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Tired of the same stock scale patterns you’ve been practicing? These simple tweaks can transform the sound of well known guitar scales,
coaxing sounds that beg for more experimentation and creative expression!
Let’s start with one of the first scales a guitar player will learn - the minor pentatonic scale. This is a five note scale that is very commonly
used for lead playing. The notes of the scale are the root, minor third (or flat third), fourth, fifth, and the minor seventh (or flat seventh).
Let’s add the note between the fourth and fifth - commonly referred to as the “flat five” - to the scale.
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Choose the A Minor Pentatonic scale and play through the pattern, adding the flat five to it. Note how the sound of the scale just got a WEIRD guitars, bizarre guitars, wonderful
more “bluesy” upgrade. It’s no accident that the flat five note is also referred to as the “blues” note, as it evokes a very bluesy sound. Not guitars, vintage guitars and the very best o
surprisingly, this scale is known as the blues scale. the online auctions!
Improvise and experiment with the added note in every pattern of the minor pentatonic you know. You’ve just unlocked a whole new sound Please read the small print, copyright
with a very simple adjustment!
issues, use of photographs, etc.
Now let’s take the natural minor scale - root, 2nd, b3, 4, 5, b6, b7 - and mess with it a little. If we sharpen the flat 7 (or minor 7th), it
becomes a “major” seventh. Play through the scale with this adjustment, and note the distinct sound that emits when you play through the
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b6, 7, octave (root), and above. This is known as the harmonic minor scale.
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This scale is a great choice to play when you are playing in any minor key, but the V chord in the progression happens to be a major
chord. For example, in the key of Am, your I chord is A minor, and your V chord would be E minor. But sometimes, you’ll encounter chord ► 2013 (301)
progressions where that V chord is actually major - in this case E major or E7. So improvise with A minor for all the chords in the ► 2012 (380)
progression, but switch to A harmonic minor just over the E chord. The notes will highlight that chord perfectly!
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SHIFT A NOTE IN THE PHRYGIAN SCALE ► 2010 (607)
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One more cool tweak is to start with the Phrygian scale. The Phrygian scale is the 3rd mode of the major scale, and it’s formula is root, b2,
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You could think of this particular scale as a natural minor scale with a flat 2. But let’s take it one step further, and raise the flat third one
semitone (or fret) to a major third. Now play through the scale and check out the resulting unique sound!
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It sounds very exotic with a distinct flavor that can add so much to your riffs or leads. This resulting scale is known as the “Phrygian
Dominant” scale. It sounds particularly great when you’re playing over chord progressions that use the I, bII, and bVII chords. Posts
Of course, there are many more examples of taking a scale and adding or shifting a note to create new sounds, so be sure to experiment All Comments
often with this approach to unlock new ideas! You can always use the scale finder on GuitarTricks.com to help you learn more and get
better more quickly!
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Here are some top tips to make sure to set off - and continue - on the right kind of paths with this aural development. Good luck, and have
splinters and wire
fun!
#2302 Undine - Butternut body with
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Keep it simple persimmon fretboardSalvaged textured
There is so much that you can deduce just by asking yourself “What do I actually hear?” And thinking critically about your response. aluminum sheet pickguard Homespun
single coil pickups, 6.8...
A note played in the 2nd string doesn’t sound exactly the same as the very same pitch on the 4th string, for example, the tone produced is 4 months ago
quite different. Is this a high note, or a low note? Played hard or soft? is it the only note being played or one of several? How is it being
played? Is there vibrato? Is there a bend or slide or legato technique present? Is the note sustained, or played staccato? The difficult thing Craigslist Vintage Guitar Hunt
with this stuff is figuring out which specific note or chord is being played - is it an A or a B for example? 1960's Fender Super Reverb Amp -
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But these questions above should be fairly simple to answer, at least after a few attempts and some practice. Los Angeles). - From the looks of the
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So the first lesson here is to keep it simple! Assess the background information, as so much useful info is readily available Reverb and it looks to be 100%
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9 months ago
It’s important to develop your ability to recognise whether a chord is major or minor, at first, then later whether it’s a major7, minor7 or
‘dominant’7. (Then much later, to more advanced chords too)
Pointy Guitar
This is something that really helps you when figuring out chords in a progression by ear. Knowing whether a chord is major or minor is half Mystery Riff No. 5 - What’s all this?Just
the battle when doing this, and when combined with knowledge of what key the song is in, really narrows your options of what chords identify the title of the song from which
the above riff is pulled and the artist
could possibly be in the chord pattern.
who … More
2 years ago
To get started with this, consider major chords as chords that sound upright, complete, happy, bright and resolved, and minor chords as
ones that sound sadder, ‘lower’, still complete but more melancholic, melodic and less final.
The Ones That Got Away
- It's been many years since I posted
Get together with a musician friend and take turns to test each other on this (and all the other elements of ear training) to make it a fun
here, but I wanted to let anyone who
challenge.
comes here looking for a particular
story know that I am slowly but surely
Rhythm transcription movi...
This is about cultivating the ability to determine, by ear, the rhythm of a riff or the rhythmic strumming pattern of a chord progression. 2 years ago
This is often the final piece when learning a song by ear - you may have figured out the chord pattern but the strumming eludes you. This
Louco Por Guitarra
is a very common situation, especially with complex instrumentations, or music where the guitar isn’t mixed front and centre and is Testamos a Epiphone SG
therefore harder to hear with absolute clarity. Muse - Inspired By Gibson
- *Oscar Eigio Isaka Jr.* *
Practice this with as many songs as you can, and it’s also a good idea to learn basic rhythm notation, if you don’t already know it. (obs: antes de fazer
perguntas e ou postar
This means that you can practice rhythm transcription - i.e. Hearing a rhythm, then notating it roughly and briefly. By doing this, you make comentários, leia aqui: CLIQUE)* A
it something you can immediately play without repeated listens to remind yourself of the vibe. Simply consult your transcription! serie "Muse" da nova linha "inspired by
Gibson" ...
Improvised soloing / backing tracks 2 years ago
This is a great tip, because it contains multiple benefits simultaneously. Besides being fantastic ear training, it also trains soloing,
technique, improvisation, and is fun too! Wood and Wire Guitar Shop
Updated Shop Info - The building was
Put on a backing track or a song and attempt to play over it. Ideally one which doesn’t reveal thekey it is in, as figuring this out is part of secretly sold to make way for much
the process. needed cookie cutter commercial
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decided the move was to go 100%...
There are many ways to figure out the key, from rudimentary trial and error, to complex thought processes, and you’ll probably develop
2 years ago
one that mixes various methods over time, as most guitarists do.
A really nice one is to find a note that works (as in fits / sounds good over the backing) then spread out from there. - What is the next note Guitar Collecting
Joe Bonamassa announces Epiphone
on that same string that works? - Go one string either side - which notes work nearby?
Ltd Ed 1960 Les Paul Standard ‘Norm
Burst’ - […]
And so you spread out from there and within a minute or so you have a full position of a scale that you can solo with.
3 years ago
Jam!
gUitarREN
As well as being a great way to work on your ear, this is also in essence one of the main applications of all of the above. This is about
Ines Birkhan + Bertram
entering a real, lively, engaged, fun musical scenario, performing well and enjoying it, because you’re putting honed musicianship to good Dhellemmes' Ganz Ruhig
use. EP on Smallforms - Last
winter, with writer and
Get together with friends who play and jam. Whether you have an originals band, or you play covers for fun, or you take turns soloing over performer Ines Birkhan,
each other playing rhythm parts, it doesn’t really matter. What matters is that jamming is a spontaneous and interactive process. we performed and recorded a piece for
guitar, electronics and spoken words at
In the best jams, the musicians use their ears to ensure that they try to play things that fit with, respond to, or in some other interesting *Smallforms* in Vienn...
way relate to, what the other musicians are doing. This is a fantastic, fun way to put your musical ear to the test, apply your new 5 years ago
knowledge, and keep growing on the path to becoming a better musician.
Sans Direction
Alex Bruce writes for guitartricks.com which offers guitar lessons for beginners "Don't mind dyin' but I hate to see my
children cry" - My first introduction to
the jam band scene was through Col
Posted by Gavin Lloyd Wilson at 3:02 pm No comments: Bruce Hampton and the Aquarium
Rescue Unit. I think I had it on cassette,
Labels: article, beginners, guest blogger, Guitar Lessons, guitartricks.com, learning
which was a review co...
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inspireformation-a working
musician's blog
Debut single from Muddy
Goats! Gear rundown for
Double D - My weapon of
Image by Valéria Rodrigues Valéria from Pixabay choice with Muddy Goats.
Malcolm Young would
approve. The Muddy Goats have
Hindsight is a wonderful thing, so the saying goes, and this seems objectively true in any walk of life. Learning is dropped their our new single on
a beautiful, sometimes painful process, and there’s really no getting around it. Soundcloud. 'Burn it Down' is a...
8 years ago
However, every intermediate or advanced guitarist can reel off a list of things they wish they’d known as
"Smojo" Cigar Box Guitars
beginner guitar players, quicker than you can say “Don’t-worry-the-finger-pain-goes-away-in-about-a-week”. New Blog - My cbg activities have
ground to a standstill right now but hey
These aren’t ways to avoid the absolutely necessary processes of learning and practice (there’s really, really no - I've started a new blog about anything
cool and interesting that comes my
getting around those) but they are little insights, and tricks, and shortcuts, and reassurances that should way. Mainly mus...
combine to help you progress faster and happier. 9 years ago
So, beginner guitarists, here are 5 things you really should know, embarking on your instrumental learning Thumbrella - Words To A Void
Vinyl Records: Why They
journey. And ironically, it could be argued that the 5 points also make pretty good general rules for life. Maybe (Don’t) Sound Better than
that’s too deep for now though, so let’s talk guitar: Compact Discs - [image:
vinyl vs cd sound
quality]As this is being
1 - Rapid Progress Is Around The Corner
written, there is (as many of you know)
Time after time teaching beginner guitarists, we see the same thing play out. It goes like this: an upward trend in buying new music
recordings on vinyl. Record ...
Beginner guitarist picks up the instrument 9 years ago
Finds it challenging (obviously)
The Guitar Garage
Presumes they’re innately ‘not very good at it’ or it’s ‘too hard’ Guitar Garage Open
House Nov. 1st & 2nd,
Stops playing. 2014 - Noon to 5 PM - A
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There’s one crucial thing they’re failing to understand here, and it’s the difference between being bad at custom-builts that will be
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So the question is - what should you compare yourself to? The answer might be yourself, five minutes ago. Or it 9 years ago
might be other people who also only just picked up the instrument. But it certainly isn’t Jimi Hendrix, who - once
upon a time, five minutes after picking up the instrument - had exactly the same ability as you have right now. Alternative Guitar Design
6 mm body, new forearm
and thigh rest -
You are not bad at playing the guitar, and the guitar is not inherently too difficult. You are new to playing the
guitar, and it takes a bit of time to make progress.
9 years ago
The good news, though, is that - with little-and-often practice - progress rapidly accelerates, especially at the
beginning, where there’s so much space to progress into, and so much to learn.
Gitbox Culture
Exploring the limits of gear
Do not be deterred by something challenging being challenging. In some sense it’s a test of your commitment live in a downtown area of
and resolve, a wall representing your desire to learn the instrument - beyond which is a world of creative Toronto, and I find that
quite a few of my gigs are
expression and enjoyment. But never forget the difference between being bad at something, and being new to within walking distance. I
something. prefer to walk over taking
public transit or d...
11 years ago
2 - Your Body Will Adapt
The pain-in-the-fingers point in the introductory paragraph has already referenced this idea. Because again,
Burns Guitar Museum
another presumption beginners make all too easily is that playing guitar simply causes painful fingertips, or a 22. Burns apps - This authumn we are
sore wrist. going to release a couple of Burns
apps. It will be parts of the old book
withlarger pictures in combination with
The truth is - unless you have poor posture and technique - that playing guitar causes painful fingertips, for new facts, intervjues...
about a week. After which time this goes away and never returns. 11 years ago
Your body will adapt. Your fingertips quickly develop calluses - very slightly firmer skin - and then that’s that, Play a Little Guitar
-
you’re all set. No pain, no problem.
Guitar Noize
In some ways this is the same overall point as the first point: Don’t presume that how it is in the beginning is how -
it’s always going to be. It isn’t. Everything improves exponentially if you move beyond the initial obstacles and
keep playing. Guitar Omnivore
-
b. Of course you’re going to primarily take on beginner level material, and rightly so. It’s important you follow Crimson Guitars (keep checking the
the well-worn paths that have led so many guitarists to advanced levels, success and creative fulfilment. workshop diaries!)
However, trying to play more complex, advanced bits of material gives you an insight into what’s to come, Fretted Americana
may make you learn something new, is good inspiration, and great fun. Don’t be afraid to try these things
Guitar Noise
once in a while. It’s not about mastery, it’s about testing yourself.
GuitarPlayerWorld - Free Guitar Lessons
Online
4 - Don’t Avoid Things
Harmony Central
If you hit an obstacle, that might feel like a brick wall - and there are some common ones: Barre chords,
alternate picking, and so on - it’s so so easy to turn away. You should fight this urge, though, because there’s HighlyStrung.net - parts, etc
really only one way forward.
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Furthermore, these obstacles are never the monsters they seem, especially when broken down by practice, Learn How To Play Guitar Online
good teaching, online lessons, repetition, determination, and so on.
Modern Guitars Magazine
It is in the act of avoiding the challenge that you create the monster. Every time you avoid it, you unconsciously Premier Guitar Magazine
tell yourself that this should be avoided because it is something to fear. The reality is always very different.
ProjectGuitar.com
Play your barre chords badly, then again, then again, then take on a barre chord song beyond your level, and Strat Collector
play it badly, and again, and again, and then click - suddenly youcan play barre chords. If you don’t believe me, The Chord House
try it!
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Scatterwound Pickups, handcrafted in
5 - Acquire The Tools You Need Manchester, UK
A bad workman blames his tools, but a beginner workman often doesn’t have the tools in the first place.
Vintage and Rare
No you don’t need to immediately buy every bit of guitar gear you can get your hands on (that’ll come later) but Vintage Guitar Info
having a working version of each of the essential accessories is really important.
Vintage Guitars and Basses
This might sound very obvious, but perhaps you’d be surprised how many guitarists can find themselves without
a pick, tuner, or capo to hand when needed.
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Guitar (the obvious one) Jemsite
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Alex Bruce writes for guitartricks.com which offers guitar lessons for beginners
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sears (1) Sekova (5) Selco (1) Selmer (4)
Acoustic (28) semi-hollow body (18
SG (39) shadow
SENSUS Smart Guitar (1)
Shaftesbury (2) shahi baaja (1) Shergold (14) Sh
(1) shiraki (1) sholz rockman (1) Shonky (3) sho
scale (21) Sid Poole (2) Sigma (2) signatu
guitar (47) signed guitars (30) silvatone
Here are an odd pair of basses I saw listed in separate auctions from the same seller on eBay. As you can clearly see they are strangely Silver Street (1) Silvertone (15) Silvestri
tweaked Fender designs, namely a Jazz Bass and a P-Bass, both bizarrely converted to headless instruments. Well I say headless, but simpsons (1) sitar (2) skateboard (1) Slade (1) sl
each has a mini-headstock which acts as a string anchor. The mini-headstock in itself is not inelegant; however at the other end of each guitar (24) small company (19) SMASH
instrument is a strange protuberance (a butt-stock, perhaps?) carrying the tuners. Surely there could have been a neater way of doing this, Soares'y (2) someone must have thought it wa
e.g using a Steinberger-style bridge with integral tuners. Also note that it would be impossible to stand up either of these basses while not good idea (3) Sonic F (1) soprano guitars (1) So
being used without the right kind of guitar stand. As for getting a case to fit... African guitars (2) Spalt Instruments (2) Span
guitar (3) speakers (4) Specimen (3) Squier (4
I'm guessing that these are one-off custom jobs. Judging by the photographs the conversion and finish on each has been carried out very St George (3) St Moritz (1) Stacatto (2) Standel
Stanley Clarke (1) Status (3) Steel bodied (3) St
competently. My only questions are Why? and Who will these appeal to?
guitar (8) Steelphon (1) Steinberger (8) Stella
Stereo guitars (4) Steve Acworth (1) Stevie R
EBay UK links for these two:
Vaughan (3) Stewart Guitars (1) Stolen (5) sto
box (1) Stonehenge (2) Stradi (1) strat
Headless Jazz Bass Stratocaster (224) Stratosphere (2) Stray C
(1) Strings (5) Strobel (2) stromberg (1) Stuart Palm
Headless P-Bass (1) Stump Preacher (1) Stupid customisations (
Stupid customizations (1) sunburst (1) Super
Both are listed with starting prices of £199 (UKP). superstrat (25) supro (9) surf (3) Sust
devices (14) suzuki (2) Swagerty (1) Swed
guitars (10) Sweetwood Guitars (1) Swinger (1) Sw
More photos of each:
guitars (2) Switch Guitars (3) SX Guitars
sympathetic strings (1) takamine (6) Talbo (2) talm
(1) Tanglewood (1) Tantra (4) Tao Guitars (1) Taran
(1) Taras Guitars (1) Tausch (1) Taylor (7) Teardrop
Ted Crocker (1) Teisco (66) tele tuesday (
Telecaster (176) telemaster (1) TeleStar
Tenacious D (1) Tennessee (6) Tenor guitar (2
Terz guitar (1) Teuffel (4) Teye (1) The Creamery
The Paradox of Choice (1) The Scant Regard (1) T
thinl
Shadows (2) The Ventures (1) The Who (1)
(46) third bridge guitar (2) Thomas Guitars
Thunderbird (4) tiple (1) Tokai (20) Tom
Instrument Company (1) Tommy Emmanuel (1) tone
touchstyle (5) toy guitar (8) travel guitars (5
Traveling Willburys (1) Travis Bean (3) tremolo
Trikanta (1) Trini Lopez (1) triple-necks (4) Truet
(2) Tuition (1) tunings (1) TV (7) TV Jones (1) Tyler
U-Peter Guitars (1) ugly guitars (10) UK guita
(15) ukelele (1) Ukrainian guitars (1) Ukulele (3
Ultima (1) unconventional materials (2) unique gu
(6) Unisynth (1) Univox (12) unusual materi
(51) upright bass (6) Vaccaro (1) VALCO
Valdez (1) Van Halen (1) Vantage (5) Vaquero
Veillette-Citron (1) Veleno (4) Vi-tar (1) Victoria
video (128) Vigier (3) Vintage and Ra
(51) vintage guitars (1192
vintage modification (27) violin (5) violin ba
and/or guitar (31) virtual instrument (1) Vir
Vintage (2) Vline (1) voisinet (1) Von Mir (1) Vox (5
W.J. Dyer and Bro (2) wacky finishes (25
Waldorf (1) Wampler Pedals (1) Wandre (2
Wappen (1) Warmoth (5) Warwick (1) Washb
(11) Waterstone (2) Watkins - WEM - Wilson
watson (1) Wayne (1) Wayne Kramer (4) we
G L Wilson
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Please read our photo and content policy.
Labels: bass, headless, jazz bass, one-offs, Precision Bass, weird customisations
Here's an intriguing and supposedly quite rare bass guitar from Jim Burns and Henry Weill, the Burns Weill RP2G Super Streamline
Bass. I suppose that back in 1959 it looked futuristic and space-age. Today it looks ... I don't know what. It's an ugly bass for sure but
probably not as hideous looking as those ghastly singlecut jobbies with the bass-side bout extending half way up the neck which seem to
be unfathomably popular these days in bass playing circles. It's quite recognisably a design from the Burns stable, displaying future
echoes of the Burns Flyte on the treble side of the body.
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This is a very rare bass made in 1959 by Jim Burns and Henry Weill. The body, neck etc., were designed and made by Jim
Burns and all the electrics and pickups within the scratchplate were designed and made by Henry Weill.
This particular bass came from the collection of Mark Griffiths - bass player for The Shadows. It was sold in auction some
time ago along with many other guitars and basses owned by Mark Griffiths. I did not manage to buy it then but a while ago I
contacted the buyer and managed to purchase it.
It is totally original apart from the fact that it had been refinished in the past - possibly when Mark owned it.
It is a very rare bass regardless of previous owners and its actually the only one I have come across. It has two pickups with
volume, tone and blend controls plus a pickup selector switch and two-way switch - all working well, and it is a very nice
playing bass with a lovely neck, quite narrow but very playable with twenty-two frets with red dot markers and a scale of
thirty inches.
G L Wilson
© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
Labels: bass, British guitars, Burns, Burns Weill, European guitar, ugly guitars, vintage guitars, vintage modification
The Piglet in action on-stage with Red & The Hogweeds at a festival in a field somewhere in Wales.
That's me on the Flying V bass, by the way.
Sorry guys, I've not posted for ages and in the last Piglet post I had said I'd hope to show some video of the Piglet in action. It's actually
done quite a few gigs already; alas I don't have any quality video footage worth showing you, so you'll have to make do with a few
photographs instead.
For the record, the guitar performs well and is a great stage instrument. Audiences seem to like it as well. It gets pointed at quite a lot,
photos taken, etc, and is the cause of a few double-takes! Which is all good promotion for the band.
Finally, I just thought I'd post my original PhotoShop mock-up of the Piglet guitar. Obviously, there are a number of differences with the
final product, e.g. number of pickups, headstock shape, angle of the neck, but hey, I think we got pretty damn close to the original vision.
G L Wilson
© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
Labels: handmade, My guitars, one-offs, pig-shaped guitar, piglet, Projects, Weird guitars
Love it or hate it, Fender makes acoustic versions of their electric icons. I'm not a big fan, but I understand the appeal. That said, I have
some love for this abomination. It's got a "so ugly it's cool" thing going on.
I'll have to do some research and find out just exactly how rare this JZM Deluxe really is.
R.W. Haller
© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
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