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    Beatfoot With CD-J June 2022 - Tech Rider

    Uploaded by

    Zeljko Josic
    This document outlines the technical rider requirements for BęÃtfóØt's live performance. It includes details on the PA system, mixing console, monitor requirements, backline equipment, stage plot, input and output lists, and contact information. The key aspects are a 3/4 stereo PA system with sufficient subs, a professional digital mixing console like Yamaha CL or Digico, 3 mixes and 5 wedges for monitors, wireless microphones and IEM systems, various music production equipment and cables, and electrical sockets for each musician. A soundcheck of 2 hours is also requested.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Beatfoot With CD-J June 2022 - Tech Rider

    Uploaded by

    Zeljko Josic
    19 views4 pages
    This document outlines the technical rider requirements for BęÃtfóØt's live performance. It includes details on the PA system, mixing console, monitor requirements, backline equipment, stage plot, input and output lists, and contact information. The key aspects are a 3/4 stereo PA system with sufficient subs, a professional digital mixing console like Yamaha CL or Digico, 3 mixes and 5 wedges for monitors, wireless microphones and IEM systems, various music production equipment and cables, and electrical sockets for each musician. A soundcheck of 2 hours is also requested.

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    Beatfoot With CD-j June 2022 - Tech Rider

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    This document outlines the technical rider requirements for BęÃtfóØt's live performance. It includes details on the PA system, mixing console, monitor requirements, backline equipment, stage plot, input and output lists, and contact information. The key aspects are a 3/4 stereo PA system with sufficient subs, a professional digital mixing console like Yamaha CL or Digico, 3 mixes and 5 wedges for monitors, wireless microphones and IEM systems, various music production equipment and cables, and electrical sockets for each musician. A soundcheck of 2 hours is also requested.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    19 views4 pages

    Beatfoot With CD-J June 2022 - Tech Rider

    Uploaded by

    Zeljko Josic
    This document outlines the technical rider requirements for BęÃtfóØt's live performance. It includes details on the PA system, mixing console, monitor requirements, backline equipment, stage plot, input and output lists, and contact information. The key aspects are a 3/4 stereo PA system with sufficient subs, a professional digital mixing console like Yamaha CL or Digico, 3 mixes and 5 wedges for monitors, wireless microphones and IEM systems, various music production equipment and cables, and electrical sockets for each musician. A soundcheck of 2 hours is also requested.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    BĘÃTFÓØT

    TECH & BACKLINE RIDER

    BASICS
    A Top Quality 3/4 way stereo system (Line Array/High Pack + Subs) flown or stacked
    (according to all safety factors) with all the Amps Processing & Cabling According to the
    manufacturer instruction.
    A Front Fill, Outers, Center, Balcony or any other type of cover needed should also be flown
    or stacked (According to all safety factors) with all the Amps Processing & Cabling
    According to the manufacturer Instruction.
    Subs should be sufficient to the venue & audience needs.
    Please take the time to align all delays and gain prior to the technical crew arriving at the
    venue.

    P.A. SYSTEM
    L-acoustics KARA/KUDO/K1/ EAW/ Meyer-Sound / D&B Q/J
    Power amplifiers: Crown / Crest / Lab
    System processor: XTA / LAKE

    CONSOLE
    The mixing console should be placed at a reasonable location – normally at the center of the
    hall or space where the PA system will be heard properly. Acceptable consoles must be of
    professional grade such as
    YAMAHA CL 3/5 ,DIGICO SD 9/10/12/ Quantum
    Must have an Ipad wireless control.
    Please provide a router set-up with an Ipad, ready for the soundcheck.
    A Sound engineer – well familiar with the Mixing desk must be assisting the entire
    soundcheck and performance.

    MONITOR REQUIREMENTS
    Wedges: We will be using 3 mixes and 5 wedges, one 1/3 Octave EQ Inserted per mix
    IEM: 3 stereo mixes For all 3 musicians. Please use Sennheiser G4 / Shure PSM1000 IEM
    systems

    SOUNDCHECK
    The PA and various fills, all lines, mics, di’s, In-Ears and monitor wedges should be checked
    prior to sound check starting time.
    Sound check length: 2 hours
    BACKLINE

    * PLEASE NOTE THAT THE AMOUNT IS MENTIONED IN BRACKETS.


    (1) Drum cymbal boom stand
    (2) Keyboard Stand
    (2) Keyboard Stand Table Topper (60cm x 60cm, a flight case box top/cover could be used)
    (3) Vocal Microphones Wireless Shure 58 beta Shure Axient/ULX D
    (3) Sennheiser G4 / Shure PSM1000 In Ear Monitor system
    (4) Microphone stands
    (12) 5 METER ¼ inch instrument cable
    (1) Guitar Stand
    (1) PIONEER CDJ2000nxs2 or PIONEER CDJ3000
    (1) PIONEER DJM-900NXS2

    ELECTRICITY

    (3) 4 or 6 ELECTRIC SOCKETS FOR EACH MUSICIAN ON STAGE

    STAGE PLOT
    DIRECT BOXES AND ELECTRICAL SOCKETS POSITIONS

    DI BOXES POSITIONED AS DESCRIBED IN THE PLOT:


    UDI - DIs for channels 1 to 7 : Mid-front, left side
    SYNTHS - DIs for channels 8 to 11: Rear center-right
    GUITAR - DI for channel 12: Front right
    INPUT LIST

    Description DI/Mic Position

    1 Mpc L DI UDI
    2 Mpc R DI UDI
    3 SP-404 L DI UDI
    4 SP 404 R DI UDI
    5 SPD DI UDI
    6 Mpx Adi DI SYNTHS
    7 Casio Adi DI SYNTHS
    8 Yamaha keys DI SYNTHS
    9 Roland 1m DI SYNTHS
    10 Guitar DI NIMSHI
    11 Voc Nimshi Shure Axient/ULX D 58 beta NIMSHI
    12 Voc Udi Shure Axient/ULX D 58 beta UDI
    13 Voc Adi Shure Axient/ULX D 58 beta ADI
    14 Distortion Adi Our own dist box FOH console
    15 Delay Adi Our own Delay box FOH console
    *Please note that we will use a mono distortion and a mono delay pedals
    at the FOH console as send/return FX.

    OUTPUT LIST

    Name/Position Wedges Stereo InEar

    1 UDI 1 -
    2 ADI 2 -
    3 NIMSHI 1 -
    4+5 IEM UDI - Yes
    6+7 IEM ADI - Yes
    8+9 IEM NIMSHI - Yes

    CONTACT
    Management: Memartists, Dan Basman, email: danbasman@gmail.com, phone: +972528334315
    Sound Engineer: Yaron Sarel, email: yaronsarel@gmail.com, phone: +972544331705

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