AWD IntroToWine FacilitatorGuide
AWD IntroToWine FacilitatorGuide
AWD IntroToWine FacilitatorGuide
TO WINE
FA C I L I TAT O R G U I D E
AUSTRALIAN
WINE
DISCOVERED
EDUCATION PROGRAM
WE’LL
- What wine is
- Regional influences
on grape growing
- How wine is made
- How to taste
- Different wine styles
and varieties
- Australia’s best-known
COVER…
wine regions
- How to serve and enjoy
- Wine faults and how
to identify them
VIDEO
FUN FACT
Now is a great time to play the
Introduction to wine loop video in the ABOUT 600-800 GRAPES GO
background, as you welcome people. INTO MAKING JUST ONE
BOTTLE OF WINE.
1 DIURNAL
TEMPERATURE RANGE 6 WATER
QUALITY
2 HOURS OF SUNSHINE
7 SOIL
3 CLIMATE
8 TOPOGRAPHY
4 WEATHER PATTERNS
9 PROXIMITY TO
BODIES OF WATER
5 RAINFALL
10 MICROBES PRESENT
IN THE REGION
A D VA N C E D
KEY FACTORS INFLUENCING NOTES
GRAPE GROWING Australia’s terroir is incredibly diverse
How these regional factors interplay has and spans 65 wine regions, from the
a significant impact on the quality and Mediterranean climate of McLaren
characteristics of the grapes. This explains Vale to the cooler climates of
why grapes from different regions and even Tasmania and parts of Victoria, and
specific sites within regions have a signature from the low humidity of the Barossa
style and taste. This is what’s referred to as Valley to the warm-to-hot climate and
“terroir” or “regionality”. moist soils of the Hunter Valley. This
diversity allows Australian winemakers
to produce nearly every major wine
variety while ensuring each wine has
a strong sense of place.
5. MALOLACTIC
FERMENTATION
VIDEO
FROM VINE TO WINE:
HOW WINE IS MADE FEATURE VIDEO
In its simplest form, wine doesn’t require Now is a good time to play the feature
much at all. It is simply fermented grape video – How is red wine made?.
juice – and fermentation is a natural Alternatively you can play the feature
process that occurs with or without human video – How is white wine made?. As
intervention. these videos are very similar, it’s not
What makes wine complex – and extremely necessarily to play both.
enjoyable – is the potential to influence the
winemaking process in many ways, and this
is what gives us all different kinds and styles RED WINE
of wine. The fact is, you can technically Harvest
make wine by letting a pile of grapes The grapes are either cut from the vine by a
ferment in a bucket or your bathtub. But it machine or by hand with shears. They need
probably won’t be wine you want to drink! to be harvested at just the right time and
The process is slightly different for red optimum ripeness – you can’t make a good
and white wines, and, of course, the exact wine from bad grapes.
process and techniques vary across wineries
and winemakers. What follows is an De-stemming and crushing
overview of the basic winemaking steps The grapes are usually separated from their
for red and white wine. stems and leaves, often by a de-stemmer,
before they are crushed to get their juices
flowing. Methods for crushing range
WHITE WINE
Harvest Fermentation
The major difference between white and red
De-stemming and crushing wine is that the juice is fermented without
Grape stems add extra tannin structure that the grape skins when making white wine.
is unwanted in white wines, so the stems are White wine is generally fermented at lower
removed before crushing. temperatures than red wine, to preserve its
fresh, fruity flavours, and can be done in
stainless steel or oak barrels. During primary
Pressing
fermentation, yeast converts the sugars
Once crushed, the grapes are pressed,
into alcohol. A secondary fermentation,
separating juice from skins, before
malolactic fermentation, is optional,
fermentation.
allowing the winemaker to either preserve
the racy malic acid (such as in Riesling), or
Settling convert it to softer, creamer lactic acid (such
This is the optional process of clarifying juice as in many Chardonnays).
after pressing. Solids that remain in the juice
after pressing potentially lead to harsh, bitter
Stabilisation
characteristics in the final wine. It should
Nearly all white wine needs to be stabilised,
be noted that these solids can, in the right
and most goes through cold stabilisation,
circumstances, add character and structure
where the wine is kept at a consistently low
to certain wines e.g. skin contact white and
temperature for several days to remove acid
“orange wine” styles.
tartrates.
Maturation
Like red wine, white wine can be matured in
oak or stainless steel, but is generally aged for
less time.
Bottling
D I D YO U K N O W
How a winemaker ages wine depends on the kind of wine they want to create.
Some of the questions they need to ask include:
– Ageing in oak barrels or stainless steel?
– If ageing in oak, will they use new oak (which releases more oak flavours and tannin)
or used barrels? French oak or American oak?
– How long will the wine age for? It could be anywhere from a few months to several
years. Some whites can be bottled after just three months, while many dry reds
can be aged for 12–24 months.
A D VA N C E D
NOTES
THE OAK EFFECT
Ageing in oak affects the colour, flavour, tannins and texture of a wine. Wines can either
be barrel-fermented in oak or moved to oak after fermentation for maturing or ageing.
Does oak make wine taste better? This is open to interpretation, but most of the world’s
most expensive wines are oak-aged in some way. It’s important to note that new oak
adds greater aroma and flavour from the oak, whereas older oak imparts little flavour
and tannin.
There are two main types of oak used in winemaking:
French oak: Most popular for ageing premium wines, it tends to impart more subtle
flavours and aromas due to its tighter grains, and gives wines a silky, cedary or
satiny mouthfeel.
American oak: With its looser grains, American oak adds more flavour to the wine, often
coconut and vanilla, and gives it a creamy mouthfeel.
HOW TO 1. Look
01
XXXX
- Errit huctum satem mo.
- Conventi culicastam muliis
huituam iaecuper.
- Bi erridet huctum satem mo.
1. LOOK
Your glass should be about one-third full.
Hold it at a 45-degree angle (ideally against
a white background) and observe the colour
of the wine. This will give you clues about
the wine’s style, body and character. If it’s
a red, is it deep garnet or light magenta? If
it’s a white, is it pale lemon, buttery or deep
golden? Colour can also reflect the age of
the wine. Generally, white wine deepens in
colour as it ages while red wine gets paler.
2
W i ne
l eg s
SWIRL
2. SWIRL
Give the glass a swirl while holding it firmly
on a flat surface. This spreads and aerates
the wine, releasing its aromas. After you
swirl, see if the wine has ‘legs’ or ‘tears’
running down the sides of the glass. A wine
with lots of legs has higher alcohol and
glycerine content, which generally means
it’s a bigger, riper, more mouth-filling wine
than one with fewer legs.
3. SMELL
Smell is the most important sense. While
humans can only taste five flavour
sensations (sweet, sour, bitter, salty and
umami), we can identify thousands of
different odours. So a good sniff of your wine
will reveal more complexity than if you jump
straight into tasting. In fact, experienced
tasters can find out almost everything about
a wine by smelling it.
Experts develop their own unique way of
smelling wine: some put their nose right in
the glass and inhale deeply, while others
hover their nose over the top and take a
series of quick, short sniffs. You might like
to experiment and find a technique you
like best.
WINE
AROMAS
PRIMARY
AROMAS
Fruit, herbs,
florals
SECONDARY TERTIARY
AROMAS AROMAS
Bready, yeasty,
Earth, mineral,
toast, vanilla,
leather, tobacco
chocolate, spice
4. TASTE
It’s time to confirm what you’ve hopefully
already smelled and to find out more about
the wine, including structure – that is the
level of alcohol and acidity, the tannin and
the finish. Take a small sip and breathe in
gently to draw the aromas into both your
mouth and nasal passages in the back of
your throat.
There are five main elements to take note of
when you taste:
– Sweetness/dryness.
– Acidity.
– Tannin.
– Alcohol.
– Body.
SWEETNESS/DRYNESS
First notice the taste structure: is it sweet,
sour, bitter? Sweetness in wine isn’t like the
artificial flavour you get from something like
chocolate – it’s more of a natural sweetness
derived from the grapes. Dryness is simply
the opposite of sweet, meaning the wine
has no residual sugar. However you can still
taste fruit in a dry wine. Most wines are dry
or off-dry.
What it feels like:
A light tingling sensation on the tip of your
tongue and a slightly oily sensation on the
middle of your tongue. You’ll also notice
sweetness on the finish of a sweeter wine.
A bone-dry wine can feel as though it’s
drawing moisture from your tongue. Be
careful though: a dry wine can sometimes
be confused with having high tannin.
Comparison:
The natural sweetness of fruit juice.
– Green apple
SWEET WHITE
– Figs
– Herbs
DRY WHITE – Honey
– Lemon
– Tropical fruit
– Tropical fruit
TA S T E S
– Tart fruit
SWEET RED
– Candied fruit
DRY RED
– Herbs
– Honey
– Dark berries
– Flowers
– Ripe berries
- Rush of juiciness
on both sides of
your tongue
COMPARISON:
Eating a green apple Medium
or lemon.
High
ACIDITY
What it feels like:
Mouth-watering, tart, a rush of juiciness on
both sides of your tongue.
Comparison:
The reactive sensations in your mouth
caused by eating a green apple or lemon.
COMPARISON:
Strongly brewed tea
turned cold.
TANNIN
Tannins come from grape skins and the oak
barrels used to age wine. In moderation,
they add structure, backbone and
complexity to a wine, particularly in reds.
They’re also vital if the wine is intended to
age, as they act as a preservative.
Tannins can help a wine feel ripe and soft
as opposed to green or stalky, and coarse
rather than fine-grained.
What it feels like:
Bitterness on the sides of your tongue and
texture throughout your mouth. When
tannins are strong they make your tongue
and teeth dry out and cause a puckering of
your gums.
Comparison:
Strongly brewed tea turned cold.
BODY
Swish the wine around in your mouth so it
coats your tongue, cheeks and palate, and
consider the weight of the wine. It will sit
somewhere along the spectrum of light to
full-bodied. Generally the more alcohol, the
fuller the body.
What it feels like:
A light-bodied wine will have a lighter,
thinner, less viscous mouthfeel, whereas a
full-bodied wine will feel heavy and creamy
in your mouth.
Comparison:
Light-bodied wine – non-fat milk.
Medium-bodied wine – whole milk.
Very full-bodied wine – heavy cream.
OPTIONAL
ALCOHOL D E M O N S T R AT I O N
What it feels like: Sweetness/dryness: Mix solutions
Wines high in alcohol give a sensation of of sugar and water in different
heat in the middle of your tongue, your concentrations: dry – less than 4g/litre;
throat and your chest. A fortified wine such off-dry – 5–9g/litre; medium-dry/sweet
as port will produce a warming glow in your – 10–45g/litre; sweet – above 45g/litre.
mouth, throat and chest.
Acidity: Set up five glasses of water.
Comparison: Keep one plain and in the others
The warm, burning sensation of spirits. squeeze the juice of: ¼ orange,
Tastes: ¼ grapefruit, ½ lemon, ½ lime. You
You shouldn’t be able to taste alcohol in can also use tartaric or citric acid –
wine, but wines high in alcohol can taste as it is very sour, only mix 1:4 acid.
more tannic or sweeter. Tannins: Place three black tea bags
in three mugs. After two minutes,
remove the first bag. After four
minutes, remove the second. After
eight minutes, remove the final tea
bag. Let the tea cool.
Body: Light-bodied wine – non-fat milk.
Medium-bodied wine – whole milk.
Very full-bodied wine – heavy cream.
CONCLUDE
- Does it taste balanced?
01
- Do the flavours linger?
- Do any particular characteristics
XXXX
stand out?
-- Errit
What huctum satem
have you mo. about
learned
the wine?
- Conventi culicastam muliis
huituam iaecuper.
- Bi erridet huctum satem mo.
SUGGESTED
5. CONCLUDE DISCUSSION POINTS
Savour the wine and notice how it finishes: – Age can strongly affect every
short or long? Consider your overall opinion element of wine. Have you tasted
of the wine. Everyone has a unique palate any old wines, and if so how did
so we experience the same wine in different they taste compared to similar,
ways. Does it taste balanced? Are there any younger wines of the same variety?
particular characteristics that stand out?
– Must a wine be well balanced at the
What have you learned about the wine?
time it’s bottled, or could it develop
BALANCE AND HARMONY harmony in the bottle over time?
All winemakers seek balance: that perfect
harmony of components where no one
characteristic shouts over the others. There’s
no single formula for wine, and varying
opinions abound on what makes a great
one, but there should always be a balance
between five elements: alcohol, acidity,
sweetness, tannins and fruit. If a wine is too
sugary, too astringent or too sour, it’s not
well balanced. A balanced wine is enjoyable
to drink and is often described as elegant.
IS VINTAGE IMPORTANT?
The significance of vintage depends on the grape-growing region. It can be very
important in less predictable climates, where some seasons are warmer and sunnier than
others and produce better quality grapes. A poor vintage is less likely in warmer regions,
where the weather tends to be more consistent.
A D VA N C E D
NOTES
WHY DO SOME WINES TASTE BETTER WITH AGE?
As wine ages, its colours, flavours and aromas change. White wines grow darker
in colour while red wines become paler. Their primary, fruity aromas begin to soften
and make way for earthier, more savoury tertiary aromas such as leather, chocolate
and spice. These changes are due to complex chemical reactions that scientists are still
unravelling, but are largely a result of tannins and acid interacting with oxygen.
The adage that wine gets better with age does not apply universally: most wine we buy
from the bottle shop or liquor store was made to be opened within months and will lose
its fruit characters if left too long. Wines that age well usually have high levels of tannins
and acid, which act as preservatives that slow oxidation and flavour-changing chemical
reactions. This also means they may not be pleasant to drink young.
TIME TO TASTE
NOW IS A GOOD TIME TO
TASTE AND DISCUSS YOUR
SELECTED MIX OF WINES.
RIESLING
LLY
N ATI ONA
INTER WNED REGIONS
RENO GROWS
PRIMARILY IN:
Clare Valley
Eden Valley
Tasmania
RIESLI NG
Orange
Canberra District
NATURAL Great Southern
ACIDITY Henty
CHARACTERISTICS
- Citrus fruits
- Green apple
AGES - Perfumed
WELL - Bright fruit characters
S E M I L LO N
REGIONS
GROWS IN
LIGHT TO MANY REGIONS
MEDIUM-BODIED particularly the
Hunter Valley and
Margaret River.
SEMILLON
The unique style
of Hunter Valley
Semillon ages well
COMMONLY
BLENDED WITH
SAUVIGNON
BLANC - Citrus
- Floral
- Green apple
- Stone fruits
C H A R D O N N AY
REGIONS
UCTION
WINE PROD GROWS IN
+ OF AUSTRALIA’S WHITE
50% ALL REGIONS
- Pear
CHARACTERISTICS - Apple
- Peach
- Citrus
HARDY, Big oaky
VERSATILE styles replaced - Toasty
GRAPE by wines with - Subtle oak
crisper acidity,
minerality and
elegance
M O S C AT O
PA I R I N G
APERITIF
POPULAR AS AN E
IN
Best AND DESSERT W
examples
from cooler
MOSCATO
regions
LOW
ALCOHOL - Light, refreshing,
CONTENT sweet wine
- Pretty, floral
characteristics
RO S É
REGIONS
GROWN
RN ACROSS
L A R M OD E AUSTRALIA
P OPU T YLE IS
S
A L E A ND DRY
P
ROSE
FRESH RED FRUITS:
- Cherry
- Strawberry
EXTREMELY - Raspberry
DIVERSE STYLES
made from a variety
of red wine grapes
P I N OT N O I R
REGIONS
FOCUS ON COOL-CLIMATE
YOUNG regions such as Yarra
Valley, Mornington
Peninsula and Tasmania
bright red
and black fruit
flavours
ALIA’S
AUSTR
PINOT NOIR
LAR
CHARACTERISTICS
O S T POPU
M
RED
LIGHT
AGED
SHIRAZ
REGIONS
GROWN IN
ALL REGIONS
with the Barossa
AU S T RA LI A’S M OS T Valley and Hunter
Valley the most
FA M OU S WI NE EX P OR T well-known
SHIRAZ
WARM Rich, ripe fruit
CLIMATES flavours,
WORLD’S spicy styles
OLDEST
SHIRAZ VINES C L I M AT E
STILL IN
PRODUCTION
COOLER Fresh, mid-weight,
CLIMATES elegant styles
CABERNET
SAU V I G N O N
D
IA’S THIR
AUSTRAL NTED
A
MOST PL REGIONS
V ARIETY
GRAPE
THICK GROWN ACROSS
SKINNED, AUSTRALIA
ROBUST, FIRM in moderate
TANNIN climates, notably
STRUCTURE
in Coonawarra,
CABERNET
Margaret River
CHARACTERISTICS and Yarra Valley
SAUVIGNON
- Blackcurrant
- Capsicum OFTEN BLENDED
- Mint with Merlot,
GREAT Shiraz, Cabernet
AGEING Franc and Petit
POTENTIAL Verdot
B O T RY T I S
S E M I L LO N
REGIONS
SEMI LLON
- Stone fruit flavours,
BOTRYTIS
most often apricot
- Citrus
- Honey
Pale yellow
to deep golden
in colour
FORTIFIED WINE
grape spirit
incredible Muscats
RICH, LUSCIOUS
AND MOLASSES-LIKE,
WITH STICKY
BETWEEN 15.5 SWEETNESS AND GREAT
ALCOHOL COMPLEXITY
LEVELS AND 20
WINES
- Able to tell a story of the grape,
region, climate and soil, and
winemaker
- Some wines sold as single
varietals contain a percentage
of other grapes – in Australia up
to 15% (15% in France, 25% in US)
REGIONS
BAROSSA VALLEY
DRY, AND MCLAREN VALE
CRISP AND
REFRESHING
EXCELLENT
STRUCTURE
FUL STYLE
WITH GOOD
WER
BOLD, PO
AGEING
POTENTIAL
- Blueberry
- Black fruits
F L AV O U R S - Mint
- Olive
DEEP
TANNINS LONG FINISH
LONG FINISH
CHARACTERISTICS CABERNET CABERNET
SHIRAZ MERLOT
- Cassis
WELL BALANCED A RO M AS - Mocha
- Sweet spice
1 Adelaide Hills, SA
NORTHERN
TERRITORY
2 Barossa Valley, SA
QUEENSLAND 3 Canberra District, ACT
4 Clare Valley, SA
WESTERN AUSTRALIA
5 Coonawarra, SA
SOUTH
AUSTRALIA
6 Heathcote, VIC
7 Hunter Valley, NSW
NEW SOUTH WALES 8 Margaret River, WA
4 7
2 9 McLaren Vale, SA
8 91 3
10 Mornington Peninsula, VIC
5 6
VICTORIA
12 11 Tasmania
10
12 Yarra Valley, VIC
0 500
Kilometres 11 TASMANIA
AN OVERVIEW OF AUSTRALIA’S
WINE REGIONS
The Australian wine community today is
founded on the explorers of the past who
identified the optimal vineyard sites. From
the iconic to the lesser known, Australia’s 65
wine regions boast distinct characteristics
that are expressed in wines produced by
makers attuned to their land.
The wine regions of Australia are largely
concentrated in the south east and south
west of Australia where temperatures don’t
climb too high.
A D VA N C E D
NOTES
MULTI-REGIONAL BLENDING
Multi-regional blends take the best from multiple regions to create balanced and consistent
wines. The concept has long been part of Australia’s revolutionary winemaking history.
It takes advantage of regional strengths and allows the winemaker to develop the style,
lessen the effect of vintage variation and replicate the wine year after year.
Strict regulations in some regions prevent European winemakers from using this method –
and varying opinions exist about its merits. In Australia, it’s an example of a bold, risk-
taking approach paying off. Some of the country’s most successful wine producers are
multi-regional brands producing globally coveted and premium wines. The most famous
of these is the Penfolds Bin 60A, a blend of Coonawarra Cabernet Sauvignon and Barossa
Valley Shiraz.
5°C 6°C 7°C 8°C 9°C 10°C 11°C 12°C 13°C 14°C 15°C 16°C 17°C 18°C 19°C 20°C 21°C
WHITE WINE
AND ROSÉ:
F RI D G E CO L D
WHITE
SPARKLIN G
WIN E WINE ROSé LIGHT–BODIED
RED WINE
FULL-BODIED
reD WINE
FORTIFIED
WINE
FUN FACT
CENOSILLICAPHOBIA
IS THE FEAR OF
AN EMPTY GLASS.
SUGGESTED
CLASSIC PAIRINGS DISCUSSION POINTS
While the pairings above are tried- What are some food and wine
and-tested classics, wine is all about pairings you have either enjoyed or
experimentation. So try new combinations not enjoyed?
for yourself and see what works well
What have you learned today that
with your palate.
will change the way you match
wine with food?
OX I D
- Flat flavours
-AT I O N O X ID A T IO N
OXIDATION
What it is: When wine encounters oxygen
it begins to break down, and too much
exposure to oxygen will spoil it. It’s the same
reaction that occurs when you leave a cut
avocado or apple out. This can happen
during the winemaking process or in the
bottle, when too much oxygen seeps in.
How you can tell: Oxidised wine loses its
fruity aromas and is flat on the palate,
potentially with notes of stewed apple or
bitter fruit. It also appears flatter in colour,
with red wines turning a brown-brick colour
and white wines turning golden.
What to do about it: Once a wine is
oxidised, there’s no going back.