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    La Mer Beyond The Sea

    Uploaded by

    HALILUYA John
    This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    La Mer Beyond The Sea

    Uploaded by

    HALILUYA John
    90 views3 pages
    This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

    Original Title

    La_Mer_Beyond_the_sea

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    90 views3 pages

    La Mer Beyond The Sea

    Uploaded by

    HALILUYA John
    This musical composition is titled "La Mer (Beyond the Sea)" and contains musical notation for saxophone and piano. It consists of multiple verses with the saxophone and piano playing melodies together. The piece builds in volume and complexity over time through the use of crescendos.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 3

    La Mer

    (Beyond the sea)


            
     
     = 112  = 90  = 112
    Saxophone Alto

         
          
       
     
    
    
      
    


            
      
    Piano 

     

    
            
    

    

              

    7

    Sax. A.

                                 


    3 3 3

              
            
          
    Pia.

                 

         
    14

    Sax. A.

                                 


    3 3

               
    3 


    3

              
           
    Pia. 

       
               
    3

     
    21

    Sax. A.


                                
    3 3

     
    3

            
       
    Pia.

    3
        
              
     
    26

    
    Sax. A.

            
          
         
    3

       
    3

     
      
          
     
    Pia.

    

    
                
     
    30

    Sax. A.

               


    3

          
    3

      

           
    3


                
       
    Pia. 

          


    3

        
    34

    Sax. A.

     
                  
    3

       
    cresc.

     
      
          
               
    Pia. cresc. 3
    3

        
       
      
    cresc.


    38


    Sax. A.

            
      
    3

     
         
    

         
      
    

              
    Pia.
    

    

    2
      

           
    42

    Sax. A.

      
              
          
    3

       
    3

    
       
           
      

    3

       
    Pia.

        
    3

           
      
     
    46

       
    Sax. A.

                
        
    3

        
    
     
       

    
        
           
    Pia.

      

                

    50

          
    Sax. A.

              

    3 3

     
    

              
      
       
    3
    Pia.

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