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    Reading Material For Afrika Solo

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    Celia M Ayala Lugo
    This document provides a list of references related to the themes of: [1] identity politics for African Caribbean communities and performing cultural and racial marginality; [2] spatiality and temporality in performance spaces; and [3] critiques of history and cultural studies through performance. The references cited include journal articles, book chapters, and online sources that discuss topics like: genealogical return and performance as agency; recovering politics of imagined co-belonging; multimodal discourse analysis; myth performance; African theatre ritual and orality; alternative theater and performance spaces; and postcolonial space in Caribbean women's theatre.

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    © All Rights Reserved
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    Reading Material For Afrika Solo

    Uploaded by

    Celia M Ayala Lugo
    130 views2 pages
    This document provides a list of references related to the themes of: [1] identity politics for African Caribbean communities and performing cultural and racial marginality; [2] spatiality and temporality in performance spaces; and [3] critiques of history and cultural studies through performance. The references cited include journal articles, book chapters, and online sources that discuss topics like: genealogical return and performance as agency; recovering politics of imagined co-belonging; multimodal discourse analysis; myth performance; African theatre ritual and orality; alternative theater and performance spaces; and postcolonial space in Caribbean women's theatre.

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    Reading Material for Afrika Solo

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    This document provides a list of references related to the themes of: [1] identity politics for African Caribbean communities and performing cultural and racial marginality; [2] spatiality and temporality in performance spaces; and [3] critiques of history and cultural studies through performance. The references cited include journal articles, book chapters, and online sources that discuss topics like: genealogical return and performance as agency; recovering politics of imagined co-belonging; multimodal discourse analysis; myth performance; African theatre ritual and orality; alternative theater and performance spaces; and postcolonial space in Caribbean women's theatre.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    130 views2 pages

    Reading Material For Afrika Solo

    Uploaded by

    Celia M Ayala Lugo
    This document provides a list of references related to the themes of: [1] identity politics for African Caribbean communities and performing cultural and racial marginality; [2] spatiality and temporality in performance spaces; and [3] critiques of history and cultural studies through performance. The references cited include journal articles, book chapters, and online sources that discuss topics like: genealogical return and performance as agency; recovering politics of imagined co-belonging; multimodal discourse analysis; myth performance; African theatre ritual and orality; alternative theater and performance spaces; and postcolonial space in Caribbean women's theatre.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    2

    Read some of these articles for Afrika, Solo. Issues:

    Spatiality and temporality in performance spaces; identity politics for African Caribbean

    Canadian female search for identity; performing cultural and racial marginality as

    empowering poetic in diasporic (dis)locations; cultural mestizaje and appropriation; Africa

    in African Caribbean imaginaries; critique of history and cultural studies; the framing

    identity through the power of performance in enclosed public spaces; what is Afrika to me?

    Some Bibliography.

    Balogun, L. (2018). Mythological recuperation and performance as agency for genealogical

    return in Djanet Sears’s Afrika Solo. Genealogy. 2, 14. doi: 10.3390/genealogy2020014

    Donell, A. 'The African presence in Caribbean Literature" revisited: Recovering the politics of

    imagined co-belonging 1930-2005. Research in African Literatures. 46, 4. 35-55.

    Kress, G. (2012). Multimodal discourse analysis. In Gee, J. P. & Handford, M. (Eds.), The

    Routledge Handbook of Discourse Analysis. (587-603). New York, NY: Routledge

    Kuwabong, Dannabang. (2014). Introduction. Ritual Journeys, Dancing Histories, Enacting

    Bodies and Spirits” to Myth Performance in African Diaspora Drama: myth, history, dance.

    New York: Scarecrow Press, pp. (1-12)

    Roach, J. (1996). Cities of the Dead: circum-Atlantic performance. Arac, J. (Ed.) Columbia

    University Press Books. New York.

    Olsen, Christopher. (2014). “Of Princesses and Queens: The Mythical Journeys Home in Djanet

    Sears’ Afrika Solo and Rebecca Fisheha’s Wise Woman” Myth Performance in African Diaspora

    Drama: myth, history, dance. New York: Scarecrow Press, pp.137-150.

    Glissant, Edouard (1998). Poetics of Relation.


    Henry Louis Gates Jr., Wonders of the African World (Video Series in the Screening Room).
    Okagbue, Osita. Culture and Identity in African and Caribbean Theatre, chapter 2.
    2

    Ousmane Diakhaté and Hansel Ndumbe Eyoh (2017). “The Roots of African Theatre Ritual and
    Orality in the Pre-Colonial Period.” http://www.critical-stages.org/15/the-roots-of-
    african-theatre-ritual-and-orality-in-the-pre-colonial-period/
    Nkululeko Sibanda (2019). “Conceptualizing Alternative Theater and Alternative Performance
    Space in Postindependence Zimbabwe.”
    https://journals.sagepub.com/doi/full/10.1177/2158244019846699
    Petropoulos, J. (2006). “Performing African Canadian Identity: Diasporic Reinvention in "Afrika
    Solo". Feminist Review, (84), 104-123. Retrieved from www.jstor.org/stable/30232742
    Vanessa Lee. “Postcolonial Space in French Caribbean Women’s Theatre.” (2016).
    https://www.academia.edu/37860125/Postcolonial_Space_in_French_Caribbean_WomenTheatr
    e.

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