Beauty

and The Beast Prologue

             
Composed by Alan Menkin



Transcribed by Justin Hollett

                  
 
 = 100

   
     
   


 
                     
       
                  
4

     
     


 
                     
                       

7

    
          


                                
                
10


        
 

  
 

                      


                    
13

     
    
rit.

 

                          
A tempo

                        
16

          
    

                
                
19

     
  
   
 


               
          
                      
22

      
   
rit.

 

 


  
 
                
A tempo


   
25

          
   



 
f

 
   

                
   
28

       
   
 
  

 f 

  
2
            
 
                                   
31

 
     

     
  
        
  

    
             
                           
34


       
   
         
 


     
  

                        
                       
37 rit.

  
   
   
      
        
 
    
40

 rit.
      

   




                     
  
                 
      
A tempo
45

 
      
 
 

3
             
     
                      
    

48

 
       
    


                  
                  

51

  
          
rit.