying himself, that was obvious. But Donny looked grim. Ruth had both hands on her now, trying to pry her jaws apart. 132 Jack Ketchum Meg bit her. Ruth yelled and stumbled back. Meg squirmed to her feet. Willie twisted her arm behind her back and yanked it up. She yelled and doubled over and med to pull away, shaking her left arm hard to get it away from Donny in a kind of simultaneous panic and she almost made it, Donny's grip was uncertain enough, she almost got it free. Then Ruth stepped forward again. For an instant she just stood there, studying her, looking I guess for an opening. Then she balled up a fist and hit her in the stomach exactly the way a man would hit a man, and nearly as hard. What you heard was Like somebody punching a basketball. Meg fell, choking, and gasped for breath. Donny let her go. "Jesus!" whispered Denise beside me. Ruth stepped back. "You want to fighd" she said. "Okay. Fight." Meg shook her head. "You don't want to fight? No?" She shook her head. Willie looked at his mother. "Too bad," he said quietly. He still had her arm. And now he started twist- ing. She doubled over. "Willie's right," said Ruth. "It is too bad. Come on, Meg honey, fight. Fight him." Wfie twisted. She jumped with the pain and gasped and shook her head a third time. "Well I guess she just won't do it," said Ruth. "This girl don't want to do anything I say today." THE GlRL NU(T DOOR 133 She shook the hand Meg had bitten and exarn- ined it. From where I sat it was just a red spot. Meg hadn't broken the skin or anydung. "Let her go," said Ruth. He dropped her arm. Meg slumped forward. She was crying. I didn't like to watch. I glanced away. I saw Susan standing in the hall, holding on to the wall, looking frightened, staring around the corner. Eyes riveted on her sister. "I gotta go," I said in a voice that sounded strangely thick to me. "What about the brook?" said Willie. Sounding disappointed, the big ass. Like nothing had hap- pened at all. "Later," I said. "I gotta go now." I was aware of Ruth watching me. I got up. I didn't want to go by Meg for some reason. Instead I walked past Susan to the front door. She didn't seem to notice me. "David," said Ruth. Her voice was very calm. "Yes?" "This is what you'd call a domestic dispute," she said. "Just between us here. You saw what you saw. But it's nobody's business but ours. You know? You understand?" I hesitated, then nodded. "Good boy," she said. "I knew you were. I knew you'd understand." I walked outside. It was a hot, muggy day. Inside it had been cooler. 134 Jack Ketchum I walked back to the woods, cutting away from the path to the brook and into the deeper woods behind the Morino house. It was cooler there. It smelled of pine and earth. I kept seeing Meg slumped over, crying. And then I'd see her standing in front of Ruth looking her coolly in the eye saying I told you I said no. For some reason these alternated with remembering an argument with my mother earlier that week. You're just like your father, she'd said. I'd re- sponded furiously. Not nearly as well as Meg had. I'd lost it. I'd raged. I'd hated her. I thought about that now in a detached kind of way and then I thought about all this other stuff today. It had been an amazing morning. But it was as though everydung canceled everydung. I walked through the woods. I didn't feel a thing. Chapter Twenty You could get from my house to Cozy Snacks through the woods by crossing the brook at the Big Rock and then walking along the far bank past two old houses and a construction site, and I was coming home that way the next day with a Three Musketeers, some red licorice and some Fleer's Double Bubble-which, thinking of Meg, I'd ac- tually paid for-in a paper bag when I heard Meg scream. I knew it was her. It was just a scream. It could have been anybody's. But I knew. I got quiet. I moved along the bank. She was standing on the Big Rock. Willie and Woofer must have surprised her there with her hand in the water because her sleeve was rolled up and the brook water beaded her forearm and you 136 Jack Ketchum could see the long livid scar like a worm pulsing up through her skin. They were pelting her with the cans from the cellar, and Woofer's aim, at least, was good. But then Willie was aiming for the head. A harder target. He always went wide. While Woofer hit her first on her bare knee and then, when she turned, in the center of the back. She turned again and saw them pick up the glass peanut bumr jars. Woofer fired. Glass shattered at her feet, sprayed her legs. It would have hurt her bad to get hit with one of those. There was nowhere for her to go except into the brook. She couldn't have scaled the high bank beside me, at least not in time. So that was what she did. She went into the water. The brook was running fast that day and the bottom was covered with mossy stones. I saw her trip and fd almost immediately while another jar smashed on a rock nearby. She hauled herself up, gasping and wet to the shoulders, and aied to run. She got four steps and fell again. Willie and Woofer were howling, laughmg so hard they forgot to throw their jars any more. She got up and this time kept her footing and splashed downstream. When she turned the corner there was good heavy thicket to cover her. It was over. Amazingly nobody had seen me. They still didn't. I felt like a ghost. THE GIRL NEXT D O O R 137 I watched them gather up their few remaining cans and jars. Then they walked off laughing down the path to their house. I could hear them all the way, voices gradually fading. Assboks, I thought. There's glass all over now. We can't go wading. Not at least until it floods again. I crossed carefully across the Rock to the other side. Chapter Twenty-One Meg fought back on the Fourth of July. It was dusk, a warm night gracefully fading to dark, and there were hundreds of us out there on blankets in Memorial Field in front of the high school waiting for the fireworks to start. Donny and I sat with my parents-I'd invited him over for dinner that night-and they sat with their friends the Hendersons, who lived two blocks away. The Hendersons were Catholic and childless, which right away meant that something was wrong, though nobody seemed to know what it was exactly. Mr. Henderson was big and outdoorsy and given to plaid and corduroy, what you'd call a man's man, kind of fun. He raised beagles in his backyard and let us shoot his BB guns sometimes WE GfRL NEM D O O R 139 when we went over. Mrs. Henderson was thin, blond, pug-nosed, and pretty. Donny once said he couldn't see the problem. He'd have fucked her in a minute. From where we sat we could see Willie, Woofer, Meg, Susan and Ruth across the field sitting next to the Morino family. The entire town was there. If you could walk or drive or crawl, on the Fourth of July you came to the fireworks. Apart from the Memorial Day Parade it was our one big spectacle of the year. And pro forma the cops were there. Nobody re- ally expected any trouble. The town was still at that stage where everybody knew everybody, or knew somebody else who did. You went out and left your door open all day in case somebody came by and you weren't there. T h e cops were family friends, most of them. My dad knew them from the bar or from the VFW. Mostly they were just rnakmg sure that nobody threw cherry bombs too near the blankets. Stand- ing around waiting for the show like the rest of us. Domy and I listened to Mr. Henderson, who was talking about the beagles' new litter and drank iced tea from the Thermos and belched out pot roast fumes at one another, laughing. My mother always made pot roast with a lot of onions in it. It drove my father crazy but it was just the way we liked it. In half an hour we'd be farting. The public address system blared John Philip Sousa. - A quarter-moon was up over the high,school h & dim gray iq+t you d d see little lrids chasing each otlter through the crowd. People were lighting sparklers. Behind us a fuIl pa& of two-- went off like machine-gun fire. We decided to get some ice cream. The Good Humor truck was doing a bang-up business, kids wadmg in four deep. We gradually pnshed our way through without getting stepped on. I got a Brown Cow and Donny got a Fudge- side and we hauled ourselves back out @. Then we saw Meg by the side of the truck, talk- ing to Mr. Jennings. A d it supped us dead in our tracks. Because Mr. Jennings was also w e r jennings. He was a cop. And there was s0meth.qin the way she was act- ing, gesturing with her hands, leaning forward sort of into him, so that we knew right away what she was saying. It was scary, shockmg. We stood there rooted to the spot. Meg was teiling. Betraying Ruth. Betraying Donny and everybody. She was facing away from us. For a moment we just stared at her and then as if on cue we looked at one another. Then we went over. Eating our ice creams. Very c a d . We stood right beside her off to one side. Mr. Jemiqs glanced at us for a second but then looked off in the general diretion of Ruth and Willie and the others, and then, noddmg, listening carefully,looked attentively back to Meg. We worked studious1-y at the ice creams. We looked around. "Well;that's her right, I guess," he said. "No," said Meg. "You don't understand." But then we couldn't hear the rest of it. Mr. Jennings smiled and shrugged. He put a big freckled hand on her shoulder. "Listen," he said. "For all I know maybe your parents wouM've felt exactly the same. Who's to say? You've got to think of Miz Chandler as your mom now, don't you?" She shook her head. And then he became aware of us, I think, really aware of Donny and me and who we were for the first time and what we might mean in terms of the conversation they were having there. You could see his face change. But Meg was still tallung, arguing. He watched us over her shoulder; looked at us long and hard. Then he took her arm. "Let's walk," he said. I saw her glance nervously in Ruth's direction but it was getting hard to see by now, pretty much full dark with only the moon and stars and the oc- casional sparkler to see by, so there wasn't much chance that Ruth had noticed them together. From where I stood the crowd was already a shapeless mass Like scrub and cactus stud* a prairie. I knew where they were sitting but I couldn't make them out or my parents and the Hendersons either. 142 Jack Ketchum But you knew perfectly well why she was scared. I felt scared myself. What she was doing felt excit- ing and forbidden, exactly like trying to see her through the windows from the birch nee. Mr. Jennings turned his back to us and gently moved her away. "Shit" whispered Donny. I heard a whoosh. The sky exploded. Bright white puffballs popped and showered down. 0ooo0otw, went the crowd. And in the ghostly white light of the aftershock I looked at him. I saw confusion and worry. He had always been the relucmnt one with Meg. He still was now. "What are you going to do?" I asked him. He shook his head. "He won't believe her," he said. "He won't do netbin'. Cops mlk but they never do anything to you." It was like somedung Ruth had said to us once. Cops talk but they never do. He repeated it now as we walked back to our blankets like an article of faith. Like it had to be. Almost like a prayer. Chapter Twenty-Two The prowl car pulled in around eight the following evening- I saw Mr. Jennings walk up the steps and knock and Ruth let him in. Then I waited, watch- ing out my living room window. Something turn- ing over and over in my stomach. My parents were at a birthday party at the Knights of Columbus aad my sitter was Linda Cotton, eighteen and freckled and, I thought, cute, though n o w compared to Meg. At seventy-five cents an hour she couldn't have cared less what I was doing so long as it was quiet and didn't interfere with her watchrng The Adventures ofEUevy Queen on the TV. We had an agreement, Linda and I. I wouldn't tell about her boyfriend Steve coming over or the two of them ne- on the sofa all night and I could do pretty much whatever I wanted on condi- 144 J O C ~~etchum
tion that I was home in bed before my parents re-
turned. She knew I was getting too old for sitters anyhow. So I waited until the prowl car pulled away again and then I went next door. It was about quar- ter to nine. They were sitting in the living room and dining room. All of them. It was quiet and nobody moved and I got the feeling it had been that way for a long time. Everybody was staring at Meg. Even Susan was. I had the strangest feeling. Later, during the Sixties, I would realize what it was. I would open a letter from the Selective Ser- vice System and read the card inside that told me my status had now been changed to lk It was a sense of escalah'm. That the stakes were higher now.
I stood in the doorway. It was Ruth who acknowl-
edged me. "Hello, David," she said quietly. "Sit down. Join us." Then she sighed. "Somebody get me a beer, will you?* wdlie got up in the dining room and went into the kitchen, got a beer for her and one for himself, opened them and handed one to her. Then he sat dbwn again. Ruth lit a cigarette. . I looked at Meg sitting in a folding chair in front of the blank gray eye of the television. She looked scared but determined. I thought of Gary Cooper walking out onto the silent street at the end of Higb N m . "Well now," said Ruth. "Well now." She sipped the beer, smoked the cigarette. Woofer squirmed on the couch. I almost wried and went out again. Then Donny got up in the dinrng room. He walked over to Meg. He stood there in front of her. "You brought a cop here after my mom," he said. "After my motber." Meg looked up at him. Her face relaxed a little. It was Donny,after all. Reluctant Donny. "I'm sorry," she said. "I just had to be sure it wouldn't . . ." His hand shot up and slashed across her face. "Shut up! Shut up, ywF His hand was poised in front of her, ready, tremblmg. It looked like it was all he could do not to hit her again and a whole lot harder this time. She stared at him, aghast. "Sit down," Ruth said quietly. It was like he hadn't heard her. "Sit down!" He pulled himself away. His about-face was practically military. He stalked back into the din- ing room. Then there was a silence again. Finally Ruth leaned forward. "What I want to know is this. What did you think, Meggy? What went through your mind?" Meg didn't answer. 146 Jack Ketchum Ruth started coughing. That deep, hacking cough she had. Then she got control. "What I mean to say is, did you think he was gonna take you away or something? You and Su- san? Get you out of here? Well I'll tell you it's not gonna happen. He's not gonna take you anywhere, girly. Because he doesn't care to. If he'd cared to he'd have done it on the spot back at the fireworks and he didn't, did he? "So what's left? What'd you have in mind? "You think maybe I'd be scared of him?" Meg just sat there, arms folded, with that deter- mined look in her eyes. Ruth smiled, sipped her beer. And she looked determined too in her way. "Problem is," she said, "what do we do now? There's nothing about that man or any other man that scares me, Meggy. If you didn't know that be- fore, then I sure hope you know it now. But I can't have you running to the cops every ten, twenty minutes either. So the question is, what now? "I'd send you someplace if there was someplace to send you. Believe me I would. Damned if I need some stupid little whore out ruinin' my reputation. And God knows they don't pay me enough to bother trying to correct you. Hell, with what they pay it's a wonder I can even feed you!" She sighed. "I guess I got to think about this," she said. Then she got to her feet and walked into the kitchen. She opened the refrigerator. "You get to your room. Susie too. And stay there." She reached for a beer and then laughed. THE GIRL NEXT D O O R "Before Donny gets to thinking he might come over and s d you again." She opened the can of Budweiser. Meg took her sister's arm and led her into the bedroom. "You too, David," said Ruth. "You better get on home. Sorry. But I got some difficult thinking to do." "That's okay." "You want a Coke or something for the road?" I smiled. For the road. I was right next door. "No, that's okay." "Want me to sneak you a beer?" She had that old mischievous twinkle in her eye. The tension dissolved. I laughed. "That'd be cool." She tossed me one. I caught it. "Thanks," I said. "Don't mention it," she said and this time all of us laughed, because don't mention it was a code be- tween us. It was always what she said to us kids when she was letting us do something our parents wouldn't want us to do or let us do in our own houses. Don't mention it. "I won't," I said. I stuffed the can into my shirt and went outside. When I got back to my house Linda was curled up in front of the T V set watching Ed Byrnes comb his hair during the opening credits of 77 Sunset Sm@.She looked sort of glum. I guessed that Steve wasn't showing up tonight. " 'Night," I said and went up to my room. 148 Jack Ketchum I drank the beer and thought of Meg. I won- dered if I should try to help her somehow. There was a conflict here. I was still attracted to Meg and liked her but Donny and Ruth were much older friends. I wondered if she really even needed help- ing. Kids got slapped, after all. Kids got punched around. I wondered where this was going. What do we do now? said Ruth. I stared at Meg's watercolor on my wall and be- gan to wonder about that too. Chapter Twenty-Three What Ruth decided was that, from then on, Meg was never allowed to leave the house alone. Either she was with her, or Donny or Willie. Mostly she didn't leave at all. So that I never had a chance to ask Meg what she wanted done, if she wanted something done, never mind deciding whether I'd actually do it or not. It was out of my hands. Or so I thought. That was a relief to me. If I felt that anydung was lost-Meg's confi- dence, or even just her company-I was never all that aware of it. I knew that thmgs had taken a pretty unusual turn next door and I guess I was looking for some distance from it for a while, to sort things out for myself. So I saw less than usual of the Chandlers for the next few days and that was a relief too. I hung 1SO Jack ~ e k h u m around with Tony and Kenny and Denise and Cheryl, and even with Eddie now and then when it felt safe. The street was buzzing with news of what was happening over there. Sooner or later every con- versation came back to the Chandlers. What made it so incredible was that Meg had gotten the police involved. That was the revolutionary act, the one we couldn't get over. Could you imagine tuming in an adult-especially an adult who might just as well have been your mother-to the cops? It was practically unthinkable. Yet it was also fraught with potential. You could see Eddie in particular stewing over the idea. Day- dreaming about his father I guessed. A thoughtful Eddie was not something we were used to either. It added to the strangeness. But apart from the business with the cops, all anybody really knew-including me-was that people were getting punished a lot over there for seemingly little reason, but that was nothing new except that it was happening at the Chandlers', which we'd all considered safe haven. That and the fact that Willie and Donny were participating. But even that didn't strike us as too odd. We had The Game as precedent. No, mostly it was the cops. And it was Eddie who, after a while, had the final word on that subject. "Well, it didn't get her sbit though, did it," he said. Thoughtful Eddie. But it was true. And strangely enough, in the course of the week that followed our feelings slowly changed toward Meg as a result of that. THE GIRL NU(T DOOR 151 From admiration at the sheer all-or-nothing bold- ness of h e act, at the very concept of challenging Ruth's authority so completely and publicly, we drifted toward a kind of vague contempt for her. How could she be so dumb as to think a cop was going to side with a kid against an adult, anyway? How could she fail to realize it was only going to make things worse? How could she have been so naive, so trusting, so God-and-apple-pie stupid? 2% policeman i t yourfiend. Horseshit. None of us would have done it. We knew better. You could actually almost resent her for it. It was as though in failing with Mr. Jennings she had thrown in all our faces the very fact of just how powerless we were as kids. Being "just a kid" took on a whole new depth of meaning, of ominous threat, that maybe we knew was there all along but we'd never had to think about before. Shit, they could dump us in a river if they wanted to. We were just k d r . We were property. We belonged to our parents, body and soul. It meant we were doomed in the face of any real danger from the adult world and that meant hopelessness, and hu- miliation and anger. It was as though in failing herself Meg had failed us as well. So we turned that anger outward. Toward Meg. I did too. Over just that couple of days I flicked a slow mental switch. I stopped worrying. I turned off on her entirely. Fuck it, I thought. Let it go where it goes.' Chapter Twenty-Four Where it went was to the basement. Chapter Twenty-Five The day I finally did go over and knock on the door nobody answered, but standing on the porch I was aware of two things. One was Susan crying in her room loud enough to hear her through the screen. The other was downstairs. A scuffling. Furniture scraping roughly across the floor. Muf- fled voices. Grunts, groans. A whole rancid danger in the air. The shit, as they say, was hitting the fan. It's amazing to me now how eager I was to get down there. I took the stairs two at a time and turned the comer. I knew where they were.
At the doorway to the shelter Ruth stood watch-
ing. She smiled and moved aside to let me by. 156 Jack Ketchum "She tried to run away," she said. "But Willie stopped her." They were stopping her now all right, all of them, Willie and Woofer and Donny all together, going at her like a tackle dummy against the con- crete wall, taking turns, smashing into her stom- ach. She was already long past arguing about it. All you heard was the whoosh of breath as Donny hit her and drove her tightly folded arms into her belly. Her mouth was set, grim. A hard concentra- tion in her eyes. And for a moment she was the heroine again. Battling the odds. But just for a moment. Because suddenly it was clear to me again that all she could do was take it, powerless. And lose. And I remember thinking at least it's not me. If I wanted to I could even join them. For that moment, thinking that, I had power.
I've asked myself since, when did it happen? when
was I, yes, cmrmpted? and I keep coming back to ex- actly this moment, these thoughts. That sense of power. It didn't occur to me to consider that thls was only a power granted to me by Ruth, and perhaps only temporary. At the time it was quite real enough. As I watched, the distance between Meg and me seemed suddenly huge, insurmountable. It was not that my sympathies toward her stopped. But for the first time I saw her as essentially other than me. She was vulnerable. I wasn't. My position was favored here. Hers was as low as it could be. Was this inevitable, maybe? I remembered her ask- ing me, why do they hate me? and I didn't believe it then, I didn't have any answer for her. Had I missed something?Was there maybe some flaw in her I hadn't seen that predetermined all of this? For the first time I felt that maybe Meg's separa- tion from us might be justified. I wanted to feel it was justified. I say that now in deepest shame. Because it seems to me now that so much of this was strictly personal, part of the nature of the world as I saw it. I've tried to think that it was all the fault of my parents' warfare, of the cold blank calm I developed in the center of their constant hurricane. But I don't quite believe that anymore. I doubt I ever did entirely. My parents loved me, in many ways better than I deserved-however they felt about one another. And I knew that. For al- most anyone that would have been enough to eliminate any appetite for this whatsoever. No. The truth is that it was me. That I'd been waiting for this, or something like this, to happen all along. It was as though somedung starkly ele- mental were at my back, sweeping through me, re- leasing and becoming me, some wild black wind of my own making on that beautiful bright sunny day. And I ask myself: Whom did I hate? Whom and what did I fear? In the basement, with Ruth, I began to learn that anger, hate, fear and loneliness are all one but- ton awaiting the touch of just a single finger to set them blazing toward destruction. And I learned that they can taste like winning. 158 Jack Ketchum
I watched Willie step back. For once he didn't look
clumsy. His shoulder caught her squarely in the stomach, lifted her off her feet. I suppose her only hope was that one of them would miss and smash his head against the wall. But nobody was going to. She was tiring. There was nowhere to maneuver, nowhere to go. Noth- ing to do but take it till she fell. And that would be soon now. Woofer got a running start. She had to bend her knees in order not to take it in the groin. "Cry, goddarnmit!" Willie yelled. Like the oth- ers he was breathing hard. He turned to me. "She won't cry," he said. "She don't care," said Woofer. "She'll cry," said Willie. "I'll make her." "Too much pride," said Ruth behind me. "Pride goeth before a fall. You ought to all remember that. Pride falls." Donny rammed at her. Football was his game. Her head snapped back against the cinder block. Her arms fell open. The look in her eyes was glazed now. She slid a few inches down the wall. Then she stopped and held there. Ruth sighed. "That'll be enough for now, boys," she said. "You're not going to get her to cry. Not this time." She held out her arm, beckoning. "Come on." You could see they weren't done yet. But Ruth sounded bored and final. WE GlRL NEXl DOOR 159 Then Willie muttered something about stupid whores, and one by one they filed past us. I was last to leave. It was hard to take my eyes away. That this could happen. I watched her slide down the wall to squat on the cold concrete floor. I'm not sure she was ever aware of me. "Let's go," said Ruth. She closed the metal door and bolted it shut be- hind me. Meg was left in there in the dark. Behind the door to a meat locker. We went upstairs and poured some Cokes. Ruth got out cheddar cheese and crackers. We sat around the dining room table. I could still hear Susan crying in the bedroom, softer now. Then Willie got up and turned on the television and Tmth or C m e q m c e s came on and you couldn't hear her anymore. We watched for a while. Ruth had a women's magazine open in front of her on the table. She was smoking a Tareyton, flip- ping through the magazine, drinking from her Coke bottle. She came to a photo-a lipstick ad-and stopped. "I don't see it," she said. "The woman's ordi- nary. You see it?" She held up the magazine. Willie looked and shrugged and bit into a cracker. But I thought the woman was pretty. About Ruth's age, maybe a little younger, but p='=ml- Ruth shook her head. "I see her everywhere I look," she said, "I swear it. E v e t y u h . Name's Suzy Parker. Big model. And I just don't see it. A redhead. Maybe that's it. Men like the redheads. But hell, Meg's got red hair. And M&s hair's prettier than that, doncha think?" I looked at the picture again. I agreed with her. "I just don't see it," she said, frowning. "Meg's definitely prettier than that. A whole lot prettier." "Sure she is," said Doany. "World's mazy," said Ruth. "It just don't make any sense to me at all." She cut a slice of cheese and placed it on a cracker. Chapter Twenty-Six "Get your mom to let you sleep over at my house tonight," said Donny. "There's somethmg I want to talk to you abeut." We were standing at the bridge on Maple skim- ming stones down into the water. The brook was clear and sluggish. "What's wrong with talking now?" "Nothing." But he didn't say what was on his mind. I don't know why I resisted the idea of sleeping over. Maybe it was knowing I'd get more involved with them somehow. Or maybe it was just-that I knew what my mom would say-there were girls at the Chandlers' these days, and staying over there would not seem so clear-cut to her anymore. She should only know, I thought. "Willie wants to talk to you too," said Donny. 162 Jack Ketchum "WiUie does?" "Yeah." I laughed. The notion of Willie having some- thing on his mind worth actually speaking about. Actually it was intriguing. "Well in that case I guess I'll just have to, then, won't I,"I said. Donny laughed too, and skimmed a long one three skips down across the dappling bands of sunlight. Chapter Twenty-Seven My mother wasn't happy. "I don't think so," she said. "Mom, I sleep there all the time." "Not lately you don't" "You mean since Meg and Susan?" "That's right." "Look. It's no big deal. It's the same as before. The guys get the bunk beds and Meg and Susan are in Ruth's room." "Mrs. Chandler's room." "Right. Mrs. Chandler's room." "So where is Mrs. Chandler?" "On the couch. On the pullout in the living room. What's the big deal?" "You know what's the big deal." "No, I don't." "Yes you do." "No I dorz't." "What?" said my father, wallung into the kitchen from the living room. 'What big deal is that?" "He wants to stay over there again," said my mother. She was snapping green beans into a colander, "What? Over there?" "Yes." "So let him." He sat down at the kitchen table and opened up his newspaper. "Robert, there are two young girls there now." "So?" She sqghed. "Please," she said. "Please don't be dense, Robert." "Dense, hell," said my father. "Let him. Is there any coffee?" "Yes," she said. She sighed again and brushed her hands off on her apron. I got up and got to the coffeepot ahead of her and turned on the flame beneath it. She looked at me and then went back to the beans. "Thanks, Dad," I said. "I didn't say you could go," said my mother. I smiled. "You didn't say I couldn't, either." She looked at my father and shook her head. "Dammit, Robert," she said. "Right," said my father. And then he read his paper. Chapter Twenty-Eight "We told her about The Game," said Donny. "Who?" "Ruth. My mom. Who else, shit-for-brains?" Donny was alone in the kitchen when I came in, making a peanut butter sandwich that I guess was dinner that night, There were smears of peanut butter and grape jelly and bread crumbs on the counter.Just for fun I counted the sets of silverware in the drawer. There were still only five. "You toM her?" He nodded. "Woofer did." He took a bite of the sandwich and sat down at the dmng room table. I sat across from him. There was a half-inch cigarette burn in the wood I hadn't seen before. "Jesus. What'd she say?" "Nothin'. It was weird. It was like she hew, you know?" "Knew? Knew what?" "Everything. Like it was no sweat. Like she fig- ured we were doing it all along. Like every kid did." "You're kidding." "NO. I swear." "Bullshit." "I'm telling you. All she wanted to know was who was with us so I told her." "You told her? Me? Eddie? Evqbody?" "Like I said she didn't care. Hey. Would you please not blow your cool on this, Davy? It didn't bother her." "Denise? You told her about Denise too?" "Yeah. Everydung." "You said she was naked?" I couldn't believe it. I'd always thought that Willie was the stupid one. I watched him eat the sandwich. He smiled at me and shook his head. "I'm telling you. You don't have to worry about it," he said. “Danny." "Really." "Donny." "Yes, Davy." "Are you nw?" "No, Davy." "Do you realize for a goddarnn second what would happen to me if. . ." "Nodung's going to happen to you, for God's sake. Will you stop being such a friggin' queer about it? It's my mom, for God's sake. Remember?" THE GIRL NEXT DOOR 167 "Oh that makes me feel just fine. Your mom knows we tie naked little girls to trees. Great." He sighed. "David, if I'd known you were gonna be such an amazing retard about it I wouldn't of told you." "I'm the retard, right?" "Yeah." He was pissed now. He popped the last gooey corner of the sandwich into his mouth. He stood up. "Look, jerk. What do you think is going on in the shelter right now? Right this minute?" I just looked at him. How did I know? Who cared? Then it dawned on me. Meg was there. "No," I said. "Yes," he said. He went to the refrigerator for a Coke. "Bullshit." He laughed. "Will you stop saying bulkhit? Look, don't believe me. Go take a look. Hell, I just came up for a sandwich." I ran downstairs. I could hear him laughing be- hind me. It was getting dark outside so the basement lights were on, naked bulbs over the washeddryer and under the stairs and over the sump pump in the comer. Willie was standing behind Ruth at the door to the shel~er. They both had flashlights in their hands. Ruth lit hers and waved it at me once like a cop at a roadblock. "Here's Davy," she said. 168 Jack Ketchum Willie gave me a glance. Who gives a sbit. My mouth was open. It felt dry. I licked my lips. I nodded to Ruth and looked around the corner through the doorway. And it was hard to comprehend at first-I guess because maybe it was out of context, and probably because it was Meg, and definitely be- cause Ruth was there. It felt dreamlike-or like some game you play on Halloween when every- one is in costume and nobody's quite recogniza- ble themselves even though you know who they are. Then Donny came downstairs and slapped his hand down on my shodder. He offered me the Coke. "See?" he said. "I told you." I did see. They'd taken ten-penny nails and driven them into the beams Willie Sr. had lain along the ceiling-two nails, about three feet apart. They'd cut two lengths of clothesline and tied Meg's wrists and looped a line over each of the nails and then run the lines down to the legs of the heavy worktable, tying them off down there rather than up at the nail so that they could be ad- justed, tightened, just by untying each one and pulling it around the loop and then tying it tighter again. Meg was standing on a small pile of books- three thick red volumes of the World Book Ency- clopedia. She was gagged and blindfolded. Her feet were bare. Her shorts and short- sleeve blouse were dirty. In the space between the THE GIRL NEXT DOOR two, stretched out as she was, you could see her navel. Meg was an inny. Woofer paced around in front of her running the beam of his flashlight up and down her body. There was a bruise just under the blindfold on her left cheek. Susan sat on a carton of canned vegetables, watchmg. A blue strand of ribbon made a bow in her hair. Off in the comer I could see a pile of blankets and an air mattress. I realized Meg had been sleep- ing there. I wondered for how long. "We're all here," said Ruth. A dim amber light bled in from the rest of the basement but mostly it was just Woofer's beam in there and the shadows moved erratically along with him when he moved, making things look strange and fluid and ghostly. The wire mesh over the single high window seemed to shift back and forth by subtle inches. The two four-by-four wooden posts supporting the c e h g slid across the room at odd angles. The ax, pick, crowbar and shovel stacked in the corner opposite Meg's bed appeared to switch positions with one an- other, looming and shrinking as you watched, shapeshifting. The fallen fire extinguisher crawled across the floor. But it was Meg's own shadow that dominated the room-head back, arms wide apart, swaying. It was an image straight out of all our horror comics, out of The Black Cat with Lugosi and Karloff, out 170 Jack Ketchum of Famous Monsters of Filmland, out of every cheap twenty-five cent paperback historical thriller about the Inquisition ever written. Most of which I fig- ured we'd collected. It was easy to imagine torchlight, strange in- struments and processions, braziers full of hot coals. I shivered. Not at the chill but at rhe potential. "The Game is she's got to tell," said Woofer. "Okay. Tell what?" Ruth asked. "Tell anythmg. Something secret." Ruth nodded, smiling. "Sounds right. Only how's she going to do that with the gag on?" "You don't want her to tell right away, Mom," said Willie. "Anyway, you always know when they're ready." "You sure? You want to tell, Meggy?" said Ruth. "You ready?* "She's not ready," insisted Woofer. But he need- n't have bothered. Meg didn't make a sound. "So now what?" Ruth asked. Willie pushed off from the doorjamb where he was leaning and ambled into the room. "Now we take a book away," he said. He bent over, pulled out the middle one and stepped back. The ropes were tighter now. Willie and Woofer both had their flashlights on. Ruth's was still at her side, unlit. I could see some red around Meg's wrists from the pull of the ropes. Her back arched slightly. The short-sleeve shirt rode up. She was only just THE GIRL NUCT DOOR 171 able to stand with her feet down flat on the two re- maining books and I could already see the strain in her calves and thighs. She went up on her toes for a moment to take the pressure off her wrists and then sank down again. Willie switched off his flashlight. It was spookier that way. Meg just hung there, swaying slightly. "Confess," said Woofer. Then he laughed. "No. Don't," he said. "Do another book," said Donny. I glanced at Susan to see how she was taking this. She was sitting with her hands folded in the lap of her dress andher face looked very serious and she was staring intently at Meg but there was no way to read what she was tlmduq or feeling at all. Willie bent down and pulled out the book. She was up on the balls of her feet now. Still she made no sound. The muscles of her legs defined themselves sharply against her skin. "Let's see how long she can go like that," said Donny. "It's gonna hurt after a while." "Nah," said Woofer. "It's still too easy. Let's do the last one. Get 'er up on her tiptoes." "I want to watch her a while. See what happens." But the fact was that n o w was happening. Meg seemed determined to tough this out. And she was strong. "Don't you want to give her a chance to confess? Isn't that the idea?" asked Ruth. "Nah," said Woofer. "Still too soon. C'mon. 172 Jack Ketchum This is no good. Take the other book, Will." Willie did. And then Meg did make some kind of sound be- hind the gag, just once, a sort of tiny exhaled groan as all at once just breathing became harder. Her blouse pulled up to right beneath her breasts and I could see her belly rise and fall in an irregu- lar labored rhythm against her rib cage. Her head fell back for a moment and then came forward again. Her balance was precarious. She began to sway. Her face flushed. Her muscles strained with tension. We watched, silent. She was beautiful. The vocal sounds that accompanied her breath- ing were coming more frequently now as the strain increased. She couldn't help it. Her legs began to tremble. First the calves and then the thighs. A thin sheen of sweat formed over her ribs, glis- tened on her rhighs. "We should strip her," Donny said. The words just hung there for a moment, sus- pended as Meg was suspended, tipping a balance that was every bit as precarious. Suddenly it was me who felt dizzy. "Yeah," said Woofer. Meg had heard. She shook her head. There was indignation, anger and fear there. Sounds came from behind the gag. No. No. No. "Shut up," said Willie. She started trying to jump, pulling on the ropes, trying to throw them off the nails, squirming. But THE GIRL NEXT DOOR 173 all she was doing was hurting herself, chafing her wrists. She didn't seem to care. She wasn't going to let it happen. She kept trying. No. No. Willie walked over and thumped her on the head with the book. She slumped back, stunned. I looked at Susan. Her hands were still clasped together in her lap but the knuckles were white now. She looked directly at her sister, not at us. Her teeth were biting hard and steadily at her lower lip. I couldn't watch her. I cleared my throat and found something like a voice. "Hey, uh . . . guys. . .listen, I don't really think . . ." Woofer whirled on me. " screamed. "We do! I "We've got p e r m ~ 0 n . f he say we take off her clothes! I say strip her!" We looked at Ruth. She stood leaning in the doorway, her arms folded close into her belly. There was something keyed tight about her, like she was angry or doing some hard thmkmg. Her lips pressed together in a characteristic straight thin line. Her eyes never left Meg's body. Then finally she shrugged. "That's The Game, isn't it?" she said. Compared with the rest of the house and even 174 Jack Ketchum the basement it was cool down there but now, suddenly, it didn't feel cool. Instead there was a growing filmy closeness in the room, a sense of filling up, a thickening, a slow electric heat that seemed to rise from each of us filling and charg- ing the air, surrounding us, isolating us, yet some- how mingling us all together too. You could see it in the way Willie stood leaning forward, the World Book clutched in his hand. In the way Woofer edged closer, the beam of his flashlight less erratic now, lingering, caressing Meg's face, her legs, her stomach. I could feel it from Donny and Ruth beside me, seeping in and over and through me like some sweet poison, a quiet knowledge shared. We were going to do this. We were going to do this thing. Ruth lit a cigarette and threw the match on the floor. "Go ahead," she said. Her smoke curled into the shelter. "Who gets to do it?" said Woofer. "I do," said Donny. He stepped past me. Both Woofer and Willie had their flashlights on her now. I could see Donny dig into his pocket and bring out the pocketknife he always carried there. He turned to Ruth. "You care about the clothes, Ma?" he asked. She looked at him. "I won't have to do the shorts or anydung," he said. "But. . ." He was right. The only way he was going to get THE GIRL NEXT DOOR 175 the blouse off her was to rip or cut it off. "No," said Ruth. "I don't care." "Let's see what she's got," said Willie. Woofer laughed. Donny approached her, folding out the blade. "Don't start anydung," he said. "I won't hurt you. But if you start something we'll just have to hit you again. You know? It's stupid." He unbuttoned the blouse carefully, p u h g it away from her body as though shy of touching her. His face was red. His fingers were awkward. He was trembling. She started to struggle but then I guess thought better of it. Unbuttoned, the blouse hung shapeless over her. I could see she wore a white cotton bra under- neath. For some reason that surprised me. Ruth never wore a bra. I guess I'd assumed Meg wouldn't either. Donny reached over with the penknife and cut through the left sleeve up to the neckline. He had to saw through the seam. But he'd kept the blade sharp. The blouse fell away behind her. Meg began to cry. He walked over to the other side and cut through the right sleeve the same way. Then he jerked the seam apart, a quick tearing sound. Then he stepped back "Shorts," said Willlie. You could hear her crying softly and trying to say somethmg behind the gag. No. Pkbe. "Don't kick," said Donny. 176 Jack Ketchum The shorts zipped halfway down the side. He unzipped them and tugged them down over her hips, adjusting the thin white panties upward as he did so, then slid the shorn down over her legs to the floor. The leg muscles jerked and trembled. He stepped away from her again and looked at her. We all did. We'd seen Meg wearing just as little I suppose. She had a two-piece bathing suit. Everybody did that year. Even little kids. And we'd seen her wear- ing that. But this was different. A bra and panties were private and only other girls were supposed to see them and the only other girls in the room were Ruth and Susan. And Ruth was allowing this. En- couraging it. The thought was too large to consider for long. Besides, here was Meg right in front of us. In front of our very eyes. The senses overwhelmed all thought, all consideration. "You confess yet, Meggy?" Ruth's voice was soft. She shook her head yes. An enthusiasticyes. "No she don't," said Willie. "No way." A sheen of greasy sweat rolled off his flattop down across his forehead. He wiped it off. We all were sweating now. Meg most of all. Droplets glistened in her armpits, in her navel, across her belly. "00the rest," said Willie. "Then maybe we'll let her confess." Woofer giggled. "Right after we let her do the hoochykoo," he said. THE GlRL NEXT D O O R 177 Donny stepped forward. He cut the right strap of her bra and then the left. Meg's breasts slid up- ward slightly, straining free of the cups. He could have unsnapped it from the back then but instead he walked around in front of her. He slid the blade beneath the thin white band between the cups and started sawing. Meg was sobbing. It must have hurt to cry like that because every time her body moved the ropes were there, pulling at her. The knife was sharp but it took a little while. Then there was a tiny pop and the bra fell away. Her breasts were bare. They were whiter than the rest of her, pale and perfect and lovely. They shuddered with her cry- ing. The nipples were pinkish brown and-to me-starrlingly long, almost flat at the tips. Tiny plateaus of flesh. A form I'd never seen before and wanted instantly to touch. I'd stepped farther into the room. Ruth was completely behind me now. I could hear myself breathing. Donny knelt in front of her and reached up. For a moment it looked like adoration, like worship. Then his fingers hooked into the panties and drew them down over her hips, down her legs. He took his time. Then that was another shock. Meg's hair. A small tuft of pale blond-orange down in which droplets of sweat gleamed. I saw tiny freckles on her upper thighs. 178 ~ a c kKetchum I saw the small fold of flesh half hidden between her legs. I studied her. Her breasts. How would they feel to touch? Her flesh was unimaginable to me. The hair be- tween her legs. I knew it would be soft. Softer than mine. I wanted to touch her. Her body would be hot. It trembled uncontrollably. Her belly, her thighs, her strong pale white ass. The stew of sex ripened, thickened in me. The room reeked of sex. I felt a hard weight between my legs. I moved forward, fascinated. I stepped past Susan. I saw Woofer's face, pale and bloodless as he watched. I saw Willie's eyes riveted to that tuft of down. Meg had stopped crying now. I turned to glance at Ruth. And she'd moved forward too, was standmg inside the doorway now. I saw her left hand move against her right breast, the fingers gendy closing, and then fall away. Donny knelt beneath her, lookmg up. "Confess," he said. Her body began to spasm. I could smell her sweat She nodded. She had to nod. It was surrender. "Get the ropes," he said to Willie. Willie went to the table and untied the ropes, let out some slack until her feet came down flat on the bare cement floor, then tied them off again. Her head fell forward with relief. Donny stood up and removed the gag. I realized it was Ruth's yellow kerchief. Then she opened her THE GIRL NEXT DOOR mouth and he pulled out the rag they'd wadded up and stuffed in there. He threw the rag on the floor and put the kerchief in the back pocket of his jeans. A comer hung out slightly. For a moment he looked like a farmer. "Could you . . . ? My arms . . ." she said. "My shoulders . . . they hurt." "No," said Donny. "That's it. That's all you get." "Confess," said Woofer. "Tell us how you play with yourself," said Willie. "I bet you put your finger in, doncha?" "No. Tell us about the syph." Woofer laughed. "Yeah, the clap," said Willie, grinning. "Cry," said Woofer. "I already did cry," said Meg. And you could see she'd got a little bit of the old tough defiance back now that she wasn't hurting quite so much any- more. Woofer just shrugged. "So cry again," he said. Meg said nothing. I noticed that her nipples had gone softer now, a smooth silky-looking shiny pink. God! She was beautiful. It was as though she read my mind. "Is David here?" she said. Willie and Donny looked at me. I couldn't an- swer. "He's here," said Willie. "David.. ." she said. But then I guess she couldn't finish. She didn't need to, though. I knew by the way she said it. She didn't want me there. I knew why too. And knowing why shamed me 180 Jack Ketchurn just as she'd shamed me before. But I couldn't leave. The others were there. Besides, I didn't want to. I wanted to see. I needed to see. Shame looked square in the face of desire and looked away again. "And Susan?" "Yeah. Her too," said Donny, "Oh God." "Screw that," said Woofer. "Who cares about Susan?Where's the confession?" And now Meg sounded weary and adult. "Con- fession's stupid," she said. "There's no confession." It stopped us. "We could haul you right on up again," said Willie. "I know that." "We could whip you," said Woofer. Meg shook her head. "Please. Just leave me alone. Leave me be. There's no confession." And the thing was that nobody really expected that. For a moment we all just stood around waiting for somebody to say something, something that would convince her to play The Game the way it was supposed to be played. Or force her. Or maybe for Willie to haul her back again like he'd said. Anything that would keep it going further. But in just those few moments something was gone. To get it back we'd have to start all over again. I think we all knew it. The sweet heady feel- ing of danger had suddenly slipped away. It had gone as soon as she started talking. THE GfRL NEXT DoOl? 181 That was the key. Talking, it was Meg again. Not some beautiful naked victim, but Meg. A person with a mind, a voice to express her mind, and maybe even rights of her own. Taking the gag off was a mistake. It left us feeling sullen and angry and frustrated. So we stood there. It was Ruth who broke the silence. "We could do that," she said. "Do what?" asked Wdlie. "Do what she says. Leave her alone. Let her think about it awhile. That seems fine to me." We thought about it. "Yeah," said Woofer. "Leave her alone. In the dark. Just hanging there." It was one way, I thought, to start over. Willie shrugged. Donny looked at Meg. I could see he didn't want to leave. He looked at her hard. He raised his hand. Slowly, hesitantly, he moved it toward her breasts. And suddenly it was like I was part of him. I could feel my own hand there, the fingers nearly touching her. I could almost feel the slick moist heat of her skin. "Unh-unh," said Ruth. "No." Donny looked at her. Then he stopped. Just inches from her breast. I took a breath. "Don't you touch that girl," said Ruth. "I don't want any of you touching her." 182 Jack Ketchum He dropped his hand. "Girl like her," said Ruth, "isn't even clean. You keep your hands off her. You hear?" We heard. "Yeah, Ma," Donny said. She turned to go. She stomped out her cigarette butt on the floor and waved to us. "C'mon," she said. "But first you better gag her again." I looked at Donny, who was looking at the rag on the floor. "It's duty,"he said. "Not that d r y , " said Ruth. "I don't want her screaming at us all night. Put it in." Then she turned to Meg. "You want to think about one thing, girl," she said. "Well, two dungs exactly. First that it could be your little sister and not you hanging there. And second that I know some of the things you've done wrong. And I'm interested to hear them. So maybe this confessing isn't such a kid's game after all. I can hear it from the one of you or I can hear it from the other. You think about that," she said, and turned and walked away. We listened to her climb the stairs. Donny gagged her. He could have touched her then but he didn't. It was like Ruth was still in the room, watching. A presence that was a whole lot more than the lin- gering smell of her smoke in the air yet just as in- substantial. Like Ruth was a ghost who haunted us, her sons and me. Who'd haunt us forever if we pushed or disobeyed her. THE GIRL NEXT DOOR 183 And I think I realized then the sharp razor edge she'd honed to her permission. The show was Ruth's and Ruth's only. The Game was nonexistent. And by that reckoning it was not just Meg but all of us stripped and naked, hanging there. Chapter Twenty-Nine Lying in bed, we were haunted by Meg. We couldn't sleep. Time would pass in total silence in the warm dark and then somebody'd say something, how she looked when Willie took the last book away, what it must feel like to stand there so long with your hands tied over your head, whether it hurt, what it was like to &ally see a girl's naked body, and we'd talk about that a while until moments later we got quiet again as each of us wrapped himself up in his own little cocoon of thought and dreams. But there was only one object to these dreams. Meg. Meg as we'd left her. And finally we had to see her again. Donny'd no sooner suggested it than we saw the risks involved. Ruth had told us to leave her alone. THE GIRL NEXT DOOR 185 The house was small and sounds carried, and Ruth slept one thin door away, in Susan's room-as Szl- san lying awake like us? thinking of her sister?- directly above the shelter. If Ruth awoke and caught us the unthinkable might happen--she might exclude us all in the future. We already knew there'd be a future. But the images we remembered were too strong. It was almost as though we needed confirmation to believe we'd really been there. Meg's nudity and accessibility were like a siren's song. They ab- solutely beckoned. We had to risk it.
The night was moonless, black.
Donny and I climbed off the top bunks. Willie and Woofer slid out beneath. Ruth's door was closed. We tiptoed past. For once Woofer resisted the urge to giggle. Willie lifted one of the flashlights off the kitchen table and Donny eased open the cellar door. The stairs squeaked. There was nothing to do about it except pray and hope for luck. The shelter door squeaked too but not so badly. We opened it and went inside, standing barefoot on the cold concrete floor the same as she was- and there was Meg, exactly as we remembered as though no time at all had passed, exactly as we'd pictured her. Well, not quite. Her hands were white, splotched with red and 186 hck Kekhum blue. And even in the flashlight's thin uneven light you could see how pale her body was. She was all gooseflesh, nipples puckered up brown and tight. She heard us come in and made a soft whiny sound. "Quiet," wlnspered Donny. She obeyed. We watched her. It was like standing in front of some sort of s h e - o r like watching some strange exotic animal in a zoo. Like both at once.
And I wonder now if anythmg would have been
different had she not been so pretty, had her body not been young and healthy and strong but ugly, fat, flabby. Possibly not. Possibly it would have happened anyway. The inevitable punishment of the outsider. But it seems to me more likely that it was pre- cisely because she was beautiful and strong, and we were not, that Ruth and the rest of us had done this to her. To make a sort of judgment on that beauty, on what it meant and didn't mean to us.
"I bet she'd like some water," said Woofer.
She shook her head. Yo.Oh yes please. "If we give her water we got to take off the gag," said Willie. 8 .
"So what? She won't make noise."
He stepped forward. "You won't make any noise, will ya, Meg? We can't wake Mom." THE GIRL NUCT DOOR No. She shook her head firmly side to side. You could tell she wanted that water a lot. "You trust her?" Willie said. Donny shrugged. "If she makes any noise then she gets in trouble too. She's not stupid. So give it to her. Why not?" "I'll get it," said Woofer. There was a sink beside the washerldryer. Woofer turned it on and we could hear it lightly running behind us. He was being unusually quiet about it. Unusually nice, too, for Woofer. Willie untied the gag just as he'd done earlier and pulled the dirty wad of rag out of her mouth. She moaned and began to work her jaw side to side. Woofer came back with an old glass fruit jar full of water. "I found it by the paint cans," he said. "It don't smell too bad." Donny took it from him and tilted it to Meg's lips. She drank hungrily, making small glad noises in her throat every time she swallowed. She drained the jar in no time. "Oh God," she said. "Oh God. Thank you." And it was a weird feeling. Like everythlng was forgiven. Like she was really grazef;cIto us. It was amazing in a way. That just one jar of wa- ter could do that. I thought again how helpless she was. And I wondered if the others were f e e 4 what I was feeling-this overwhelming, almost dizzying need to touch her. To put my hands on her. To see 188 Jack Ketchurn exactly what shefeEt like. Breasts, buttocks, thighs. That Mond-red curly tuft between her legs. Exactly what we weren't supposed to do. It nmde me feel like fainting. The push and pull. It was that strong. "Want some more?" said Woofer. "Could I? Please?" He ran out to the sink and then back again with another jarful. He gave it to Donny and she drank that too. "Thanks. Thank you." She licked her bps. They were chapped, dry, split in places. "Do you. . .do you think you could. . . ? The ropes . . .they hurt me a lot." And you could see they did. Even though her feet were flat on the floor she was still stretched tight. Willie looked at Donny. Then they both looked back at me. I felt confused for a moment. Why should they care what I thought? It was like there was some- thing they were looking for from me and they weren't sure that they'd find it. Anyway, I nodded. "I guess we could," said Donny. "A little. On one condition though." "Anydung.What?" "You have to promise not tb fight." "Fight?" "You have to not to make any noise or an* and you have to promise not to fight and not to tell anybody later on. TeU anybody aWw." THE GIRL NEXT DOOR 189 "Tell what?" "That we touched you." And there it was. It was what we'd all been dreaming about in that bedroom upstairs. I shouldn't have been surprised. But I was. I could hardly breathe. I felt like every- body in the room could hear my heartbeat. "Touched me?" said Meg. Donny blushed deeply. "You know." "Oh my God," she said. She shook her head. "Oh Jesus. Come on." She sighed. Then thought for a moment. "No," she said. "We wouldn't hurt you or anything," said rust D O ~ Y . touch." "No." Like she'd weighed and considered it and simply couldn't see her way clear to do that no matter what happened and that was her find say on the matter. "Honest. We wouldn't." "No. You're not doing that to me. Any of you." She was mad now. But so was Donny. "We could do it to you anyway, jerk-of. Who's gonna stop us?" "I am." "How?" "Well you'll only do it to me once goddamn you, and only one of you. Because I won't just tell. I'll scream." And there wasn't any question but that she meant it. She'd scream. She didn't care. She had us. "Okay," said Donny. "Fine. Then we leave the 1% Jack Ketchum - ropes the way they are. We put the gag back on and that's that." You could see she was close to tears. But she wasn't giving in to him. Not on this. Her voice was bitter. "All right," she said. "Gag me. Do it. Leave. Get out of here!" "We will." He nodded to Willie and Willie stepped for- ward with the rag and scarf. "Open up," he said. For a moment she hesitated. Then she opened her mouth. He put the rag in and tied the scarf around it. He tied it tighter than he had to, tighter than before. "We still got a deal," said Donny. "You got some water. But we were never here. You under- stand me?" She nodded. It was hard to be naked and hang- ing there and proud at the same time but she man- aged it. You couldn't help admiring her. "Good," he said. He turned to leave. I had an idea. I reached out and touched his arm as he passed and stopped him. "Donny?" "Yeah?" "Look.Let's give her some slack.Just a little. All we have to do is push the workxable up an inch or two. Ruth won't notice. I mean, look at her. You want to dislocate a shoulder or something? Morn- ing's a long way off, you h o w what I mean?" I said this in a voice loud enough so that she could hear. He shrugged. W e gave her a choice. She wasn't interested." "I know that," I said. And here I leaned forward and smiled at him and whispered. "But she might be gratef;unI said. "You know? She might remem- ber. Next time."
We pushed the table.
Actually we sort of lifted and pushed it so as not to make much noise and with the three of us and Woofer it wasn't too hard. And when we were done she had maybe an inch of slack, just enough to give her a bend at the elbow. It was more than she'd had in a very long while. "See you," I whispered as I closed the door. And in the dark I think she nodded. I was a conspirator now, I thought. In two ways. On both sides. I was worlung both sides from the middle. What a great idea. I was proud of myself. I felt smart and virtuous and excited. I'd helped her. One day would come the payoff. One day, I knew, she'd let me touch her. It would come to that. Maybe not the others-but me. She'd let me. So "See you, Meg," I whispered. Like she'd thank me. I was out of my mind. I was crazy. Chapter Thirty In the morning we came down and Ruth had un- tied her and brought her a change of clothes along with a cup of hot tea and some unbuttered white toast and she was clnnkmg and eating that sitting cross-legged on the air mattress when we arrived. Clothed, freed, with the gag and blindfold gone, there wasn't much mystery left in her. She looked pale, haggard. Tired and distinctly grumpy. It was hard to remember the proud Meg or the suffering Meg of the day before. You could see she was having trouble swallowing. Ruth stood over her acting like a mother. "Eat your toast," she said. Meg looked up at her and then down at the pa- per plate in her lap. We could hear the television upstairs-some game show. Willie shuffled his feet. It was rainingoutside and we dhear that too. She took a bite of the crust and then chewed forever until it must have been as thin as spit be- fore swallowing. Ruth sighed. It was as though wa- Meg chew was this great big mal for her. She put her hands on her hips and with her legs apart she looked like George Reeves in the opening credits of Superman. "Go on. Have some more," she said. Meg shook her head. "It's too.. .I can't. My mouth is so dry. Could I just wait? Have it later? I'll drink the tea." "I'm not wasting food, Meg. Rood's expensive. I ma& that toast for you." "I . . .I know. Only . . ." "What do you want me to do? Throw it ou*?" "No. Couldn't you just leave it here? 1'11 have it in a while." "It'll be hard by then. You should eat it now. While it's fresh. It'll bring bugs. Roaches. Ants. I'm not having bugs in my house." Which was kind of funny because there already were a couple of flies buzzing around in there. "I'll eat it red soon, Ruth. I promise." Ruth seemed to think about i t She adjusted her stance, brought her feet together, folded her arms across her breasts. "Meg honey," she said, "I want you to try to eat it now. It's good for you." "I know it is. Only it's hard for me now. I'll drink the tea, okay?" She raised the mug to h& lips. 194 lack Ketchum "It's not supposed to be easy," said Ruth. "No- body said it was easy." She laughed. "You're a woman, Meg. That's hard-not easy." Meg looked up at her and nodded and drank steadily at the tea. Donny and Woofer and Willie and I stood in our pajamas and watched from the doorway. I was gettine; a little hungry myself. But neither Ruth nor Meg had acknowledged us. Ruth watched her and Meg kept her eyes on Ruth and drank, small careful sips because the tea was still steamy hot, and we could hear the wind and rain outside and then the sump pump kicking in for a while and stopping, and still Meg drank and Ruth just stared. And then Meg looked down for a moment, breathing in the warm fragrant steam from the tea, enjoying it. And Ruth exploded. She whacked the mug from her hands. It shat- tered against the whitewashed cinder-block wall. Tea running down, the color of urine. "Eat it!" She stabbed her finger at the toast. It had slipped halfway off the paper plate. Meg held up her hands. "Okay! All right! I will! I'll eat it right away! All right?" Ruth leaned down to her so that they were al- most nose to nose and Meg couldn't have taken a bite then if she'd wanted to-not without pushing the toast up into Ruth's face. Which wouldn't have been a good idea. Because Ruth was burning mad.