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    Eduqas Ko Badinerie

    Uploaded by

    J Francis
    The Badinerie by JS Bach is in binary form with two repeated sections. Section A is in B minor and modulates through various keys to end in the dominant minor, while Section B begins in the dominant minor and modulates through other keys to return to the tonic of B minor. The piece is scored for flute, string orchestra and harpsichord and features two short melodic motifs along with typical Baroque ornaments and compositional devices. It has a lively Allegro tempo in simple duple meter.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Eduqas Ko Badinerie

    Uploaded by

    J Francis
    217 views1 page
    The Badinerie by JS Bach is in binary form with two repeated sections. Section A is in B minor and modulates through various keys to end in the dominant minor, while Section B begins in the dominant minor and modulates through other keys to return to the tonic of B minor. The piece is scored for flute, string orchestra and harpsichord and features two short melodic motifs along with typical Baroque ornaments and compositional devices. It has a lively Allegro tempo in simple duple meter.

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    eduqas-ko-badinerie

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    The Badinerie by JS Bach is in binary form with two repeated sections. Section A is in B minor and modulates through various keys to end in the dominant minor, while Section B begins in the dominant minor and modulates through other keys to return to the tonic of B minor. The piece is scored for flute, string orchestra and harpsichord and features two short melodic motifs along with typical Baroque ornaments and compositional devices. It has a lively Allegro tempo in simple duple meter.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    217 views1 page

    Eduqas Ko Badinerie

    Uploaded by

    J Francis
    The Badinerie by JS Bach is in binary form with two repeated sections. Section A is in B minor and modulates through various keys to end in the dominant minor, while Section B begins in the dominant minor and modulates through other keys to return to the tonic of B minor. The piece is scored for flute, string orchestra and harpsichord and features two short melodic motifs along with typical Baroque ornaments and compositional devices. It has a lively Allegro tempo in simple duple meter.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    JS Bach: Badinerie

    Form and structure: Harmony: Melody:


    The piece is in Binary form (AB). Diatonic; mixture of root position and inverted chords; The movement is based on two musical motifs.
    Section A is 16 bars long. uses V7 chords and a Neapolitan sixth chord.

    Section B is 24 bars long. Imperfect and perfect cadences are clearly presented
    throughout. Both sections end with a perfect cadence.
    Each section is repeated (AABB).

    Dynamics: Metre and rhythm:


    Mostly forte throughout, although no Simple duple time – 2/4 – with two crotchet beats in
    markings appear on the score. every bar.
    On some recordings, terraced dynamics Uses ostinato rhythms which form the basis of two
    (sudden changes) are included. short musical ideas (X and Y), consisting almost totally of
    quavers and semi-quavers.

    Both motifs begin with an anacrusis. Motif X is entirely disjunct


    Background details: Instrumentation:
    whilst motif Y combines disjunct and conjunct movement.
    Composed by Johann Sebastian Bach (1685 Flute, string orchestra and harpsichord.
    – 1750), one of the main composers of the Typical ornaments and compositional devices of the period are
    The score has five parts (flute, violin 1, violin 2, viola and used including trills, appoggiaturas and sequences.
    Baroque era in music. cello). The harpsichord player reads from the cello line
    Badinerie is the last of seven movements from and plays the notes with their left hand whilst filling in the
    a larger piece called Orchestral Suite No.2. chords with their right hand.
    Texture:
    The piece was composed between 1738-1739.
    Homophonic: melody and accompaniment.
    The flute and cello provide the main musical material; however, the 1st
    Tonality: violin participates occasionally.
    Section A begins in B minor (tonic) and ends in F# minor (dominant minor). The 2nd violin and viola provide harmony with less busy musical lines.
    Section B begins in F# minor (dominant minor) and ends in B minor (tonic).
    Section A modulates from B minor through A major before arriving at F# minor.
    Tempo:
    Section B modulates from F# minor through E minor, D major, G major and D major before arriving at B The tempo is Allegro (quick, lively, bright), although not marked on
    minor. the score.

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