Meter in Poetry
Meter in Poetry
Meter in Poetry
Meter is a unit of rhythm in poetry, the pattern of the beats. It is also called a foot. Each foot has
a certain number of syllables in it, usually two or three syllables. The difference in types of meter
is which syllables are accented or stressed and which are not.
That time / of year / thou mayst / in me / be hold - William Shakespeare's "Sonnet 73"
Shall I /com pare /thee to / a sum / mer's day? - William Shakespeare's "Sonnet 18"
Come live / with me / and be / my love
And we / will all / the plea / sures prove - Christopher Marlowe's "The Passionate
Shepherd to His Love"
All I / could see / from where / I stood / Was three / long moun / tains and / a wood; -
Edna St. Vincent Millay's "Renascence"
To swell / the gourd, / and plump / the ha / zel shells - John Keats' "To Autumn"
His eyes are / as green as / a fresh pick / led toad - Harry's valentine from Harry Potter
From the cen / tre all round / to the sea,
I am lord / of the fowl / and the brute. - Will Cowper's "Verses Supposed To Be Written
By Alexander Selkirk, During His Solitary Abode In The Island Of San Fernandez"
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With / swift, slow; / sweet, sour; / adazzle, dim; - Gerald Manley Hopkins "Pied Beauty"
Break, break, / break
On thy cold gray / stones, / O Sea! - Alfred, Lord Tennyson "Break, Break, Break"
Slow, slow, / fresh fount, / keep time / with my / salt tears; - Ben Johnson "Slow, Slow,
Fresh Fount"
As yet but knock, / breathe, shine, / and seek to mend; - John Donne "Holy Sonnet XIV"
Given that spondee provides irregular feet to the poetry, it's commonly only used in areas of a
poem.
Since pyrrhic meter creates monotony, it's typically used in parts of poetry rather than the entire
poem.