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    Dolphin Shoals

    Uploaded by

    el
    This document is a musical score for "Dolphin Shoals", a piece written for clarinet by Alejandro Portela. The score consists of notation for the clarinet part across 47 measures, featuring rhythmic motifs that are developed and varied throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Dolphin Shoals

    Uploaded by

    el
    17 views2 pages
    This document is a musical score for "Dolphin Shoals", a piece written for clarinet by Alejandro Portela. The score consists of notation for the clarinet part across 47 measures, featuring rhythmic motifs that are developed and varied throughout the piece.

    Original Title

    DOLPHIN_SHOALS

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This document is a musical score for "Dolphin Shoals", a piece written for clarinet by Alejandro Portela. The score consists of notation for the clarinet part across 47 measures, featuring rhythmic motifs that are developed and varied throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    17 views2 pages

    Dolphin Shoals

    Uploaded by

    el
    This document is a musical score for "Dolphin Shoals", a piece written for clarinet by Alejandro Portela. The score consists of notation for the clarinet part across 47 measures, featuring rhythmic motifs that are developed and varied throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    DOLPHIN SHOALS

    for Clarinet
    Alejandro Portela

              
      
                   
             

     
            
                
          

    4

       
         
                
      
     
    8

                  
      
              
          


    11

     

                  
           
        
       
    14

     
                  
          
          
    20

         
                              
     
    25

     
               
                        
      
    28

      
                       
    3

      
    32

                  
             
                 
    34

    3
             
    2

              
        
      
        
    37

       
             
         

     

    39

          
       
     
    44

       
          
     
    47

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